San Diego Modernism Historic Context Statement
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Starchitect:” Wright Finds His Voice After Being Fired
Athens Journal of Architecture - Volume 5, Issue 3– Pages 301-318 After the “Starchitect:” Wright Finds his Voice after Being Fired By Michael O'Brien * The term ―Starchitect‖ seems to have originated in the 1940’s to describe a ―film star who has designed a house‖ but of late has been understood as an architect who has risen to celebrity status in the general culture. Louis Sullivan, like Daniel Burnham, might have been considered a ―starchitect.‖ Starchitects are frequently associated with a unique style or approach to architecture and all who work for them, adopt this style as their own as a matter of employment. Frank Lloyd Wright was one of these architects, working under and in the idiom of Louis Sullivan for six years, learning to draw and develop motifs in the style of Louis Sullivan. Frank Lloyd Wright’s firing by Louis Sullivan in 1893 and his rapidly growing family set him on an urgent course to seek his own voice. The bootleg houses, designed outside the contract terms Wright had with Adler and Sullivan caused the separation, likely fueled by both Sullivan and Wright’s ego, which left Wright alone, separated from his ―Lieber Meister‖1 or ―Beloved Master.‖ These early houses by Wright were adaptations of various styles popular in the times, Neo-Colonial for Blossom, Victorian for Parker and Gale, each, as Wright explained were not ―radical‖ because ―I could not follow up on them.‖2 Wright, like many young architects, had not yet codified his ideas and strategies for activating space and form. How does one undertake the search for one’s language of these architectural essentials? Does one randomly pursue a course of trial and error casting about through images that capture one’s attention? Do we restrict our voice to that which has already been voiced in history? Wright’s agenda would have included the merging of space and enclosure with site and nature structured as he understood it from Sullivan’s Ornament. -
An Introduction to Architectural Theory Is the First Critical History of a Ma Architectural Thought Over the Last Forty Years
a ND M a LLGR G OOD An Introduction to Architectural Theory is the first critical history of a ma architectural thought over the last forty years. Beginning with the VE cataclysmic social and political events of 1968, the authors survey N the criticisms of high modernism and its abiding evolution, the AN INTRODUCT rise of postmodern and poststructural theory, traditionalism, New Urbanism, critical regionalism, deconstruction, parametric design, minimalism, phenomenology, sustainability, and the implications of AN INTRODUCTiON TO new technologies for design. With a sharp and lively text, Mallgrave and Goodman explore issues in depth but not to the extent that they become inaccessible to beginning students. ARCHITECTURaL THEORY i HaRRY FRaNCiS MaLLGRaVE is a professor of architecture at Illinois Institute of ON TO 1968 TO THE PRESENT Technology, and has enjoyed a distinguished career as an award-winning scholar, translator, and editor. His most recent publications include Modern Architectural HaRRY FRaNCiS MaLLGRaVE aND DaViD GOODmaN Theory: A Historical Survey, 1673–1968 (2005), the two volumes of Architectural ARCHITECTUR Theory: An Anthology from Vitruvius to 2005 (Wiley-Blackwell, 2005–8, volume 2 with co-editor Christina Contandriopoulos), and The Architect’s Brain: Neuroscience, Creativity, and Architecture (Wiley-Blackwell, 2010). DaViD GOODmaN is Studio Associate Professor of Architecture at Illinois Institute of Technology and is co-principal of R+D Studio. He has also taught architecture at Harvard University’s Graduate School of Design and at Boston Architectural College. His work has appeared in the journal Log, in the anthology Chicago Architecture: Histories, Revisions, Alternatives, and in the Northwestern University Press publication Walter Netsch: A Critical Appreciation and Sourcebook. -
I Recently Visited San Diego to Deliver a Paper at a Conference
