Historic Resources Assessment Report
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Honolulu Advertiser & Star-Bulletin Obituaries January 1
Honolulu Advertiser & Star-Bulletin Obituaries January 1 - December 31, 2004 K ANNIE "TAXI ANNIE" AKI KA, 78, of Kailua, Hawai'i, died Aug. 12, 2004. Born in Honaunau, Hawai'i. A professional lei maker, lei wholesaler, and professional hula dancer; member of 'Ahahui Ka'ahumanu O Kona (Ka'ahumanu Society, Kona); owner of Triple K Taxi Service; longtime Jack's Tours and Taxi Service employee; owner of a bicycle rental business, and Kona Inn Hotel bartender. Survived by sons, Joseph Sr., Harry and Jonathan; daughters, Annie Leong and Lorraine Wahinekapu; 13 grandchildren; 17 great-grandchildren; brothers, Archie, Ernest and Walter Aki; sisters, Lillian Hose, Dolly Salas and Elizabeth Aki. Visitation 8:30 to 10 a.m. Saturday at Lanakila Church, Kainaliu, Hawai'i; memorial service 10 a.m.; burial of urn to follow in church cemetery. No flowers; monetary donations accepted. Casual attire. Arrangements by Dodo Mortuary, Kona, Hawai'i. [Adv Aug 24, 2004] MYRTLE KAPEAOKAMOKU KAAA, 75, of Hilo, Hawai'i, died April 18, 2004. Born in Kapapala, Ka'u, Hawai'i. A homemaker. Survived by husband, William Jr.; sons, Kyle and Kelsey; daughter, Kawehi Walters and Kimelia Ishibashi; sister, Iris Boshard; 15 grandchildren; five great- grandchildren. Visitation 10 a.m. to noon Saturday at Haili Congregational Church; service noon; burial to follow at Hawai'i Veterans Cemetery No. 2. Aloha attire. Arrangements by Dodo Mortuary, Hilo. [Adv 27/04/2004] WILLIAM KELEKINO "JUNIOR" KAAE, 72, of Kane'ohe, died Jan. 17, 2004. Born in Honolulu. Spats nightclub employee; and a Waikiki beachboy. Survived by wife, Georgette; daughters, Danell Soares-Haae, Teresa Marshall and Kuulei; sons, Leonard, Dudley, Joe and Everett; brothers, George, Naleo and Leonard Kaae, and Nick and Sherman Tenn; sisters, Rose Gelter, Ethel Hanley and Wanda Naweli; 18 grandchildren; three great-grandchildren. -
5.7 Cultural Resources
City of Long Beach Shoreline Gateway Project Environmental Impact Report 5.7 CULTURAL RESOURCES The purpose of this section is to identify historic, archaeological and paleontological resources existing in the project area and to assess the significance of such resources. The analysis in this section has been prepared in accordance with Section 15064.5 of the CEQA Guidelines, which considers potential impacts on prehistoric and historic resources. This section is based upon the information contained in the Historic-Period Building Survey conducted by CRM Tech (June 2006) and the Revised Historic Resources Survey Report prepared by Sapphos Environmental, Inc. (August 2006), which is included in Appendix 15.6, Historical Resources Survey Reports. 5.7.1 ENVIRONMENTAL SETTING Between August 2005 and June 2006, CRM Tech performed a historical resources survey for the proposed Shoreline Gateway Project. The boundaries of the project encompass portions of two fully urbanized city blocks located on the north side of Ocean Boulevard between Atlantic Avenue and Alamitos Avenue, on the eastern edge of the city’s downtown area. In consideration of the project’s potential for visual, atmospheric, and other indirect effects, the study area for the survey also includes properties of potential historic significance that are located adjacent to the project boundaries. In all, the entire study area extends from the west side of Atlantic Avenue to the east side of Alamitos Avenue, straddling both sides of Ocean Boulevard. It lies across the boundary between the Rancho Los Cerritos and Rancho Los Alamitos land grants, in what would be Section 6 of T5S R13W, San Bernardino Base Meridian. -
City of Long Beach Historic Context Statement
City of Long Beach Historic Context Statement Prepared for: City of Long Beach Department of Development Services Office of Historic Preservation 333 West Ocean Boulevard Long Beach, California 90802 Prepared by: Sapphos Environmental, Inc. 430 North Halstead Street Pasadena, California 91107 July 10, 2009 TABLE OF CONTENTS SECTIONS PAGE 1.0 INTRODUCTION .............................................................................................................. 5 1.1 Objectives and Scope............................................................................................. 5 1.2 Working Definitions............................................................................................... 6 1.3 Report Preparation ................................................................................................. 8 1.4 Historic Context Statement Organization................................................................ 8 2.0 LOCATION...................................................................................................................... 10 3.0 STUDY METHODS.......................................................................................................... 14 3.1 Historical Research............................................................................................... 14 3.2 Previous Surveys................................................................................................... 15 3.3 Field Reconnaissance........................................................................................... -
