Israeli Journal for Humor Research, April 2019, Vol. 8 Issue No. 1 51 Irony, Sarcasm and Parody in the American Sitcom “Modern Family” Julija Korostenskiene and Aurelija Lieponyte1 Abstract The study explores verbal manifestations of irony, sarcasm, and parody in the American TV situational comedy series (sitcoms) Modern Family (MF, 2009 - present). The assumption is that character vocalisations in MF reflect the archetypal family model and support stereotypical portrayals of family roles. The notion of the stereotype as manifest in the series is taken as a supplementary parameter to account for the ironic, sarcastic, and parodic topics. Stemming from Victor Raskin’s (1985) Semantic Script-based Theory of Humor (SSTH), the study links the negative mode of humor to verbal irony, proposing the impoliteness effect observed in ironic vocalisations as the main trigger of funniness and the result of the implied criticism. The findings generally corroborate the standard theory on irony, sarcasm, and parody. In the series, irony is manifest primarily as attacks on human life universals and generally held beliefs. Sarcasm is usually targeted at an identifiable human being, while parodies are identified as verbal imitations of some original entity (person, work of art, situation, etc.). Keywords: SSTH, GTVH, Ontological Semantics, evaluative modality, humor, irony, sarcasm, parody, Modern Family. 1. Introduction Irony, sarcasm, and parody (hereinafter ISP)—even when very subtle—always imply a sense of criticism. Thus, when approached as humor, an attribute they all undeniably share, they may be viewed its negative modes producing funniness through mocking 1 Institute of Foreign Languages, Faculty of Philology, Vilnius University, Lithuania,
[email protected];
[email protected] Humor Intervention Approaches for Children, Adolescents and Adults | J.