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Isymbols of Water and Woman on Selected Examples of Modern Bengali Literature in the Context of Mythological Tradition.*
© Wagadu Volume 3: Spring 2006 Symbols of Water and Woman iSymbols of Water and Woman on Selected Examples of Modern Bengali Literature in the Context of Mythological Tradition.* Blanka Knotková-Čapková As in many archaic mythological concepts, the four basic elements are represented in the Indian mythology as either male or female: air (wind) and fire are male principles, later personified as male deities – Agni and Vāyu; earth and water (river) are female. The metaphorization of woman as Water and Earthii has a strong essentialist aspect; it points to the symbol of the womb, the mysterious feminine source of life, the “cradle and grave”iii or “womb and tomb”, “the Great Mother symbolizing circularity of life and death” (cf. Kalnická, in Wilkoszewska 2001, 107), who also disposes with the ultimate power over life and death. As such, she personifies the female creative and dynamic cosmic energy, śakti. Together with her male counterpart (personified as male God Śiva), she represents the dual image of cosmical unity and harmony. In heterodox śaktism, she is worshipped as the ultimate spiritual principle, not dependent on the male principle; in śivaismiv, she is described as the left part of Śiva’s body. Śaktism also worships śakti in the metonymical image of yoni, the female genitals, the location of the sensual pleasure and the beginning of life (the way to / from the womb).v Some of the mythological personifications of śakti have been partially patriarchalized and “married” to the male Gods; a possible pre-Indo-European concept of an independent motherly deity (whose image was connected with the vegetation cycle, eternal recreation and rebirth). -
Page 1 of 17 List of Literary Associations Recognized by Sahitya
List of Literary Associations recognized by Sahitya Akademi (Updated on 10 May 2021) ASSAMESE 1) The General Secretary Asam Sahitya Sabha Chandrakanta Handique Bhavan, Jorhat 785 001 Assam 2) The President Sadou Asom Lekhika Samaroh Samity Sahid Chariali, Padum Pukhuripar, Tezpur – 784 001, Assam BENGALI 1) The Secretary Rabindra Bharati Society 5, Dwarakanath Tagore Lane Kolkata-700 007 Bengal 2) The Secretary Bangiya Sahitya Parishad 243/1, Acharya Parafullachandra Road Kolkata-700 006 Bengal BODO 1) The General Secretary Bodo Sahitya Sabha R.N. Brahma Hall Kokrajhar BATD-783 370 Assam 2) The President Bodo Writers’ Academy H.O. & P.O. Kajalgaon Dist. Chirang : Bodoland Assam-783385 Page 1 of 17 DOGRI 1) The General Secretary Dogri Sanstha (Regd.) Dogri Bhawan Karan Nagar Jammu Union Territory of Jammu & Kashmir 2) The Secretary Kavi Dattu Sahitya Sansthan (Vill. & P.O. Bhadoo, Tehsil: Bilawar Dist: Kathua, Jammu Union Territory of Jammu & Kashmir 3) The General Secretary Dogri Sahitya Sabha, Marh P.O. Halqa Dist: Jammu – 181206 Union Territory of Jammu & Kashmir 4) The General Secretary Duggar Manch 124, Dogra Hall Jammu-180 001 Union Territory of Jammu & Kashmir 5) The General Secretary Nami Dogri Sanstha 22-D, Lane No. 1 Tavi Vihar Sidra, Jammu-181 019 Union Territory of Jammu & Kashmir ENGLISH-No Literary Association GUJARATI 1) The Secretary Gujarati Sahitya Parishad Govardhan Bhavan, Gujarati Sahitya Parishad Marg, River Front, Ashram Road, P.B. No.4060, Ahmedabad-380 009 Page 2 of 17 2) The Secretary Gujarat Vidya Sabha H.K. Arts College Ashram Road Near Times of India Ahmedabad-380 009 3) The Secretary Gujarat Sahitya Sabha Room No. -
The Language of Gitanjali: the Paradoxical Matrix Dr Sukriti Ghosal Principal MUC Women’S College Burdwan, West Bengal India
