Making the Everyday Extraordinary. Fiskars, Gerber
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Finland: Architecture and Design 2022
Finland: Architecture and Design 2022 13 SEP – 26 SEP 2022 Code: 22237 Tour Leaders Stephen Crafti Physical Ratings For 14 days, architecture and design writer Stephen Crafti charts the very latest in Finland contemporary art, architecture, furniture and fashion. Overview With architecture and design writer Stephen Crafti, explore the very best of Finland’s modernist and contemporary art, architecture, furniture and fashion in Helsinki, Jyväskylä, Seinäjoki and Turku. Begin in Finland’s capital, Helsinki visiting the Design Museum and the Museum of Finnish Architecture. Accompanied by an architect, discover Helsinki’s rich architectural history; visit Eliel Saarinen’s Central Station, the Chapel of Silence, Oodi – the new Helsinki Central Public Library, and the famous Finlandia Hall. Experience a private visit of the multi-award winning Amos Rex Art Museum, accompanied by project mastermind Asmo Jaaksi, JKMM Architects. Meet with Tuuli Sotamaa in her renowned design studio Ateljé Sotamaa. Tours of the Artek Flagship store and the Aalto House and Studio introduce us to Alvar Aalto, Finland’s most famous architect of the 20th century. At Marimekko Outlet, see some examples of world-renowned Marimekko prints. Tour the private showroom of Marita Huurinainen, famous for her ‘wave shoes’. Meet new artists at the Design Lab at the Iittala & Arabia Design Centre. View contemporary art at Didrichsen Art Museum, a seaside villa designed by Alvar Aalto’s assistant, Viljo Revell. Meet designer Harri Koskinen and learn about his internationally renowned range of products. Travel through Finnish forests to Lahti to view its wooden architecture and understand more about the relationship Finns share with wood; in Haltia, tour the award-winning Finnish Nature Centre. -
The Corning Museum of Glass Annual Report, 2006
The Corning Museum of Glass Annual Report 2006 Cover: Officers The Fellows of The Corning The Fellows of The Corning Museum of Glass Museum of Glass are among Peacock vase, blown; E. Marie McKee the world’s leading glass col- silver-gilt mount. U.S., President Carole Allaire lectors, scholars, dealers, and Corona, NY, Tiffany Gary E. Baker glassmakers. The objectives Amory Houghton Jr. Studios, 1898–1899. Renée E. Belfer of this organization are (1) Vice President H. 14.1 cm (2006.4.161). Robert A. Belfer to disseminate knowledge James R. Houghton Mike Belkin about the history and art of Vice President William W. Boeschenstein* glassmaking and (2) to sup- port the acquisitions program Alan L. Cameros Denise A. Hauselt of the Museum’s Rakow Secretary Lt. Gen. Christian Clausen, retired Research Library. Admission Thomas P. Dimitroff to the fellowship is intended James B. Flaws Jay R. Doros to recognize accomplishment, Treasurer David Dowler and is by invitation. Robert J. Grassi Max Erlacher Assistant Treasurer Christopher T. G. Fish Barbara U. Giesicke David B. Whitehouse William Gudenrath Executive Director Jirˇí Harcuba+ Douglas Heller Trustees A. C. Hubbard Jr. Roger G. Ackerman* Kenneth L. Jobe + Peter S. Aldridge Dorothy-Lee Jones Thomas S. Buechner Leo Kaplan Van C. Campbell* Helena Koenigsmarková + Dale Chihuly Michael Kovacek Patricia T. Dann Dwight P. Lanmon + Robert Duke Harvey K. Littleton James B. Flaws Louise Luther John P. Fox Jr. Kenneth W. Lyon Polly W. Guth Josef Marcolin Ben W. Heineman* John H. Martin + Amory Houghton Jr.* Gregory A. Merkel Arthur A. Houghton III Barbara H. -
Ceramics Monthly Jun90 Cei069
William C. Hunt........................................Editor Ruth C. Buder.......................... Associate Editor Robert L. Creager........................... Art Director Kim Schomburg....................Editorial Assistant Mary Rushley................... Circulation Manager Mary E. Beaver.................Circulation Assistant Jayne Lx>hr.......................Circulation Assistant Connie Belcher.................Advertising Manager Spencer L. Davis.................................Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard Box 12448, Columbus, Ohio43212 (614) 488-8236 FAX (614) 488-4561 Ceramics Monthly (ISSN 0009-0328) is pub lished monthly except July and August by Professional Publications, Inc., 1609 North west Blvd., Columbus, Ohio 43212. Second Class postage paid at Columbus, Ohio. Subscription Rates: One year $20, two years $36, three years $50. Add $8 per year for subscriptions outside the U.S.A. Change of Address: Please give us four weeks advance notice. Send both the magazine address label and your new ad dress to: Ceramics Monthly, Circulation Of fices, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (including 35mm slides), graphic illustra tions, announcements and news releases about ceramics are welcome and will be considered for publication. A booklet de scribing standards and procedures for the preparation and submission of a manu script is available upon request. Mail sub missions to: The Editor, Ceramics Monthly, Box 12448, Columbus, Ohio 43212. Infor mation may also be sent by fax: (614) 488- 4561; or submitted on 3.5-inch microdisk- ettes readable with an Apple Macintosh™ computer system. Indexing: An index of each year’s articles appears in the December issue. Addition ally, articles in each issue ofCeramics Monthly are indexed in the Art Index; on-line (com puter) indexing is available through Wilson- line, 950 University Avenue, Bronx, New York 10452. -
London Design Festival 14–22 September 2019 Londondesignfestival.Com #Ldf19 the Guide
THE GUIDE LONDON DESIGN FESTIVAL 14–22 SEPTEMBER 2019 LONDONDESIGNFESTIVAL.COM #LDF19 MASTER OF MATERIALS RADO.COM RADO TRUE THINLINE STUDS DESIGNED IN COLLABORATION WITH BRITISH DESIGNER BETHAN GRAY. Welcome to the official London Design Festival We hope you enjoy the 17th edition, and do share Guide. The Festival celebrates and promotes your images with us, tagging in @l_d_f_official London as the design capital of the world, and as the gateway to the international design community. Download My Festival at londondesignfestival.com/myfestival MAIN PARTNER The Guide, along with the official My Festival app, is here to help you find your way around all Festival projects and events across the city. #LDF19 VOTE FOR YOUR FAVOURITE SHORTLISTED ENTRY AT THE RADO EXHIBITION DURING DESIGNJUNCTION, 2 LONDONDESIGNFESTIVAL.COM19TH - 22ND SEPTEMBER#LDF19 2019. SEE THE PROJECTS AT radostarprize.rado.com/uk/finalists 3 BECCA 2 LONDONDESIGNFESTIVAL.COM #LDF19 TERRY CREWS 3 BeccaRed_LDFGuide_DPS_062019.indd All Pages 6/20/19 11:20 AM WELCOME CHAIRMAN DIRECTOR SIR JOHN SORRELL CBE BEN EVANS CBE Welcome to the 17th edition of London Design London is a big place. It is why, for a number Festival, which celebrates innovative and exciting of years, we have been encouraging different thinking by an international design community districts to set up their own design programmes. driven by a positive and creative attitude. Thanks This year there are 11 different Design Districts – to its scale, the Festival explores a huge diversity Bankside, Brompton, Chelsea, Clerkenwell, of design disciplines and talent and reaches into King’s Cross, Marylebone, Mayfair, Pimlico, the far corners of the world’s creative capital. -
William Gropper's
US $25 The Global Journal of Prints and Ideas March – April 2014 Volume 3, Number 6 Artists Against Racism and the War, 1968 • Blacklisted: William Gropper • AIDS Activism and the Geldzahler Portfolio Zarina: Paper and Partition • Social Paper • Hieronymus Cock • Prix de Print • Directory 2014 • ≤100 • News New lithographs by Charles Arnoldi Jesse (2013). Five-color lithograph, 13 ¾ x 12 inches, edition of 20. see more new lithographs by Arnoldi at tamarind.unm.edu March – April 2014 In This Issue Volume 3, Number 6 Editor-in-Chief Susan Tallman 2 Susan Tallman On Fierce Barbarians Associate Publisher Miguel de Baca 4 Julie Bernatz The Geldzahler Portfoio as AIDS Activism Managing Editor John Murphy 10 Dana Johnson Blacklisted: William Gropper’s Capriccios Makeda Best 15 News Editor Twenty-Five Artists Against Racism Isabella Kendrick and the War, 1968 Manuscript Editor Prudence Crowther Shaurya Kumar 20 Zarina: Paper and Partition Online Columnist Jessica Cochran & Melissa Potter 25 Sarah Kirk Hanley Papermaking and Social Action Design Director Prix de Print, No. 4 26 Skip Langer Richard H. Axsom Annu Vertanen: Breathing Touch Editorial Associate Michael Ferut Treasures from the Vault 28 Rowan Bain Ester Hernandez, Sun Mad Reviews Britany Salsbury 30 Programs for the Théâtre de l’Oeuvre Kate McCrickard 33 Hieronymus Cock Aux Quatre Vents Alexandra Onuf 36 Hieronymus Cock: The Renaissance Reconceived Jill Bugajski 40 The Art of Influence: Asian Propaganda Sarah Andress 42 Nicola López: Big Eye Susan Tallman 43 Jane Hammond: Snapshot Odyssey On the Cover: Annu Vertanen, detail of Breathing Touch (2012–13), woodcut on Maru Rojas 44 multiple sheets of machine-made Kozo papers, Peter Blake: Found Art: Eggs Unique image. -
