Wisconsin Magazine of History
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Underrepresented Communities Historic Resource Survey Report
City of Madison, Wisconsin Underrepresented Communities Historic Resource Survey Report By Jennifer L. Lehrke, AIA, NCARB, Rowan Davidson, Associate AIA and Robert Short, Associate AIA Legacy Architecture, Inc. 605 Erie Avenue, Suite 101 Sheboygan, Wisconsin 53081 and Jason Tish Archetype Historic Property Consultants 2714 Lafollette Avenue Madison, Wisconsin 53704 Project Sponsoring Agency City of Madison Department of Planning and Community and Economic Development 215 Martin Luther King, Jr. Boulevard Madison, Wisconsin 53703 2017-2020 Acknowledgments The activity that is the subject of this survey report has been financed with local funds from the City of Madison Department of Planning and Community and Economic Development. The contents and opinions contained in this report do not necessarily reflect the views or policies of the city, nor does the mention of trade names or commercial products constitute endorsement or recommendation by the City of Madison. The authors would like to thank the following persons or organizations for their assistance in completing this project: City of Madison Richard B. Arnesen Satya Rhodes-Conway, Mayor Patrick W. Heck, Alder Heather Stouder, Planning Division Director Joy W. Huntington Bill Fruhling, AICP, Principal Planner Jason N. Ilstrup Heather Bailey, Preservation Planner Eli B. Judge Amy L. Scanlon, Former Preservation Planner Arvina Martin, Alder Oscar Mireles Marsha A. Rummel, Alder (former member) City of Madison Muriel Simms Landmarks Commission Christina Slattery Anna Andrzejewski, Chair May Choua Thao Richard B. Arnesen Sheri Carter, Alder (former member) Elizabeth Banks Sergio Gonzalez (former member) Katie Kaliszewski Ledell Zellers, Alder (former member) Arvina Martin, Alder David W.J. McLean Maurice D. Taylor Others Lon Hill (former member) Tanika Apaloo Stuart Levitan (former member) Andrea Arenas Marsha A. -
Refining the UW–Madison Campus Dan Okoli, NCARB, AIA University Architect
Beneficent Beauty: Refining the UW–Madison Campus Dan Okoli, NCARB, AIA University Architect WISCAPE – Presentation 10.27.08 Campus Design Guide University of Wisconsin-Madison An Approach to a Functional and Pleasing Composition QUESTION 3 What should our campus look and feel like in the near and long term? GOOD EXAMPLES OF WHAT NOT TO DO 4 McFadden Hall, 1919 GOOD EXAMPLES OF WHAT NOT TO DO 5 McFadden Hall, 1919 After 1960’s Renovation Schear Hall,1960’s Addition GOOD EXAMPLES OF WHAT NOT TO DO 6 McFadden Hall, 1919 After 1960’s Renovation 2008 Renovation GREAT CAMPUS PLACES 7 Memorial Union Terrace Memorial Union Terrace Memorial Union Memorial Union Interior Bascom Hill Memorial Union Interior Bascom Hall Bascom Hill Bascom Hall GREAT CAMPUS PLACES 8 Bascom Hill Bascom Hall Memorial Union Terrace Agricultural Hall Library Mall Allen Centennial Gardens Lakeshore Path BascomScience Hill Hall and Bascom Hill School of Education NOT SO GREAT CAMPUS PLACES 9 NOT SO GREAT CAMPUS PLACES 1 0 Old Ogg Hall Van Vleck Plaza Engineering Research Building Van Hise Hall Humanities Building Peterson Building Social Sciences Building Union South Biotron Laboratory EDUCATION BUILDING EXAMPLE 1 1 Selected Design Option Open Space North of Education Building North Elevation of Education Building Interior Atrium BIOCHEMISTRY I EXAMPLE 1 2 BIOCHEMISTRY II EXAMPLE 1 3 BIOCHEMISTRY I 1 4 BIOCHEMISTRY COMPLEX 1 5 WISCONSIN INSTITUTES FOR DISCOVERY 1 6 WISCONSIN INSTITUTES FOR DISCOVERY 1 7 WISCONSIN INSTITUTES FOR DISCOVERY 1 8 WISCONSIN INSTITUTES FOR DISCOVERY -
The Wisconsin Idea: the Vision That Made Wisconsin Famous
