Rome Top Sights • Local Life • Made Easy
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Factsheet St. Peter's Basilica
www.osram.com 1/3 Facts and figures – St. Peter's Basilica and other lighting projects in The Vatican at a glance LED technology from Osram already has proven its worth for lighting The Sistine Chapel, St. Peter's Square and Raphael’s Rooms. From now on, the unique beauty of St. Peter's Basilica will amaze visitors more than ever. St. Peter’s Basilica o One of the largest and most important Catholic churches in the world o About 27,000 visitors per day o The illumination was digitally simulated on the computer in advance and then implemented without complex test installations in St. Peter's Basilica. o Lighting concept comprises 780 LED luminaires specially developed and manufactured in Wipperfürth, equipped with 100,000 light-emitting diodes from Regensburg and an Osram lighting management system. o Energy savings of up to 90 percent, with a reduction in the number of luminaires by 80 percent o Some domes shine 10 times brighter than before o The highest luminaire was installed at a height of about 110 meters, the lowest at a height of about 12 meters. o St. Peter's Basilica contains the largest mosaic in the world, with an area of approximately 10,000 square meters. This mosaic now shines in a previously unseen beauty. o Various lighting scenarios, from basic lighting to gala lighting, can be digitally controlled, depending on the occasion. o The newly created brightness enables television broadcasts from St. Peter's Basilica in a quality of VHD 4K and UHD 8K without any flickering or bias noise OSRAM Licht AG Marcel-Breuer-Strasse 6, -
Iii International Sacred Music Choir Festival
under the patronage of Associazione Internazionale Amici della Musica Sacra President and Founder Sen. Dr. Dr. h.c. Hans-Albert Courtial IIIIII IINNTTEERRNNAATTIIOONNAALL SSAACCRREEDD MMUUSSIICC CCHHOOIIRR FFEESSTTIIVVAALL Rome and the Vatican City July 27th – 30th, 2007 Dear Choirmasters, Choristers and Friends of choral music, It is a pleasure for me to welcome the choristers that take part in the III International Festival of Sacred music. The wonderful city of Roma hosts the Festival which is extraordinary for the variety of the participating choirs and for artistic level of the repertoires performed by the choirs. Choirs have always fascinated me in a particular way, not only in the moment of performance when the union of voices produces intense emotions, but also in their preparation. Getting used to be in a group, having a certain determined role, understanding that only a common effort will create great results, this has always appeared to me as a highly qualifying school. The aim of our Festival is to promote the unifying power of music, which improves contacts among cultures, traditions and people. I am sure that your stay in Roma will bring pleasant, interesting, joyful and sometimes unforgettable experience for the choirs from all over the world. I wish all of you to enjoy our Festival and have nice days in this magnificent city. Sen. h.c. Dr. Hans-Albert Courtial President and Founder of the International Association Friends of Sacred Music PARTICIPATING CHOIRS LEANDROS SITAROS CHOIR CYPRUS POLYPHONIC CHOIR OF PATRAS GREECE CHOIR OF THE UNIVERSIDAD DEL ISTMO GUATEMALA CHORUS MARIGNANENSIS ITALY COLLEGIUM BACCALARUM CHOIR POLAND AMICII DELLA MUSICA CHOIR ROMANIA PROGRAM OF THE FESTIVAL Friday – July 27 th 6.30 pm Meeting of all conductors in the “Farmacia” in the Church St. -