Auction Results SA240421 Saturday, 24 April 2021
Auction Results SA240421 Saturday, 24 April 2021 Lot No Description 2 A Victorian blue and white transfer meat plate liner printed with dog rose border to/w various other ceramics, including Royal £25.00 Worcester Astley coffee service, jasper ware, Japanese eggshell coffee service etc (box) 4 Two cut-glass ring-neck decanters and stoppers to/w three claret jugs with ep tops and give various other decanters (box) £70.00 5 Studio glass lustrous vase, signed Siddy Langley 1997 to/w an Imari cache-pot, Victorian china fruit dishes with matching £85.00 sauce tureens, Denby fruit bowl etc (box) 6 Two boxed Bilston enamel Easter eggs to/w two patch-boxes and two Halcyon Days boxes, lot also includes Victorian £65.00 rosewood tea caddy, coach lamp and eight various pewter mugs (box) 8 A Victorian Shelley blue and white cylindrical vase printed with dragons to/w various collectables including silver oddments, £40.00 Pathescope Ace projector, three Decca Toytown gramophone records, candles etc (box) 9 AnA Clarice 18th century Cliff honey-glazed style enamel dinner box with service hinged with cover, green painted banded with decoration, courting couples37 pieces in includingArcadian tureenssettings, and 9.5 cover cm wide to/w a £40.00 10 (possibly) Capodimonte box with painted interior to lid depicting 18th century family scene, Royal Doulton terrier cleaning £110.00 plate HN1158, Karl Ens owl, Dresden floral-painted heart-shaped pin-dish and an advertising jug for Worthingtons beer 11 A PottschapelMeakin pottery (Dresden) 'Nordic' Carlpattern -
The Sunday Times
OCUS F 17.05.15 Psaros’s KPS has restored theprestige of the Waterford Wedgwood brands and earned an estimated €350m profit from their sale CRYSTAL AMAZEMENT solicit potential investors and buyers. The still manufactured in Ireland. It was marketing and sales. for making orange-handled scissors, and bank contacted 182 potential investors. beyond saving. Waterford, Wedgwood, Royal Doulton was one of the rst companies in Europe Only two, KPS and Golden Gate Capital, It was a very different story for the and Royal Albert operated as four to make microwave ovens. WaterfordWedgwood wasawhite elephant progressed past the preliminary stage. brand. “One of the things that people separate businesses, each with their own It started looking seriously at Golden Gate said it would be willing to said was that nobody was buying crystal marketing and distribution functions. diversi cation to high- end consumer thatbrokeabillionaire but, six yearson invest only if Waterford Wedgwood were or ceramics any more,” he said. “That There were too many warehouses, products just eight years ago, buying put into an insolvency process. Deloitte was wrong. These were four global iconic and warehouses in the wrong places. Littala, a Finnish homeware designer. was appointed receiver in January 2009. brands that sold in 80 countries.” Villemejane closed unpro table shops.“ It added ceramics companies Rorstrand from receivership, its china crisis has been The receiver obtained 78 expressions Early in the due diligence, KPS There was quadruple redundancy, if such and Royal Copenhagen in 2010 and of interest and hired JM Cazenove to run retained Pierre de Villemejane, a former a term can exist,” he said. -
Bing & Grøndahl Royal Copenhagen Georg Jensen Holmegaard
