Sandspur, Vol 98 No 17, February 19, 1992
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Swivel-Eyed Loons Had Found Their Cheerleader at Last: Like Nobody Else, Boris Could Put a Jolly Gloss on Their Ugly Tale of Brexit As Cultural Class- War
DOWNLOAD CSS Notes, Books, MCQs, Magazines www.thecsspoint.com Download CSS Notes Download CSS Books Download CSS Magazines Download CSS MCQs Download CSS Past Papers The CSS Point, Pakistan’s The Best Online FREE Web source for All CSS Aspirants. Email: [email protected] BUY CSS / PMS / NTS & GENERAL KNOWLEDGE BOOKS ONLINE CASH ON DELIVERY ALL OVER PAKISTAN Visit Now: WWW.CSSBOOKS.NET For Oder & Inquiry Call/SMS/WhatsApp 0333 6042057 – 0726 540141 FPSC Model Papers 50th Edition (Latest & Updated) By Imtiaz Shahid Advanced Publishers For Order Call/WhatsApp 03336042057 - 0726540141 CSS Solved Compulsory MCQs From 2000 to 2020 Latest & Updated Order Now Call/SMS 03336042057 - 0726540141 Politics Among Nations: The Struggle for Power & Peace By Hans Morgenthau FURTHER PRAISE FOR JAMES HAWES ‘Engaging… I suspect I shall remember it for a lifetime’ The Oldie on The Shortest History of Germany ‘Here is Germany as you’ve never known it: a bold thesis; an authoritative sweep and an exhilarating read. Agree or disagree, this is a must for anyone interested in how Germany has come to be the way it is today.’ Professor Karen Leeder, University of Oxford ‘The Shortest History of Germany, a new, must-read book by the writer James Hawes, [recounts] how the so-called limes separating Roman Germany from non-Roman Germany has remained a formative distinction throughout the post-ancient history of the German people.’ Economist.com ‘A daring attempt to remedy the ignorance of the centuries in little over 200 pages... not just an entertaining canter -
Michael Bolton His Brandnewsinglecan 1Touch You...There? "Taken from the Forthcoming Columbia Release: Michael Bolton Greatest Hits 1985-1995
MAKING WAVES: Ad Sales For Specialist Formats... see page 8 LUME 12, ISSUE 35 SEPTEMBER 2, 1995 Blur Is Highest New Entry In Eurochart £2.95 DM8 FFR25 US$5 DFL8.50 At No.7 Page 19 Armatrading Meets Mandela PopKomm Bigger Than Ever, Say Industry Insiders by Jeff Clark -Meads In his keynote speech at assuredness on the German PopKomm, ThomasStein, music scene." COLOGNE -The German music chairmanoftheGerman Stein, who is also president industry and the annual trade label's group BPW, stated, "We of BMG Ariola in the German- fair it hosts are growing in in the recorded music industry speaking territories, went on size and confi- are proud ofto say that Germany has now dence together, PopKomm. joined the ranks of the world's according to the That is most importantrepertoire leadersof the becausePop- sources (for detailed story, see country's record POP Komm has page 5). companies. now estab- PopKomm,heldinthe PopKomm, KOMM. lished itself as gigantic Cologne Congress held in Cologne the world's Centre, this year attracted 600 The high point of BMG artist Joan Armatrading's current world tour was from August 17- Die Hesse fiir biggest music exhibiting companies and her meeting with Nelson Mandela. One of her "dreams came true" when 20, is being trade fair and occupied 180.000 square feet she met him while in Pretoria to promote her latest album What's Inside. toutedasthe Popmusik andit takes place of exhibition space-twice as During a one-to-one meeting at his residence, Mandela signed a copy of world'sbiggest Entertainment in Germany. -
Full Article