75. Sistine Chapel Ceiling and Altar Wall Frescoes Vatican City, Italy
75. Sistine Chapel ceiling and altar wall frescoes Vatican City, Italy. Michelangelo. Ceiling frescoes: c. 1508-1510 C.E Altar frescoes: c. 1536-1541 C.E., Fresco (4 images) Video on Khan Academy Cornerstone of High Renaissance art Named for Pope Sixtus IV, commissioned by Pope Julius II Purpose: papal conclaves an many important services The Last Judgment, ceiling: Book of Genesis scenes Other art by Botticelli, others and tapestries by Raphael allowed Michelangelo to fully demonstrate his skill in creating a huge variety of poses for the human figure, and have provided an enormously influential pattern book of models for other artists ever since. Coincided with the rebuilding of St. Peters Basilica – potent symbol of papal power Original ceiling was much like the Arena Chapel – blue with stars The pope insisted that Michelangelo (primarily a sculpture) take on the commission Michelangelo negotiated to ‘do what he liked’ (debateable) 343 figures, 4 years to complete inspired by the reading of scriptures – not established traditions of sacred art designed his own scaffolding myth: painted while lying on his back. Truth: he painted standing up method: fresco . had to be restarted because of a problem with mold o a new formula created by one of his assistants resisted mold and created a new Italian building tradition o new plaster laid down every day – edges called giornate o confident – he drew directly onto the plaster or from a ‘grid’ o he drew on all the “finest workshop methods and best innovations” his assistant/biographer: the ceiling is "unfinished", that its unveiling occurred before it could be reworked with gold leaf and vivid blue lapis lazuli as was customary with frescoes and in order to better link the ceiling with the walls below it which were highlighted with a great deal of gold’ symbolism: Christian ideals, Renaissance humanism, classical literature, and philosophies of Plato, etc. -
Download Document
The J. Paul Getty Trust 1200 Getty Center Drive, Suite 400 Tel 310 440 7360 Communications Department Los Angeles, California 90049-1681 Fax 310 440 7722 www.getty.edu [email protected] NEWS FROM THE GETTY DATE: September 14, 2007 FOR IMMEDIATE RELEASE GETTY EXHIBITION HIGHLIGHTS THE TRIALS AND TRIBULATIONS OF A YOUNG ARTIST’S JOURNEY AS TOLD BY HIS BROTHER Taddeo and Federico Zuccaro: Artist-Brothers in Federico Zuccaro Renaissance Rome Italian, about 1541 - 1609 Taddeo Rebuffed by Francesco Il Sant'Agnolo, about 1590 Pen and brown ink and brown wash over black chalk The J. Paul Getty Museum At the J. Paul Getty Museum, Getty Center 99.GA.6.5 October 2, 2007 – January 6, 2008 LOS ANGELES—The journey to becoming an artist in Renaissance Rome during the 16th century was fraught with daily hardships and struggles. These tribulations are best exemplified in the tale of Taddeo Zuccaro, a young lad who left his home on the eastern coast of Italy at the tender age of 14 to pursue a career as an artist in the great metropolis of Rome. His tenuous journey of starvation, deprivation, sickness, and ultimately triumph—sensitively recounted by his younger brother, Federico, who would himself become an artist of great significance—will be celebrated in a major international loan exhibition organized by the J. Paul Getty Museum. On view at the Getty Center, October 2, 2007 through January 6, 2008, Taddeo and Federico Zuccaro: Artist-Brothers in Renaissance Rome is the first exhibition devoted to the artist-brothers that focuses on their relationship and brings together some of their greatest drawings. -