Royal Copenhagen Mill Price Suggested Retail Christmas Plate 2020 ...................$96.00............ $120.00 Christmas Drop 2020 ..................$48.00.............. $72.00 Annual Figurine 2020 Owl ............$96.00............ $120.00 Annual Santa 2020 .......................$72.00.............. $90.00 Annual Christmas Tree 2020 .......$72.00.............. $90.00 Annual Plaquette 2020 .................$24.00.............. $30.00 Dear Friends of the Danish Windmill, Christmas Bell 2020 .....................$96.00............ $120.00 Annual Ornament 2020 Pinecone .........................................$72.00.............. $90.00 Oluf August Hermansen was a Danish 19th Century painter who was born in 1849— Bing & Grøndahl just one year after our Mill was built in Christmas Plate 2020 ...................$96.00............ $120.00 Nørre Snede. Christmas Drop 2020....................$48.00.............. $60.00 Mother's Day Plate 2020 ..............$72.00.............. $90.00 His painting of the three nisses and their Children's Day Plate 2020 ............$60.00.............. $75.00 cat sleeping up in the windmill after Christmas Bell 2020 .....................$96.00............ $120.00 enjoying a bowl of rice pudding the farmer put out, reminds us of the Danish Christmas traditions we love. It’s been a challenging year for the world. That’s why it’s especially important this Visit our website to see the full assortment of annual season to take comfort in simple collectibles, dinnerware and back-issue plates available to pleasures like hanging paper cones, complete your collection! Some items are special order. baking Christmas cookies, making Advent calendars, decorating the Christmas tree and enjoying time with family and friends in front of a crackling fire—even if it’s virtual (thanks to technology)! This Christmas catalog is a “hygge- inspired” collection which represents the genuine coziness and hygge of the Danish Christmas time, just as we know it, so you can create it in your own home. -
Blaue Deckeldose „Wasserbüffel Mit Reiter“, Vallérysthal, Ab 1902 Aus Alexandrit-Glas / Neodym-Glas! Ende 1920-Er, Anfang
Pressglas-Korrespondenz 2008-2 Abb. 2008-1/169 Wasserbüffel mit Reiter, hellviolettes Pressglas, H 15 cm, B 11 cm, L 24,5 cm Sammlung Christoph unter dem Boden Marke „VALLERYSTHAL“, s. MB Vallérysthal 1907, Planche 236, Nr. 3808, Wasserbüffel mit Reiter Stefan Örtel, Fabienne & Marc Christoph, SG März 2008 / Januar 2008 Blaue Deckeldose „Wasserbüffel mit Reiter“, Vallérysthal, ab 1902 aus Alexandrit-Glas / Neodym-Glas! Ende 1920-er, Anfang 1930-er Jahre Neodym- und Cer-Titan-Gläser der Sammlung Örtel 1/169, beschrieben, mit einer Anmerkung zur Fluores- PK 2008-1, SG: Das blaue Glas dieses Wasserbüffels zenz und dem (vermutlich falschen) Schluss auf einen leuchtet schwach wie Uranglas. Das ist auch bei mehre- Urangehalt. ren blauen Gläsern von S. Reich & Co., Krásno - Wien, schon aufgefallen. Diese Gläser stammten meistens aus Die Deckeldose besteht aus so genanntem Alexandrit- der Zeit vor 1900. Aber auch bei anderen blauen Press- Glas, zuerst in größerem Maßstab hergestellt durch Mo- gläsern wurde das schon beobachtet. Bis jetzt ist unbe- ser in Karlsbad um 1928/1930. Benannt wurde dieses kannt, ob eine Beimischung von Spuren von Uranoxi- Glas nach dem Edelstein Alexandrit, welcher je nach den in die blaue Glasmasse einen technischen Grund Beleuchtung die Farbe von Grün nach Rot wechselt. In hatte oder nur eine Verunreinigung war. Bezug auf den Farbwechsel des Glases von Violett nach Blau ist der Name etwas unglücklich gewählt. Besser Christoph: Es ist schwer zu sagen, wie diese Farbe sich wäre die Bezeichnung nach dem farb-gebendem Oxid verändert. In der Sonne ist sie wie auf diesen Fotos. Im (Neodymoxid) als Neodym-Glas. -
Corporate Governance Statement 2020 CORPORATE GOVERNANCE STATEMENT 2020 2
Corporate Governance Statement 2020 CORPORATE GOVERNANCE STATEMENT 2020 2 Contents INTRODUCTION 3 GENERAL MEETING OF SHAREHOLDERS 4 BOARD OF DIRECTORS 5 MAIN DUTIES OF THE BOARD 9 BOARD COMMITTEES 11 PRESIDENT AND CEO 13 FISKARS GROUP LEADERSHIP TEAM 14 CONTROL SYSTEMS 17 RISK MANAGEMENT 22 CORPORATE GOVERNANCE STATEMENT 2020 3 Introduction Fiskars Corporation is a Finnish public limited company in Corporate Governance Code approved by the Securities which duties and responsibilities are defined according Market Association, which came into force on January 1, to the Finnish law. Fiskars Group comprises the parent 2020 and can be reviewed at www.cgfinland.fi. In terms company Fiskars Corporation, and its subsidiaries. The of the composition of the Nomination Committee, the