THE SALTWATER TWIN and OTHER MYTHICAL CREATURES by Maia
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JRR Tolkien's Sub-Creations of Evil
Volume 36 Number 1 Article 7 10-15-2017 ‘A Warp of Horror’: J.R.R. Tolkien’s Sub-creations of Evil Richard Angelo Bergen University of British Columbia Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Bergen, Richard Angelo (2017) "‘A Warp of Horror’: J.R.R. Tolkien’s Sub-creations of Evil," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 36 : No. 1 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol36/iss1/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Considers Tolkien’s skilled evocation of evil and the way he manages to hold Augustinian and Manichean conceptions of evil in balance, particularly in his depiction of orcs. Additional Keywords Augustine, St.—Concept of evil; Evil, Nature of, in J.R.R. -
Myth, Fantasy and Fairy-Story in Tolkien's Middle-Earth Buveneswary
MYTH, FANTASY AND FAIRY-STORY IN TOLKIEN’S MIDDLE-EARTH Malaya BUVENESWARY VATHEMURTHYof DEPARTMENT OF ENGLISH FACULTY OF ARTS & SOCIAL SCIENCES UNIVERSITY MALAYA University2016 MYTH, FANTASY AND FAIRY-STORY IN TOLKIEN’S MIDDLE-EARTH BUVENESWARY VATHEMURTHYMalaya of DISSERTATION SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTERS OF ARTS FACULTY OF ARTS AND SOCIAL SCIENCES UNIVERSITY MALAYA KUALA LUMPUR University2016 Abstract This dissertation explores J.R.R. Tolkien’s ideas and beliefs on myth, fantasy and fairy story and their roles in portraying good and evil in his famous works. Indeed, many authors and critics such as Bradley J. Birzer, Patrick Curry, Joseph Pearce, Ursula Le Guin, and Jay Richards have researched Tolkien based on this connection. They have worked on the nature of good and evil in his stories, the relevance of Tolkien in contemporary society, and the importance of myth and fantasy. However, my original contribution would be to examine the pivotal roles of myth, fantasy and fairy story as a combined whole and to demonstrate that they depend on one another to convey truths about good and evil. This research is aimed at showing that Middle-earth evolves from a combination of these three genres. This is made evident by the way Tolkien crafted his lecture On Fairy Stories for a presentation at the AndrewMalaya Lang lecture at the University of St Andrews in 1939. This dissertation then examines Tolkien’s own definitions of myth, fantasy and fairy stories and his extensiveof research on these “old-fashioned” or forgotten genres. He believed they could provide a cure for the moral and human degradation triggered by modernism. -
Applying Anthropology to Fantasy: a Structural Analysis Of
APPLYING ANTHROPOLOGY TO FANTASY: A STRUCTURAL ANALYSIS OF THE LORD OF THE RINGS By Christina C. Estep B.A., University of Mary Washington, 2010 A thesis submitted to the Department of Anthropology College of Arts, Social Sciences, and Humanities The University of West Florida In partial fulfillment of the requirements for the degree of Master of Arts 2014 © 2014 Christina C. Estep The thesis of Christina C. Estep is approved: ____________________________________________ _________________ Margaret W. Huber, Ph.D., Committee Member Date ____________________________________________ _________________ Kristina Killgrove, Ph.D., Committee Member Date ____________________________________________ _________________ John E. Worth, Ph.D., Committee Member Date ____________________________________________ _________________ Robert C. Philen, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ John R. Bratten, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean, Graduate School Date ACKNOWLEDGMENTS First and foremost, I would like to recognize my thesis committee, Dr. Robert Philen, Dr. Kristina Killgrove, Dr. John Worth, and Dr. Margaret Huber, for taking the time and effort to help me with not only my thesis, but my academic endeavors. Without these individuals, I would not be where I am now or possess the knowledge that I now have. Secondly, I want thank my parents, Bonnie and Carl Estep. Despite their hardships in life, my parents have supported me through every decision I have made, encouraged me to pursue a higher degree, and were always there to cheer me on when times were tough. Finally, I want to acknowledge my husband Brian, who has been my rock during the most stressful of times. -
The Divine Alchemy of J. R. R. Tolkien's the Silmarillion David C
