Ashtamangala
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Buddhism in America
Buddhism in America The Columbia Contemporary American Religion Series Columbia Contemporary American Religion Series The United States is the birthplace of religious pluralism, and the spiritual landscape of contemporary America is as varied and complex as that of any country in the world. The books in this new series, written by leading scholars for students and general readers alike, fall into two categories: some of these well-crafted, thought-provoking portraits of the country’s major religious groups describe and explain particular religious practices and rituals, beliefs, and major challenges facing a given community today. Others explore current themes and topics in American religion that cut across denominational lines. The texts are supplemented with care- fully selected photographs and artwork, annotated bibliographies, con- cise profiles of important individuals, and chronologies of major events. — Roman Catholicism in America Islam in America . B UDDHISM in America Richard Hughes Seager C C Publishers Since New York Chichester, West Sussex Copyright © Columbia University Press All rights reserved Library of Congress Cataloging-in-Publication Data Seager, Richard Hughes. Buddhism in America / Richard Hughes Seager. p. cm. — (Columbia contemporary American religion series) Includes bibliographical references and index. ISBN ‒‒‒ — ISBN ‒‒‒ (pbk.) . Buddhism—United States. I. Title. II. Series. BQ.S .'—dc – Casebound editions of Columbia University Press books are printed on permanent and durable acid-free paper. -
TIBETAN BUDDHISM Philosophy/Religion PR326 Dr
TIBETAN BUDDHISM Philosophy/Religion PR326 Dr. Joel R. Smith Spring, 2016 Skidmore College A study of classical and contemporary Tibetan thinkers who see philosophy as intertwined with religious practice. The course focuses on the Vajrayana form of Mahayana Buddhism that is the central element in the culture of Tibet, as well as its Mahayana Buddhist background in India. Emphasis is on the central ideas of wisdom, compassion, emptiness, and dependent arising. Texts: 1. Keown, Damien, Buddhism: A Very Short Introduction (New York: Oxford University Press, 2013). ISBN 978-0-19- 966383-5 2. Kapstein, Matthew T., Tibetan Buddhism: A Very Short Introduction (New York: Oxford University Press, 2013). ISBN 978-0-19-973512-9 **3. Lopez, Donald S., Jr., ed., Religions of Tibet in Practice: Abridged Edition (Princeton, NJ: Princeton University Press, 2007). ISBN 978-0-691-12972-378 4. Powers, John, A Concise Introduction to Tibetan Buddhism, (Ithaca, NY: Snow Lion Publications, 2008). ISBN 978-1-55939-296-9 5. Santideva, A Guide to the Bodhisattva Way of Life (Bodhicaryavatara), tr. Vesna A. Wallace & B. Alan Wallace (Ithaca, New York: Snow Lion Publications, 1997). ISBN 978-1-55939-061-1 6. Tsering, Geshe Tashi, Emptiness (Boston: Wisdom Publications, 2009). ISBN 978-086171-511-3 7. Yeshe, Lama Thubten, Introduction to Tantra: The Transformation of Desire (Boston: Wisdom Publications, 2001). ISBN 978-161-4291558 I will be delighted to talk with you outside of class. Make an appointment to see me or come by during my office hours. Office: Ladd 217. Email: [email protected] Office phone: 580-5407 (Please do not call me at home.) Office hours: Monday and Wednesday: 4:30-5:30 Tuesday and Thursday: 3:30-4:30 (other times Friday: 1:00-2:00 by appointment) THE BUDDHIST BACKGROUND IN INDIA: THERAVADA AND MAHAYANA Jan 25: Introduction to the course; Powers, Introduction & The Indian Background (Ch. -
BUDDHISM, MEDITATION, and the NEGOTIATION of the PUBLIC SPHERE by Leana Marie Rudolph a Capstone Project Submitted for Graduatio
