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Finland: Architecture and Design 2022
Finland: Architecture and Design 2022 13 SEP – 26 SEP 2022 Code: 22237 Tour Leaders Stephen Crafti Physical Ratings For 14 days, architecture and design writer Stephen Crafti charts the very latest in Finland contemporary art, architecture, furniture and fashion. Overview With architecture and design writer Stephen Crafti, explore the very best of Finland’s modernist and contemporary art, architecture, furniture and fashion in Helsinki, Jyväskylä, Seinäjoki and Turku. Begin in Finland’s capital, Helsinki visiting the Design Museum and the Museum of Finnish Architecture. Accompanied by an architect, discover Helsinki’s rich architectural history; visit Eliel Saarinen’s Central Station, the Chapel of Silence, Oodi – the new Helsinki Central Public Library, and the famous Finlandia Hall. Experience a private visit of the multi-award winning Amos Rex Art Museum, accompanied by project mastermind Asmo Jaaksi, JKMM Architects. Meet with Tuuli Sotamaa in her renowned design studio Ateljé Sotamaa. Tours of the Artek Flagship store and the Aalto House and Studio introduce us to Alvar Aalto, Finland’s most famous architect of the 20th century. At Marimekko Outlet, see some examples of world-renowned Marimekko prints. Tour the private showroom of Marita Huurinainen, famous for her ‘wave shoes’. Meet new artists at the Design Lab at the Iittala & Arabia Design Centre. View contemporary art at Didrichsen Art Museum, a seaside villa designed by Alvar Aalto’s assistant, Viljo Revell. Meet designer Harri Koskinen and learn about his internationally renowned range of products. Travel through Finnish forests to Lahti to view its wooden architecture and understand more about the relationship Finns share with wood; in Haltia, tour the award-winning Finnish Nature Centre. -
The Corning Museum of Glass Annual Report, 2006
The Corning Museum of Glass Annual Report 2006 Cover: Officers The Fellows of The Corning The Fellows of The Corning Museum of Glass Museum of Glass are among Peacock vase, blown; E. Marie McKee the world’s leading glass col- silver-gilt mount. U.S., President Carole Allaire lectors, scholars, dealers, and Corona, NY, Tiffany Gary E. Baker glassmakers. The objectives Amory Houghton Jr. Studios, 1898–1899. Renée E. Belfer of this organization are (1) Vice President H. 14.1 cm (2006.4.161). Robert A. Belfer to disseminate knowledge James R. Houghton Mike Belkin about the history and art of Vice President William W. Boeschenstein* glassmaking and (2) to sup- port the acquisitions program Alan L. Cameros Denise A. Hauselt of the Museum’s Rakow Secretary Lt. Gen. Christian Clausen, retired Research Library. Admission Thomas P. Dimitroff to the fellowship is intended James B. Flaws Jay R. Doros to recognize accomplishment, Treasurer David Dowler and is by invitation. Robert J. Grassi Max Erlacher Assistant Treasurer Christopher T. G. Fish Barbara U. Giesicke David B. Whitehouse William Gudenrath Executive Director Jirˇí Harcuba+ Douglas Heller Trustees A. C. Hubbard Jr. Roger G. Ackerman* Kenneth L. Jobe + Peter S. Aldridge Dorothy-Lee Jones Thomas S. Buechner Leo Kaplan Van C. Campbell* Helena Koenigsmarková + Dale Chihuly Michael Kovacek Patricia T. Dann Dwight P. Lanmon + Robert Duke Harvey K. Littleton James B. Flaws Louise Luther John P. Fox Jr. Kenneth W. Lyon Polly W. Guth Josef Marcolin Ben W. Heineman* John H. Martin + Amory Houghton Jr.* Gregory A. Merkel Arthur A. Houghton III Barbara H. -
London Design Festival 14–22 September 2019 Londondesignfestival.Com #Ldf19 the Guide