Routing Sheet
LC 265 RENAISSANCE ITALY (IT gen ed credit) for May Term 2016: Tentative Itinerary Program Direction and Academic Content to be provided by IWU Professor Scott Sheridan Contact [email protected] with questions! 1 Monday CHICAGO Departure. Meet at Chicago O’Hare International Airport to check-in for May 2 departure flight for Rome. 2 Tuesday ROME Arrival. Arrive (09.50) at Rome Fiumicino Airport and transfer by private motorcoach, May 3 with local assistant, to the hotel for check-in. Afternoon (13.00-16.00) departure for a half- day walking tour (with whisperers) of Classical Rome, including the Colosseum (entrance at 13.40), Arch of Constantine, Roman Forum (entrance), Fori Imperiali, Trajan’s Column, and Pantheon. Gelato! Group dinner (19.30). (D) 3 Wednesday ROME. Morning (10.00) guided tour (with whisperers) of Vatican City including entrances to May 4 the Vatican Rooms and Sistine Chapel. Remainder of afternoon at leisure. Evening (20.30) performance of Accademia d’Opera Italiana at All Saints Church. (B) 4 Thursday ROME. Morning (09.00) departure for a full-day guided walking tour including Piazza del May 5 Campidoglio, Palazzo dei Conservatori, Musei Capitolini (entrance included at 10.00), the Piazza Venezia, Circus Maximus, Bocca della Verità, Piazza Navona, Piazza Campo de’ Fiori, Piazza di Spagna and the Trevi Fountain. (B) 1 5 Friday ROME/RAVENNA. Morning (07.45) departure by private motorcoach to Ravenna with en May 6 route tour of Assisi with local guide, including the Basilica (with whisperers) and the Church of Saint Claire. Check-in at the hotel. -
ITINERARI IGNAZIANI a ROMA 4. Dal Gesù a Piazza Navona
ITINERARI IGNAZIANI A ROMA Cf. A.M. De Aldama sj, Roma ignaziana. Sulle orme di sant’Ignazio di Loyola, Piemme, Casale Monferrato 1990 Paolo Monaco sj www.raggionline.com 4. Dal Gesù a Piazza Navona 21 - Via del Gesù 29 - Chiesa di San Luigi dei Francesi 22 - Chiesa di Santa Maria sopra Minerva 30 - Chiesa di Sant’Agostino 23 - Piazza della Rotonda 31 - Palazzo Altemps 24 - Pantheon 32 - Chiesa di Santa Maria dell’Anima 25 - Chiesa di Sant’Eustachio 33 - Palazzo del Cardinale De Cupis 26 - Palazzo della Sapienza 34 - Palazzo Braschi 27 - Ospedale di San Giacomo degli Spagnoli 35 - Chiesa di San Lorenzo in Damaso 28 - Palazzo Madama 21 - Via del Gesù Verso la metà della strada, dietro la tribuna posteriore dell’attuale chiesa di Santo Stefano del Cacco, ci fu la se- conda sede del Collegio Romano (1551-1357). In essa si inaugurarono le cattedre di filosofia e di teologia il 6 no- vembre 1553, si conferirono i primi titoli accademici (dottorato in teologia) il 6 febbraio 1556, e si ebbe la prima rinnovazione dei voti il 6 gennaio 1557, dopo un triduo predicato dal padre Nadal. Gli scolastici vennero suddivisi in tre gruppi, per rinnovare i voti durante le Messe celebrate dai padri Bobadilla, Nadal e Polanco. Alla fine di via del Gesù si gira a destra verso via del Piè di Marmo. Più o meno dov’è oggi il Piè di Marmo, c’erano due case che Ignazio affittò nel 1552 come sede dell’appena fondato Collegio Germanico. L’anno seguen- te, dopo essere stato ospitato per alcuni mesi nel palazzo dei Cesarini (Largo Argentina), il collegio, in espansione, trovò una sede molto più ampia tra le chiese di Santo Stefano del Cacco e di San Giovanni, nella piazza della Pigna. -
