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JRR Tolkien's Sub-Creations of Evil
Volume 36 Number 1 Article 7 10-15-2017 ‘A Warp of Horror’: J.R.R. Tolkien’s Sub-creations of Evil Richard Angelo Bergen University of British Columbia Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Bergen, Richard Angelo (2017) "‘A Warp of Horror’: J.R.R. Tolkien’s Sub-creations of Evil," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 36 : No. 1 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol36/iss1/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Considers Tolkien’s skilled evocation of evil and the way he manages to hold Augustinian and Manichean conceptions of evil in balance, particularly in his depiction of orcs. Additional Keywords Augustine, St.—Concept of evil; Evil, Nature of, in J.R.R. -
Tolkien Encyclopedia
Tolkien Encyclopedia The Accursed • Oromë • Uldor Algund Adanedhel • A member of the Guar-waith. • Túrin Almarian Adurant • The daughter of Vëantur, husband of • A tributary of Gelion. Meneldur, and mother of Anardil, Ailinel, and Almiel. Aegnor • Elvish son of Finarfin. Almiel • Called: Egnor • A daughter of Meneldur and Almarian. Aelin-uial Alqualondë • The Twilight Meres • The mansions of Olwë in Aman. • Called: The Haven of Swans. Aerandir • A mariner who sailed with Eärendil to Aman Aman. • Home of the Valar. Across the Outer Sea from Arda Aerin • Called: The Land of Aman, the Blessed • A relative of Húrin. The wife of Brodda, an Realm, the Guarded Realm Easterling. The daughter of Indor. Amlach The After-born • The son of Imlach. • Men Amon Ereb The Aftercomers • A hill in Ossiriand where Denethor died • Men during the First Battle of the Wars of Beleriand. Agarwaen • Túrin Amon Ethir • A hill raised by Finrod in front of Aglon Nargothrond. • Himlad • Called: The Spyhill Ailinel Amon Gwareth • A daughter of Meneldur and Almarian, the • A mountain in Tumladen. wife of Orchaldor, and mother of Soronto. Amon Obel Ainairos • A mountain in Brethil. • An Elf of Alqualondë who stirred up the Valar against Melkor. Amon Rûdh • Mîm’s home in the west of Doriath. The Ainu of Evil • Called: Sharbhund, the Bald Hill, Bar-en- • Melkor Danwedh, the House of Ransom, Echad i Sedryn, Camp of the Faithful Alcarinquë and Elemmírë • Stars Amras • Elvish son of Fëanor. Aldarion • Anardil Amrod • Elvish son of Fëanor. Aldaron Tolkien Encyclopedia Anadûnê Anduin the Great • Andor • A river in Arda Anardil Andúnië • The son of Meneldur and Almarian. -
Tolkien's Women: the Medieval Modern in the Lord of the Rings
Tolkien’s Women: The Medieval Modern in The Lord of the Rings Jon Michael Darga Tolkien’s Women: The Medieval Modern in The Lord of the Rings by Jon Michael Darga A thesis presented for the B.A. degree with Honors in The Department of English University of Michigan Winter 2014 © 2014 Jon Michael Darga For my cohort, for the support and for the laughter Acknowledgements My thanks go, first and foremost, to my advisor Andrea Zemgulys. She took a risk agreeing to work with a student she had never met on a book she had no academic experience in, and in doing so she gave me the opportunity of my undergraduate career. Andrea knew exactly when to provide her input and when it was best to prod and encourage me and then step out of the way; yet she was always there if I needed her, and every book that she recommended opened up a significant new argument that changed my thesis for the better. The independence and guidance she gave me has resulted in a project I am so, so proud of, and so grateful to her for. I feel so lucky to have had an advisor who could make me laugh while telling me how badly my thesis needed work, who didn’t judge me when I came to her sleep-deprived or couldn’t express myself, and who shared my passion through her willingness to join and guide me on this ride. Her constant encouragement kept me going. I also owe a distinct debt of gratitude to Gillian White, who led my cohort during the fall semester. -
Myth, Fantasy and Fairy-Story in Tolkien's Middle-Earth Buveneswary