www.the-criterion.com The Criterion: An International Journal in English ISSN 0976-8165 The Language of Gitanjali: the Paradoxical Matrix Dr Sukriti Ghosal Principal MUC Women’s College Burdwan, West Bengal India In his essay the ‘The Imagination’ I. A. Richards points out that in a poem impulses are organized by a poet in two ways -- by exclusion and by inclusion. In the structure of poems where impulses are organized by inclusion one comes across a unique ‘equilibrium of opposed impulses’ (197), a gift of the poetic imagination. Paradox is one of the verbal manifestations of this singular balance of heterogeneous impulses. As ordinary language is generally marked by what Shklovsky calls habitualization (12), the contradiction inherent in a paradox belies our expectations and comes to us at first as a shock. But as we probe deeper and look at the expression from a new angle, the familiar semantic horizon of the words used gets extended resolving in the process all apparent contradictions. This is what Cleanth Brooks theorizes as the ‘disruptive’ function of the language of literature: The tendency of science is necessarily to stabilize terms, to freeze them into fixed denotations; the poet’s tendency is by contrast disruptive. The terms are continually modifying each other, and thus violating their dictionary meanings. (9) When Eliot writes ‘April is the cruellest month’(51) we feel bewildered because the line rudely shakes all positive bliss and grace associated with the first month of the spring. Gradually as we take into account the story of the Fisher King of the fertility myth, we discover the truth embedded in the paradox. -
Tomar Holo Shuru Amar Holo Shara-Free Download
Tomar holo shuru amar holo shara-free download LINK TO DOWNLOAD 18/08/ · Tomar Holo Shuru Amar Holo Sara Rabindra Sangeet Movies Preview DOWNLOAD OPTIONS download 1 file. MPEG4 download. download 1 file. OGG VIDEO download. download 1 file. TORRENT download. download 13 Files download 5 Original. SHOW ALL. IN COLLECTIONS. Listen to Tomar Holo Shuru Amar Holo Sara on the Bengali music album Jontre Rabindranath Togore by Violin Brothers, only on JioSaavn. Play online or download to listen offline free - . Tomar Holo Shuru Amar Holo Sara Song: Download Tomar Holo Shuru Amar Holo Sara mp3 song from Chayanika. Listen Tomar Holo Shuru Amar Holo Sara mp3 songs free online by Hemanta Mukherjee,Lata Mangeshkar. Download Tomar Holo Shuru Amar Holo Sara on Hungama Music app & get access to Chayanika unlimited free songs, free movies, latest music videos, online radio, new TV . Hemanta - Tomar Holo Shuru Amar Holo Shara - Bangla Song Download. Bangla Music, Bangla MP3, Bangla Song. Listen to Tomar Holo Shuru Amar Holo Sara Piano on the Bengali music album The Piano Sings Rabindra Sangeet by Y. S. Moolky, only on JioSaavn. Play online or download to listen offline free - in HD audio, only on JioSaavn. Tomar Holo Shuru Songs Download- Listen Bengali Tomar Holo Shuru MP3 songs online free. Play Tomar Holo Shuru Bengali movie songs MP3 by Dipankar Chattopadhyay and download Tomar Holo Shuru songs on renuzap.podarokideal.ru Tomar Holo Shuru Songs - Download Tomar Holo Shuru mp3 songs to your Hungama account. Get the complete list of Tomar Holo Shuru mp3 songs free online. Find the best place to Tomar Holo Shuru movie songs download list. -
Genre Channel Name Channel No Hindi Entertainment Star Bharat 114 Hindi Entertainment Investigation Discovery HD 136 Hindi Enter