The Divine Alchemy of J. R. R. Tolkien’s The Silmarillion David C. Priester, Jr. Gray, GA B.A., English and Philosophy, Vanderbilt University, 2017 A Thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Master of Arts Department of English University of Virginia May, 2020 Abstract J. R. R. Tolkien’s Silmarillion demonstrates a philosophy of creative imagination that is expressed in argumentative form in Tolkien’s essay “On Fairy Stories.” Fully appreciating the imaginative architecture of Tolkien’s fantastic cosmos requires considering his creative work in literary and theological dimensions simultaneously. Creative writing becomes a kind of spiritual activity through which the mind participates in a spiritual or theological order of reality. Through archetypal patterns Tolkien’s fantasy expresses particular ways of encountering divine presence in the world. The imagination serves as a faculty of spiritual perception. Tolkien’s creative ethic resonates with the theological aesthetics of Hans Urs von Balthasar, a consideration of which helps to illuminate the relationship of theology and imaginative literature in The Silmarillion. Creative endeavors may be seen as analogous to the works of alchemists pursuing the philosopher’s stone through the transfiguration of matter. The Silmarils symbolize the ideal fruits of creative activity and are analogous to the philosopher’s stone. Priester 1 The Divine Alchemy of J. R. R. Tolkien’s The Silmarillion Where shall we begin our study of J. R. R. Tolkien’s Silmarillion? The beginning seems like a very good place to start: “There was Eru, the One, who in Arda is called Ilúvatar; and he made first the Ainur, the Holy Ones, that were the offspring of his thought” (3). -
Treasures of Middle Earth
T M TREASURES OF MIDDLE-EARTH CONTENTS FOREWORD 5.0 CREATORS..............................................................................105 5.1 Eru and the Ainur.............................................................. 105 PART ONE 5.11 The Valar.....................................................................105 1.0 INTRODUCTION........................................................................ 2 5.12 The Maiar....................................................................106 2.0 USING TREASURES OF MIDDLE EARTH............................ 2 5.13 The Istari .....................................................................106 5.2 The Free Peoples ...............................................................107 3.0 GUIDELINES................................................................................ 3 5.21 Dwarves ...................................................................... 107 3.1 Abbreviations........................................................................ 3 5.22 Elves ............................................................................ 109 3.2 Definitions.............................................................................. 3 5.23 Ents .............................................................................. 111 3.3 Converting Statistics ............................................................ 4 5.24 Hobbits........................................................................ 111 3.31 Converting Hits and Bonuses...................................... 4 5.25 -
Christian Elements in Lord of the Rings and Beowulf
Christian Elements in Lord of the Rings and Beowulf Dodig, Vedran Master's thesis / Diplomski rad 2016 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences / Sveučilište Josipa Jurja Strossmayera u Osijeku, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:142:295197 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-25 Repository / Repozitorij: FFOS-repository - Repository of the Faculty of Humanities and Social Sciences Osijek Sveučilište J. J. Strossmayera u Osijeku Filozofski fakultet Diplomski studij engleskog jezika i književnosti i njemačkog jezika i književnosti Vedran Dodig Elementi kršćanstva u Gospodaru Prstenova i Beowulfu Diplomski rad Mentor: doc. dr. sc. Borislav Berić Osijek, 2016. Sveučilište J. J. Strossmayera u Osijeku Filozofski fakultet Odsjek za engleski jezik i književnost Diplomski studij engleskog jezika i književnosti i njemačkog jezika i književnosti Vedran Dodig Elementi kršćanstva u Gospodaru Prstenova i Beowulfu Diplomski rad Znanstveno područje humnističke znanosti, polje filologija, grana anglistika Mentor: doc. dr. sc. Borislav Berić Osijek, 2016. J. J. Strossmayer