Lawrence Tibbett Collection ARS.0041
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Time 1925 1930 1935 1940 1945 1950 1955 1960 1965 1970 1975 1980 1985 1990 1995 2000 2005 2010
Giulio Gatti Casazza 1926 Director, Metropolitan Opera Arturo Toscanini Leopold Stokowski 1926 1930 Conductor Conductor Pietro Mascagni Lucrezia Bori James Cæsar Petrillo 1926 1930 1948 Composer Singer Head, American Federation of Musicians Richard Strauss Alfred Hertz Sergei Koussevitsky Helen Traubel Charles Munch 1938 1927 1930 1946 1949 Composer and conductor Conductor Conductor Singer Conductor Ignace J Paderewski Geraldine Farrar Joseph Deems Taylor Marian Anderson Cole Porter 1939 1927 1931 1946 1949 Kirsten Flagstad Pianist, politician Singer Composer, critic Singer Composer 1935 Lauritz Melchior Giulio Gatti-Casazza Ignace Jan Paderewski Yehudi Menuhin Singer Artur Rodziński Gian Carlo Menotti Maria Callas 1940 1923 1928 1932 1947 1950 1956 Artur Rubinstein Edward Johnson Singer Director, Metropolitan Opera Pianist, politician Violinist; 16 years old Conductor Composer Singer 1966 1936 Leopold Stokowski Pianist Johann Sebastian Bach Nellie Melba Mary Garden Lawrence Tibbett Singer Arturo Toscanini Mario Lanza & Enrico Caruso Leonard Bernstein 1940 1968 1927 1930 1933 1948 1951 1957 Jean Sibelius Conductor Dmitri Shostakovich Composer (1685–1750) Singer Singer Singer Conductor Singers Composer, conductor 1937 1942 Beverly Sills Richard Strauss Rosa Ponselle Arturo Toscanini Composer Composer Benjamin Britten Patrice Munsel Renata Tebaldi Rudolf Bing Luciano Pavarotti 1971 1927 1931 1934 1948 1951 1958 1966 1979 Sergei Koussevitsky Sir Thomas Beecham Leontyne Price Singer Georg Solti Composer, conductor Singer Conductor Composer -
8.112023-24 Bk Menotti Amelia EU 26-03-2010 9:41 Pagina 16
8.112023-24 bk Menotti Amelia_EU 26-03-2010 9:41 Pagina 16 Gian Carlo MENOTTI Also available The Consul • Amelia al ballo LO M CAR EN N OT IA T G I 8.669019 19 gs 50 din - 1954 Recor Patricia Neway • Marie Powers • Cornell MacNeil 8.669140-41 Orchestra • Lehman Engel Margherita Carosio • Rolando Panerai • Giacinto Prandelli Chorus and Orchestra of La Scala, Milan • Nino Sanzogno 8.112023-24 16 8.112023-24 bk Menotti Amelia_EU 26-03-2010 9:41 Pagina 2 MENOTTI CENTENARY EDITION Producer’s Note This CD set is the first in a series devoted to the compositions, operatic and otherwise, of Gian Carlo Menotti on Gian Carlo the occasion of his centenary in 2011. The recordings in this series date from the mid-1940s through the late 1950s, and will feature several which have never before appeared on CD, as well as some that have not been available in MENOTTI any form in nearly half a century. The present recording of The Consul, which makes its CD début here, was made a month after the work’s (1911– 2007) Philadelphia première. American Decca was at the time primarily a “pop” label, the home of Bing Crosby and Judy Garland, and did not yet have much experience in the area of Classical music. Indeed, this recording seems to have been done more because of the work’s critical acclaim on the Broadway stage than as an opera, since Decca had The Consul also recorded Arthur Miller’s Death of a Salesman with members of the original cast around the same time. -
March 1921) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 3-1-1921 Volume 39, Number 03 (March 1921) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 39, Number 03 (March 1921)." , (1921). https://digitalcommons.gardner-webb.edu/etude/677 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. MARCH J921 The World of Music The Baton Range Philharmonic Or¬ chestra is the first organization of this na¬ ture, of symphony size, to be formed in the State of Louisiana. It gave its first program SSsS®®*' SEEK K'S Sissas8®' Page U6 MARCH 1921 THE ETUDE MARCH 1921 Page U THE ETUDE Schools anb Colleges-cbtcago SUMMER MASTER COURSES FOR PROFESSIONALS AND ADVANCED STUDENTS June 2Tth=July joth=ig2i DAVID Summer master School The American Conservatory announces the return LHEVINNE engagement of these world-famous BISPHAM June 27 to August 6 [Six Weeks] artists to conduct SPECIAL ENGAGEMENT OF MAST3EE CLASSES specially designed for professional pianists and PROF. -
1 Filmmuziekmagazine Ennio Morricone