Genre Channel Name Channel No Hindi Entertainment Star Bharat 114 Hindi Entertainment Investigation Discovery HD 136 Hindi Entertainment Big Magic 124 Hindi Entertainment Colors Rishtey 129 Hindi Entertainment STAR UTSAV 131 Hindi Entertainment Sony Pal 132 Hindi Entertainment Epic 138 Hindi Entertainment Zee Anmol 140 Hindi Entertainment DD National 148 Hindi Entertainment DD INDIA 150 Hindi Entertainment DD BHARATI 151 Infotainment DD KISAN 152 Hindi Movies Star Gold HD 206 Hindi Movies Zee Action 216 Hindi Movies Colors Cineplex 219 Hindi Movies Sony Wah 224 Hindi Movies STAR UTSAV MOVIES 225 Hindi Zee Anmol Cinema 228 Sports Star Sports 1 Hindi HD 282 Sports DD SPORTS 298 Hindi News ZEE NEWS 311 Hindi News AAJ TAK HD 314 Hindi News AAJ TAK 313 Hindi News NDTV India 317 Hindi News News18 India 318 Hindi News Zee Hindustan 319 Hindi News Tez 326 Hindi News ZEE BUSINESS 331 Hindi News News18 Rajasthan 335 Hindi News Zee Rajasthan News 336 Hindi News News18 UP UK 337 Hindi News News18 MP Chhattisgarh 341 Hindi News Zee MPCG 343 Hindi News Zee UP UK 351 Hindi News DD UP 400 Hindi News DD NEWS 401 Hindi News DD LOK SABHA 402 Hindi News DD RAJYA SABHA 403 Hindi News DD RAJASTHAN 404 Hindi News DD MP 405 Infotainment Gyan Darshan 442 Kids CARTOON NETWORK 449 Kids Pogo 451 Music MTV Beats 482 Music ETC 487 Music SONY MIX 491 Music Zing 501 Marathi DD SAHYADRI 548 Punjabi ZEE PUNJABI 562 Hindi News News18 Punjab Haryana Himachal 566 Punjabi DD PUNJABI 572 Gujrati DD Girnar 589 Oriya DD ORIYA 617 Urdu Zee Salaam 622 Urdu News18 Urdu 625 Urdu -
Madhusudan Dutt and the Dilemma of the Early Bengali Theatre Dhrupadi
Layered homogeneities: Madhusudan Dutt and the dilemma of the early Bengali theatre Dhrupadi Chattopadhyay Vol. 4, No. 2, pp. 5–34 | ISSN 2050-487X | www.southasianist.ed.ac.uk 2016 | The South Asianist 4 (2): 5-34 | pg. 5 Vol. 4, No. 2, pp. 5-34 Layered homogeneities: Madhusudan Dutt, and the dilemma of the early Bengali theatre DHRUPADI CHATTOPADHYAY, SNDT University, Mumbai Owing to its colonial tag, Christianity shares an uneasy relationship with literary historiographies of nineteenth-century Bengal: Christianity continues to be treated as a foreign import capable of destabilising the societal matrix. The upper-caste Christian neophytes, often products of the new western education system, took to Christianity to register socio-political dissent. However, given his/her socio-political location, the Christian convert faced a crisis of entitlement: as a convert they faced immediate ostracising from Hindu conservative society, and even as devout western moderns could not partake in the colonizer’s version of selective Christian brotherhood. I argue that Christian convert literature imaginatively uses Hindu mythology as a master-narrative to partake in both these constituencies. This paper turns to the reception aesthetics of an oft forgotten play by Michael Madhusudan Dutt, the father of modern Bengali poetry, to explore the contentious relationship between Christianity and colonial modernity in nineteenth-century Bengal. In particular, Dutt’s deft use of the semantic excess as a result of the overlapping linguistic constituencies of English and Bengali is examined. Further, the paper argues that Dutt consciously situates his text at the crossroads of different receptive constituencies to create what I call ‘layered homogeneities’. -
NXTDIGITAL-HITS LCN (AP TL)-LCN GENRE.Xlsx
NXTDIGITAL HITS ( AP-TELANGANA ) * Please note that channels will be available subject to the model of COPE (Cable Operator Premise Equipment ). Sr No. CHANNEL NAME LCN 1ZEE TELUGU 1 2ETV 2 3GEMINI TV 3 4ETV PLUS 5 5 GEMINI MOVIES 6 6GEMINI LIFE 7 7 GEMINI COMEDY 8 8 ETV ABHIRUCHI 9 9ETV LIFE 10 10 CLASSROOM TV 11 11LOCAL 1 12 12LOCAL 2 13 13LOCAL 3 14 14LOCAL 4 15 15VANITHA TV 16 16 DD SAPTAGIRI 17 17DD YADAGIRI 18 18ETV CINEMA 19 19MAA MOVIES 20 20 ZEE CINEMALU 21 21 MAA GOLD 23 22LOCAL 5 24 23LOCAL 6 25 24ETV AP 26 25 ETV TELANGANA 27 26SAKSHI 28 27 NTV (INDIA) 29 2810 TV 30 29TV9 TELUGU 31 30TV 5 NEWS 32 31I NEWS 33 32HMTV 34 33T NEWS 35 34ABN (INDIA) 36 35 RAJ NEWS TELUGU 37 36CVR NEWS 38 3799 TV 39 38NO1 NEWS 41 39AP 24x7 42 Sr No. CHANNEL NAME LCN 40 MAHAA NEWS 44 41V6 NEWS 45 42LOCAL 7 52 43LOCAL 8 53 44MAA MUSIC 54 45 GEMINI MUSIC 55 46 TOLLYWOOD TV 57 47 RAJ MUSIX TELUGU 58 48CVR HEALTH 59 49 NAAPTOL TELUGU 61 50BHAKTHI TV 62 51SVBC 63 52NXT TARANG 64 53SAI TV 66 54 CVR SPIRITUAL 67 55 SUBHAVAARTHA TV 68 56CALVARY TV 69 57 NIREEKSHANA TV (ARCHANA) 70 58ARADHANA TV 72 59SWARA SAGAR 73 60 RUJU MARGAM TV 74 61 ZEE TELUGU HD 75 62ETV HD 76 63 GEMINI TV HD 77 64MAA HD 78 65 GEMINI MOVIES HD 79 66ETV PLUS HD 80 67LOCAL 9 81 68LOCAL 10 82 69 MAA MOVIES HD 83 70 ETV CINEMA HD 84 71 ZEE CINEMALU HD 85 72 GEMINI MUSIC HD 87 73LOCAL 9 91 74LOCAL 10 92 75LOCAL 11 93 76LOCAL 12 94 77MAA TV 100 78 CUSTOMER INFO 102 79 SUNFLOWER KIDS 105 80NXT TOONS 106 Sr No. -