Faculty Focus Dr. Margaret Farrar Associate Professor of Political Science – The attraction of transparencytransparencytransparency I recently visited San Diego to deliver a paper at a conference. Having spent most of my life in the post-industrial Mid- thousands of working-class people in search of affordable the personal information we relinquish to phone companies west and Northeast, San Diego—particularly Centre City— housing close to their jobs. Not coincidentally, they also tracking terror suspects, we routinely—if somewhat Make no mistake about it: San Diego is a gorgeous city. resembled more of a theme park than a city to me: an became the destination of the city’s growing African- reluctantly—turn ourselves inside out, offering up our assemblage of spaces designed and built more for tourists American population. Invisible from the main thoroughfares continual scrutability in exchange for what we hope is an Gleaming skyscrapers and posh hotels stand at attention than for residents, replete with manufactured ambiance in the city, the alleys became known as Washington’s equally relentless and comprehensive security. around the natural harbor of San Diego Bay, and all along the and carefully manicured shrubbery. I was confused by my “secret city,” where its “neglected neighbors” (to quote Of course, eliminating alleys from a city’s master plan— own reaction to what is clearly a beautiful area. What made two famous chroniclers of the capital) languished in poverty without addressing the underlying sources of these waterfront, cyclists, joggers and dog-walkers revel in what me so inordinately suspicious of this place? I wondered. and ill health. -
2 Project Description
2 PROJECT DESCRIPTION 2.1 INTRODUCTION 2.1.1 PURPOSE The purpose of this section is to describe the proposed San Diego State University (SDSU) New Student Housing project (proposed project) for the public, reviewing agencies, and decision makers. Per the California Environmental Quality Act (CEQA), California Public Resources Code Section 21000 et seq., a project description is to contain the following information: (a) the precise location and boundaries of the proposed project, shown on a detailed map, along with a regional map of the project location; (b) a statement of the objectives of the proposed project, which should include the underlying purpose of the project; (c) a general description of the project’s technical, economic, and environmental characteristics; and (d) a statement briefly describing the intended uses of the environmental impact report (EIR). An adequate project description need not be exhaustive, but should supply the information necessary for the evaluation and review of the project’s significant environmental effects. This section describes the proposed project, including its location, characteristics, and objectives, and the intended uses of this EIR. 2.1.2 OVERVIEW OF PROJECT DESCRIPTION The proposed project is the expansion of on-campus student housing facilities to be located adjacent to the existing Chapultepec Hall. Specifically, the proposed project would consist of the development of facilities to accommodate up to 2,566 student housing beds in a series of residential towers to be located on the existing Parking Lot 9 (formerly “U” Parking Lot) and the areas west and northwest of Parking Lot 9, centering around the existing Chapultepec Hall. -
OLMSTED TRACT; Torrance, California 2011 – 2013 SURVEY of HISTORIC RESOURCES
OLMSTED TRACT; Torrance, California 2011 – 2013 SURVEY OF HISTORIC RESOURCES II. HISTORIC CONTEXT STATEMENT A. Torrance and Garden City Movement: The plan for the original City of Torrance, known as the Olmsted Tract, owes its origins to a movement that begin in England in the late 19th Century. Sir Ebenezer Howard published his manifesto “Garden Cities of To-morrow" in 1898 where he describes a utopian city in which man lives harmoniously together with the rest of nature. The London suburbs of Letchworth Garden City and Welwyn Garden City were the first built examples of garden city planning and became a model for urban planners in America. In 1899 Ebenezer founded the Garden City Association to promote his idea for the Garden City ‘in which all the advantages of the most energetic town life would be secured in perfect combination with all the beauty and delight of the country.” His notions about the integration of nature with town planning had profound influence on the design of cities and the modern suburb in the 20th Century. Examples of Garden City Plans in America include: Forest Hills Gardens, New York (by Fredrick Law Olmsted Jr.); Radburn, New Jersey; Shaker Heights, Ohio; Baldwin Hills Village, in Los Angeles, California and Greenbelt, Maryland. Fredrick Law Olmsted is considered to be the father of the landscape architecture profession in America. He had two sons that inherited his legacy and firm. They practiced as the Olmsted Brothers of Brookline Massachusetts. Fredrick Law Olmsted Junior was a founding member of The National Planning Institute of America and was its President from 1910 to 1919. -
