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Annual Report 2017
1 2 TABLE OF CONTENTS SECTION 1: INTRODUCTION 3-22 SECTION 2: PROJECTS 23-86 SECTION 3: ARSENAL FOR EVERYONE 87-92 SECTION 4: FINANCES 93-119 SECTION 5: CONTACTS, PARTNERS 120-125 3 / РоздiлSection INTRODUCTION 4 / РоздiлSection 5 / РоздiлSection 6 / РоздiлSection 7 / РоздiлSection Letter from the General Director 2017 was my first full year as general We also took the first steps towards director of Mystetskyi Arsenal. This was a very having proper building and restoration docu- interesting and busy time, rich in new expe- mentation. With the help of leading Austrian riences. Together with the team we worked museum planner Dieter Bogner, we developed on a number of things, including building our a general concept for Mystetskyi Arsenal as a team’s capabilities and creating a climate of museum and cultural center (it stems from the trust and mutual support, establishing clear and institutional strategy adopted in winter 2017 sound internal work processes, developing and and will become the basis for further engineer- approving a strategy for Mystetskyi Arsenal, ing and architectural plans). conducting an audit, and looking for ways to resolve problems that have been building up Last year we increased repayment of a over the years: chaotic accounting of inventory, portion of our old debts and proposed a repay- lack of proper construction documentation, and ment plan for Mystetskyi Arsenal’s principal debts accumulated from 2008 to 2011. And, no debt, which accumulated during preparations less importantly, this was also a busy creative for the Euro 2012 football championship. This period. We tried to make Mystetskyi Arsenal’s is examined in greater detail in the finances program diverse and balanced by presenting section and auditor’s findings included with this different types of projects and enhancing their annual report. -
Flags of Asia
Flags of Asia Item Type Book Authors McGiverin, Rolland Publisher Indiana State University Download date 27/09/2021 04:44:49 Link to Item http://hdl.handle.net/10484/12198 FLAGS OF ASIA A Bibliography MAY 2, 2017 ROLLAND MCGIVERIN Indiana State University 1 Territory ............................................................... 10 Contents Ethnic ................................................................... 11 Afghanistan ............................................................ 1 Brunei .................................................................. 11 Country .................................................................. 1 Country ................................................................ 11 Ethnic ..................................................................... 2 Cambodia ............................................................. 12 Political .................................................................. 3 Country ................................................................ 12 Armenia .................................................................. 3 Ethnic ................................................................... 13 Country .................................................................. 3 Government ......................................................... 13 Ethnic ..................................................................... 5 China .................................................................... 13 Region .................................................................. -
Redirected from Films Considered the Greatest Ever) Page Semi-Protected This List Needs Additional Citations for Verification