University of Osijek Faculty of Humanities and Social Sciences MA programme in English Language and Literature and German Language and Literature Vedran Dodig Christian Elements in The Lord of the Rings and Beowulf MA thesis Supervisor: Borislav Berić, docent Osijek, 2016 J. J. Strossmayer University of Osijek Faculty of Humanities and Social Sciences Department of English Language and Literature MA programme in English Language and Literature and German Language and Literature Vedran Dodig Christian Elements in The Lord of the Rings and Beowulf MA thesis Humanities, field of Philology, branch of English Supervisor: Borislav Berić, docent Osijek, 2016 TABLE OF CONTENTS ABSTRACT …………………………………………………………………….……………… 6 INTRODUCTION ………………………………………………………………………..……. -
Southern Comfort
SOUTHERN COMFORT written by Endia D. Jefferson Copyright (c) 2012 scripped.com All Rights Reserved FADE IN: INT. NIGHT OWL BAR - TRIBUNE CO. - NIGHT The bar is a dimly lit and well kept little dive, the town hot spot. Country music is playing on the jukebox. The beautiful and always elegant MRS. SUZANNA MAE (25), sits alone at a table nursing a martini. She fans herself from the intense summer heat. Annoyed by the lack of attention being paid to her, Mrs. Mae sashays onto the dance floor and dances alone. She draws the eye of the young and ruggedly handsome ROWDY GOODWRENCH (21), a blue jeans, white t-shirt and cowboy boots kind of guy. They exchange flirtatious glances. Rowdy finishes his beer and joins Mrs. Mae on the dance floor. They share a long seductive dance. The patrons look on discreetly. Rowdy dips Mrs. Mae just as her husband, the stoic and reserved REVEREND RAY JAMES (40), walks up. MRS. MAE Hey sugar. Rowdy brings her back up, their arms still wrapped around one another. MRS. MAE (CONT'D) Whew! That martini went straight to my head. Honey, this is my new friend... ROWDY Rowdy, Rowdy Goodwrench. MRS. MAE Nice to meet you, Rowdy. This is the Reverend Ray James, my husband. Surprised, Rowdy slides his hand from around Mrs. Mae's waist. He tips his hat to the Reverend. ROWDY Reverend. MRS. MAE He's the Reverend at the Baptist Church on Old Mill Road. Do you go to church, Rowdy? 2. ROWDY No ma'am. Me and the Lord don't have much in common these days. -
Who Is Tom Bombadil?
Volume 13 Number 1 Article 3 10-15-1986 Who is Tom Bombadil? Gene Hargrove Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Hargrove, Gene (1986) "Who is Tom Bombadil?," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 13 : No. 1 , Article 3. Available at: https://dc.swosu.edu/mythlore/vol13/iss1/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico • Postponed to: July 30 – August 2, 2021 Abstract Believes that Tolkien knew the nature of Tom Bombadil, but purposely left it enigmatic in The Lord of the Rings. Examines clues left for the reader and concludes that Tom Bombadil is a Vala, specifically ulë,A and Goldberry is therefore Yavanna. Additional Keywords Tolkien, J.R.R.—Characters—Aulë; Tolkien, J.R.R.—Characters—Goldberry; Tolkien, J.R.R.—Characters—Tom Bombadil; Tolkien, J.R.R.—Characters—Yavanna; Sarah Beach This article is available in Mythlore: A Journal of J.R.R. -
Middle-Earth's War on Terror: a Post-9/11 Reception Study on the Works of J.R.R
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 5-2014 Middle-earth's War on Terror: a Post-9/11 Reception Study on the Works of J.R.R. Tolkien James William Peebles University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the American Studies Commons, Cognition and Perception Commons, and the Literature in English, British Isles Commons Recommended Citation Peebles, James William, "Middle-earth's War on Terror: a Post-9/11 Reception Study on the Works of J.R.R. Tolkien" (2014). Theses and Dissertations. 2353. http://scholarworks.uark.edu/etd/2353 This Thesis is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Middle-earth’s War on Terror: A Post-911 Reception Study on the Works of J.R.R. Tolkien Middle-earth’s War on Terror: A Post-911 Reception Study on the Works of J.R.R. Tolkien A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English by James William Peebles Jr. Ouachita Baptist University Bachelor of Arts in English, 2009 May 2014 University of Arkansas This thesis is approved for recommendation to the Graduate Council. Dr. Joshua Byron Smith Thesis Director Dr. Emily Bernhard Jackson Dr. M. Keith Booker Committee Member Committee Member ABSTRACT The goal of this thesis is to investigate the works of J.R.R. -