1 “Trying to plan for the future without a sense of the past is like trying to plant cut flowers” --Daniel Boorstin, historian and Librarian of Congress The Wisconsin Idea: The Vision that Made Wisconsin Famous Introduction To the practitioners who comprise UW-Madison’s Community Partnerships and Outreach (CPO) Staff Network, the Wisconsin Idea is at the heart of their day-to-day work with communities in Wisconsin and beyond. But the original meaning of the Wisconsin Idea has faded over time, replaced by a generic public service mandate. (1) “The Boundaries of the University are the Boundaries of the State” The “Year of the Wisconsin Idea” offers us an opportunity to reflect on how the Wisconsin Idea guides our practice. We chose to explore the history of the emergence of the Wisconsin Idea in an attempt to renew and clarify our vision for why and how we engage with the public to address pressing issues. It turns out that the history of the University’s engagement with the State offers much more relevant guidance than we would have imagined. The values that drove the founders of the WI Idea—truth, self- governance, egalitarianism, integrity, trust and social capital—are the same values that represent effective, democratic partnerships today. It’s evident in our practice, and now it’s evident in our history as well, thanks to the work of Gwen Drury, Ph.D. student in Educational Policy and Leadership Analysis at UW-Madison. The rich history she details here brings us closer to our best practices—equitable, reciprocal engagement in which knowledge is co-created by the University and communities working together on issues that matter to all of us. -
Spring 2008 Volume 109, Number 1 WISCONSIN
Spring 2008 Volume 109, Number 1 WISCONSIN Reluctant Star 18 The UW scientist who first brought stem cells into the scientific spotlight — a discovery that sparked a volatile debate of political and medical ethics — doesn’t seek fame for himself. So when you are the go-to guy for everybody who wants access to James Thomson, a man who’d much rather be in the lab than in the media’s glare, you learn to say no more often than you’d like. By Terry Devitt ’78, MA’85 Seriously Funny 22 Some thought that Ben Karlin ’93 was walking away from success when he left his job as executive producer for TV’s The Daily 18 Show and The Colbert Report. But, as he explains in this conversation with On Wisconsin, he was simply charting a comedic path that includes a new book and his own production company. By Jenny Price ’96 Can of Worms 28 Graduate students have more to worry about than grades — there’s also research, funding, and, as the students working in one lab discovered, their mentor’s ethics. While PhD candidate Amy Hubert x’08 aims to overcome scandal and put the finishing touches on her degree, the UW struggles to protect the students who will create the future of science. 22 By John Allen INSIDE Campus on $5 a Day LETTERS 4 34 If a bill featuring Abe’s face is burning a hole in your pocket, SIFTING & WINNOWING 9 you’d be amazed to learn what it can buy on campus. Don some comfort- DISPATCHES 10 able shoes and discover what you can eat, see, and do at bargain prices. -
DANE COUNTY CULTURAL AFFAIRS COMMISSION 2012 Grant Advisory Panels Bios
DANE COUNTY CULTURAL AFFAIRS COMMISSION 2012 Grant Advisory Panels Bios Arts in Education Brenda Baker is Director of Exhibits at Madison Children’s Museum, a visual artist and mother of two young boys. She has a B.A. in art from DePauw University and an M.F.A. in painting and sculpture from UW‐Madison and has received numerous awards for her work including NEA, Fulbright and DCCAC grants. John Beutel earned a BS and MS Degree in Choral Music Education from the University of Wisconsin‐ Platteville. He retired in 2001 after 35 years of teaching public school choral music. The last 26 years he was Choir Director at Stoughton High School. He continues his involvement in music by conducting the Stoughton Chamber Singers, the Stoughton Festival Choir and two church choirs at Christ Lutheran church. He is a member of the Stoughton Opera House Board of Directors, was a founding member of the Stoughton Arts Council, and currently teaches an adult course in Music Appreciation for any community members who love music and would like to learn more about it. John also has been an active member of the Wisconsin School Music Association (WSMA) having served on its Adult Education Committee, various Festival Music Selection Committees, and chairing the State Middle Level Honors Choir. He currently serves as an adjudicator for WSMA school music festivals and honors auditions at the district and state levels in Wisconsin and Michigan. Extensive travel and gardening are passions that offer non musical enrichment. Kimberly Foster Branch is a Certified MBTI Practitioner (Myers‐Briggs), who has taught pre‐school and elementary school in Australia, Los Angeles and New York City for over 15 years. -