List of films considered the best From Wikipedia, the free encyclopedia (Redirected from Films considered the greatest ever) Page semi-protected This list needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be chall enged and removed. (November 2008) While there is no general agreement upon the greatest film, many publications an d organizations have tried to determine the films considered the best. Each film listed here has been mentioned in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources focus on American films or we re polls of English-speaking film-goers, but those considered the greatest withi n their respective countries are also included here. Many films are widely consi dered among the best ever made, whether they appear at number one on each list o r not. For example, many believe that Orson Welles' Citizen Kane is the best mov ie ever made, and it appears as #1 on AFI's Best Movies list, whereas The Shawsh ank Redemption is #1 on the IMDB Top 250, whilst Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. None of the surveys that produced these citations should be viewed as a scientif ic measure of the film-watching world. Each may suffer the effects of vote stack ing or skewed demographics. Internet-based surveys have a self-selected audience of unknown participants. The methodology of some surveys may be questionable. S ometimes (as in the case of the American Film Institute) voters were asked to se lect films from a limited list of entries. -
Untitled Spreadsheet
Priority sector for Name of the project in Summary of the project in English, including goal and results (up Full name of the applicant Total project budget Requested amount ID Competition program LOT Type of project culture and arts English to 100 words) organization in English (in UAH) from UCF (in UAH) The television program is based on facts taken from historical sources, which testify to a fundamental distortion of the history of the Russian Empire, aimed at creating a historical mythology that Muscovy and Kievan Rus have common historical roots, that Muscovy has "inheritance rights" on Kievan Rus. The ordinary fraud of the Muscovites, who had taken possession of the past of The cycle of science- the Grand Duchy of Kiev and its people, dealt a terrible cognitive television blow to the Ukrainian ethnic group. Our task is to expose programs "UKRAINE. the falsehood and immorality of Moscow mythology on Union of STATE HISTORY. Part the basis of true facts. Without a great past, it is impossible Cinematographers "Film 3AVS11-0069 Audiovisual Arts LOT 1 TV content Individual Audiovisual Arts I." Kievan Rus " to create a great nation. Logos" 1369589 1369589 New eight 15-minute programs of the cycle “Game of Fate” are continuation of the project about outstanding historical figures of Ukrainian culture, art and science. The project consists of stories of the epistolary genre and memoirs. Private world of talented personalities, complex and ambiguous, is at the heart of the stories. These are facts from biographies that are not written in textbooks, encyclopedias, or wikipedia, but which are much more likely to attract the attention of different audiences. -
Арт-Платформа. 2021. Вип. 1(3) 193 Музикознавчі Штудії Удк 778.534.4 (476) Doi
АРТ-платФОРМА. 2021. Вип. 1(3) МУЗИКОЗНАВЧІ ШТУДІЇ УДК 778.534.4 (476) DOI: https://doi.org/10.51209/platform.1.3.2021.193-213 Антонина Алексеевна КАРПИЛОВА, кандидат искусствоведения, доцент, Центр исследований белорусской культуры, языка и литературы, Национальная академия наук Беларуси, Минск, Беларусь, e-mail: [email protected], ORCID: 0000-0003-0934-5163 ЗВУКОВАЯ ДРАМАТУРГИЯ БЕЛОРУССКИХ ИГРОВЫХ ФИЛЬМОВ Аннотация. В статье рассматриваются основные модели звуковой драматургии в современном белорусском игровом кино. Звуковая драматургия трактуется как структурно- семантическая организация внутрикадровой и закадровой формы звуковых компонентов (речи, музыки, шумов) в их разнообразных композиционно-драматургических функциях в целях создания целостного звукового и звукозрительного образа фильма. Каждый из основных звуковых компонентов обладает своими свойствами, однако их можно классифицировать по следующим признакам: функциональность, содержательность, фонизм. Для речевого и шумового компонентов характерны все основные свойства (композиционно-драматургические функции, структурно-семантическая значимость, громкостные, темповые, тембровые характеристики). Музыкальный компонент наиболее сложный по своей структуре и отличается как имманентно присущими ему характеристиками (музыкально-выразительные средства, жанрово-стилевые черты, особенности композиторской техники и др.), так и формами существования в экранном произведении. Вступая в сложное взаимодействие, все звуковые компоненты создают звуковую драматургию, которая является -