FILMMUZIEKMAGAZINE ENNIO MORRICONE - Eindelijk NUMMER 186 – 45ste JAARGANG – MAART 2016 1 Score 186 Maart 2016 45ste jaargang ISSN-nummer: 0921- 2612 Het e-zine Score is een uitgave van de stichting FILMMUZIEKMAGAZINE Cinemusica, het Nederlands Centrum voor Filmmuziek REDACTIONEEL Informatienummer: ste +31 050-5251991 Vorige week werden voor de 88 keer de Oscars uitgereikt. Het werd een gedenkwaardige editie omdat onder de vijf kan- E-mail: didaten twee oudgedienden uit de rijke wereld van de filmmu- [email protected] ziek tegen elkaar in het strijdperk traden: John Williams ver- sus Ennio Morricone. De laatste won en kan zich nu ook scharen onder een lange reeks winnaars van deze volgens Kernredactie: Paul velen nog steeds belangrijkste filmprijs ter wereld. Over de Stevelmans en Sijbold score waarmee de Maestro dan eindelijk een Oscar won, leest Tonkens u helemaal aan het einde van deze nieuwe editie van Score. Aan Score 186 werkten Een Oscar winnende score van Morricone is een gebeurtenis mee: Paul Stevelmans, waarbij flink wordt uitgepakt. Sijbold Tonkens en Julius Wolthuis Wat velen in Nederland niet weten is dat ooit, in een grijs verleden - om precies te zijn vlak vóór de donkere bezet- tingsjaren - een van oorsprong Nederlandse filmcomponist Eindredactie: Paul een Oscar won als beste filmcomponist van het jaar. Score Stevelmans was aanwezig bij de onthulling van een plaquette voor deze vergeten componist in zijn geboorteplaats Leeuwarden. In een portret over deze Richard Hageman komt u meer te weten Vormgeving: Paul over een componist die een rijk leven heeft geleid. Stevelmans Met dank aan: AMPAS, Alex Simu INHOUDSOPGAVE 3 Oscar 2016: Dat oude mannetje 9 Richard Hageman - Portret 13 Interview met Alex Simu 16 Georges Delerue versus Disney 18 Boekbespreking 19 Recensies 2 OSCAR 2016 DAT OUDE MANNETJE En daar zaten ze weer in die zijloge van het Dolby Theatre in Hollywood: de genomineerde filmcomponisten en hun entourage. -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
Jane Jayroe-Gamble She Overcame Her Fears and Shyness to Win Miss America 1967, Launching Her Career in Media and Government
Jane Jayroe-Gamble She overcame her fears and shyness to win Miss America 1967, launching her career in media and government Chapter 01 – 0:52 Introduction Announcer: As millions of television viewers watch Jane Jayroe crowned Miss America in 1967, and as Bert Parks serenaded her, no one would have thought she was actually a very shy and reluctant winner. Nor would they know that the tears, which flowed, were more of fright than joy. She was nineteen when her whole life was changed in an instant. Jane went on to become a well-known broadcaster, author, and public official. She worked as an anchor in TV news in Oklahoma City and Dallas, Fort Worth. Oklahoma governor, Frank Keating, appointed her to serve as his Secretary of Tourism. But her story along the way was filled with ups and downs. Listen to Jane Jayroe talk about her struggle with shyness, depression, and a failed marriage. And how she overcame it all to lead a happy and successful life, on this oral history website, VoicesofOklahoma.com. Chapter 02 – 8:30 Grandparents John Erling: My name is John Erling. Today’s date is April 3, 2014. Jane, will you state your full name, your date of birth, and your present age. Jane Jayroe: Jane Anne Jayroe-Gamble. Birthday is October 30, 1946. And I have a hard time remembering my age. JE: Why is that? JJ: I don’t know. I have to call my son, he’s better with numbers. I think I’m sixty-seven. JE: Peggy Helmerich, you know from Tulsa? JJ: I know who she is. -
Of Gay Sinners and Grizzly Saints Keweloh, Carina