MYTH, FANTASY AND FAIRY-STORY IN TOLKIEN’S MIDDLE-EARTH Malaya BUVENESWARY VATHEMURTHYof DEPARTMENT OF ENGLISH FACULTY OF ARTS & SOCIAL SCIENCES UNIVERSITY MALAYA University2016 MYTH, FANTASY AND FAIRY-STORY IN TOLKIEN’S MIDDLE-EARTH BUVENESWARY VATHEMURTHYMalaya of DISSERTATION SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTERS OF ARTS FACULTY OF ARTS AND SOCIAL SCIENCES UNIVERSITY MALAYA KUALA LUMPUR University2016 Abstract This dissertation explores J.R.R. Tolkien’s ideas and beliefs on myth, fantasy and fairy story and their roles in portraying good and evil in his famous works. Indeed, many authors and critics such as Bradley J. Birzer, Patrick Curry, Joseph Pearce, Ursula Le Guin, and Jay Richards have researched Tolkien based on this connection. They have worked on the nature of good and evil in his stories, the relevance of Tolkien in contemporary society, and the importance of myth and fantasy. However, my original contribution would be to examine the pivotal roles of myth, fantasy and fairy story as a combined whole and to demonstrate that they depend on one another to convey truths about good and evil. This research is aimed at showing that Middle-earth evolves from a combination of these three genres. This is made evident by the way Tolkien crafted his lecture On Fairy Stories for a presentation at the AndrewMalaya Lang lecture at the University of St Andrews in 1939. This dissertation then examines Tolkien’s own definitions of myth, fantasy and fairy stories and his extensiveof research on these “old-fashioned” or forgotten genres. He believed they could provide a cure for the moral and human degradation triggered by modernism. -
Applying Anthropology to Fantasy: a Structural Analysis Of
APPLYING ANTHROPOLOGY TO FANTASY: A STRUCTURAL ANALYSIS OF THE LORD OF THE RINGS By Christina C. Estep B.A., University of Mary Washington, 2010 A thesis submitted to the Department of Anthropology College of Arts, Social Sciences, and Humanities The University of West Florida In partial fulfillment of the requirements for the degree of Master of Arts 2014 © 2014 Christina C. Estep The thesis of Christina C. Estep is approved: ____________________________________________ _________________ Margaret W. Huber, Ph.D., Committee Member Date ____________________________________________ _________________ Kristina Killgrove, Ph.D., Committee Member Date ____________________________________________ _________________ John E. Worth, Ph.D., Committee Member Date ____________________________________________ _________________ Robert C. Philen, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ John R. Bratten, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean, Graduate School Date ACKNOWLEDGMENTS First and foremost, I would like to recognize my thesis committee, Dr. Robert Philen, Dr. Kristina Killgrove, Dr. John Worth, and Dr. Margaret Huber, for taking the time and effort to help me with not only my thesis, but my academic endeavors. Without these individuals, I would not be where I am now or possess the knowledge that I now have. Secondly, I want thank my parents, Bonnie and Carl Estep. Despite their hardships in life, my parents have supported me through every decision I have made, encouraged me to pursue a higher degree, and were always there to cheer me on when times were tough. Finally, I want to acknowledge my husband Brian, who has been my rock during the most stressful of times. -
Dagor Buzzollach: J. R. R. Tolkien Questions for the 2020 Internet Charity Tournament by Stephen Eltinge
Dagor Buzzollach: J. R. R. Tolkien questions for the 2020 Internet Charity Tournament By Stephen Eltinge Note to moderators: I tried to provide pronunciation guides for difficult non-English words, which you should use if you feel comfortable with them. If not, a phonetic English pronunciation will get the idea across. In non-English words, you should trill the letter ‘r’ if you can. Moderators, please read the following notes to your players: Notes to players: 1. Throughout this packet, the word “person” could indicate any type of humanoid character, including but not limited to humans, Elves, Dwarves, Hobbits, Ainur, and Orcs. The words “man” and “woman” are used specifically for humans. 2. For the sake of consistency, this packet uses the past tense wherever possible, at odds with standard practice for describing fictional plots. The use of the past tense does not imply a particular time relation to either The Lord of the Rings or any other source. 1. Ithildin was used to mark the star of the House of Fëanor [FEH-ah-nor] on one of these features, which bore an inscription crediting it to Narvi. That example of these features was unaffected by the phrase “Annon edhellen, edro hi ammen.” According to a passage in moon-letters, one of these features was revealed by the setting sun on the last light of Durin’s Day; that one was described as “five feet high and three may walk abreast.” Gandalf was exasperated by one of these features outside Moria until he realized that its password was Mellon, the Sindarin word for “friend.” For 10 points, Bag End’s example of what type of house feature is green and perfectly round, with a brass knob in the center? ANSWER: doors [accept the Doors of Durin or West-door of Moria or Elven Door or Back Door; prompt on gates; prompt on entrances] 2. -
The Divine Alchemy of J. R. R. Tolkien's the Silmarillion David C
