Modern Family
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Modern Family: How Women Candidates Can Talk About Politics, Parenting, and Their Personal Lives
Modern Family: How Women Candidates Can Talk About Politics, Parenting, and Their Personal Lives Spring 2017 Adrienne Kimmell Moderator Executive Director, Barbara Lee Family Foundation @AdrienneKimmell 2 Barbara Lee Founder, Barbara Lee Family Foundation @BLFF_org 3 How Do I Respond to Questions About My Personal Life? “Like many expectant first time mothers, I had many fears and insecurities but as a high profile politician I couldn't voice any of those.” – Former Governor Jane Swift “I announced my campaign for “The press couldn’t get their heads the U.S. Senate when my around it—was I a no-nonsense daughter was just a few months businesswoman or a warm and fuzzy old and was asked time and mom? My question to them was always, again how I would make it ‘Why can’t I be both?’”- Governor Gina work.” - Senator Tammy Raimondo Duckworth 4 Research Highlights: 6 Key Findings 1. Voters express concern about the ability of women candidates and elected officials to balance the competing priorities of their families and their constituents. 2. It is important for women candidates – no matter what their family situation – to talk to voters about their personal lives. 3. While men candidates are able to recover from critiques about their ability to manage family and public office, some women are not able to recover from those same critiques. 4. It is more challenging for a woman candidate or elected official who has young children, whether she is married or single. 5. Voters expect that questions about a candidate’s role as a mother will be part of the campaign discussion. -
Sometimes I Wonder… If My Family Was a Tv Show… What Would Be the Ratings, and What Would People See?
Homily | Year A | Holy Family | 12/29/2019 Sometimes I wonder… if my family was a tv show… what would be the ratings, and what would people see? Most of the most memorable TV shows I’ve watched have all revolve around family dynamics. As a child I remember watching The Wonder Years , Family Matters , Full house and Home Improvement . Then in the Early 200’s it was Malcolm in the Middle , Everybody Loves Raymond , and most recently Parenthood , Modern Family and The Middle . Now, all these TV shows showcased very different families; different cultural backgrounds, different economic status, even different values than those of my own family experiences growing up as a Mexican-American; yet, somehow, they were all relatable. The same can be said about the many families we encounter in scripture; from the Old Testament families of Adam and Eve, Noah, Abraham, Lot, and Jacob… to the New Testament family stories like that of the prodigal son, Martha and Mary, Zachariah and Elizabeth, and the Holy Family… these are all families very different form our own, yet they are somehow still relatable. That is because family values, although they might be lived differently generation to generation, culture to culture, family to family; they all emerge from universal values that all people can relate to. These values are mutuality, respect, and service, and we encounter them in scripture today. We see these universal values in Old Testament Wisdom through the example of parent-child relationship. In the Jewish tradition, parents had a God- pg. 1 Homily | Year A | Holy Family | 12/29/2019 given responsibility over their children and vice versa, children once adults had a God-given responsibility over their parents, especially when the caretaker role was reversed… First parents had the responsibility to care, feed, clothe, and bathe their children… but there would come a time when the parent would grow old and frail and this responsibility would flip… the adult child would now have the responsibility to care, feed, clothe and bathe the aged parent. -
Amanda Riley – Costume Designer