Diggin’ For GOLD LABEL OF LOVE NEEDLE MYTHOLOGY Pete Paphides Q&A (founder) Interview: Jamie Atkins There’s plenty you can tell about the coming fortunes of a record label from the enthusiasm of those behind it. So, judging from the state of my wants list after an hour or so sat around the kitchen table of its founder – writer and broadcaster Pete Paphides – the future of Needle Mythology looks rosy. From waxing lyrical about Barry Booth’s 1968 album, Diversions (featuring lyrics by future Pythons Terry Jones and to take shape. With the first two Michael Palin) to praising the musical releases on Needle Mythology – comfort food of Eleanor Friedberger’s reissues of that Broudie album, plus third solo album, 2016’s New View, the original configuration of Stephen Paphides has the sort of zealot’s Duffy’s I Love My Friends (1998), enthusiasm for music that can cause each featuring fanbait bonuses – otherwise sane individuals to gaze imminent, RC was keen to find out longingly at the label logo and more, starting with the big question. catalogue number on a sleeve and think, “I could do that.” Why start a label? And now Paphides’ daydreams The short answer is that there were have become reality, with his first a bunch of records that I wanted to pair of releases about to hit the racks. have in my collection and I didn’t, They’ve been a while in the making. because they just didn’t exist on vinyl. A few years back, following his weekly So I had to put them out myself. -
Fanatics!: Power, Identity and Fandom in Football
6 ‘FOOTBALL’S COMING HOME’ BUT WHOSE HOME? AND DO WE WANT IT? Nation, football and the politics of exclusion Ben Carrington Racism manifests itself in plural and complex forms. In this situation the logic of racism needs to be appraised in what we shall call metonymic elaborations. This means that racisms may be expressed through a variety of coded signifiers…. Contemporary racisms have evolved and adapted to new circumstances. The crucial property of these elaborations is that they can produce a racist effect while denying that this effect is the result of racism. (Solomos and Back 1996:27, emphasis added) Introduction This chapter argues that the dominant discourse that surrounded Euro 96 (the 1996 European Football Championships) drew on, and reinforced, a form of cultural racism that currently appears to be pervasive. It is argued that the national ‘imagined community’ (Anderson 1991) that was re- constructed was one that actively worked to exclude certain categories of people—being both gendered and racially exclusive. Seeking to understand the underlying cultural processes that generated this discourse, I show the connections between other cultural spheres, notably pop music, and argue that these cultural expressions are part of a wider reassertion of a narrow and closed white male English identity which has become coded as the so- called ‘New Lad’ phenomenon. The chapter surveys some of the contemporary characteristics of popular culture before locating the pivotal role of comedians David Baddiel and Frank Skinner in generating the Euro 96 anthem, ‘Three Lions’ with its ‘football’s coming home’ chorus, and outlines why this song and related themes became so popular within both the public and political imagination. -
Convertible Bus No. 8
I came, I saw, I got on The Convertible Bus The quiet one recorded for but left off the ‘White’ album – hearing it now, it sounds like something from the mid-70s rather than 1968). Then there’s a quartet of songs he wrote for The Beatles, though only three got recorded by them. ‘Old Brown Shoe’: a fine rocker, that ended up as a B-side (but then Beatle B-sides weren’t like other people’s). ‘All Things Must Pass’: There’s not much to justify the existence of the Anthol- ogy albums, but his beautiful demo of this track is one of the gems amongst the iffy live performances, songs wisely dropped and ar- rangements sensibly changed. It’s almost in- All things must pass. conceivable that instead of this, The Beatles I’m writing this on the day I found out that chose to stick with ‘For You Blue’ and ‘I Me George Harrison had died, and listening to his Mine’ for Let It Be, but bootlegs from the Get music. The Beatles was the first band I really Back sessions (which turned into Let It Be) got into (in 1976 – late as ever), and they al- show John and Paul ruining the song with ways have and always will mean a very great their cack-handed contributions – they obvi- deal to me – they are the sound of every sum- ously hated it. ‘Here Comes The Sun’: Ian mer I’ve ever had. I still remember vividly ex- Macdonald in his masterly Revolution In The actly where I was when I heard that John Head rather dismisses this as “a little too faux- Lennon had died. -