The Divine Alchemy of J. R. R. Tolkien’s The Silmarillion David C. Priester, Jr. Gray, GA B.A., English and Philosophy, Vanderbilt University, 2017 A Thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Master of Arts Department of English University of Virginia May, 2020 Abstract J. R. R. Tolkien’s Silmarillion demonstrates a philosophy of creative imagination that is expressed in argumentative form in Tolkien’s essay “On Fairy Stories.” Fully appreciating the imaginative architecture of Tolkien’s fantastic cosmos requires considering his creative work in literary and theological dimensions simultaneously. Creative writing becomes a kind of spiritual activity through which the mind participates in a spiritual or theological order of reality. Through archetypal patterns Tolkien’s fantasy expresses particular ways of encountering divine presence in the world. The imagination serves as a faculty of spiritual perception. Tolkien’s creative ethic resonates with the theological aesthetics of Hans Urs von Balthasar, a consideration of which helps to illuminate the relationship of theology and imaginative literature in The Silmarillion. Creative endeavors may be seen as analogous to the works of alchemists pursuing the philosopher’s stone through the transfiguration of matter. The Silmarils symbolize the ideal fruits of creative activity and are analogous to the philosopher’s stone. Priester 1 The Divine Alchemy of J. R. R. Tolkien’s The Silmarillion Where shall we begin our study of J. R. R. Tolkien’s Silmarillion? The beginning seems like a very good place to start: “There was Eru, the One, who in Arda is called Ilúvatar; and he made first the Ainur, the Holy Ones, that were the offspring of his thought” (3). -
Treasures of Middle Earth
T M TREASURES OF MIDDLE-EARTH CONTENTS FOREWORD 5.0 CREATORS..............................................................................105 5.1 Eru and the Ainur.............................................................. 105 PART ONE 5.11 The Valar.....................................................................105 1.0 INTRODUCTION........................................................................ 2 5.12 The Maiar....................................................................106 2.0 USING TREASURES OF MIDDLE EARTH............................ 2 5.13 The Istari .....................................................................106 5.2 The Free Peoples ...............................................................107 3.0 GUIDELINES................................................................................ 3 5.21 Dwarves ...................................................................... 107 3.1 Abbreviations........................................................................ 3 5.22 Elves ............................................................................ 109 3.2 Definitions.............................................................................. 3 5.23 Ents .............................................................................. 111 3.3 Converting Statistics ............................................................ 4 5.24 Hobbits........................................................................ 111 3.31 Converting Hits and Bonuses...................................... 4 5.25 -
Fire and Ice: the Traditional Heroine in <I>The Silmarillion</I>
Volume 18 Number 1 Article 7 Fall 10-15-1991 Fire and Ice: The Traditional Heroine in The Silmarillion Sarah Beach Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Beach, Sarah (1991) "Fire and Ice: The Traditional Heroine in The Silmarillion," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 18 : No. 1 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol18/iss1/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Defines the Light and Dark heroine, each of which may have a positive or negative aspect. Sees Finduilas and Nienor Níniel as negative, non-active, acted upon; Lúthien and Idril participate “in the course of their heroes’ actions.” Additional Keywords Fair and dark ladies; Heroines; Tolkien, J.R.R.—Characters—Finduilas; Tolkien, J.R.R.—Characters—Idril; Tolkien, J.R.R.—Characters—Lúthien Tinúviel; Tolkien, J.R.R.—Characters—Niënor/Níniel; Tolkien, J.R.R. -
THE SALTWATER TWIN and OTHER MYTHICAL CREATURES by Maia