WISCONSIN MAGAZINE of HISTORY the State Historical Society Ofwisconsin • Vol
(ISSN 0043-6534) WISCONSIN MAGAZINE OF HISTORY The State Historical Society ofWisconsin • Vol. 75, No. 3 • Spring, 1992 fr»:g- •>. * i I'^^^^BRR' ^ 1 THE STATE HISTORICAL SOCIETY OF WISCONSIN H. NICHOLAS MULLER III, Director Officers FANNIE E. HICKLIN, President GERALD D. VISTE, Treasurer GLENN R. COATES, First Vice-President H. NICHOLAS MULLER III, Secretary JANE BERNHARDT, Second Vice-President THE STATE HISTORICAL SOCIETY OF WISCONSIN is both a state agency and a private membership organization. Founded in 1846—two years before statehood—and chartered in 1853, it is the oldest American historical society to receive continuous public funding. By statute, it is charged with collecting, advancing, and dissemi nating knowledge ofWisconsin and ofthe trans-Allegheny West The Society serves as the archive ofthe State ofWisconsin; it collects all manner of books, periodicals, maps, manuscripts, relics, newspapers, and aural and graphic materials as they relate to North America; it maintains a museum, library, and research facility in Madison as well as a statewide system of historic sites, school services, area research centers, and affiliated local societies; it administers a broad program of historic preservation; and publishes a wide variety of historical materials, both scholarly and popular. MEMBERSHIP in the Society is open to the public. Individual memhersh'ip (one per son) is $25. Senior Citizen Individual membership is $20. Family membership is $30. Senicrr Citizen Family membership is $25. Suppcrrting memhershvp is $100. Sustaining membership is $250. A Patron contributes $500 or more. Life membership (one person) is $1,000. MEMBERSHIP in the Friends of the SHSW is open to the public. -
Desperate Housewives
Desperate Housewives Titre original Desperate Housewives Autres titres francophones Beautés désespérées Genre Comédie dramatique Créateur(s) Marc Cherry Musique Steve Jablonsky, Danny Elfman (2 épisodes) Pays d’origine États-Unis Chaîne d’origine ABC Nombre de saisons 5 Nombre d’épisodes 108 Durée 42 minutes Diffusion d’origine 3 octobre 2004 – en production (arrêt prévu en 2013)1 Desperate Housewives ou Beautés désespérées2 (Desperate Housewives en version originale) est un feuilleton télévisé américain créé par Charles Pratt Jr. et Marc Cherry et diffusé depuis le 3 octobre 2004 sur le réseau ABC. En Europe, le feuilleton est diffusé depuis le 8 septembre 2005 sur Canal+ (France), le 19 mai sur TSR1 (Suisse) et le 23 mai 2006 sur M6. En Belgique, la première saison a été diffusée à partir de novembre 2005 sur RTL-TVI puis BeTV a repris la série en proposant les épisodes inédits en avant-première (et avec quelques mois d'avance sur RTL-TVI saison 2, premier épisode le 12 novembre 2006). Depuis, les diffusions se suivent sur chaque chaîne francophone, (cf chaque saison pour voir les différentes diffusions : Liste des épisodes de Desperate Housewives). 1 Desperate Housewives jusqu'en 2013 ! 2La traduction littérale aurait pu être Ménagères désespérées ou littéralement Épouses au foyer désespérées. Synopsis Ce feuilleton met en scène le quotidien mouvementé de plusieurs femmes (parfois gagnées par le bovarysme). Susan Mayer, Lynette Scavo, Bree Van De Kamp, Gabrielle Solis, Edie Britt et depuis la Saison 4, Katherine Mayfair vivent dans la même ville Fairview, dans la rue Wisteria Lane. À travers le nom de cette ville se dégage le stéréotype parfaitement reconnaissable des banlieues proprettes des grandes villes américaines (celles des quartiers résidentiels des wasp ou de la middle class). -