The Baroque Transformation of the Salus Populi Romani Amber Mcalister Blazer
From Icon to Relic: The Baroque Transformation of the Salus Populi Romani Amber McAlister Blazer In partial response 10 the Pro1esian1 denunciation of sa of another revered icon al the Chiesa Nuova.' This con1empo cred images, the Counter-Reformation Church in Rome initi• rary project anticipates lhe formal solution employed at 1he atcd a widespread progmm 10 resanctify holy icons.' The re Pauline altar. In 1606, the Orntorian fathers of S. Mruia in newed importance or such images for the renovmio of the Vallicella commissioned a paiming from Pe1cr Paul Rubens for Church was stated emphatically by the elaborate Baroque vo tbe high altar of 1heir new church. the Chiesa Nuova.' One of cabulary employed in their re-installation. An important ex their requirements was 1ha1 it should incorporate the mirncu ample of this process is seen in the tomb chapel erected by lous image of the Madonna and Child which the fathers had Paul Vat S. Maria Maggiore and its allar that houses the icon. preserved from their old church. Rubens finished the canvas of today known as the Salus Pop11li Rom1111i (Figure I).' Because Sts. Grego,}' and Domiti/111, S11rro1111ded by Fo11r Saims !Sts. of1he long and revered his1ory of 1he icon. the papal patronage Maurus and Papianus. Nereus and Achilleus] in 1607.' Be of the si1e. and the nascent Baroque style used for 1he altar cause of the poor light in the church the painting was unread itself. the Pauline installation serves as a paradigm for the able, and 1he Church fathers asked Rubens 10 redo the work on Counter-Reformation display of icons. -
Welcome to the World of Visions Educational Travel. Outstanding
Tour: Roman Pilgrimage: A Culture & Faith Tour Destination: Rome & Pompeii, Italy Availability: Year-round Roman Pilgrimage - Sample Itinerary A Culture & Faith Tour Day Morning Afternoon Evening Time Elevator: 1 Travel to Rome by flight, transfer to Hotel; check-in and relax Dinner at Hotel History of Rome 2 Breakfast Ancient Rome Guided Tour: Coliseum, Roman Forum & Palatine Hill Gladiator School* Dinner at Hotel 3 Breakfast Guided Tour: Vatican Museums, Sistine Chapel, St. Peter's Basilica & Castel Sant'Angelo Pizza Cooking Class* 4 Breakfast Guided Walking Tour of Naples & Naples Underground Guided Tour of Pompeii Dinner at Hotel Attend Mass at Local Saint John Lateran Basilica & The The Roman Ghost & Mystery 5 Breakfast Dinner at Hotel Roman Chapel Basilica of Saint Mary Major Catacombs Tour* 6 Breakfast Guided Tour: Ostia Antica Guided Walking Tour: Baroque Rome Dinner at Hotel 7 Breakfast Transfer to airport; fly home * Indicates activities that may be added on at extra cost, per your request Welcome to the world of Visions Educational Travel. Outstanding destinations filled with history, humanities, and a world outside of the classroom brought to you as only Visions can! As with all sample itineraries, please be aware that this is an “example” of a schedule and that the activities included may be variable dependent upon dates, weather, special requests and other factors. Itineraries will be confirmed prior to travel. Rome…. Modern and old, past and present go side by side; all the time. You can decide to follow the typical paths or you can be lucky enough to go off the usual tracks. -
Monti, Esquilino and San Lorenzo