Edward A. Killingsworth Papers, Circa 1940-Circa 2006 0000148
http://oac.cdlib.org/findaid/ark:/13030/kt3h4nf299 No online items Finding Aid for the Edward A. Killingsworth papers, circa 1940-circa 2006 0000148 Finding aid prepared by Chris Marino, Julia Larson The finding aid for this collection was made possible by a Getty Foundation Archival Arrangement & Description Grant. Architecture and Design Collection, Art, Design & Architecture Museum Arts Building Room 1434 University of California Santa Barbara, California, 93106-7130 805-893-2724 [email protected] August 2, 2017 Finding Aid for the Edward A. 0000148 1 Killingsworth papers, circa 1940-circa 2006 000014... Title: Edward A. Killingsworth papers Identifier/Call Number: 0000148 Contributing Institution: Architecture and Design Collection, Art, Design & Architecture Museum Language of Material: English Physical Description: 358.0 Linear feet(65 record storage boxes, 80 flat file drawers, and 18 models) Date (inclusive): circa 1936-circa 2006 Location note: Boxes 1-23/ADC - regular Box 24/ADC - oversize* Boxes 25-53/ADC - regular Box 54/ADC - oversize* Boxes 55-64/ADC - regular 80 Flat File Drawers/ADC - flat files 8 presentation boards/Mosher - box of presentation boards 18 Models/Mosher - models Kuching Hilton Hotel, Kuching Borneo, 1995 UC Riverside, Student Union, 1965 unidentified development Queen Mary access structures Queen Mary access structure, 1978 Hotel (Montego Bay, Jamaica), 1978 Typical Condominium unit for Jamaica Project Apartment building for Syndicated Developers The Kahala Beach (Honolulu, Hawaii) Djakarta Hilton Hotel (Kjakarta, Indonesia) USC, University Religious Center Pacific Terrace Halekulani Hotel (Los Angeles, Calif.) California State University & Colleges, Headquarters Building (Long Beach, Calif.) Atlantic Research Corporation, Missile Systems Division, Offices and factory Hotel for Ernie Hahn (Inglewood, Calif.), 1960 Unidentified resort development creator: Brady, Jules Ellsworth creator: Killingsworth, Brady and Associates . -
National Register of Historic Places Registration Form
NPS Form 10-900 OMB No. 1024-0018 (Oct.1990) United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property historic name Killingsworth, Brady & Smith other names/site number Killingsworth, Brady & Smith (1955-1964), Killingsworth, Brady & Associate (1964-1982), Killingsworth, Stricker, Lindgren, W ilson & Associates, Inc. (1982-2001), KSM Architecture, Inc. (2003-present) 2. Location street & number 3827-3837 Long Beach Boulevard not for publication city or town Long Beach vicinity state California code CA county Los Angeles code: 37 zip code 90807-3311 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this nomination request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property meets does not meet the National Register Criteria. -
NR Form for Inhouse
NPS Form 10-900-b (Rev. 01/2009) OMB No. 1024-0018 (Expires 5/31/2012) United States Department of the Interior National Park Service National Register of Historic Places Multiple Property Documentation Form This form is used for documenting property groups relating to one or several historic contexts. See instructions in National Register Bulletin How to Complete the Multiple Property Documentation Form (formerly 16B). Complete each item by entering the requested information. For additional space, use continuation sheets (Form 10-900-a). Use a typewriter, word processor, or computer to complete all items X New Submission Amended Submission A. Name of Multiple Property Listing The Case Study House Program: 1945-1966 B. Associated Historic Contexts (Name each associated historic context, identifying theme, geographical area, and chronological period for each.) Experimental modern residential architecture of the Case Study House Program in California: 1945-1966 C. Form Prepared by name/title Peter Moruzzi / Architectural historian organization Los Angeles Conservancy Modern Committee date Dec 2012; Revised Mar 2013 street & number 2935 Angus Street telephone 323-913-9299 city or town Los Angeles state CA zip code 90039 e-mail [email protected] D. Certification As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this documentation form meets the National Register documentation standards and sets forth requirements for the listing of related properties consistent with the National Register criteria. This submission meets the procedural and professional requirements set forth in 36 CFR 60 and the Secretary of the Interior’s Standards and Guidelines for Archeology and Historic Preservation. -
Hawaii Modernism Context Study Our Special Mahalo Goes to the Peer Review Group Who Took Their Time to Review the Study