THE GUIDE LONDON DESIGN FESTIVAL 14–22 SEPTEMBER 2019 LONDONDESIGNFESTIVAL.COM #LDF19 MASTER OF MATERIALS RADO.COM RADO TRUE THINLINE STUDS DESIGNED IN COLLABORATION WITH BRITISH DESIGNER BETHAN GRAY. Welcome to the official London Design Festival We hope you enjoy the 17th edition, and do share Guide. The Festival celebrates and promotes your images with us, tagging in @l_d_f_official London as the design capital of the world, and as the gateway to the international design community. Download My Festival at londondesignfestival.com/myfestival MAIN PARTNER The Guide, along with the official My Festival app, is here to help you find your way around all Festival projects and events across the city. #LDF19 VOTE FOR YOUR FAVOURITE SHORTLISTED ENTRY AT THE RADO EXHIBITION DURING DESIGNJUNCTION, 2 LONDONDESIGNFESTIVAL.COM19TH - 22ND SEPTEMBER#LDF19 2019. SEE THE PROJECTS AT radostarprize.rado.com/uk/finalists 3 BECCA 2 LONDONDESIGNFESTIVAL.COM #LDF19 TERRY CREWS 3 BeccaRed_LDFGuide_DPS_062019.indd All Pages 6/20/19 11:20 AM WELCOME CHAIRMAN DIRECTOR SIR JOHN SORRELL CBE BEN EVANS CBE Welcome to the 17th edition of London Design London is a big place. It is why, for a number Festival, which celebrates innovative and exciting of years, we have been encouraging different thinking by an international design community districts to set up their own design programmes. driven by a positive and creative attitude. Thanks This year there are 11 different Design Districts – to its scale, the Festival explores a huge diversity Bankside, Brompton, Chelsea, Clerkenwell, of design disciplines and talent and reaches into King’s Cross, Marylebone, Mayfair, Pimlico, the far corners of the world’s creative capital. -
William Gropper's
US $25 The Global Journal of Prints and Ideas March – April 2014 Volume 3, Number 6 Artists Against Racism and the War, 1968 • Blacklisted: William Gropper • AIDS Activism and the Geldzahler Portfolio Zarina: Paper and Partition • Social Paper • Hieronymus Cock • Prix de Print • Directory 2014 • ≤100 • News New lithographs by Charles Arnoldi Jesse (2013). Five-color lithograph, 13 ¾ x 12 inches, edition of 20. see more new lithographs by Arnoldi at tamarind.unm.edu March – April 2014 In This Issue Volume 3, Number 6 Editor-in-Chief Susan Tallman 2 Susan Tallman On Fierce Barbarians Associate Publisher Miguel de Baca 4 Julie Bernatz The Geldzahler Portfoio as AIDS Activism Managing Editor John Murphy 10 Dana Johnson Blacklisted: William Gropper’s Capriccios Makeda Best 15 News Editor Twenty-Five Artists Against Racism Isabella Kendrick and the War, 1968 Manuscript Editor Prudence Crowther Shaurya Kumar 20 Zarina: Paper and Partition Online Columnist Jessica Cochran & Melissa Potter 25 Sarah Kirk Hanley Papermaking and Social Action Design Director Prix de Print, No. 4 26 Skip Langer Richard H. Axsom Annu Vertanen: Breathing Touch Editorial Associate Michael Ferut Treasures from the Vault 28 Rowan Bain Ester Hernandez, Sun Mad Reviews Britany Salsbury 30 Programs for the Théâtre de l’Oeuvre Kate McCrickard 33 Hieronymus Cock Aux Quatre Vents Alexandra Onuf 36 Hieronymus Cock: The Renaissance Reconceived Jill Bugajski 40 The Art of Influence: Asian Propaganda Sarah Andress 42 Nicola López: Big Eye Susan Tallman 43 Jane Hammond: Snapshot Odyssey On the Cover: Annu Vertanen, detail of Breathing Touch (2012–13), woodcut on Maru Rojas 44 multiple sheets of machine-made Kozo papers, Peter Blake: Found Art: Eggs Unique image. -
Blaue Deckeldose „Wasserbüffel Mit Reiter“, Vallérysthal, Ab 1902 Aus Alexandrit-Glas / Neodym-Glas! Ende 1920-Er, Anfang
Pressglas-Korrespondenz 2008-2 Abb. 2008-1/169 Wasserbüffel mit Reiter, hellviolettes Pressglas, H 15 cm, B 11 cm, L 24,5 cm Sammlung Christoph unter dem Boden Marke „VALLERYSTHAL“, s. MB Vallérysthal 1907, Planche 236, Nr. 3808, Wasserbüffel mit Reiter Stefan Örtel, Fabienne & Marc Christoph, SG März 2008 / Januar 2008 Blaue Deckeldose „Wasserbüffel mit Reiter“, Vallérysthal, ab 1902 aus Alexandrit-Glas / Neodym-Glas! Ende 1920-er, Anfang 1930-er Jahre Neodym- und Cer-Titan-Gläser der Sammlung Örtel 1/169, beschrieben, mit einer Anmerkung zur Fluores- PK 2008-1, SG: Das blaue Glas dieses Wasserbüffels zenz und dem (vermutlich falschen) Schluss auf einen leuchtet schwach wie Uranglas. Das ist auch bei mehre- Urangehalt. ren blauen Gläsern von S. Reich & Co., Krásno - Wien, schon aufgefallen. Diese Gläser stammten meistens aus Die Deckeldose besteht aus so genanntem Alexandrit- der Zeit vor 1900. Aber auch bei anderen blauen Press- Glas, zuerst in größerem Maßstab hergestellt