Of Gay Sinners and Grizzly Saints Keweloh, Carina In: Student Journal of the Department of Anglophone Studies / Volume 1 (2018) This text is provided by DuEPublico, the central repository of the University Duisburg-Essen. This version of the e-publication may differ from a potential published print or online version. DOI: https://doi.org/10.17185/duepublico/47604 URN: urn:nbn:de:hbz:464-20181123-141434-3 Link: https://duepublico.uni-duisburg-essen.de:443/servlets/DocumentServlet?id=47604 License: As long as not stated otherwise within the content, all rights are reserved by the authors / publishers of the work. Usage only with permission, except applicable rules of german copyright law. Source: This essay was initially submitted as a term paper in the BA seminar “Religion in American Culture” and supervised by Dr Melissa Knox-Raab. Published in Student Journal of the Department of Anglophone Studies (Vol. 1, 2018) Of Gay Sinners and Grizzly Saints Fundamentalism in “The May-Pole of Merry Mount” CARINA KEWELOH1 Nathaniel Hawthorne’s stories often depict Puritans as superstitious, intolerant, patriarchal and oppressive, which led to the belief he held a negative attitude towards them. However, “The May-Pole of Merry Mount”2 suggests that this resentment is not specifically directed towards Puritans. Hawthorne’s short story rather exposes the dangers of fundamentalism in general. This essay scrutinizes both the portrayal of the community of Merry Mount and the Puritans in the short story to explore the features of fundamentalism they depict. Finally, the restricting and impairing effects of both fundamentalist communities will be assessed using the example of Edgar and Edith, the young couple at the center of Hawthorne’s tale. -
EASTMAN NOTES JUNE 2004 Draft: Final Date: 6/15/2004 INSIDE
NOTES JUNE 2004 A MAGAZINE FOR ALUMNI OF THE EASTMAN SCHOOL OF MUSIC FROM THE EDITOR The right “stu≠” Dear Eastman Alumni: We like Notes’ new look, and it seems you do too. Response has been unani- mously favorable; perhaps we should consider a Steve Boerner–David Cowles NOTES presidential ticket for 2008. I’d vote for them; these two artists made “Notes Volume 22, Number 2 nouveau” a pleasure, and I’m glad the pleasure was conveyed in the magazine June 2004 itself. I write the stuff, but they (and our photographers) make it look good! We also had a tremendous response to our “Eastman Alumni on CD” feature; Editor see pages 33¬34. And enough of you commented on different editorial aspects of David Raymond Notes (not always favorably) that we have a “Letters to the Editor” section, which Assistant editor may be a first for us. Christina Casey This issue of Notes is admittedly filled with history, but Susan Conkling’s re- Contributing writers minder of the great women who shaped both American music and Eastman, and Martial Bednar Amy Blum Paul Burgett’s reminder of four black composers who Christine Corrado played an important part in Eastman history, are stories Contributing photographers worth telling. As is the story of the success of Howard Kurt Brownell Hanson’s Merry Mount at the Met in 1934—a remarkable Gelfand-Piper Photography event, when you think about it. I should add a special Bob Klein Photography word of thanks here to David Peter Coppen, the Sibley Carlos Ortiz Don Ver Ploeg/VP Communications Library Archivist, who is always helpful with providing Amy Vetter historical photographs and other materials for Notes, but Photography coordinator outdid himself for these three articles. -
Hawthorne's Conception of History: a Study of the Author's Response to Alienation from God and Man
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1979 Hawthorne's Conception of History: a Study of the Author's Response to Alienation From God and Man. Lloyd Moore Daigrepont Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Daigrepont, Lloyd Moore, "Hawthorne's Conception of History: a Study of the Author's Response to Alienation From God and Man." (1979). LSU Historical Dissertations and Theses. 3389. https://digitalcommons.lsu.edu/gradschool_disstheses/3389 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. -
Chemical Bond-Dec03
Chemical Bond Volume 56 Number 2 February 2005 St. Louis Section, American Chemical Society Rosemary Davidson 2005 High School Chemistry Teacher of the Year The Department of Chemistry at the University of Missouri–St. Louis announces The Eighth Annual Robert W. Murray Lecture Peter F. Bernath Professor of Chemistry and Physics at the Guelph-Waterloo Center for Graduate Work will speak on: Atmospheric Chemistry Experiment: Spectroscopy from Orbit Monday, March 7, 2005 Lecture at 4:00 pm in 104 Stadler Hall. Reception 3:15 adjacent to the Lecture Theater. All are welcome! The Robert W. Murray Lectureship was inaugurated in 1998 as an endowed lecture series through