PDF Rome Monti, Esquilino & San Lorenzo (PDF Chapter) COVERAGE INCLUDES: Edition 9th Edition, Jan 2016 Pages 27 • Neighbourhood Top • Sleeping Page Range 140–157, 214–222 Five • Local Life Useful Links • Getting There & Want more guides? Away Head to our shop • Sights Trouble with your PDF? • Eating Trouble shoot here • Drinking & Nightlife Need more help? • Entertainment Head to our FAQs • Shopping Stay in touch Contact us here © Lonely Planet Publications Pty Ltd. To make it easier for you to use, access to this PDF chapter is not digitally restricted. In return, we think it’s fair to ask you to use it for personal, non-commercial purposes only. In other words, please don’t upload this chapter to a peer-to-peer site, mass email it to everyone you know, or resell it. See the terms and conditions on our site for a longer way of saying the above – ‘Do the right thing with our content’. ©Lonely Planet Publications Pty Ltd 140 Monti, Esquilino & San Lorenzo MONTI | ESQUILINO | PIAZZA DELLA REPUBBLICA & AROUND | SAN LORENZO & BEYOND | SAN LORENZO Neighbourhood Top Five 1 Visiting the Palazzo 3 Hobnobbing with the 5 Exploring the under- Massimo alle Terme (p142), bohos in Pigneto (p151), the ground wonders of Domus with its incredible frescoes iconic working-class district Aurea (p144), Nero’s great, from imperial Rome. immortalised by Pasolini. golden palace that now lies 2 Lingering at wine bars 4 Taking in the splendours beneath Oppian Hill. and pottering around the of Basilica di Santa Maria bohemian-chic neighbour- Maggiore (p143). hood of Monti (p145). -
The Path of Saint Dominic the Path of Saint Dominic
“Sent to preach the Gospel” The Path of Saint Dominic The Path of Saint Dominic Bologna Toulouse Caleruega Rome The purpose of this guide is to help travellers and pilgrims who want to visit spirituality and the charisma he left to his Order. On his journey, the traveler will places connected with the life of St. Dominic of Guzman and therefore to have come across not only monuments but also nuns, brothers, religious people and a better understanding of the origins of the Order of Preachers. To cross, eight laities who have decided to unite to the path of Dominic and dedicate their hundred years later, the same roads, towns and to see homes and churches that lives to the mission of preaching. This is a story that remains alive because today, have marked Dominic’s itinerary, allows us to understand and to internalize the like yesterday, we are sent to preach the Gospel. CONTENTS The path of Saint Dominic ITINERARY IN SPAIN SAINT DOMINIC SAINT DOMINIC SAINT DOMINIC Gumiel de Izán Caleruega IN SPAIN IN FRANCE IN ITALY Burgo de Osma Palencia 6 CALERUEGA 14 TOULOUSE 22 BOLOGNA Saint Dominic was born here in the ... the first step of the path of Saint DOMINICAN PLACES IN BOLOGNA 1170. Dominic in France.... The Basilica and the patriarchal Convent of St. Dominic DOMINICAN PLACES AROUND DOMINIC PLACES IN TOULOUSE Segovia CALERUEGA: 23 Church of St. Mary and 14-15 Maison de Pierre Seilhan St. Dominic of “Mascarella” 7 GUMIEL DE IZAN Ancient Dominican Convent Medieval Bologna St. Dominic lived there from the age of (known as «Couvent des Jacobins») Shrine of Our Lady of St Luke seven to fourteen.. -
Elenco Stazionamenti Taxi Del Comune Di Roma