durch Mo- gläsern wurde das schon beobachtet. Bis jetzt ist unbe- ser in Karlsbad um 1928/1930. Benannt wurde dieses kannt, ob eine Beimischung von Spuren von Uranoxi- Glas nach dem Edelstein Alexandrit, welcher je nach den in die blaue Glasmasse einen technischen Grund Beleuchtung die Farbe von Grün nach Rot wechselt. In hatte oder nur eine Verunreinigung war. Bezug auf den Farbwechsel des Glases von Violett nach Blau ist der Name etwas unglücklich gewählt. Besser Christoph: Es ist schwer zu sagen, wie diese Farbe sich wäre die Bezeichnung nach dem farb-gebendem Oxid verändert. In der Sonne ist sie wie auf diesen Fotos. Im (Neodymoxid) als Neodym-Glas. -
Corporate Governance Statement 2020 CORPORATE GOVERNANCE STATEMENT 2020 2
Corporate Governance Statement 2020 CORPORATE GOVERNANCE STATEMENT 2020 2 Contents INTRODUCTION 3 GENERAL MEETING OF SHAREHOLDERS 4 BOARD OF DIRECTORS 5 MAIN DUTIES OF THE BOARD 9 BOARD COMMITTEES 11 PRESIDENT AND CEO 13 FISKARS GROUP LEADERSHIP TEAM 14 CONTROL SYSTEMS 17 RISK MANAGEMENT 22 CORPORATE GOVERNANCE STATEMENT 2020 3 Introduction Fiskars Corporation is a Finnish public limited company in Corporate Governance Code approved by the Securities which duties and responsibilities are defined according Market Association, which came into force on January 1, to the Finnish law. Fiskars Group comprises the parent 2020 and can be reviewed at www.cgfinland.fi. In terms company Fiskars Corporation, and its subsidiaries. The of the composition of the Nomination Committee, the statutory governing bodies of Fiskars Corporation are the Company has departed from the Recommendation 15 of General Meeting of Shareholders, the Board of Directors, Finnish Corporate Governance Code as explained in more the Managing Director (President and CEO), and the detail in section “Board Committees”. Auditor. Other Group management supports the statutory governing bodies of Fiskars Corporation. The Company’s This is the separate Corporate Governance Statement domicile is Raseborg, Finland. referred to in the Finnish Corporate Governance Code. This statement and the other information required by the Corporate governance at Fiskars Corporation is based Corporate Governance Code, the Company’s Financial on the Finnish Limited Liability Companies Act, the rules Statement, the Report by the Board of Directors and regulations concerning publicly listed companies, the and the Auditor’s Report for the year 2020 Company’s Articles of Association, the charters of the are available on the Company’s webpage Company’s Board of Directors and its Committees, and www.fiskarsgroup.com at the latest on the rules and guidelines of Nasdaq Helsinki Ltd. -
Memories of the Future 17.03.2021
MEMORIES OF THE FUTURE 17.03.202 1 “Immediately after I first presented the collection, which was supposed to be much smaller than a typical dinner set of 12 or more pieces, I was asked what the patterned version would look like? As a very young designer, you feel somehow under attack by questions of this Thanks to cleverly placed ridges and kind. For me, the white ceramic pieces were button-like bumps, any container can be stacked on any saucer and vice versa. beautiful enough in themselves and I could not conceive of a floral pattern. On the flight back to Zurich, I was somewhat irked by the question about decoration and I thought about doing a rainbow with all the colours in it. The subject is abstract and would certainly match the colour scheme of any table decoration. I designed coloured stripes of irregular widths and applied them only to the smallest cup. On the inside bottom of the little cup I placed an other orange spot; viewed from above, this is reminiscent of a soft-boiled egg with the top removed. We sold the entire year’s production in the first few weeks. Origo became a best-seller and made ORIGO, 1999 RANGE OF TABLEWARE me very famous in Scandinavia. So famous that I became known as the Paul Smith of the design scene, or the stripe designer. “Our eating habits are changing continuously – just like our day-to-day lives. The Origo idea Made originally for Rörstrand, Origo was included was to create easy, everyday tableware with a in Iittala’s International Catalogue in 2003. -