AMANDA RILEY COSTUME DESIGNER www.amandalynnriley.com TELEVISION MARVEL’S AGENTS OF S.H.I.E.L.D. Marvel/ABC Prod: Joss Whedon, Jeff Bell, Jeph Loeb Dir: Various (Season 4) Maurissa Tancharoen, Garry Brown THE 10TH DATE (MOW) A+E Studios/Lifetime Prod: Nzingha Stewart, Kyle Clark Dir: Nzingha Stewart SWEET/VICIOUS (Season 1) MTV Prod: Jennifer Robinson, Amanda Lasher Dir: Various Stacey Sher, Robert West CHAD: AN AMERICAN BOY (Pilot) 20th Century Fox/FOX Prod: Michael Rotenberg, Nasim Pedrad Dir: Jason Winer Justin McEwen DOWNWARD DOG (Pilot) Legendary/ABC Prod: Lee Eisenberg, Robert Phillips Dir: Michael Killen CHASING LIFE (Seasons 1 & 2) Lionsgate TV/ABC Family Prod: Salli Newman, Sean Smith Dir: Various STITCHERS (Pilot) ABC Family Prod: Jeff Schechter, John Ziffren Dir: Steve Miner SHAKE IT UP (Season 3) Disney Prod: Frank Pace, Rob lotterstein Dir: Various DROP DEAD DIVA (Seasons 2-4) Lifetime Prod: Bob Wilson, Michael Grossman Dir: Various MARRY ME (MOW) Lifetime Prod: Bob Wilson, Julia Gunn Dir: James Hayman DEADLIEST WARRIOR (Seasons 1 & 2) SPIKE Prod: Tim Prokop, Todd Breau Dir: Various TRUE CARRIBEAN PIRATES (MOW) History Channel Prod: Tim Prokop, Todd Breau Dir: Tim Prokop BATTLEGROUND (Season 1) Discovery Channel Prod: Jeremy Gardiner, Gary Tarpinian Dir: Various JESSE JAMES (Documentary Series) Discovery Channel Prod: Jeremy Gardiner, Gary Tarpinian Dir: Dean Alioto BILLY THE KID (Documentary Series) Discovery Channel Prod: Jeremy Gardiner, Gary Tarpinian Dir: Dean Alioto FEATURES WITH THIS RING Lifetime Prod: Preston Holmes, Tracey Edmonds Dir: Nzinga Stewart MOSTLY GHOSTLY 2 Universal Pictures Prod: Steve Sabler, Dan Bernard Dir: Pete Hewitt HOLY GHOST PEOPLE Automatic Entertainment Prod: Phil Flores, Mitchell Altieri Dir: Mitchell Altieri LAYOVER Meydenbauer Entertainment Prod: Travis Oberlander, Joshua Caldwell Dir: Joshua Caldwell BIG MOMMAS (Asst. -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
Principato-Young Resume
JILL BENJAMIN SAG*AFTRA Ht: 5’9” Wt: 135 * Blonde Hair / Green Eyes www.jillbenjamin.com Film THE BREAK-UP GUY Lead Dir: Albert Alarr TURKEYNECK.NET Lead Dir: Michael Barnett PRETTY UGLY PEOPLE Supporting Dir: Tate Taylor BIG HANDSOME GUY AND HIS LITTLE FRIEND Supporting Dir: Jason Winer E. R. VETERINARIAN Supporting Dir: Melissa Landini CRUSHED Lead Rage Productions UP AGAINST THE WALL Supporting Lakeshore Film & TV Television MY NAME IS EARL Recurring NBC SCARE TACTICS Series Regular SciFi PUNK’D Recurring MTV SLEEPER CELL Co-Star Showtime I HATE MY 30’S Guest Star VH1 BREAKING UP W/ SHANNEN D. Guest Star Oxygen LOVESPRING INTERNATIONAL Guest Star Lifetime PRANK ATTACK (Pilot) Series Regular FOX GLOBE TROTTERS (Pilot) Series Regular MTV Europe SUPER STAGE Lead Dutch Network BNN Theatre / Improvisation Jill Benjamin is Stuck in the ‘80s Lead/Writer Upright Citizen’s Brigade ID NAPPED! Ensemble/Writer Celebration Theater, Hollywood Directed by Todd Milliner and Rob Mello SETH MEYERS (SNL) /JILL BENJAMIN Lead/Co-Creator The Second City ETC Pick-ups & Hiccups Soho Theater, London Edinburgh Fringe Festival WIZARD FINGER Lead/Creator Molly Malone’s PLAYING DUMB Lead/Writer Apollo Theater, Chicago W/ JILL BENJAMIN The Second City Skybox A Second City Theatricals Production Chicago Comedy Festival SECOND CITY’S TOURING CO. Understudy The Second City, Chicago BOOM CHICAGO THEATER Ensemble Boom Chicago, Amsterdam 2000 Years Down the Drain Jermyn St. Theater, London Think Quick Edinburgh Fringe Festival Best of Boom Performed in Europe and US PREPONDERATE Ensemble Improv Olympic, Chicago Stand- Up The Improv, Comedy Union, Belly Room, M Bar Hollywood Training MCSTUDIO COMEDY INTENSIVE Chad McCord COMEDY WORKSHOP PRODUCTIONS Judy Carter, Diane Nichols IMPROV OLYMPIC Del Close, Charna Halpern SECOND CITY TRAINING CENTER Don DePollo, Martin de Maat Special Skills Improv Pro, Animated Facial Expressions, Character Voices, Big Eyes, Yoga, Fire Dancer, Hoop Dancer. -
Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 5-2010 Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions Stephanie Savage Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the Advertising and Promotion Management Commons, and the Marketing Commons Savage, Stephanie, "Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions" (2010). Pell Scholars and Senior Theses. 54. https://digitalcommons.salve.edu/pell_theses/54 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Savage 1 “Who’s gonna turn down a Junior Mint? It’s chocolate, it’s peppermint ─it’s delicious!” While this may sound like your typical television commercial, you can thank Jerry Seinfeld and his butter fingers for what is actually one of the most renowned lines in television history. As part of a 1993 episode of Seinfeld , subsequently known as “The Junior Mint,” these infamous words have certainly gained a bit more attention than the show’s writers had originally bargained for. In fact, those of you who were annoyed by last year’s focus on a McDonald’s McFlurry on NBC’s 30 Rock may want to take up your beef with Seinfeld’s producers for supposedly showing marketers the way to the future ("Brand Practice: Product Integration Is as Old as Hollywood Itself"). -
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing Bethany Rooney and Mary Lou Belli AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier 225 Wyman Street, Waltham, MA 02451, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2011 Bethany Rooney and Mary Lou Belli. Published by Elsevier Inc. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. -
ANGLICA an International Journal of English Studies 27/2 2018
ANGLICA An International Journal of English Studies 27/2 2018 EDITOR Grażyna Bystydzieńska [[email protected]] ASSOCIATE EDITORS Martin Löschnigg [[email protected]] Jerzy Nykiel [[email protected]] Marzena Sokołowska-Paryż [[email protected]] Anna Wojtyś [[email protected]] ASSISTANT EDITORS Magdalena Kizeweter [[email protected]] Katarzyna Kociołek [[email protected]] Przemysław Uściński [[email protected]] ENGLISH LANGUAGE EDITOR Barry Keane [[email protected]] ADVISORY BOARD GUEST REVIEWERS Michael Bilynsky, University of Lviv Anders Ahlqvist, University of Sydney Andrzej Bogusławski, University of Warsaw Magdalena Bator, Jan Długosz University, Częstochowa Mirosława Buchholtz, Nicolaus Copernicus University, Toruń Natalia Budohoska, University of Cambridge Edwin Duncan, Towson University Bartłomiej Czaplicki, University of Warsaw Jacek Fabiszak, Adam Mickiewicz University, Poznań Joanna Esquibel, Independent scholar, Æ Academic Publishing Jacek Fisiak, Adam Mickiewicz University, Poznań Maria Jodłowiec, Jagiellonian University, Cracow Elżbieta Foeller-Pituch, Northwestern University, Evanston-Chicago Paweł Kornacki, University of Warsaw Piotr Gąsiorowski, Adam Mickiewicz University, Poznań Jadwiga Linde-Usiekniewicz, University of Warsaw Keith Hanley, Lancaster University Andrzej Łęcki, Pedagogical University, Cracow Andrea Herrera, University of Colorado Monika Łodej, Pedagogical University, Cracow Christopher Knight, University of Montana, Sylwester Łodej, Jan Kochanowski University, Kielce Marcin Krygier, Adam Mickiewicz University, Poznań Kevin McCaff erty, University of Bergen Krystyna Kujawińska-Courtney, University of Łódź Zbigniew Możejko, University of Warsaw Brian Lowrey, Université de Picardie Jules Verne, Amiens Mieczysław Nasiadka, University of Warsaw Zbigniew Mazur, Maria Curie-Skłodowska University, Lublin Jerzy Nykiel, University of Bergen Rafał Molencki, University of Silesia, Sosnowiec Agnieszka Piskorska, University of Warsaw John G. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
“You're the Worst Gay Husband Ever!” Progress and Concession in Gay