Acknowledgements and Contributors This project was funded in part by a grant from the Hawaii Preservation Fund and Modernism + Recent Past Intervention Fund of the National Trust for Historic Preservation. Additional funding was provided by Historic Hawaii Foundation and Fung Associates, Inc. The following people and organizations have contributed a great deal to this study: Historic Hawai‘i Foundation Kiersten Faulkner, Executive Director Lisa Palm, Director of Operations Wendy Wichman, Director of Field Services National Trust for Historic Preservation Christine Madrid French, Director, Trust Modern Fung Associates, Inc. Louis Fung Tonia Moy Mayu Ohama William Chapman Don Hibbard Claire Oshiro The success of this study depends largely on the encouragement and guidelines of many others. We take this opportunity to express our gratitude to the people who have been involved in the successful completion of this study. Hawaii Modernism Context Study Our special Mahalo goes to the peer review group who took their time to review the study. Pua Aiu, State Historic Preservation Division Suzanne Bott, National Park Service George Casen, Hawai‘i Historic Places Review Board Joy Davidson, AIA Historic Preservation Committee Jeff Dodge, Hawai‘i Historic Places Review Board Stephanie Foell, PB World Denise McGeen, PB World Ellyn Goldkind, NAVFAC Hawaii Loriann Gordon, Loriann Gordon Landscape Architect Anna Grune, Historic Hawai‘i Foundation Kimo Guequierre, Hawai‘i Historic Places Review Board Tanya Gumapac-McGuire, Historic Hawai‘i Foundation Frank Haines , Architects Hawai‘i Anthea Hartig, National Trust for Historic Preservation Ken Hays, Hawai‘i Historic Places Review Board Wendie McAllaster, Helber Hastert & Fee Glenn Mason , Mason Architects, Inc. -
Modernism Resources
THIS PAGE INTENTIONALLY LEFT BLANK Hawaii Modernism Context Study 4.1 Specific Building Types 4.1.1 Low and Mid-Rise Commercial and Office Buildings Many of the remaining one to six story commercial and office buildings today are perhaps the most endangered building type of the post-World War II period. They stand on business zoned lands capable of supporting greater densities than the current structures provide. As a result, a large number of these structures have already disappeared from the landscape, especially in Waikiki. Most of the post-World War II, low-rise commercial or office buildings are of masonry construction, often concrete block, with the wood State Savings Plaza (1973) in Kaneohe designed by Johnson-Reese & Associates being a rare exception to this rule. All are modern in style, displaying an assortment of variations related to the movement, ranging from the vestigial rounded corners of streamline moderne to mid-century modern to formalism and expressionism. Most fall under the stylistic classification of mid-century modern, but some employing folded plate roofs or curvilinear roof forms that are expressionist in character, while others with a strong sense of symmetry and pronounced columns represent formalist ideas. Distinctive architectural features include such elements as flat roofs, thin, flat cantilevered concrete canopies or awnings, strong right angles and simple cubic forms, rounded corners, aluminum framed store fronts and entry doors, and projecting vertical elements, which often carried the name of the building. Exterior walls may be smooth concrete, painted concrete block, or clad with veneers such as lava rock, sandstone or thin slabs of Arizona sandstone. -
San Diego Modernism Historic Context Statement
SAN DIEGO MODERNISM HISTORIC CONTEXT STATEMENT SAN DIEGO MODERNISM HISTORIC CONTEXT STATEMENT The City of San Diego 202 C Street, 4th Floor San Diego, CA 92101 Submitted to: State of California Office of Historic Preservation Final Draft – October 17, 2007 THE CITY OF SAN DIEGO SAN DIEGO MODERNISM HISTORIC CONTEXT STATEMENT FORWARD FORWARD The City of San Diego is known for its wealth of historical and cultural resources, and the City is committed to preserving, interpreting and celebrating this heritage. From the Native American sites and California’s earliest Spanish settlements, to recent landmarks such as the renowned 1965 Salk Institute for Biological Studies, San Diego has a rich and diverse continuum of cultural artifacts to appreciate. The buildings, sites and structures expressing the Modernist era are a crucial contributor to this continuum. This Historic Context Statement on San Diego Modernism describes the background of social and economic history, development patterns, and artistic and cultural trends that informed the years 1935-1970 when Modernism flowered in San Diego. This context statement also becomes an essential tool for the City Historical Resources Board (HRB), and the City staff to more accurately assess the value and relative significance of resources in this time period. It provides a foundation for future HRB efforts and consideration of historic designation of significant Modernist resources. Furthermore, this Statement reinforces the City’s commitment to all aspects and periods of its history, particularly the most recent period leading into our current 45 year window of review. San Diego is blessed with a wealth of Modernist resources created by bold, accomplished and nationally recognized practitioners.