Inspired by Mexico: Architect Bertram Goodhue Introduces Spanish Colonial Revival Into Balboa Park
Inspired by Mexico: Architect Bertram Goodhue Introduces Spanish Colonial Revival into Balboa Park By Iris H.W. Engstrand G. Aubrey Davidson’s laudatory address to an excited crowd attending the opening of the Panama-California Exposition on January 1, 1915, gave no inkling that the Spanish Colonial architectural legacy that is so familiar to San Diegans today was ever in doubt. The buildings of this exposition have not been thrown up with the careless unconcern that characterizes a transient pleasure resort. They are part of the surroundings, with the aspect of permanence and far-seeing design...Here is pictured this happy combination of splendid temples, the story of the friars, the thrilling tale of the pioneers, the orderly conquest of commerce, coupled with the hopes of an El Dorado where life 1 can expand in this fragrant land of opportunity. G Aubrey Davidson, ca. 1915. ©SDHC #UT: 9112.1. As early as 1909, Davidson, then president of the Chamber of Commerce, had suggested that San Diego hold an exposition in 1915 to celebrate the opening of the Panama Canal. When City Park was selected as the site in 1910, it seemed appropriate to rename the park for Spanish explorer Vasco Nuñez de Balboa, who had discovered the Pacific Ocean and claimed the Iris H. W. Engstrand, professor of history at the University of San Diego, is the author of books and articles on local history including San Diego: California’s Cornerstone; Reflections: A History of the San Diego Gas and Electric Company 1881-1991; Harley Knox; San Diego’s Mayor for the People and “The Origins of Balboa Park: A Prelude to the 1915 Exposition,” Journal of San Diego History, Summer 2010. -
The Making of the Panama-California Exposition, 1909-1915 by Richard W
The Journal of San Diego History SAN DIEGO HISTORICAL SOCIETY QUARTERLY Winter 1990, Volume 36, Number 1 Thomas L. Scharf, Editor The Making of the Panama-California Exposition, 1909-1915 by Richard W. Amero Researcher and Writer on the history of Balboa Park Images from this article On July 9, 1901, G. Aubrey Davidson, founder of the Southern Trust and Commerce Bank and Commerce Bank and president of the San Diego Chamber of Commerce, said San Diego should stage an exposition in 1915 to celebrate the completion of the Panama Canal. He told his fellow Chamber of Commerce members that San Diego would be the first American port of call north of the Panama Canal on the Pacific Coast. An exposition would call attention to the city and bolster an economy still shaky from the Wall Street panic of 1907. The Chamber of Commerce authorized Davidson to appoint a committee to look into his idea.1 Because the idea began with him, Davidson is called "the father of the exposition."2 On September 3, 1909, a special Chamber of Commerce committee formed the Panama- California Exposition Company and sent articles of incorporation to the Secretary of State in Sacramento.3 In 1910 San Diego had a population of 39,578, San Diego County 61,665, Los Angeles 319,198 and San Francisco 416,912. San Diego's meager population, the smallest of any city ever to attempt holding an international exposition, testifies to the city's extraordinary pluck and vitality.4 The Board of Directors of the Panama-California Exposition Company, on September 10, 1909, elected Ulysses S. -
San Diego Memorabilia Collection MS-0217