BUDDHISM, MEDITATION, AND THE NEGOTIATION OF THE PUBLIC SPHERE By Leana Marie Rudolph A capstone project submitted for Graduation with University Honors May 20, 2021 University Honors University of California, Riverside APPROVED Dr. Matthew King Department of Religious Studies Dr. Richard Cardullo, Howard H Hays Jr. Chair University Honors ABSTRACT This capstone serves to map and gather the oral histories of formerly undocumented Buddhist communities pertaining to their lived experiences in the Inland Empire. The ethnographic fieldwork conducted of 11 sites over the period of 12 months explored the intersection of diaspora, economy, and religious affiliation. This research begins to explore this junction by undertaking a qualitative and quantitative study that will map Buddhist life in the Inland Empire today. It will include interviews, providing oral histories, and will be accessible through a GIS map, helping Religious Studies and Anthropologist scholars to locate these sites and have background information on these locations. The Inland Empire represents many heavily populated, post-agricultural, and manufacturing areas in America today, which since the 1970s and especially since 2008 has suffered from many economic and social crises related to suburban poverty, as well as waves of demographic changes. Taking the Inland Empire as a petri dish for broader trends at the intersection of religion, economy, and the social in the American public sphere today, this capstone project hopes to determine how Buddhism forms at these intersections, what new stories about life in the Inland Empire Buddhist sites and communities help illuminate, and what forms of digital interfacing best brings anthropological analyses to the publics it examines. -
Gandhi's View on Judaism and Zionism in Light of an Interreligious
religions Article Gandhi’s View on Judaism and Zionism in Light of an Interreligious Theology Ephraim Meir 1,2 1 Department of Jewish Philosophy, Bar-Ilan University, Ramat Gan 5290002, Israel; [email protected] 2 Stellenbosch Institute for Advanced Study (STIAS), Wallenberg Research Centre at Stellenbosch University, Stellenbosch 7600, South Africa Abstract: This article describes Gandhi’s view on Judaism and Zionism and places it in the framework of an interreligious theology. In such a theology, the notion of “trans-difference” appreciates the differences between cultures and religions with the aim of building bridges between them. It is argued that Gandhi’s understanding of Judaism was limited, mainly because he looked at Judaism through Christian lenses. He reduced Judaism to a religion without considering its peoplehood dimension. This reduction, together with his political endeavors in favor of the Hindu–Muslim unity and with his advice of satyagraha to the Jews in the 1930s determined his view on Zionism. Notwithstanding Gandhi’s problematic views on Judaism and Zionism, his satyagraha opens a wide-open window to possibilities and challenges in the Near East. In the spirit of an interreligious theology, bridges are built between Gandhi’s satyagraha and Jewish transformational dialogical thinking. Keywords: Gandhi; interreligious theology; Judaism; Zionism; satyagraha satyagraha This article situates Mohandas Karamchand Gandhi’s in the perspective of a Jewish dialogical philosophy and theology. I focus upon the question to what extent Citation: Meir, Ephraim. 2021. Gandhi’s religious outlook and satyagraha, initiated during his period in South Africa, con- Gandhi’s View on Judaism and tribute to intercultural and interreligious understanding and communication. -
Why We Play: an Anthropological Study (Enlarged Edition)
ROBERTE HAMAYON WHY WE PLAY An Anthropological Study translated by damien simon foreword by michael puett ON KINGS DAVID GRAEBER & MARSHALL SAHLINS WHY WE PLAY Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Troop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com WHY WE PLAY AN ANTHROPOLOGICAL STUDY Roberte Hamayon Enlarged Edition Translated by Damien Simon Foreword by Michael Puett Hau Books Chicago English Translation © 2016 Hau Books and Roberte Hamayon Original French Edition, Jouer: Une Étude Anthropologique, © 2012 Éditions La Découverte Cover Image: Detail of M. C. Escher’s (1898–1972), “Te Encounter,” © May 1944, 13 7/16 x 18 5/16 in. (34.1 x 46.5 cm) sheet: 16 x 21 7/8 in. (40.6 x 55.6 cm), Lithograph. Cover and layout design: Sheehan Moore Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-0-9861325-6-8 LCCN: 2016902726 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by Te University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Table of Contents Acknowledgments xiii Foreword: “In praise of play” by Michael Puett xv Introduction: “Playing”: A bundle of paradoxes 1 Chronicle of evidence 2 Outline of my approach 6 PART I: FROM GAMES TO PLAY 1. Can play be an object of research? 