List of Films Considered the Best
Create account Log in Article Talk Read View source View history Search List of films considered the best From Wikipedia, the free encyclopedia Main page This list needs additional citations for verification. Please Contents help improve this article by adding citations to reliable sources. Featured content Current events Unsourced material may be challenged and removed. (November Random article 2008) Donate to Wikipedia Wikimedia Shop While there is no general agreement upon the greatest film, many publications and organizations have tried to determine the films considered the best. Each film listed here has been mentioned Interaction in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources Help About Wikipedia focus on American films or were polls of English-speaking film-goers, but those considered the Community portal greatest within their respective countries are also included here. Many films are widely considered Recent changes among the best ever made, whether they appear at number one on each list or not. For example, Contact page many believe that Orson Welles' Citizen Kane is the best movie ever made, and it appears as #1 Tools on AFI's Best Movies list, whereas The Shawshank Redemption is #1 on the IMDB Top 250, whilst What links here Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. Related changes None of the surveys that produced these citations should be viewed as a scientific measure of the Upload file Special pages film-watching world. Each may suffer the effects of vote stacking or skewed demographics. -
Teachers Training Class-I Notice.Pmd
Teachers Training 2020_Notice Names of selected teachers for Class I (English) Teachers’ Training, 2020 Date: 9/01/2020 and 10/01/2020 1. Shital Haloi Anandaram Barua Academy, Bijni District : Chirang 2. Ruprekha Hazarika Dergaon Jatiya Bidyalay, Dergaon District : Golaghat 3. Lata Deka Pachim Darang Jatiya Bidyalay, Kamargaon 4. Aditi Das Baruah Biswanath Abhyasan Bidyapith, Chariali 5. Sikha Rani Das Pachim Guwahati Jatiya Bidyalay Pandav Nagar, Boripara District : Kamrup 6. Gitamoni rajkhowa Bokakhat Jatiya Bidyalay, Uday Nagar 7. Pranati Das Gurujana Jatiya Bidyalay, Bonda 8. Bharati Devi Jatiya Bidyalay Asom, Hazarikapara District : Darang 9. Nayanmoni Sakia Jnanjyoti Jatiya Bidyalay, Balipara District : Sonitpur 10. Lohiram Daimari Thelamara Jatiya Bidyalay 11. Barnali Bharali Juganayak Sankardav Sishu Niketan, Pithakhowa, District : Sonitpur 12. Mithun Bora Marigaon Jatiya Bidyalay Barangabari, Morigaon Teachers Training 2020_Notice 13. Gitanjali Phukan Rajgarh Jatiya Bidyalay, Rajgarh Kakoi 14. Neelakshi Bargohain Kadam Jatiya Bidyalay, Laimekuri 15. Mintumoni Das Chilarai Jatiya Bidyalay, Mulagaon, District : Bongaigaon 16. Sumi Nath Asomi Jatiya Bidyalay Amrikhowa 17. Nandini Talukdar Anandaram Barua Academy, Bijni District : Chirang 18. Putali Gogoi Saraimoria Jatiya Bidyalay Saraimoria 19. Nisha Devi Assam Jatiya Bidyalay, Noonmati 20. Aparajita Dutta Assam Jatiya Bidyalay, Noonmati 21.Dolly Choudhury Assam Jatiya Bidyalay, Noonmati 22. Pallabi Dutta Choudhury Assam Jatiya Bidyalay, Noonmati 23. Junuprava Barman Bishnujyoti Jatiya Bidyalay Panigaon 24. Sewali Deka Samanway Jatiya Bidyalay, Jagara, Nalbari 25. Piyali Choudhury Jnanoday Jatiya Bidyalay, Bongaigaon Teachers Training 2020_Notice Date: 11/01/2020 and 12/01/2020 1. Bhupen Rabha Madhyampur Jatiya Bidyalay, Majgaon Majgaon, Dhupguri 2. Arifa Yashmin Aradhana Academy, Dhuburi 3. Pabitra Biswash Baralimara Jatiya Bidyalay Samaria 4. -
Constructivism in Ukrainian Theater Georgy Kovalenko