http://oac.cdlib.org/findaid/ark:/13030/kt1x0nd8md No online items San Diego Memorabilia Collection MS-0217 Special Collections & University Archives 5500 Campanile Dr. MC 8050 San Diego, CA 92182-8050 [email protected] URL: http://library.sdsu.edu/scua San Diego Memorabilia Collection MS-0217 1 MS-0217 Contributing Institution: Special Collections & University Archives Title: San Diego Memorabilia Collection Identifier/Call Number: MS-0217 Physical Description: 2.61 Linear Feet Date (inclusive): 1868-1976 Date (bulk): 1890-1930 Language of Material: English . Scope and Contents The San Diego Memorabilia Collection contains historic ephemera related to San Diego. Brochures, tickets, programs, labels, flyers, photographs, stereoscopic views, pamphlets, and postcards are all part of the collection. Most materials do not have dates, although a date is noted where discernible, and most date from the very late nineteenth century or the first half of the twentieth century. Items are arranged by relevant place or topic. Series 15, General San Diego, includes miscellaneous items that do not relate to any of the other major series. Arrangement Note 1. 1915-1916 Panama-California Exposition 2. 1935-1936 California-Pacific Exposition 3. Coronado and the Hotel del Coronado 4. Point Loma and Lomaland 5. La Jolla 6. Hotels, Resorts, and Sanitariums 7. Missions 8. Theatres and Entertainment 9. Churches 10. Schools and Colleges 11. Railways and Trolleys 12. Ships and Boats 13. Local Businesses 14. Military 15. General San Diego 16. Maps and Oversize Conditions Governing Access This collection is open for research. Conditions Governing Use Some of these materials are in the public domain. -
Rebecca Bass-Ching, LMFT 3160 Camino Del Rio S #304, San Diego, CA 92108 Phone 619.819.0283 Ext 9 Fax 619.819.0284 Cell 619.726.2052
Rebecca Bass-Ching, LMFT 3160 Camino del Rio S #304, San Diego, CA 92108 Phone 619.819.0283 ext 9 Fax 619.819.0284 cell 619.726.2052 Clinical Professional Experience Founder + CEO, Potentia Family Therapy, Inc. 2011 - Present Developed the creative and clinical vision for thriving integrative, multidisciplinary mental health practice offering individual, couples, family and child therapy and providing specialized care in the treatment of trauma/anxiety; disordered eating spectrum and shame+perfection struggles; manage and supervise Registered Marriage and Family Therapist Interns + Independent Contractors; develop and maintain budget for training, operations and marketing of practice and team; speak, write and train on various aspects of family systems, disordered eating, EMDR/trauma, shame + perfection, parenting to promote practice, standards of care in field and community resource offerings; coordinate care for clients with various treatment providers; lead workshops, groups and community events; manage weekly client caseload; connect and collaborate with other professionals + treatment centers; development of online resources and offerings; manage website, blog and email list along with other marketing and resource materials. Adjunct Professor, Practicum, Bethel Seminary San Diego, 2013-present Work with cohort of trainees as they meet their AAMFT requirements for clinical hours and video presentations; support students in their chosen theory as they develop their clinical, legal and ethical skills; advise students on matters of integration, -
Downtown Bus Stopover and Multi-Use Facility Cultural Resources Technical Report San Diego, CA
Downtown Bus Stopover and Multi-Use Facility Cultural Resources Technical Report San Diego, CA June 2016 Prepared for SANDAG 401 B Street, Suite 800 San Diego, CA 92101 Prepared by HDR 401 B Street, Suite 1110 San Diego, CA 92101 THIS PAGE INTENTIONALLY LEFT BLANK Cultural Resources Technical Report TABLE OF CONTENTS ACRONYMS AND ABBREVIATIONS ...................................................................................... iii 1.0 EXECUTIVE SUMMARY ................................................................................................................................. 1 2.0 INTRODUCTION ............................................................................................................................................. 2 2.1 Project Overview ..................................................................................................2 2.2 Personnel ............................................................................................................2 3.0 PROJECT DESCRIPTION .............................................................................................................................. 2 3.1 Project Objectives ................................................................................................2 3.2 Project Components ............................................................................................ 5 3.3 Project Location ...................................................................................................5 3.4 Project Area of Potential Effect ........................................................................... -