2007 Annual Report
2007 ANNUAL REPORT NEW YORK • NEW JERSEY • CHICAGO • SAN FRANCISCO BAY AREA The All Stars Project, Inc. (ASP) is a non-partisan, non-profit 501(c)(3) organization dedicated to promoting human development through the use of an innovative performance-based model. The ASP creates outside of school, educational and performing arts activities for tens of thousands of poor and minority young people. It sponsors community and experimental theatre, develops leadership training and pursues volunteer initiatives that build and strengthen communities. The ASP actively promotes supplementary education and the performance-learning model in academic and civic arenas. Dear Friends, Twenty-seven years ago, the All Stars Project, Inc. (ASP) began by producing neighborhood talent shows in a church basement in the South Bronx. Volunteer-driven, unfunded and unrecognized, the All Stars Project invited children from New York City’s poorest neighborhoods to create something together; to put on a show. Young people came. And they just kept on coming. Nearly three decades later, the ASP – now headquartered in New York City at our 42nd Street Performing Arts and Development Center (pictured left) – is still volunteer-driven (our volunteers are our MVP’s), fully funded (100% privately) and widely recognized for the success of our programs and approach. Most importantly, the kids are still coming – in New York and Newark, Chicago and the San Francisco Bay Area, Los Angeles and Boston, Atlanta and Amsterdam in the Netherlands. Some have called it ‘grassroots show business.’ In the pages of this 2007 Annual Report, you will read about the performances ASP is producing. -
Wisconsin Magazine of History
(ISSN 0043-6534) WISCONSIN MAGAZINE OF HISTORY The State Historical Society ofWisconsin • Vol. 72, No. 4 • Summer, 1989 'W»«>' N 1 THE STATE HISTORICAL SOCIETY OF WISCONSIN H. NICHOLAS MULLER III, Director Officers MRS. L. PRENTICE EAGER, JR., President GERALD D. VISTE, Treasurer Gf.ov.Gt.H.Miixx.fi, First Vice-President H. NICHOLAS MULLER III, Secretory MRS. B. L. BERNHARDT, Second Vice-President THE STATE HISTORICAL SOCIETY OF WISCONSIN is both a state agency and a private membership organization. Founded in 1846-two years before statehood-and chartered in 1853, it is the oldest American historical society to receive continuous public funding. By statute, it is charged with collecting, advancing, and disseminating knowledge ofWisconsin and of the trans-Allegheny West. The Society serves as the archive of the State of Wisconsin; it collects all manner of books, periodicals, maps, manuscripts, relics, newspaf)ers, and aural and graphic materials as they relate to North America; it maintains a museum, library, and research facility in Madison as well as a statewide system of historic sites, school services, area research centers, and affiliated local societies; it administers a broad program of historic preservation; and publishes a wide variety of historical materials, both scholarly and pwpular. MEMBERSHIP in the Society is of>en to the public. Individual membership (one fjerson) is $25. Household or ContrUmting membership (one or two fjersons) is $45. Supporting membership is $100. Sustaining membership is $250. A Patron contributes $500 or more. A member of any organization sup(K)rting the advancement of history (e.g., local historical societies, museums, Wisconsin Trust for Historic Preservation, genealogical and/or archeological societies, etc.) can receive a $5 discount at any level. -
American Conceptions of Academic Freedom in the Twentieth Century