Commercial Alternative
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Birkbeck Institutional Research Online Commercial Alternative Joseph Brooker – Slow down / You’re taking me over… 1 – Another victory like that and we are done for.2 By the end of the 1980s, popular culture and media commentary brimmed with a self-conscious desire to name and describe the present. Few decades have had as clear an account of themselves as the 1980s, whatever the gaps and limits of that account. The 1990s became ever more sure of what had happened in the 1980s; but packing the 1990s themselves into a compelling summary proved more difficult. For the time being, those looking for stories of the last decade must make do with tracts like Stephen Bayley’s Labour Camp, a brief, bilious assault on the aesthetics and politics of Blair’s first term. For all his rancour, snobbery and carelessness, Bayley lands a few hits, and leaves a few hints. Bayley reads New Labour in terms not of social and economic policy, but of taste and image: Blair’s choice of car, the efforts at ‘rebranding Britain’, the design of the Dome. The cultural emblem of the Blair years, he proposes, is Elton John: He is a popular phenomenon, therefore it is irrelevant and elitist even to wonder if he is actually any good. He is emphatically middle-of-the-road. He is classless.... After a much-reported past of rock-star excess, he is clean, dried out…. Whoever would have thought you could relaunch old Labour? Whoever would have thought you could relaunch Elton John? The parallels between the two transformations are remarkable.3 The thought is suggestive, but leaves much unsaid about the new terrain inherited and shaped by the Blair government. -
Paradigm Lost? Youth and Pop in the 90S Rupa Huq
soundings issue 6 Summer 1997 Paradigm lost? Youth and pop in the 90s Rupa Huq Youth culture in the 1990s has been redefining itself around two vibrant musical forms - dance and Britpop. Rock, initially at any rate, was a contemporary incitement to mindless fucking and arbitrary vandalism: screw and smash music. George Melly, Revolt into Style Throughout its existence pop has been an essential part of British post-war youth culture: a cathartic outlet for youthful self-expression, empowerment and liberation from adult culture. Encapsulated in the Who lyric 'hope 1 die before I get old', pop mythology has dictated the value of dying young and beautiful. (Although the Who never lived up to their stated aim.) When slacker king Kurt Cobain did die young he was elevated to youth icon status, helped by his suicide declaration - 'it's better to burn than fade away'. Pop has always been young because sound and fury equate with youth; quiet signifies maturity; and ultimately silence denotes death. But today pop's assured place at the core of youth culture seems precarious. Youth culture is undergoing profound changes. In an ironic reversal, four decades of pop history means that it is steeped in the past: the subject of numerous books, publications and even university degrees. The pop-youth cohort is increasingly difficult to sustain; pop's audience has become more than teenage malcontents. In 1995 Simon Frith, founder of the 'sociology of rock' commented: 'age is a funny thing in music. For young people now, rock and roll is old people's music.'1 Indeed, 1. -
Leftlion Magazine Issue 32 Contents December 2009 - January 2010 Editorial Ducks and Youths