Honolulu Advertiser & Star-Bulletin Obituaries January 1
Honolulu Advertiser & Star-Bulletin Obituaries January 1 - December 31, 2004 K ANNIE "TAXI ANNIE" AKI KA, 78, of Kailua, Hawai'i, died Aug. 12, 2004. Born in Honaunau, Hawai'i. A professional lei maker, lei wholesaler, and professional hula dancer; member of 'Ahahui Ka'ahumanu O Kona (Ka'ahumanu Society, Kona); owner of Triple K Taxi Service; longtime Jack's Tours and Taxi Service employee; owner of a bicycle rental business, and Kona Inn Hotel bartender. Survived by sons, Joseph Sr., Harry and Jonathan; daughters, Annie Leong and Lorraine Wahinekapu; 13 grandchildren; 17 great-grandchildren; brothers, Archie, Ernest and Walter Aki; sisters, Lillian Hose, Dolly Salas and Elizabeth Aki. Visitation 8:30 to 10 a.m. Saturday at Lanakila Church, Kainaliu, Hawai'i; memorial service 10 a.m.; burial of urn to follow in church cemetery. No flowers; monetary donations accepted. Casual attire. Arrangements by Dodo Mortuary, Kona, Hawai'i. [Adv Aug 24, 2004] MYRTLE KAPEAOKAMOKU KAAA, 75, of Hilo, Hawai'i, died April 18, 2004. Born in Kapapala, Ka'u, Hawai'i. A homemaker. Survived by husband, William Jr.; sons, Kyle and Kelsey; daughter, Kawehi Walters and Kimelia Ishibashi; sister, Iris Boshard; 15 grandchildren; five great- grandchildren. Visitation 10 a.m. to noon Saturday at Haili Congregational Church; service noon; burial to follow at Hawai'i Veterans Cemetery No. 2. Aloha attire. Arrangements by Dodo Mortuary, Hilo. [Adv 27/04/2004] WILLIAM KELEKINO "JUNIOR" KAAE, 72, of Kane'ohe, died Jan. 17, 2004. Born in Honolulu. Spats nightclub employee; and a Waikiki beachboy. Survived by wife, Georgette; daughters, Danell Soares-Haae, Teresa Marshall and Kuulei; sons, Leonard, Dudley, Joe and Everett; brothers, George, Naleo and Leonard Kaae, and Nick and Sherman Tenn; sisters, Rose Gelter, Ethel Hanley and Wanda Naweli; 18 grandchildren; three great-grandchildren. -
MBB MG University 07:MBB MG University 06 8.5.Qxd.Qxd
University 2006 NCAA TOURNAMENT 2006 MOUNTAIN WEST CHAMPIONS Founded in 1897, SDSU is the fifth largest university in California. Inside: San Diego State University 190 Dr. Stephen Weber 194 Jeff Schemmel 195 Athletic Department Staff 196 Media Information 200 Opponent Directory 202 Media Outlets 204 Broadcast Media 205 Cox Arena at Aztec Bowl 206 Athletics Directory 208 2006-07 SAN DIEGO STATE BASKETBALL 189 San Diego State2006 NCAAUniversity TOURNAMENT 2006 MOUNTAIN WEST CHAMPIONS ounded March 13, 1897, San Diego State University began as the San FDiego Normal School, a training facil- ity for elementary school teachers. Seven UNIVERSITY faculty and 91 students met in temporary quarters over a downtown drugstore before moving to a newly constructed 17-acre cam- pus on Park Boulevard. The curriculum was limited at first to English, history and mathematics, but course offerings broadened rapidly under the leadership of Samuel T. Black, who left his position as state superintendent of pub- lic instruction to become the new school's first president. Black served from 1898 to 1910. From 1910 to 1935, President Edward L. Hardy headed a vigorous administration that oversaw major changes to the fledgling institution. In 1921, the Normal School became San Diego State Teachers College, a four-year public institution controlled by the state Board of Education. In that same year, the two-year San Diego Junior College, forerunner of today's local community col- leges, became a branch of San Diego State, creating a union that lasted until 1946. By the 1920s, San Diego State was already beginning to outgrow its Park Boulevard location, and San Diegans launched a cam- paign to build a new campus on the city's AZTEC BASKETBALL MEDIA GUIDEUNIVERSITY STATE DIEGO SAN eastern border.