13 Contemporary anthropology’s curious lack of interest 15 Upstream and downstream 18 Transversal notions 18 First axis: Sport as a regulated activity 18 Second axis: Ritual as an interactional structure 20 Toward cognitive studies 23 From child psychology as a cognitive structure 24 . -
Vidulaku- Mrokkeda-Raga.Html Youtube Class: Audio MP3 Class
Vidhulaku Mrokkedha Ragam: Mayamalavagowlai {15th Melakartha Ragam} https://en.wikipedia.org/wiki/Mayamalavagowla ARO: S R1 G3 M1 P D1 N3 S || AVA: A N3 D1 P M1 G3 R1 S || Talam: Adi Composer: Thyagaraja Version: M.S. Subbulakshmi (https://www.youtube.com/watch?v=llsETzsGWzU ) Lyrics Courtesy: www.karnatik.com (Rani) and Lakshman Ragde http://www.geocities.com/promiserani2/c2933.html Meaning Courtesy: https://thyagaraja-vaibhavam.blogspot.com/2007/03/thyagaraja-kriti-vidulaku- mrokkeda-raga.html Youtube Class: https://www.youtube.com/watch?v=hWszTbKSkm0 Audio MP3 Class: http://www.shivkumar.org/music/vidulaku-class.mp3 Pallavi: vidulaku mrokkEda sangIta kO Anupallavi: mudamuna shankara krta sAma nigama vidulaku nAdAtmaka sapta svara Charanam: kamalA gaurI vAgIshvari vidhi garuDa dhvaja shiva nAradulu amarEsha bharata kashyapa caNDIsha AnjanEya guha gajamukhulu su-mrkaNDuja kumbhaja tumburu vara sOmEshvara shArnga dEva nandi pramukhulaku tyAgarAja vandyulaku brahmAnanda sudhAmbudhi marma Meaning Courtesy: https://thyagaraja-vaibhavam.blogspot.com/2007/03/thyagaraja-kriti-vidulaku- mrokkeda-raga.html Pallavi: Sahityam: vidulaku mrokkEda sangIta kO Meaning: I salute (mrokkeda) the maestros (kOvidulaku) of music (sangIta). Sahityam: mudamuna shankara krta sAma nigama vidulaku nAdAtmaka sapta svara Meaning: I joyously (mudamuna) salute - the masters (vidulaku) of sAma vEda (nigama) created (kRta) by Lord Sankara and the maestros (vidulaku) of sapta svara – nAda embodied (Atmaka) (nAdAtmaka). Sahityam:kamalA gaurI vAgIshvari vidhi garuDa dhvaja -
The Lion-Faced Ḍākinī Sadhana སེང་གདོང་མའི
The Lion-Faced Ḍākinī Sadhana By Karma Chagme སེང་གདོང་མའི་སྒྲུབ་ཐབས་བཞུགས་སོ། ། ཆགས་མེད་ར་ག Translated and edited by Adele Tomlin The Lion-Faced Ḍākinī Sadhana Author: Karma Chagme Translator and Editor: Adele Tomlin Lion-Faced Ḍākinī EMPOWERMENT AND TRANSMISSION ARE ESSENTIAL BEFORE READING OR PRACTISING THIS TEXT First Edition, 2018. Publishing and Content Copyright: Adele Tomlin/Dakini Publications, 2018. Available for free private use and download. Please do not copy, re-produce or publish without express permission. 1 Translator’s Introduction The Lion-Faced Ḍākinī (seng ge gdong ma, Skt: Siṃhamukhā) is a female deity considered to be especially effective for dispelling black magic, curses, obstacles and harm-doers. In the Nyingma terma tradition, she is considered as one of the many forms of Padmasambhava, specifically a secret form of Guru Rinpoche manifested to avert spiritual obstacles and negativity. In the Sarma traditions she arises out of the Chakrasamvara cycle of tantras and belongs to the Highest Yoga Tantra 'wisdom' classification. The revelation of the root mantra for Lion-Faced Ḍākinī is also associated with the name of a famous translator and Sakya master, Bari Lotsawa (ba ri lo tsA) (aka Rinchen Drak (rin chen grags)) (1040-1111) — the second throne holder of Sakya school (Sakya Trizin). At the age of 63, he retained the seat of Sakya for a period of eight years (1102-1110). The great Sakya and Nyingma master, Jamyang Khyentse Wangpo wrote a history of the lineage of Siṃhamukhā, which has been translated and published in English onlinei. According to that biography, Bari was shown how to reveal the mantra treasure directly by Lion-Faced Ḍākinī herself, in order to avert the black magic and sorcery of an Indian master. -