ISSUE 32 DEC 2009-JAN 2010 HUN � KS E � E SAT�BAINS SCORZAYZEE O R F johnny�vegas F NOTTINGHAM N EVENTS�LISTINGS O AND�NEW R T FOOD�REVIEWS A T D IN SECTION N GH LE AM�CA WINNER, WRITING & UBLISHING AWARD 2009 P ADVERT 24 leftlion.co.uk/issue32 LeftLion Magazine Issue 32 contents December 2009 - January 2010 editorial Ducks and youths, Well. That was a right batchy decade, wan’t it? If someone had told me in 1999 that I’d see planes crashing into skyscrapers live on the telly, Forest in Division Three, Saddam Hussein dangling off a noose, trams back in town, a massive war, the manager of England taking a job at Notts County, the bent election of an American moron, and my dear home town being seen as the most violent, deprived, horrible city in the world, I’d have said; “Yeah, worrever, duck - got any Lottery results, then?’ Anyway, like every other mag (apart from the nudey ones), we’re devoting a hefty chunk of this issue to take a look back at the noughties - a distinctly Nottular take encrusted with the downright proper artwork of LeftLion fave Rob White. Don’t expect any rammell about global 10 11 warming or Jade Goody, however – we only bother with 07 the crucial issues of the day, such as Emo-baiting, people being unable to pull their trousers up, and – after years of trying to pin him down - a very special interview with the May Contain Notts The Noughty Notts Write Lion one and only Slanty N. -
Shadow Chancellor Ed Balls Visits Basecamp3
CABLE #8 THIS ISSUE: CONTRIBUTE: Basecamp 3 New Elevator Cafe Send your news stories to: Arena Giant Shop [email protected] Payper Tiger Ian Broudie Follow us on: moves Festival www.twitter.com/elevatorstudios The Loud or www.facebook.com/elevatorstudios Baltic Artists SHADOW CHANCELLOR ED BALLS VISITS BASECAMP3 Elevator based ‘business incubators’ Basecamp3 “The reason why there was support from the council Home to a wide range of businesses including digi- were paid a visit by members of the shadow cabinet for this type of business incubation was that the big tal artists, animators, games developers, iphone earlier this month (March 3), as the band of politi- employers of five year’s time will start out as indi- application developers, web developers, digital cians launched ‘Liverpool Business Day’. viduals or small companies”, said Mr Balls. “Liver- marketing specialists, graphic designers, motion pool is a city known for its creativity and flair and its graphics and video production, and a record label, Visitors to the award-winning enterprise hub in- design skills, and that’s what this industry is about.” the hub is supported by Pacificstream. cluded Shadow Chancellor Ed Balls, Shadow Sec- retary of State for Work and Pensions Liam Byrne, Basecamp3, who were applauded by the politicians For more information, go to: http://www.basecamp3.co.uk Shadow Secretary of State for Business, Innovation for their success and support for the local economy and Skills John Denham, Shadow Chief Secretary via their support systems, were awarded a Global to the Treasury Angela Eagle, Local MP Louise Ell- Incubation Award for “combining Entrepreneurship man and Liverpool City Council Cabinet Member with creativity & culture” at the 9th Annual Incuba- for Employment and Skills Councillor Nick Small. -
New Release Guide
ada–music.com @ada_music NEW RELEASE GUIDE June 26 July 3 ORDERS DUE MAY 22 ORDERS DUE MAY 29 2020 ISSUE 14 June 26 ORDERS DUE MAY 22 "4,*/("-&9"/%3*")"7&&"3/&%"1-"$&".0/(5)&.045453&".&% %08/-0"%&% 8"5$)&% "/% "-50(&5)&3-*45&/&%50#"/%4*/"(&/&3"5*0/ $0.