2021 Banerjee Ankita 145189
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The Santiniketan ashram as Rabindranath Tagore’s politics Banerjee, Ankita Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 THE SANTINIKETAN ashram As Rabindranath Tagore’s PoliTics Ankita Banerjee King’s College London 2020 This thesis is submitted to King’s College London for the Degree of Doctor of Philosophy List of Illustrations Table 1: No of Essays written per year between 1892 and 1936. -
Tagore's Song Offerings: a Study on Beauty and Eternity
Everant.in/index.php/sshj Survey Report Social Science and Humanities Journal Tagore’s Song Offerings: A Study on Beauty and Eternity Dr. Tinni Dutta Lecturer, Department of Psychology , Asutosh College Kolkata , India. ABSTRACT Gitanjali written by Rabindranath Tagore (and the English translation of the Corresponding Author: Bengali poems in it, written in 1921) was awarded the Novel Prize in 1913. He Dr. Tinni Dutta called it Song Offerings. Some of the songs were taken from „Naivedya‟, „Kheya‟, „Gitimalya‟ and other selections of his poem. That is, the Supreme Being is complete only together with the soul of the devetee. He makes the mere mortal infinite and chooses to do so for His own sake, this could be just could be a faint echo of the AdvaitaPhilosophy.Tagore‟s songs in Gitanjali express the distinctive method of philosophy…The poet is nothing more than a flute (merely a reed) which plays His timeless melodies . His heart overflows with happiness at His touch that is intangible Tagore‟s song in Gitanjali are analyzed in this ways - content analysis and dynamic analysis. Methodology of his present study were corroborated with earlier findings: Halder (1918), Basu (1988), Sanyal (1992) Dutta (2002).In conclusion it could be stated that Tagore‟s songs in Gitanjali are intermingled with beauty and eternity.A frequently used theme in Tagore‟s poetry, is repeated in the song,„Tumiaamaydekechhilechhutir‟„When the day of fulfillment came I knew nothing for I was absent –minded‟, He mourns the loss. This strain of thinking is found also in an exquisite poem written in old age. -
Rabindranath Tagore Passed Away - [August 7, 1941] This Day in History
Rabindranath Tagore Passed Away - [August 7, 1941] This Day in History Rabindranath Tagore was an important figure in the Indian freedom struggle and served an inspiration to many. In this article, you can read about his life and contributions to the IAS Exam. Rabindranath Tagore Biography Rabindranath Tagore, also called ‘Gurudev’ passed away on 7 August 1941 at Jorasanko, Calcutta in his ancestral home. He was 80. • Rabindranath Tagore was born on 7 May 1861 to an upper-class Bengali family in his ancestral home in Calcutta. • He became the most influential writer, poet and artist in Bengal and also India in the early 20th century • He was a polymath and his mastery spread over many arenas like art, literature, poetry, drama, music and learning. • He became the first non-European to win the Nobel Prize for Literature when he won the award in 1913 for his translation of his own work in Bengali, Gitanjali. He was the first non-white person to win a Nobel Prize. • Tagore is said to have composed over 2000 songs and his songs and music are called ‘Rabindrasangeet’ with its own distinct lyrical and fluid style. • The national anthems of both India and Bangladesh were composed by Tagore. (India’s Jana Gana Mana and Bangladesh’s Amar Shonar Bangla.) • The Sri Lankan national anthem is also said to have been inspired by him. • Tagore had composed Amar Shonar Bangla in 1905 in the wake of the Bengal partition to foster a spirit of unity and patriotism among Bengalis. He also used the Raksha Bandhan festival to bring about a feeling of brotherhood among Bengal’s Hindus and Muslims during the partition of 1905. -