BLAZE with MAJESTIC BRILLIANCE an Introduction to Himalayan Dzi Beads James Wainwright
THIS IS A FREE ARTICLE FROM SACRED HOOP MAGAZINE. Sacred Hoop is an independent magazine about Shamanism and Animistic Spirituality, based in West Wales, published four times a year since 1993. You may share this in any non-commercial way but reference to www.SacredHoop.org must be made if it is reprinted anywhere. To get a very special low-cost subscription to Sacred Hoop please visit : www.SacredHoop.org/offer.html ‘Within your own mind, you already have what you need to succeed, the ability to put others ahead of yourself. This is called virtue, the wish-fulfilling jewel’ Buddha Shakyamuni BLAZE WITH MAJESTIC BRILLIANCE An introduction to Himalayan dZi beads James Wainwright he people of Tibet and the There is one sacred bead those who wear them. As the Ancient Himalayan regions have long however, that stands out from all Tibetan Buddhist master, Sakyong Tadorned their bodies, temples, others. This is known as the dZi Mipham Rinpoche says: “A person banded agate, known as statues and ritual items with bead or dZi stone. with ziji has dignity, the radiant power Bhaisajyaguru dZi heirloom and prized beads. The most widely adopted of a mind that has relaxed into its Marco Polo, the famous spelling in the world today is dZi, own inherent strength”. medieval Italian explorer and however, it is also commonly trader, mentions how important spelled gzi or zi. The word dZi I first encountered dZi beads Mediterranean coral was to the translates as bright, shine or whilst I was an ordained Buddhist Tibetans, as far back as the luminous and should be pronounced monk, and became immediately Below: two-eyed dZi with red coral C13th. -
Jain Values, Worship and the Tirthankara Image
JAIN VALUES, WORSHIP AND THE TIRTHANKARA IMAGE B.A., University of Washington, 1974 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE DEPARTMENT OF ANTHROPOLOGY AND SOCIOLOGY We accept this thesis as conforming to the required standard / THE UNIVERSITY OF BRITISH COLUMBIA May, 1980 (c)Roy L. Leavitt In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of Anthropology & Sociology The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 Date 14 October 1980 The main purpose of the thesis is to examine Jain worship and the role of the Jains1 Tirthankara images in worship. The thesis argues that the worshipper emulates the Tirthankara image which embodies Jain values and that these values define and, in part, dictate proper behavior. In becoming like the image, the worshipper's actions ex• press the common concerns of the Jains and follow a pattern that is prized because it is believed to be especially Jain. The basic orientation or line of thought is that culture is a system of symbols. These symbols are implicit agreements among the community's members, agreements which entail values and which permit the Jains to meaningfully interpret their experiences and guide their actions. -
Understanding the Architecture of Hindu Temples: a Philosophical Interpretation A
World Academy of Science, Engineering and Technology International Journal of Architectural and Environmental Engineering Vol:13, No:12, 2019 Understanding the Architecture of Hindu Temples: A Philosophical Interpretation A. Bandyopadhyay the Upanishads and the Puranas, where the concept of soul Abstract—Vedic philosophy is one of the oldest existing (Atman) was evolved. The souls are a reflection of the philosophies of the world. Started around 6500 BC, in Western Supreme God and hence, in Hinduism there is no concept of Indian subcontinent, the Indus valley Civilizations developed a ‘anti-God’. The divine play (Lila) is the play in which Brahma theology which, gradually developed into a well-established transforms Himself into the world. Lila is a rhythmic play philosophy of beliefs, popularly known as ‘Hindu religion’. In Vedic theology, the abstract concept of God was formulated mostly by close which goes on in endless cycles, the One becoming many and observation of the dynamicity and the recurrence of natural and many becoming One [2, p.220]. “…If we think that the shapes universal phenomena. Through the ages, the philosophy of this and structures, things and events, around us are realities of theology went through various discursions, debates, and questionings nature, instead of realizing that they are concepts of our and the abstract concept of God was, in time, formalized into more measuring and categorizing mind” [2. p.100], then we are in representational forms by the means of various signs and symbols. the midst of the illusions (Maya) of the universe. The soul Often, these symbols were used in more subtle ways in the construction of “sacred” sculptures and structures. -
Swami Chinmayananda
January/February 2015 Vol. 26, No.1 Swami Chinmayananda CHINMAYA MISSION SAN JOSE PUBLICATION MISSION STATEMENT To provide to individuals, from any background, the wisdom of Vedanta and practical means for spiritual growth and happiness, enabling them to become a positive contributor to the society. Chinmaya Lahari While Shiva dances, His matted locks hold the sacred river Ganga, the power and the source of all movement in life, with its waters that purify mankind and the crescent moon delicate as a new-born babe with its promise of life in all its radiance and glory. What is perhaps most significant of all in the image is the combination of this God ascetic, the solitary One, master of meditation, with the frenzied dance - the Yogi and the artist. A dancer becomes the being that he impersonates on the stage. In the dance are aroused the entire energy of body, mind, intellect and soul.. It is a complete surrender to God. While the body moves in a frenzy, like the world with its tumult, Shiva Himself, is undisturbed by the activity, depicting most wonderfully the mortal life and Divine Self. Swami Chinmayananda Art of God Symbolism CONTENTS Volume 26 No.1 January/February 2015 From The Editors Desk . 2 Chinmaya Tej Editorial Staff . 2 The Challenge Part 1 . 3 Satsang with Pujya Gurudev . 8 Maha Shivaratri 2015 . 10 Sādhanā . 16 Swami Chinmayananda's Visit to Krishnalaya . 18 Work . 20 Swaranjali Youth Choir . 21 Tapovan Prasad . 21 Chinmaya Study Groups . 22 Adult Classes at Sandeepany . 23 Shiva Abhisheka & Puja . 23 Bala Vihar/Yuva Kendra & Language Classes . -
Jain Award Boy Scout Workbook Green Stage 2
STAGE 2 TABLE OF CONTENTS 1. About the Jain Award: Stage 2 2. About Yourself 3. Part I Word 4. Part II Worship 5. Part III Witness 6. Jain Religion Information for Boy Scouts of America 7. Application Form for the Jain Medal Award 2 ABOUT THE JAIN AWARD PLAN STAGE 2 WORD: You will with your parents and spiritual leader meet regularly to complete all the requirements History of Jainism-Lives of Tirthankars: for this award. Mahavir Adinath Parshvanath RECORD Jain Philosophy Significance of Jain Symbols: Ashtamanga As you continue through this workbook, record and others the information as indicated. Once finished Four types of defilement (kashäy): your parents and spiritual leader will review anger ego and then submit for the award. greed deceit The story of four daughters-in-law (four types of spiritual aspirants) Five vows (anuvrats) of householders Jain Glossary: Ätmä, Anekäntväd, Ahinsä, Aparigrah, Karma, Pranäm, Vrat,Dhyän. WORSHIP: Recite Hymns from books: Ärati Congratulations. You may now begin. Mangal Deevo Practices in Daily Life: Vegetarian diet Exercise Stay healthy Contribute charity (cash) and volunteer (kind) Meditate after waking-up and before bed WITNESS: Prayers (Stuties) Chattäri mangala Darshanam dev devasya Shivamastu sarvajagatah Learn Temple Rituals: Nissihi Pradakshinä Pranäm Watch ceremonial rituals (Poojä) in a temple 3 ABOUT YOURSELF I am _____________________years old My favorite activities/hobbies are: ______________________________________ This is my family: ______________________________________ ______________________________________