Elenco stazionamenti taxi del Comune di Roma Gli stazionamenti sottolineati sono dotati di colonnina di chiamata taxi. Per chiamare la colonnina comporre lo 06.06.09 e seguire le istruzioni automatiche. MUNICIPIO ZONA ATTIVA DI STAZIONAMENTO UBICAZIONE 1 PIAZZA BARBERINI DA CIV. 40 A 46 (solo riserva) 1 PIAZZA BARBERINI CIV. 23 - FRONTE HOTEL BERNINI BRISTOL 1 PIAZZA DELLA MADONNA DI LORETO FRONTE MILITE IGNOTO - NN. 17/26 1 VIA CAVOUR FR. CIV. 213M - ENTRATA HOTEL PALATINO 1 PIAZZA INDIPENDENZA CIVICO 24 1 PIAZZA DI SPAGNA CIVICO 52-54 1 PIAZZA DI SPAGNA CIVICO 93 1 VIA LIBERIANA CIVICO 18 1 PIAZZA SAN CARLO AL CORSO ANG. VIA DEL GROTTINO - FRONTE HOTEL PLAZA 1 PIAZZA ALBANIA CIVICO 35 1 VIA CAMPANIA ANG. VIA VENETO 1 VIA LUDOVISI 49 FRONTE HOTEL EDEN 1 LARGO CARLO GOLDONI 43 ANGOLO VIA TOMACELLI 1 LARGO DEGLI SCHIAVONI ANGOLO VIA TOMACELLI 1 PIAZZA DELLA REPUBBLICA CIVICO 10 1 VIA NAZIONALE CIVICO 194 - FRONTE PALAZZO DELLE ESPOSIZIONI 1 VIA MARSALA CIVICO 42. - ENTRATA STAZIONE 1 VIA GIOLITTI FRONTE CIV. 10 - ENTRATA STAZIONE 1 PIAZZA DI PORTA SAN GIOVANNI FR. BASILICA - ADIAC. CAPOLINEA AUTOBUS 1 PIAZZA DEL COLOSSEO STAZIONE METRO - ANG. VIA CLIVIO DI ACILIO 1 PIAZZA VENEZIA CIVICO 13/15 1 PIAZZA DELLE CINQUE LUNE CIVICO 109 - ANG. PIAZZA TOR SANGUIGNA 1 PIAZZA DELLA ROTONDA VIA DELLA ROTONDA CIV. 21/26 1 PIAZZA DELLA MINERVA PIAZZA DELLA MINERVA 1 PIAZZA PASQUALE PAOLI CIVICO 1 - 3 1 LARGO CHIGI CIVICO 12 1 PIAZZA DI PORTA MAGGIORE FRONTE VIA DI PORTA MAGGIORE 1 PIAZZA DELLA TRINITA' DE' MONTI CIVICO 18 - FRONTE HOTEL HASSLER 1 PIAZZA DEI CINQUECENTO FRONTE STAZIONE TERMINI 1 PIAZZA DEL POPOLO TRA CIV. -
Itinerari Giubilari Cammino Della Via
ITINERARI GIUBILARI CAMMINO DELLA CAMMINO DELLA VIA CAMMINO DEL CAMMINO MARIANO VIA PAPALE PAPALE PELLEGRINO Basilica di S.Giovanni in Basilica di S.Giovanni in Basilica di S.Giovanni in Basilica di Santa Maria Laterano Laterano Laterano Maggiore Via dei Santi Quattro Via dei Santi Quattro Via dei Santi Quattro Via Liberiana Coronati Coronati Coronati Via S. Maria Maggiore Colosseo Colosseo Colosseo Via Urbana Via dei Fori Imperiali Via dei Fori Imperiali Via dei Fori Imperiali Via Leonina Carcere Mamertino Carcere Mamertino Carcere Mamertino Via della Madonna dei Campidoglio Campidoglio Campidoglio Monti Via del Teatro Marcello Via del Teatro Marcello Via del Teatro Marcello Via Tor dei Conti Via Montanara Via Montanara Via Montanara Via dei Fori Imperiali Piazza Campitelli Piazza Campitelli Piazza Campitelli Carcere Mamertino Via dei Funari Via dei Funari Via dei Funari Campidoglio Via Paganica Via Paganica Via dei Falegnami Via del Teatro Marcello Largo di Torre Argentina Largo di Torre Argentina San Carlo ai Catinari Via Montanara Via dei Cestari Via dei Cestari Via di Santa Maria in Piazza Campitelli Monicelli Piazza della Minerva Piazza della Minerva Via dei Funari Piazza di San Paolo alla Via della Palombella Via della Palombella Regola Via Paganica Piazza Sant’Eustachio Piazza Sant’Eustachio Piazza e Chiesa della Largo di Torre Argentina SS. Trinità dei Pellegrini Via dei Sediari Via dei Sediari Via dei Cestari Via Capodiferro Piazza Navona Piazza Navona Piazza della Minerva Piazza Farnese Via di Pasquino Via dell’Anima Via della Palombella Via Mascherone Santa Maria in Vallicella Vicolo della Pace Piazza Sant’Eustachio Via Giulia Via dei Banchi Nuovi Via dei Coronari Via dei Sediari San Giovanni Via del Banco di San Salvatore in Lauro Piazza Navona (da qui S.Spirito dei Fiorentini continua con l’itinerario 1 Ponte Sant’Angelo o 2) Ponte Sant’Angelo Via Paola Castel Sant’Angelo Castel Sant’Angelo Ponte Sant’Angelo Castel Sant’Angelo.