the contributions of family, friends, former students, colleagues of Dr Murray and alumni. The Lectureship honors the distinguished research career and the many contributions to UM-St. Louis over more than 30 years by Professor Robert W. Murray, Curators’ Professor Emeritus. The University of Missouri-St. Louis Chemical Bond Volume 56 No. 2 February, 2005 The Chemical Bond is published in January Through May and September through December by the St. Louis Section-American Chemical Society. It is mailed free of charge to members of the section at their address on file at ACS National Headquarters. Changes of address for members will be made automatically upon notification to National ACS Headquarters; send old address and new address with zip codes to ACS Subscription Service Department, 1155 16th St. N.W., Washington, DC 20036 or visit chemistry.org, log in, and go to Update my Profile. Allow eight weeks for change to take effect. -
1St Connection Between Baseball and Opera
Baseball & Opera (compiled by Mark Schubin, this version posted 2014 April 14) 1849 : 1 st connection between baseball and opera: Fans of American actor Edwin Forrest, who is playing Macbeth in New York, hire thugs from among ballplayers at Elysian Fields in Hoboken, New Jersey (1 st famous ball field) to disrupt performances of British actor William Macready, also playing Macbeth in New York at what had been Astor Opera House. Deadly riot ensues; Macready is rescued by ex-Astor Opera House impresario Edward Fry, who later (1880) invents electronic home entertainment (and probably headphones) by listening to live opera by phone. 1852: Opera-house exclusivity dispute with composer’s niece Johanna Wagner forms legal basis of baseball’s reserve clause. 1870 : Tony Pastor’s Opera House baseball team is covered by The New York Times (they won). 1875 : San Francisco Chronicle reports on that city’s opera-house baseball team. 1879 : Pirate King role created for Signor Brocolini, who, as John Clark, played first base for the Detroit Base Ball Club. 1881 : Dartmouth College opera group performs to raise money for college’s baseball team. 1884 : Three telegraph operators, James U. Rust, E. W. Morgan, and A. H. Stewart, present live games remotely. One sends plays from ballpark, second receives and announces, third moves cards with players’ names around backdrop. Starting in Nashville’s 900-seat Masonic Theater, they soon move to 2,500-seat Grand Opera House, beginning half-century of remote baseball game viewing at opera houses (also Augusta, GA Grand Opera House starting 1885). 1885 : The Black Hussar is probably 1 st opera with baseball mentioned in its libretto (in “Read the answer in the stars”). -
Chronology 1916-1937 (Vienna Years)
Chronology 1916-1937 (Vienna Years) 8 Aug 1916 Der Freischütz; LL, Agathe; first regular (not guest) performance with Vienna Opera Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Miller, Max; Gallos, Kilian; Reichmann (or Hugo Reichenberger??), cond., Vienna Opera 18 Aug 1916 Der Freischütz; LL, Agathe Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Gallos, Kilian; Betetto, Hermit; Marian, Samiel; Reichwein, cond., Vienna Opera 25 Aug 1916 Die Meistersinger; LL, Eva Weidemann, Sachs; Moest, Pogner; Handtner, Beckmesser; Duhan, Kothner; Miller, Walther; Maikl, David; Kittel, Magdalena; Schalk, cond., Vienna Opera 28 Aug 1916 Der Evangelimann; LL, Martha Stehmann, Friedrich; Paalen, Magdalena; Hofbauer, Johannes; Erik Schmedes, Mathias; Reichenberger, cond., Vienna Opera 30 Aug 1916?? Tannhäuser: LL Elisabeth Schmedes, Tannhäuser; Hans Duhan, Wolfram; ??? cond. Vienna Opera 11 Sep 1916 Tales of Hoffmann; LL, Antonia/Giulietta Hessl, Olympia; Kittel, Niklaus; Hochheim, Hoffmann; Breuer, Cochenille et al; Fischer, Coppelius et al; Reichenberger, cond., Vienna Opera 16 Sep 1916 Carmen; LL, Micaëla Gutheil-Schoder, Carmen; Miller, Don José; Duhan, Escamillo; Tittel, cond., Vienna Opera 23 Sep 1916 Die Jüdin; LL, Recha Lindner, Sigismund; Maikl, Leopold; Elizza, Eudora; Zec, Cardinal Brogni; Miller, Eleazar; Reichenberger, cond., Vienna Opera 26 Sep 1916 Carmen; LL, Micaëla ???, Carmen; Piccaver, Don José; Fischer, Escamillo; Tittel, cond., Vienna Opera 4 Oct 1916 Strauss: Ariadne auf Naxos; Premiere