The Medieval Cardinal Virtues in Tolkien's the Hobbit
The Medieval Cardinal Virtues in Tolkien’s The Hobbit BA Thesis Anne Sieberichs Student Number: 1271233 Online Culture: Art, Media and Society / Global Communication / Digital Media Department of Culture Studies School of Humanities and Digital Sciences Date: July 2020 Supervisor: Dr. Inge van der Ven Second Reader: Dr. Sander Bax ‘There is a lot more in him than you guess, and a deal more than he has any idea of himself.’1 1 J.R.R Tolkien, The Hobbit, or There and Back Again (United Kingdom: HarperCollinsPublishers, 2011), 19. 2 Table of contents 1.0 Introduction……………………………………………………………………………………. 4 1.1 Method………………………………………………………………………………… 5 1.2 Previous Research on Tolkien………………………………………………………….7 1.3 Tolkien’s Opus and The Hobbit………………………………………………………. 8 2.0 A Short History of Cardinal Virtues in the Middle Ages………………………………………9 3.0 Medieval Cardinal Virtues in Tolkien’s opus………………………………………………….11 3.1 Christianity and Tolkien……………………………………………………………….11 3.2 Prudence: ‘For even the very wise cannot see all ends.’2……………………………...12 3.2.1 Gandalf the prudent in The Hobbit………………………………………….15 3.3 Justice: ‘There is more in you of good than you know, child of the kindly West.’ 3….17 3.3.1 the case of Justice through the Arkenstone in The Hobbit………………….18 3.4 Fortitude: ‘But I expect they had lots of chances, like us, of turning back, only they didn’t.’4…………………………………………………………………………………….21 3.4.1. Fortitude: A case study of Bilbo’s Fortitude in The Hobbit………………… 24 3.5 Temperance: ‘If more of us valued food and cheer and song above hoarded gold, it would be a merrier world.’5………………………………………………………………. -
The Hobbit and Tolkien's Mythology Ed. Bradford Lee Eden
Volume 37 Number 1 Article 23 10-15-2018 The Hobbit and Tolkien's Mythology Ed. Bradford Lee Eden David L. Emerson Independent Scholar Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Emerson, David L. (2018) "The Hobbit and Tolkien's Mythology Ed. Bradford Lee Eden," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 37 : No. 1 , Article 23. Available at: https://dc.swosu.edu/mythlore/vol37/iss1/23 This Book Reviews is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Additional Keywords Hobbit; Lord of the Rings This book reviews is available in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: https://dc.swosu.edu/mythlore/vol37/iss1/23 Reviews moves on to the other element of his cross-disciplinary equation and provides a short history of modern fantasy and theories about the genre; much of this will already be familiar to most readers of Mythlore, at least. -
Music by Bilingual Singers
St. Cloud State University theRepository at St. Cloud State Culminating Projects in TESL Department of English 12-2020 Let's Dance Hasta el Amanecer: The Functions of Code-switching in Hispanic 'Spanglish' Music by Bilingual Singers Emilia Espinal Follow this and additional works at: https://repository.stcloudstate.edu/tesl_etds Recommended Citation Espinal, Emilia, "Let's Dance Hasta el Amanecer: The Functions of Code-switching in Hispanic 'Spanglish' Music by Bilingual Singers" (2020). Culminating Projects in TESL. 34. https://repository.stcloudstate.edu/tesl_etds/34 This Thesis is brought to you for free and open access by the Department of English at theRepository at St. Cloud State. It has been accepted for inclusion in Culminating Projects in TESL by an authorized administrator of theRepository at St. Cloud State. For more information, please contact [email protected]. Let’s Dance Hasta el Amanecer: The Functions of Code-Switching in Hispanic ‘Spanglish’ Music by Bilingual Singer by Emilia Rafaela Espinal Jones A Thesis Submitted to the Graduate Faculty of St. Cloud State University in Partial Fulfillment of the Requirements for the Degree Master of Arts in English: Teaching English as a Second Language December, 2020 Thesis Committee: Edward Sadrai, Chairperson John Madden Matthew Barton 2 Abstract This study examines the role code-switching plays in the creation of song lyrics by Hispanic Bilingual artists that feature more than one language. It points out what functions the switches fulfill and what patterns they produce. Furthermore, it also investigates whether these patterns are affected based on the matrix language of the song. The data collected comes from a variety of songs from different genres that fall under the musical term ‘Latin Music’.