This dissertation has been microfilmed exactly as received 67-16,303 LUCAS, Christopher John, 1940- AMEBICAN CONCEPTIONS OF ACADEMIC FREEDOM IN THE TWENTIETH CENTURY. The Ohio State University, Ph.D,, 1967 Education, history University Microfilms, Inc., Ann Arbor, Michigan AMERICAN CONCEPTIONS OF ACADEMIC FREEDOM IN THE TWENTIETH CENTURY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the.Graduate School of The Ohio State University By Christopher John Lucas, A. B., M.A.T, ***** The Ohio State University 1967 Approved by mmnA // Adviser School of Education ACKNOWLEDGMENTS I am indebted to Professor Robert B. Sutton for his counsel and assistance in the preparation of this study. His incisive interroga tions of my lines of thought were most helpful throughout. His facility for conferring a measure of coherence and concision upon my materials eliminated needless obscurity at many points. Dr. Sutton's inde fatigable questioning contributed significantly to whatever merit this writing may possess; of course whatever defects remain are not his responsibility. I should also like to express my gratitude to the staff of The Ohio State University Libraries for their interest and cooperation in locating sources that otherwise would not have been available to me. My thanks are due also to Professors Everett J. Kircher and Bernard Me hi who were kind enough to serve on the reading and examining committees for this dissertation. Their teaching and easy camradery have been an inspiration to me and worthy of emulation in years to come. I gratefully acknowledge the clerical assistance of Mrs. Louise F. -
Sunday Morning Grid 11/2/14 Latimes.Com/Tv Times
SUNDAY MORNING GRID 11/2/14 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Football Chargers at Miami Dolphins. (N) Å 4 NBC News (N) Å Meet the Press (N) Å News (N) Poppy Cat Figure Skating F1 Formula One Racing 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) News Å Explore For the Love of Music 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Paid Joel Osteen Fox News Sunday FOX NFL Sunday (N) Football Arizona Cardinals at Dallas Cowboys. (N) Å 13 MyNet Paid Program Into the Blue ›› (2005) 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Jesucristo Local Local Gebel Local Local Local Local Transfor. Transfor. 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Cook Mexico Cooking Cook Kitchen Ciao Italia 28 KCET Raggs Fast. Space Travel-Kids Biz Kid$ News Asia Biz Healing ADD With Dr. Daniel Amen, MD Rick Steves’ Italy: Cities 30 ION Jeremiah Youssef In Touch Hour Of Power Paid Program Criminal Minds (TV14) Criminal Minds (TV14) 34 KMEX Paid Program República Deportiva (TVG) Fútbol Fútbol Mexicano Primera División El Chavo Animado 40 KTBN Walk in the Win Walk Prince Redemption Liberate In Touch PowerPoint It Is Written B. Conley Super Christ Jesse 46 KFTR Tu Dia Tu Dia Good Boy! ›› (2003) Molly Shannon. -
Lisa Seidman
Deutscher FALCON CREST - Fanclub August 1, 2015 Behind the Scripts: LISA SEIDMAN From Fan to Story Editor Interview by THOMAS J. PUCHER (German FALCON CREST Fan Club) Lisa Seidman and I got in touch through a social network on the Internet. I was pleas- antly surprised when she sent me her e-mail address so we could communicate direct- ly, and it did not take too long until we agreed on an e-mail interview. “I’m a much clearer writer than speaker — for the obvious reasons,” Lisa explained her preference for a questionnaire instead of a phone interview. I loved her being straightforward so it was all set. Back in 2011, I had done a research of old production documents of Falcon Crest at the Earl Gregg Swem Library at the Special Collections Research Center of The College of William and Mary in Williamsburg, VA. There I discovered some of Lisa’s scripts along with letters she had sent to her former professor, Louis E. Catron, who passed away in the meantime. From what I had read there, I had reason to believe that Lisa would make a wonderful interviewee because it seemed to me that she had a fresh, direct and honest way to address things. As usual, I was not interested in chatting with someone who would merely gloss over his or her Hollywood experience so I felt Lisa would prob- ably fit perfectly into the kind of interviewee I liked the most — and I was not disap- pointed. Getting to Work on Falcon Crest “Your first writing assignment of Falcon Crest,” I began the interview, “was Obsession, Possession (episode 157 <7.02>).