Title P “You’re the Worst Gay Husband ever!” Progress and Concession in Gay Sitcom Representation A thesis presented by Alex Assaf To The Department of Communications Studies at the University of Michigan in partial fulfillment of the requirements for the degree of Bachelor of Arts (Honors) April 2012 Advisors: Prof. Shazia Iftkhar Prof. Nicholas Valentino ii Copyright ©Alex Assaf 2012 All Rights Reserved iii Dedication This thesis is dedicated to my Nana who has always motivated me to pursue my interests, and has served as one of the most inspirational figures in my life both personally and academically. iv Acknowledgments First of all, I would like to thank my incredible advisors Professor Shazia Iftkhar and Professor Nicholas Valentino for reading numerous drafts and keeping me on track (or better yet avoiding a nervous breakdown) over the past eight months. Additionally, I’d like to thank my parents and my friends for putting up with my incessant mentioning of how much work I always had to do when writing this thesis. Their patience and understanding was tremendous and helped motivate me to continue on at times when I felt uninspired. And lastly, I’d like to thank my brother for always calling me back whenever I needed help eloquently naming all the concepts and patterns that I could only describe in my head. Having a trusted ally to bounce ideas off and to help better express my observations was invaluable. Thanks, bro! v Abstract This research analyzes the implicit and explicit messages viewers receive about the LGBT community in primetime sitcoms. -
Postwar Modern Housing and a Geographic Information System Study of Scottsdale Subdivisions
Postwar Modern Housing and a Geographic Information System Study of Scottsdale Subdivisions By Elizabeth S. Wilson, M.E.P. August 2002 TABLE OF CONTENTS LIST OF FIGURES ........................................................................................iii STUDY OVERVIEW...................................................................................... 1 RESEARCH DESIGN...................................................................................... 3 HISTORIC SUBURBAN HOUSING DEVELOPMENT ......................................... 5 INTRODUCTION ......................................................................................... 5 RAILROAD SUBURBS .................................................................................. 6 STREETCAR SUBURBS................................................................................. 7 EARLY AUTOMOBILE SUBURBS..................................................................... 9 The Federal Housing Administration........................................................... 11 Land Use Controls................................................................................... 13 Builders................................................................................................. 14 NATIONAL POSTWAR TRENDS .................................................................. 16 AUTOS AND ROADWAY EXPANSION ............................................................. 16 SOCIOECONOMIC AND CULTURAL TRENDS ................................................... 17 The Boom Years, 1946-1956 -
Modern Family"
Representation of Gender in "Modern Family" Vuković, Tamara Master's thesis / Diplomski rad 2016 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zadar / Sveučilište u Zadru Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:162:639538 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-26 Repository / Repozitorij: University of Zadar Institutional Repository of evaluation works Sveučilište u Zadru Odjel za anglistiku Diplomski sveučilišni studij engleskog jezika i književnosti; smjer: nastavnički (dvopredmetni) Tamara Vuković Representation of Gender in “Modern Family” Diplomski rad Zadar, 2016. Sveučilište u Zadru Odjel za anglistiku Diplomski sveučilišni studij engleskog jezika i književnosti; smjer: nastavnički (dvopredmetni) Representation of Gender in “Modern Family” Diplomski rad Student/ica: Mentor/ica: Tamara Vuković izv. prof. dr. sc. Senka Božić-Vrbančić Zadar, 2016. Izjava o akademskoj čestitosti Ja, Tamara Vuković, ovime izjavljujem da je moj diplomski rad pod naslovom Representation of Gender in „Modern Family“ rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. Sadržaj