WCD-079.Pdf 5.43MB 2016-07-11 11:33:19
PLAINTlFPS EXHIBIT I CER-504 • eramlC~ ulletin October, 1954 OFFICERS Presidtn/ Ray W. Pafford Fort Worth, Texas Pr(Jiden/.Ele(/ Robert Twells CONTENTS Fostoria, Ohio riet.Presidents William O. Brandt Los Angeles, Calif. Papers John F. McMahon Alfred, N. Y. Gun-Placed Silica Cupola Linings 301 Rolland R. Roup T. E. Barlow and P. D. Humont Milwaukee, Wise. ~r Automatic Spraying of Glazes•.•.••••.................•.•.. 307 Dougherty R. J. Verba • burgh, Pa. General Sure/ary and Edi/or Pozzolans-Their Properties and Manufacture .•........••.•..•309 Charles S. Pearce Rudy L. Nordmeyer Columbus, Ohio Commil/ee on Publicalions Articles J. J. Canfield Eisenhower Letter•••.........•..•..•...........•.•.•..•..311 Chairman W.R.Kerr Wollastonite as a Ceramic Material ••••••.•..•..•.•.•....•••. 312 C. H. Hahner Karl Schwartzwalder. Pereny Kilns ..•..•.•.........•.••..•.........•.•..•...•••317 C. S. Pearce (ex officio) Nominations for Officers : 322 Milnaging Editor James S. Welch Rosters Editorial Assis/anls Membership Roster •.•.....•..•.•....••.•..•.•.••.....••••R·f Mary Ann Weigelt Emmoline R. Jamra Institute Roster .•.••••....•.•.••.•........•............• R.1 OS Eill/ern ReprestntatiDe WlIIiam T. Mohrman, Jr. 501 Fifth Ave., !'ew York 17, N. Y. Departments Phone: Oxford 7.2369 In Print for Ceramists 3 Sections 313 Mai Ibox for Readers 4 Schools 315 Offices Meetings Calendar 6 Institute Page 316 _ t'UliDt, tditorial, and adDer. Personal Notes 12 Authors 318 : 2525 North High St., mbus 2, Ohio. Phone LA. Out of the Kiln 13 Names 320 7012. A.T.&T. Teletype, CL593 '" Puhlication: 20th & North· Men & Positions 16, 17 BuildiRg Progress 321 I ampton Sts., Easton, Pa. Advertisers Index 18 I 6400 copies of this issue were printed i~ ....... )44 9CiIffil)INi"-.""'.!i*!f .."LA'~ Membership Roster 1 ....c. -
Summer 2021 7/24/2021-7/25/2021 LOT # LOT
Summer 2021 7/24/2021-7/25/2021 LOT # LOT # 1 Chinese 14K Gold Figural Dragon on Stand 3 8 pcs. Meiji Japanese Silver Tea Set, Iris Decorat Chinese 14K gold (tested) figural dragon, Asian Export Sterling Silver Tea Service with depicted standing with raised head. Fitted with high relief iris decorations, eight (8) pieces. a conforming hardwood stand. 2" H x 3 1/2" W. ARTHUR & BOND, STERLING, and 73.3 grams. Provenance: the estate of Camille YOKOHAMA stamped to underside of bases. Gift, Nashville, Tennessee by descent from Sara Includes a kettle on stand, coffee pot, teapot, tea Joan Wilde (1923-2014), Colorado Springs, caddy, covered sugar bowl, creamer, CO. Mrs. Wilde and her husband, Lt. Col. Adna double-handled waste bowl, and a pair of sugar Godfrey Wilde (1920-2008) traveled tongs. Also includes an International Silver extensively throughout Asia as part of his career Company burner. Pieces ranging in size from 9 as an officer with the U.S. Army. Condition: 3/4" H x 8" W to 1" H x 5" L. 116.60 total troy Overall very good condition. 2,400.00 - ounces. Meiji Period. Provenance: private 2,600.00 Chattanooga collection. Consignor's Quantity: 1 grandparents acquired this set and the Arthur & Bond teacups also in this auction (see lot #3) while traveling in Asia in the early 1900s. Condition: All items in overall very good condition. Handles slightly loose to teapots. 2 Asian Export Silver Cocktail Set, incl. Shaker, Be 4,800.00 - 5,200.00 Japanese export silver cocktail set, comprised of Quantity: 1 one (1) shaker, eight (8) beaker style liqueur cups, and one (1) tray with wooden center insert and silver rim, 14 items total. -
The Story of Miroslav Havel and His Role in Waterford Crystal