THE SALTWATER TWIN AND OTHER MYTHICAL CREATURES by Maia Morgan A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing Rutgers University – Newark MFA Program Written under the direction of Jayne Anne Phillips And approved by Jayne Anne Phillips _________________________________________ _________________________________________ Newark, New Jersey May 2018 2018 Maia Morgan ALL RIGHTS RESERVED TABLE OF CONTENTS Saltwater…….…………………………………………………………………….............2 And Now, the Octopus…………………………………………………….……………..12 The Snake House..……………………………………………………………………….26 The Twin…………………………………………………………………………………36 Tutankhamun………………………………………………………………………...…..45 Wild Kingdom…………………………………………...………………………………50 The Dark……………………………………………………………………………...….57 Girls Reform School……………………………………………………………………..61 Ordinary People……………………………………………………………...…………..79 ii The cure for anything is salt water—sweat, tears, or the sea. Isak Dinesen iii 1 Saltwater One of the things I loved about the ocean was being able to hold my mother in my arms. Like I was grown and my mother was a baby or a bride. I would badger her to put her book down on her towel and take a dip. Together we would walk past the little waves toward the horizon, our bodies growing buoyant and more buoyant still. My sisters Molly and Sam dove and surfaced, seal-like, now beside us, now in front, shouting watch me mom watch me. When my mother could lift her feet and float but I could still touch, she would circle her arms around my neck and hook her knees over my outstretched arm. I’d wrap my other arm around her back and grip her side. Menemsha Pond was still. -
Christian Elements in Lord of the Rings and Beowulf
Christian Elements in Lord of the Rings and Beowulf Dodig, Vedran Master's thesis / Diplomski rad 2016 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences / Sveučilište Josipa Jurja Strossmayera u Osijeku, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:142:295197 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-25 Repository / Repozitorij: FFOS-repository - Repository of the Faculty of Humanities and Social Sciences Osijek Sveučilište J. J. Strossmayera u Osijeku Filozofski fakultet Diplomski studij engleskog jezika i književnosti i njemačkog jezika i književnosti Vedran Dodig Elementi kršćanstva u Gospodaru Prstenova i Beowulfu Diplomski rad Mentor: doc. dr. sc. Borislav Berić Osijek, 2016. Sveučilište J. J. Strossmayera u Osijeku Filozofski fakultet Odsjek za engleski jezik i književnost Diplomski studij engleskog jezika i književnosti i njemačkog jezika i književnosti Vedran Dodig Elementi kršćanstva u Gospodaru Prstenova i Beowulfu Diplomski rad Znanstveno područje humnističke znanosti, polje filologija, grana anglistika Mentor: doc. dr. sc. Borislav Berić Osijek, 2016. J. J. Strossmayer University of Osijek Faculty of Humanities and Social Sciences MA programme in English Language and Literature and German Language and Literature Vedran Dodig Christian Elements in The Lord of the Rings and Beowulf MA thesis Supervisor: Borislav Berić, docent Osijek, 2016 J. J. Strossmayer University of Osijek Faculty of Humanities and Social Sciences Department of English Language and Literature MA programme in English Language and Literature and German Language and Literature Vedran Dodig Christian Elements in The Lord of the Rings and Beowulf MA thesis Humanities, field of Philology, branch of English Supervisor: Borislav Berić, docent Osijek, 2016 TABLE OF CONTENTS ABSTRACT …………………………………………………………………….……………… 6 INTRODUCTION ………………………………………………………………………..……. -
Tolkien Encyclopedia
Tolkien Encyclopedia The Accursed • Called: The Hornburg, Glæmscrafu • Uldor (Rohirrim) Adanedhel Aglon • Túrin • Himlad Adorn Akallabêth the Downfallen • A river in the Enedwaith near the fortress of • Andor Freca. Ailinel Adrahil • A daughter of Meneldur and Almarian, the • (Númenórean) Ondoher’s Captain of the wife of Orchaldor, and mother of Soronto. Left Wing Ainairos Adûnaic • An Elf of Alqualondë who stirred up the • The language of the King’s Men in Andor. Valar against Melkor. Adurant The Ainu of Evil • A tributary of Gelion. • Melkor Aeglos Aiwendil • The spear of Gil-galad. • An Istari sent by Yavanna. • Called: Radagast Aegnor • Elvish son of Finarfin. Alatar • Called: Egnor • An Istari sent by Oromë. Aelin-uial Alcarin • The Twilight Meres • Atanatar II Aerandir Alcarinquë and Elemmírë • A mariner who sailed with Eärendil to • Stars Aman. Alcarondas Aerin • Pharazôn’s mighty ship. • A relative of Húrin. The wife of Brodda, an • Called: Castle of the Sea Easterling. The daughter of Indor. Aldamir The After-born • (Eldarin) A son of Eldacar and father of • Men Hyarmendacil II. A king of Gondor. The Aftercomers Aldarion • Men • Anardil Agarwaen Aldaron • Túrin • Oromë Aghan Adelard Took • A Drûg leech and friend of Barach. • A hobbit friend of Bilbo. Aglarond Aldor • A fortress watching the Gap of • (Rohirrim) A son of Brego and father of Calenardhon. Fréa. A king of the Rohirrim who drove out the Dunlendings. Tolkien Encyclopedia Algund Amon Gwareth • A member of the Guar-waith. • (Sindarin) A mountain in Tumladen. Almarian Amon Obel • The daughter of Vëantur, husband of • (Sindarin) A mountain in Brethil. Meneldur, and mother of Anardil, Ailinel, and Almiel.