Harvard UkrainianConstru StudiesC t36,ivism no. 3–4in u (2019):krainian 389–413. theater 389 Constructivism in Ukrainian Theater Georgy Kovalenko onstru Ctivism, like other avant-garde movements, was viewed by its creators as an international art. It is no accident that the mul- Ctitude of manifestoes and programmatic articles, slogans, and appeals always used terms like “human being,” “world,” and “universe”—although they did so without defining them more precisely or concretely, or with even the slightest mention of a particular territory where the art was expected to carry out its transformative mission. Nevertheless, some specificity was implied, although directed at features of a different order and expressed, as a rule, by the adjective “new”: new person, new world, new art. However, theory is one thing and practice is something else altogether. In reality, constructivism, especially constructivism in the theater, proved to be an art that was powerfully rooted in tradition— above all, in national tradition. The art historian Nikolai Punin, reflecting on Russian art of the 1910s, perceptively noted: “Thus indeed…cubism, which had appeared to be an international art form of a new generation, was broken by national, and then by individual traditions.”1 The same may be said of Ukrainian constructivist theater design, albeit tempering the verb a bit: perhaps not broken, but rather colored, reorganized, and transformed by the traditions of Ukrainian art. Of course, the formula that Liubov´ Popova presented in her set design for Vsevolod Меyerhold’s production The Magnanimous Cuckold (premiered 1922) (fig. 1, below) may also be applied in a general way to describe the works of Ukrainian constructivist theater, but only insofar 1. -
Boj Za Albanijo.Indd
12 ZBIRKA RAZPOZNAVANJA RECOGNITIONES Jurij Hadalin BOJ ZA ALBANIJO: ALBANIJO ZA propad Jurij Hadalin BOJ jugoslovanske širitve na Balkan 12 Cena: 28,00 EUR Inštitut za novejšo zgodovino Ljubljana 2011 Jurij Hadalin BOJ ZA ALBANIJO PROPAD JUGOSLOVANSKE ŠIRITVE NA BALKAN ZBIRKA RAZPOZNAVANJA/RECOGNITIONES 12 Jurij Hadalin BOJ ZA ALBANIJO: PROPAD JUGOSLOVANSKE ŠIRITVE NA BALKAN Urednik: dr. Aleš Gabrič Izdal in založil: Inštitut za novejšo zgodovino Za založnika: dr. Damijan Guštin Recenzenta: dr. Mitja Ferenc dr. Jurij Perovšek Oblikovalka naslovnice: Barbara Kokalj Bogataj Jezikovni pregled: Polona Kekec Prevod povzetka: Borut Praper Računalniški prelom: Uroš Čuden, MEDIT d.o.o. Tisk: Fotolito Dolenc d.o.o. Naklada: 500 izvodov CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana 327(497.1:496.5)(091) HADALIN, Jurij Boj za Albanijo : propad jugoslovanske širitve na Balkan / Jurij Hadalin ; [prevod povzetka Borut Praper]. - Ljubljana : Inštitut za novejšo zgodovino, 2011. - (Zbirka Razpoznavanja = Recognitiones ; 12) ISBN 978-961-6386-29-6 257877248 Pregled vsebine PREDGOVOR 9 JUGOSLOVANSKO–ALBANSKI ODNOSI OD NASTANKA ALBANSKE DRŽAVE DO DRUGE SVETOVNE VOJNE 19 ALBANSKA POLITIKA KOMUNISTIČNE PARTIJE JUGOSLAVIJE V ČASU DRUGE SVETOVNE VOJNE ALI KAKO SE JE ALBANIJA SPREMINJALA V JUGOSLOVANSKI SATELIT 37 Prvi stiki Komunistične partije Jugoslavije z albanskimi komunisti 39 Ustanovitev Komunistične partije Albanije 46 Konferenca v Labinotu 55 Svetozar Vukmanović Tempo in poskus ustanovitve Balkanskega štaba 62 Kritike -
The Dark Side of Democracy : Explaining Ethnic Cleansing
P1: ICD 052183130XAgg.xml CY448B/Mann-II 052183130 X August 2, 2004 11:12 This page intentionally left blank ii P1: ICD 052183130XAgg.xml CY448B/Mann-II 052183130 X August 2, 2004 11:12 The Dark Side of Democracy This book presents a new theory of ethnic cleansing based on the most ter- rible cases – colonial genocides, Armenia, the Nazi Holocaust, Cambodia, Yugoslavia, and Rwanda – and cases of lesser violence – early modern Europe, contemporary India, and Indonesia. Murderous cleansing is modern – it is “the dark side of democracy.” It results where the demos (democracy) is confused with the ethnos (the ethnic group). Danger arises where two rival ethnonational movements each claims “its own” state over the same territory. Conflict esca- lates where either the weaker side fights rather than submit because of aid from outside or the stronger side believes it can deploy sudden, overwhelming force. But the state must also be factionalized and radicalized by external pressures like wars. Premeditation is rare, since perpetrators feel “forced” into escalation when their milder plans are frustrated. Escalation is not simply the work of “evil elites” or “primitive peoples.” It results from complex interactions among leaders, militants, and “core constituencies” of ethnonationalism. Understand- ing this complex process helps us devise policies to avoid ethnic cleansing in the future. Michael Mann is a professor of sociology at the University of California, Los Angeles. He is author of The Sources of Social Power (Cambridge, 1986, 1993) and Fascists -