statutory governing bodies of Fiskars Corporation are the Company has departed from the Recommendation 15 of General Meeting of Shareholders, the Board of Directors, Finnish Corporate Governance Code as explained in more the Managing Director (President and CEO), and the detail in section “Board Committees”. Auditor. Other Group management supports the statutory governing bodies of Fiskars Corporation. The Company’s This is the separate Corporate Governance Statement domicile is Raseborg, Finland. referred to in the Finnish Corporate Governance Code. This statement and the other information required by the Corporate governance at Fiskars Corporation is based Corporate Governance Code, the Company’s Financial on the Finnish Limited Liability Companies Act, the rules Statement, the Report by the Board of Directors and regulations concerning publicly listed companies, the and the Auditor’s Report for the year 2020 Company’s Articles of Association, the charters of the are available on the Company’s webpage Company’s Board of Directors and its Committees, and www.fiskarsgroup.com at the latest on the rules and guidelines of Nasdaq Helsinki Ltd. -
Hackman Annual Report
Annual Report 1995 The Aalto vase has been described as a design icon of the 20th century. In 1936 Alvar Aalto had an idea which he entitled “Eskimo Women’s Leather Trousers”. This design would evolve into the flag- ship product of Iittala®. Today the Aalto vase is still hand blown in lead-free glass at the Iittala factory, and if anything its popularity has increased with time. Alvar Aalto was a master of many disci- plines. Aalto was an architect who also designed furniture, light fixtures and glass objects. For Aalto it was important to create things which were both functional and esthetic, using timeless forms and traditional materials. The Hackman Group takes inspiration from the Aalto legacy. We too work across a variety of disciplines, never losing sight of our core skills. We produce and market a diverse blend of products for the consumer, the professional kitchen and industry. The design process is what binds our activities together. Whether the medium is stainless steel, porcelain or glass, and whether the product is for the kitchen, the table or the paper plant, our commitment to qual- ity and excellence in design is absolute. Content Group Structure 2 1994 in Brief 3 Chief Executive Officer’s Review 5 Report of the Board of Directors 6 Income Statements 10 Cash Flow Statements 11 Balance Sheets 12 Accounting Principles 14 Notes to the Financial Statements 15 Group Key Ratios and Figures 25 Calculation of Ratios 26 Proposal of the Board of Directors 27 Auditors’ Report 27 Hackman Designor 28 Hackman Household 30 Hackman Metos -
Memories of the Future 17.03.2021
MEMORIES OF THE FUTURE 17.03.202 1 “Immediately after I first presented the collection, which was supposed to be much smaller than a typical dinner set of 12 or more pieces, I was asked what the patterned version would look like? As a very young designer, you feel somehow under attack by questions of this Thanks to cleverly placed ridges and kind. For me, the white ceramic pieces were button-like bumps, any container can be stacked on any saucer and vice versa. beautiful enough in themselves and I could not conceive of a floral pattern. On the flight back to Zurich, I was somewhat irked by the question about decoration and I thought about doing a rainbow with all the colours in it. The subject is abstract and would certainly match the colour scheme of any table decoration. I designed coloured stripes of irregular widths and applied them only to the smallest cup. On the inside bottom of the little cup I placed an other orange spot; viewed from above, this is reminiscent of a soft-boiled egg with the top removed. We sold the entire year’s production in the first few weeks. Origo became a best-seller and made ORIGO, 1999 RANGE OF TABLEWARE me very famous in Scandinavia. So famous that I became known as the Paul Smith of the design scene, or the stripe designer. “Our eating habits are changing continuously – just like our day-to-day lives. The Origo idea Made originally for Rörstrand, Origo was included was to create easy, everyday tableware with a in Iittala’s International Catalogue in 2003.