#*/*/(5)&*//07"5*0/0'.0%&3/30$,8*5) 5)&53"%*5*0/"-"55*56%&0'5)&$6-563&n453"*-#-";&34 • 2.2M SPOTIFY MONTHLY LISTENERS W/ 615M STREAMS • OVER 1M COMBINED SALES WORLDWIDE W/ 815K US SCANS • 1.5 BILLION COMBINED STREAMS ARTIST : ASKING ALEXANDRIA • ASKING ALEXANDRIA (SELF-TITLED, 2017), DEBUTED AT #1 ON BOTH ROCK AND HARD ROCK BILLBOARD CHARTS TITLE : LIKE A HOUSE ON FIRE • 580M YOUTUBE STREAMS W/ 308K SUBSCRIBERS CATALOG # : SUM1312 UPC : 810016762126 BOX LOT : 30 GENRE : ROCK / METAL MSRP : $11.98 • 50K+ SPINS AND 250M+ RADIO AUDIENCE (TO-DATE, COMBINED) HOMETOWN : UNITED KINGDOM • EIGHT CONSECUTIVE TOP 20 CHARTING RADIO SINGLES (ACTIVE ROCK), W/ FOUR PEAKING IN TOP 10 "MOVING ON" #5 "ALONE IN A ROOM" #7 "HERE I AM" #9 SPOTIFY PLAYLISTS : "VULTURES" #9 ROCK THIS!, BEAST MODE, VIRAL HITS, ACOUSTIC ROCK, ROCKED, "INTO"IN THE FIRE" #12 ADRENALINE WORKOUT, NEW CORE, ALL NEW ROCK, ETC. "I WON'T GIVE IN" #14 "BREAK DOWN THE WALLS" #16 TOUR HISTORY : SHINEDOWNSHINEDOWN, PAPA ROACH, BREAKING BENJAMIN, AVENGED "THE DEATH OF ME" #18 SEVENFOLD, BULLET FOR MY VALENTINE, SLIPKNOT, BLACK VEIL TRACKLISTING BRIDES, ETC. HOUSE ON FIRE THEY DON’T WANT WHAT WE WANT (AND THEY DON’T CARE) DOWN TO HELL • “LIKE A HOUSE ON FIRE” AVAILABLE ON CD, VINYL AND DIGITAL ANTISOCIALIST • TERRESTRIAL/SPECIALTY RADIO CAMPAIGNS -
How to Be a Footballer
CONTENTS Cover About the Book About the Author Title Page Prologue Dressing-rooms Superstitions Cars Defenders Tattoos Training grounds Clothes Volleys Team bus Droughts Celebrations Interviews Houses Transfers Music Abuse Headers Haircuts Goalkeepers Going Out Champions League vs FA Cup Endorsements Hotels Social media Gerrard Picture Section Acknowledgements Photo Credits Copyright ABOUT THE BOOK You become a footballer because you love football. And then you are a footballer, and you’re suddenly in the strangest, most baffling world of all. A world where one team-mate comes to training in a bright red suit with matching top-hat, cane and glasses, without any actual glass in them, and another has so many sports cars they forget they have left a Porsche at the train station. Even when their surname is incorporated in the registration plate. So walk with me into the dressing-room, to find out which players refuse to touch a football before a game, to discover why a load of millionaires never have any shower-gel, and to hear what Cristiano Ronaldo says when he looks at himself in the mirror. ABOUT THE AUTHOR First things first: yes I am very tall, no the weather isn’t different up here, and no I don’t play basketball. Glad that’s out the way. I’ve been a professional footballer for 20 years, have 42 England caps, have scored over 100 Premier League goals and hold the record for the most headed goals in Premier League history. I’ve been at a fair few clubs too, including Queens Park Rangers, Portsmouth, Aston Villa, Norwich, Southampton, Liverpool, Portsmouth, Tottenham Hotspur, Stoke and England. -
Bare Facts, Issue No. 895, 13.12.1996
4 The Issue No. 895 University of 13th December 1996 Surrey Students' Paper Christmas Issue CandleUt Vigil To Be Held At LSE dlelit chain from the LSE on the Aldwych Sam Parham, LSE Education and Welfare tudents will hold a candlelit to the meeting venue, Clements House. Officer, said: "We are expecting a good vigil from 4pin on Thursday tumout for this protest. Feeling is running S12th December outside the The LSE is a front runner in the race to high among students who are fearfiil the London School of Economics in a charge students top up fees, even though LSE will be the first college to implement solemn protest against Govemors student cannot afford to pick up the bill fees. I know many people here who for the underfunding of hìgher education. wouldn't be able to pay tuition fees and who will be deciding whether to Charging fees will cause considerable who would be put off entering higher implement fees of up to £1,000, damage to the reputation the LSE has for education completely if fees b«came a despite last week's announcement excellence. Access to the college will reality. Fees will mean an end to access at ^ vice-chancellors to reject fees. only be for those from well-off back- LSE." The vigil will be supported by students groimds. LSE Govemors are being urged to take the concems of students seriously across the country who will forni a can- and reject fees once and for ali. Editor's Bit Review of 1996 - CONTENTS My Life As A Sabb riginally I was had to get that one in) and the return of the students.