Volume 3, Issue 2(II) : April – June 2015
Volume 3, Issue 2 (II) April - June 2015 International Journal of Research in Management & Social Science Volume 3, Issue 2 ( II ) : April – June 2015 Chief Patron Shree Zahirul Alam Ahmed Director, Empyreal Institute of Higher Education. President , Bhramaputra Welfare Organization Editor- In-Chief Dr. Tazyn Rahman Members of Editorial Advisory Board Dr. Alka Agarwal Mr. Nakibur Rahman Director, Former General Manager ( Project ) Mewar Institute, Vasundhara, Ghaziabad Bongaigoan Refinery, IOC Ltd, Assam Dr. D. K. Pandey Dr. Anindita Director, Associate Professor, Unique Institute of Management & Technology, Jaipuria Institute , Indirapuram, Meerut Ghaziabad Dr. Namita Dixit Dr. Pranjal Sharma Assistant Professor, Associate Professor, Department of Management ITS Institute of Management, Ghaziabad Mile Stone Institute of Higher Management, Ghaziabad Dr. Neetu Singh Dr. Sarmistha Sarma HOD, Department of Biotechnology, Associate Professor, Mewar Institute , Vasundhara, Ghaziabad Institute of Innovation in Technology and Management Dr. V. Tulasi Das Mr. Sukhvinder Singh Assistant Professor, Assistant Professor, Acharya Nagarjuna University, Guntur, A.P. Institute of Innovation in Technology and Management Dr. Nurul Fadly Habidin Ms. Shivani Dixit Faculty of Management and Economics, Assistant Professor, Universiti Pendidikan Sultan Idris, Malaysia Institute of Management Studies, Ghaziabad Dr. Archana A. Ghatule Dr. P.Malyadri Director, Principal, SKN Sinhgad Business School, Pandharpur Government Degree College, Hyderabad Dr. Kavita Gidwani Dr. Lalata K Pani Associate Professor, Reader, Chanakya Technical Campus, Jaipur Bhadrak Autonomous College, Bhadrak, Odisha Copyright @ 2014 Empyreal Institute of Higher Education, Guwahati All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, or stored in any retrieval system of any nature without prior written permission. -
The Gauhati High Court
Gauhati High Court List of candidates who are provisionally allowed to appear in the preliminary examination dated 6-10-2013(Sunday) for direct recruitment to Grade-III of Assam Judicial Service SL. Roll Candidate's name Father's name Gender category(SC/ Correspondence address No. No. ST(P)/ ST(H)/NA) 1 1001 A K MEHBUB KUTUB UDDIN Male NA VILL BERENGA PART I AHMED LASKAR LASKAR PO BERENGA PS SILCHAR DIST CACHAR PIN 788005 2 1002 A M MUKHTAR AZIRUDDIN Male NA Convoy Road AHMED CHOUDHURY Near Radio Station CHOUDHURY P O Boiragimoth P S Dist Dibrugarh Assam 3 1003 A THABA CHANU A JOYBIDYA Female NA ZOO NARENGI ROAD SINGHA BYE LANE NO 5 HOUSE NO 36 PO ZOO ROAD PS GEETANAGAR PIN 781024 4 1004 AASHIKA JAIN NIRANJAN JAIN Female NA CO A K ENTERPRISE VILL AND PO BIJOYNAGAR PS PALASBARI DIST KAMRUP ASSAM 781122 5 1005 ABANINDA Dilip Gogoi Male NA Tiniali bongali gaon Namrup GOGOI P O Parbatpur Dist Dibrugarh Pin 786623 Assam 6 1006 ABDUL AMIL ABDUS SAMAD Male NA NAYAPARA WARD NO IV ABHAYAPURI TARAFDAR TARAFDAR PO ABHAYAPURI PS ABHAYAPURI DIST BONGAIGAON PIN 783384 ASSAM 7 1007 ABDUL BASITH LATE ABDUL Male NA Village and Post Office BARBHUIYA SALAM BARBHUIYA UTTAR KRISHNAPUR PART II SONAI ROAD MLA LANE SILCHAR 788006 CACHAR ASSAM 8 1008 ABDUL FARUK DEWAN ABBASH Male NA VILL RAJABAZAR ALI PO KALITAKUCHI PS HAJO DIST KAMRUP STATE ASSAM PIN 781102 9 1009 ABDUL HANNAN ABDUL MAZID Male NA VILL BANBAHAR KHAN KHAN P O KAYAKUCHI DIST BARPETA P S BARPETA STATE ASSAM PIN 781352 10 1010 ABDUL KARIM SAMSUL HOQUE Male NA CO FARMAN ALI GARIGAON VIDYANAGAR PS