Visva-Bharati, Santiniketan Title Accno Language Author / Script Folios DVD Remarks
www.ignca.gov.in Visva-Bharati, Santiniketan Title AccNo Language Author / Script Folios DVD Remarks CF, All letters to A 1 Bengali Many Others 75 RBVB_042 Rabindranath Tagore Vol-A, Corrected, English tr. A Flight of Wild Geese 66 English Typed 112 RBVB_006 By K.C. Sen A Flight of Wild Geese 338 English Typed 107 RBVB_024 Vol-A A poems by Dwijendranath to Satyendranath and Dwijendranath Jyotirindranath while 431(B) Bengali Tagore and 118 RBVB_033 Vol-A, presenting a copy of Printed Swapnaprayana to them A poems in English ('This 397(xiv Rabindranath English 1 RBVB_029 Vol-A, great utterance...') ) Tagore A song from Tapati and Rabindranath 397(ix) Bengali 1.5 RBVB_029 Vol-A, stage directions Tagore A. Perumal Collection 214 English A. Perumal ? 102 RBVB_101 CF, All letters to AA 83 Bengali Many others 14 RBVB_043 Rabindranath Tagore Aakas Pradeep 466 Bengali Rabindranath 61 RBVB_036 Vol-A, Tagore and 1 www.ignca.gov.in Visva-Bharati, Santiniketan Title AccNo Language Author / Script Folios DVD Remarks Sudhir Chandra Kar Aakas Pradeep, Chitra- Bichitra, Nabajatak, Sudhir Vol-A, corrected by 263 Bengali 40 RBVB_018 Parisesh, Prahasinee, Chandra Kar Rabindranath Tagore Sanai, and others Indira Devi Bengali & Choudhurani, Aamar Katha 409 73 RBVB_029 Vol-A, English Unknown, & printed Indira Devi Aanarkali 401(A) Bengali Choudhurani 37 RBVB_029 Vol-A, & Unknown Indira Devi Aanarkali 401(B) Bengali Choudhurani 72 RBVB_029 Vol-A, & Unknown Aarogya, Geetabitan, 262 Bengali Sudhir 72 RBVB_018 Vol-A, corrected by Chhelebele-fef. Rabindra- Chandra -
South Asia Multidisciplinary Academic Journal, 9 | 2014 Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Gl
South Asia Multidisciplinary Academic Journal 9 | 2014 Imagining Bangladesh: Contested Narratives Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Globalization Lala Rukh Selim Electronic version URL: https://journals.openedition.org/samaj/3725 DOI: 10.4000/samaj.3725 ISSN: 1960-6060 Publisher Association pour la recherche sur l'Asie du Sud (ARAS) Electronic reference Lala Rukh Selim, “Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Globalization”, South Asia Multidisciplinary Academic Journal [Online], 9 | 2014, Online since 22 July 2014, connection on 21 September 2021. URL: http://journals.openedition.org/samaj/3725 ; DOI: https://doi.org/10.4000/samaj.3725 This text was automatically generated on 21 September 2021. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Gl... 1 Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Globalization Lala Rukh Selim Introduction 1 The art of Bangladesh embodies the social and political changes that have transformed the country/region through history. What was once a united state of Bengal is now divided into two parts, the sovereign country of Bangladesh and the state of West Bengal in India. The predominant religion in Bangladesh is Islam and that of West Bengal is Hinduism. Throughout history, ideas and identifications of certain elements of culture as ‘tradition’ have played an important role in the construction of notions of identity in this region, where multiple cultures continue to meet. The celebrated pedagogue, writer and artist K.