Maestro of Crystal: The Story of Miroslav Havel and his Role in Waterford Crystal Written by Brian Havel, Currach Press 2006, ISBN: 978-1856079402 Available in English, 304 Pages including a number of photographs Category: Glass, History, Biography, Lighting Interview with Miroslav Havel (voice only): https://www.youtube.com/watch?v=dVxAgQxccJo Obituary from the New York Times: http://www.nytimes.com/2008/09/26/business/26havel.html?_r=2&ref=obituaries&oref=slogin This biography is written in simple lay-man’s terms by Havel’s son (not a glassworker) and describes the rather incredible tale of a Czech Glassworker who leaves his homeland for a 3 month stay in Ireland and due to politics and bureaucracy spends the rest of his life there. He arrives as the sole employee of the soon to be resurrected Waterford Glass Company and when he retired in 1986, the company had 3,430 employees and was one of the world’s largest producers of fine crystal and chandeliers. It is an interesting account of the traditional glass training in Czechoslovakia in the pre WWII years as well as a chronicle of the rise of Waterford Crystal and developments in glass during the period. Glass alone was not enough for Mr. Havel however, in the late 1950’s he started making glass chandeliers – “from the head”! His work was considered good enough to adorn such noble buildings as Westminster Abbey in London and the Kennedy Centre in Washington D.C. After Mr. Havel’s retirement, Waterford fell on hard times and after a period of uncertainty the company is now part of the Fiskars Group which includes such companies as Wedgewood, Iittala, Royal Doulton and Royal Albert. -
GLASS References
15.12.2014 1 (15) References for glass industry Time of Client Glass type Location Country Scope of supply delivery Park Cam Container Glass Bozüyük Turkey Supply complete machinery and 2015 equipment for a Batch Plant and Cullet Return System O-I Production Estonia AS Container Glass Järvakandi Estonia Upgrade of Batch Plant and Cullet Return 2014 System Fives Stein Ltd, UK Foam Glass Praag CZ Czech Republic Supply complete machinery and 2014 equipment for a Batch Plant Taiwan Glass Ind. Corp. Float Glass Taichung Taiwan Supply of key components and complete 2014 control system Fiskars Oyj Tableware Glass Iittala Finland Supply of a complete Batch Plant 2014 Vietnam Special Glass Float Glass Ho Chi Minh Vietnam Supply of machinery and equipment for a 2014 Batch Plant Pt. Muliaglass Co. Ltd., Float Glass Jakarta Indonesia Upgrade of Batch Plant and Cullet Return 2013 System Santos Barosa - Vidros, S.A. Container Glass Marinha Grande Portugal Upgrade of Cullet Return System 2013 State Company for Glass and Ceramics IndustriesContainer Glass Ramadi Iraq Supply complete machinery and 2013 equipment for a Batch Plant and Cullet Return System Companhia Brasileira de Vidros Planos Float Glass Goiana Brazil Supply complete machinery and 2013 equipment for a Batch Plant and Cullet Return System 15.12.2014 2 (15) Time of Client Glass type Location Country Scope of supply delivery Nippon Sheet Glass Float Glass Ottawa USA Engineering of a new Batch Plant 2012 Krosnienskie Huty Szkla “Krosno” S.A. Tableware Glass Krosno Poland Supply complete machinery and 2012 equipment for a Batch Plant Vietnam Glass Industries Ltd. -
Assessment of Different Approaches to Implementation of the IPPC Directive and Their Impacts on Competitiveness: Some Evidence from the Steel and Glass Industry
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Rave, Tilmann; Triebswetter, Ursula Research Report Assessment of different approaches to implementation of the IPPC Directive and their impacts on competitiveness: some evidence from the steel and glass industry. Study on behalf of the European Commission, DG Environment ifo Forschungsberichte, No. 35 Provided in Cooperation with: Ifo Institute – Leibniz Institute for Economic Research at the University of Munich Suggested Citation: Rave, Tilmann; Triebswetter, Ursula (2007) : Assessment of different approaches to implementation of the IPPC Directive and their impacts on competitiveness: some evidence from the steel and glass industry. Study on behalf of the European Commission, DG Environment, ifo Forschungsberichte, No. 35, ISBN 3885124629, ifo Institut für Wirtschaftsforschung an der Universität München, München This Version is available at: http://hdl.handle.net/10419/167398 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte.