Renaissance and Reformation, 1350

Total Page:16

File Type:pdf, Size:1020Kb

Renaissance and Reformation, 1350 Planning Guide UNIT PACING CHART Unit 2 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Unit 2 Day 1 Unit Opener Chapter Chapter Chapter Chapter Chapter Chapter Chapter Time Notebook, Opener, Opener, Opener, Opener, Opener, Opener, Opener, Unit Assessment Section 1 Section 1 Section 1 Section 1 Section 1 Section 1 Section 1 Day 2 Section 1, Section 1, Section 2, Geography Section 1, Section 1, Section 1, Social Section 2 Section 3 & History, Section 2 Section 2 Social History, Section 2 History Section 2 Day 3 Section 2, Social Section 3, Social Section 3, Section 2, Section 2, Section 3 History, Social History, Social Section 3 Analyzing Section 3, History Section 3, History Primary Visual Visual Sources Summary Summary Day 4 Section 4, Chapter Section 4, Chapter Section 4, Section 3, Section 3, Visual Assessment Visual Assessment Visual Social Visual Summary Summary Summary History Summary Day 5 Chapter Chapter Chapter Section 4, Chapter Assessment Assessment Assessment Visual Assessment Summary Day 6 Chapter Assessment Le Grand Salon de l’Enlightenment Students lose a point every time they interrupt, Students will reenact an Enlightenment salon make an irrelevant comment, attack someone in 18th-century France by role playing a phi- personally, or monopolize the conversation. losophe. Have students write a summary of After the discussion, have students evaluate it the philosophe’s contributions, locate primary and answer the following questions in writing. source evidence that support the philosophe’s • What would you have liked to discuss, contributions, and write three questions to Deborah McDevitt but weren’t able to speak up on? stimulate class discussion. Then arrange stu- Belmont High dents in a circle; have them ask and answer • What could you have done to improve School your performance? Belmont, questions in character. Massachusetts Students earn a possible 3 points each time • Do you have any lingering questions? they contribute relevant information and • How could the graded discussion be analysis (including asking a new question). improved? 158A 3394A-395_UO3_888966.indd94A-395_UO3_888966.indd 394A394A 110/27/080/27/08 111:47:521:47:52 AAMM Modern Times Introducing Author Note Dear World History Teacher, You may want to use the following information at the beginning of each chapter as a lesson launcher to help students focus on what they will be studying. Beginning in the late fifteenth century, a new force entered the world scene—a revived Europe. The Early Modern World was marked in Europe by an explosion of scientific knowledge. At the same time, Europeans engaged in a period of state building, which led to the creation of independent monarchies in west- ern and central Europe and framed the basis for a new European state system. The rise of Early Modern Europe had an immediate as well as a long-term impact on the rest of the world. The first stage began with the voyages of exploration that led Europeans into new areas of the world. European expansion was by no means universally beneficial to those involved. The subjugation of the Americas by the Spanish and the Portuguese led to the destruction of sophisticated civilizations, which had heretofore been isolated from the rest of the world. The expansion of the African slave trade brought untold hardship to mil- lions of victims and reduced the population in certain areas of Africa. Nevertheless, most of Africa still remained outside European control. European influence was not yet very important in other parts of the world. Two great new Islamic empires, the Ottomans in Turkey and the S. afavids in Persia, arose in the Middle East, while a third—the Mogul Empire—unified the subcontinent of India for the first time in nearly two thousand years. Least affected by the European expansion were the societies of East Asia—China and Japan. In fact China remained, in the eyes of many, the most sophisticated civilization in the world. Its achievements were imitated by its neighbors and admired by philosophers in Europe. Senior Author 158B 3394A-395_UO3_888966.indd94A-395_UO3_888966.indd 394B394B 110/27/080/27/08 111:48:181:48:18 AAMM Modern Times Introducing Focus Why It Matters The Early Point out that the political and social revolutions that occurred Modern during this period had a profound effect on the world and continue World 1350–1815 to influence our lives today. Have students leaf through the unit, Why It Matters viewing the illustrations and read- ing heads and captions. Ask: In The modern world began during this period. Asian empires and European countries what ways are our lives today expanded their influence through explora- influenced by the Italian Renais- tion, which led to colonialism, trade, and sance, the Reformation, the conflict. By the eighteenth century, political opening of European trade and social revolutions resulted in new routes, and the various political democratic nations. revolutions that took place? CHAPTER 5 RENAISSANCE AND REFORMATION (Briefly discuss these events, and 1350–1600 lead students to recognize modern CHAPTER 6 THE AGE OF EXPLORATION ramifications: humanism, individual 1500–1800 ability, art treasures; proliferation of CHAPTER 7 CRISIS AND ABSOLUTISM IN EUROPE religious denominations; founda- 1550–1715 tion for global trade; introduction of CHAPTER 8 THE MUSLIM EMPIRES the idea of government by the 1450–1800 people.) CHAPTER 9 THE EAST ASIAN WORLD 1400–1800 Unit Launch CHAPTER 10 REVOLUTION AND ENLIGHTENMENT Activity 1550–1800 CHAPTER 11 THE FRENCH REVOLUTION AND NAPOLEON Explain that in this unit students 1789–1815 will learn about the emergence of powerful European nation-states and the creation of large empires in Asia. Discuss how both wealth The. Blue Mosque dominates the skyline of old and military power contribute to Istanbul, which is located strategically on the the rise of powerful nations. OL peninsula where Europe and Asia meet. 0394_0395_U03_UO_879981.indd 394 Team Teaching Activity 8/22/08 8:41:43 AM 0394_0395_U03_UO_879981.indd 395 8/22/08 8:41:51 AM Literature The period covered in this unit The Canterbury Tales, to understand late medi- gave rise to famous and influential pieces of eval life in England; one of Shakespeare’s his- literature, whose themes reflect the culture, tories or tragedies, to understand perceptions values, and political concerns of their periods. of English politics and the monarchy; A Tale These works also transcend their cultures and of Two Cities, to understand the French Revo- convey universal themes. Work with an English lution; Les Misérables, to understand social teacher in your school to coordinate the study problems of eighteenth-century France; and of a major piece of literature from this period. Frankenstein, to understand concerns about the Consider one of the following possibilities: Enlightenment. 158 3394A-395_UO3_888966.indd94A-395_UO3_888966.indd 394394 110/27/080/27/08 111:48:531:48:53 AAMM Modern Times Introducing Teach S Skill Practice Constructing a Time Line Create a time line to chart the major people and events in this unit. As you teach each chapter, encourage students to suggest entries for the time line. Students can make their own copies of the time line, perhaps in journal form on successive pages, and add to it as they proceed through the unit. They can use the information to help them prepare for the chapter assessments. OL Reading a Time Line Direct attention to the time lines that appear on each chapter opener. Point out that the periods covered in these time lines overlap. As stu- dents study each chapter, make sure they understand where indi- vidual events fall and what else was happening at the time. BL Teaching Tip Read aloud a sentence from the text that has a challenging vocabu- lary word. Model for stu- dents how to use context to determine the meaning of 159 the word. Demonstrate how to use the other words in the sentence as well as the sur- 0394_0395_U03_UO_879981.indd 394 8/22/08 8:41:43 AM 0394_0395_U03_UO_879981.indd 395 More About the Photo 8/22/08 8:41:51 AM rounding sentences to determine the meaning of Visual Literacy The mosque pictured here overshadow the architecture at Mecca. After it an unknown word. was built by Sultan Ahmet I between 1609 was built, a seventh minaret was added to the and 1617 and is regarded as one of the finest mosque at Mecca. The Blue Mosque received examples of Ottoman architecture. It is the only its name because of the blue ceramic tiles mosque in İstanbul that has six minarets, or featuring traditional Ottoman floral designs prayer towers. Mosques traditionally have four, that decorate its interior. It also features strik- and at the time, only the mosque at Mecca had ing stained glass windows, vaulted domes and six. The grand scale of the Blue Mosque cre- semi-domes painted with arabesque designs, ated a scandal, offending devout Muslims who and an attached courtyard equal in size to the believed it showed disrespect in attempting to mosque itself. 159 3394A-395_UO3_888966.indd94A-395_UO3_888966.indd 395395 110/27/080/27/08 111:49:201:49:20 AAMM Modern Times Planning Guide Key to Ability Levels Key to Teaching Resources BL Below Level AL Above Level Print Material Transparency OL On Level ELL English Language Learners CD-ROM or DVD Levels Chapter Section Section Section Section Chapter BL OL AL ELL Resources Opener 1 2 3 4 Assess FOCUS BL OL AL ELL Daily Focus Skills Transparencies 5-1 5-2 5-3 5-4 TEACH BL OL ELL Reading Skills Activity, URB p. 19 OL AL Historical Analysis Skills Activity, URB p. 20 BL OL AL ELL Differentiated Instruction Activity, URB p. 21 OL ELL English Learner Activity, URB p.
Recommended publications
  • English Renaissance
    1 ENGLISH RENAISSANCE Unit Structure: 1.0 Objectives 1.1 The Historical Overview 1.2 The Elizabethan and Jacobean Ages 1.2.1 Political Peace and Stability 1.2.2 Social Development 1.2.3 Religious Tolerance 1.2.4 Sense and Feeling of Patriotism 1.2.5 Discovery, Exploration and Expansion 1.2.6 Influence of Foreign Fashions 1.2.7 Contradictions and Set of Oppositions 1.3 The Literary Tendencies of the Age 1.3.1 Foreign Influences 1.3.2 Influence of Reformation 1.3.3 Ardent Spirit of Adventure 1.3.4 Abundance of Output 1.4 Elizabethan Poetry 1.4.1 Love Poetry 1.4.2 Patriotic Poetry 1.4.3 Philosophical Poetry 1.4.4 Satirical Poetry 1.4.5 Poets of the Age 1.4.6 Songs and Lyrics in Elizabethan Poetry 1.4.7 Elizabethan Sonnets and Sonneteers 1.5 Elizabethan Prose 1.5.1 Prose in Early Renaissance 1.5.2 The Essay 1.5.3 Character Writers 1.5.4 Religious Prose 1.5.5 Prose Romances 2 1.6 Elizabethan Drama 1.6.1 The University Wits 1.6.2 Dramatic Activity of Shakespeare 1.6.3 Other Playwrights 1.7. Let‘s Sum up 1.8 Important Questions 1.0. OBJECTIVES This unit will make the students aware with: The historical and socio-political knowledge of Elizabethan and Jacobean Ages. Features of the ages. Literary tendencies, literary contributions to the different of genres like poetry, prose and drama. The important writers are introduced with their major works. With this knowledge the students will be able to locate the particular works in the tradition of literature, and again they will study the prescribed texts in the historical background.
    [Show full text]
  • 15Th-17Th Century) Essays on the Spread of Humanistic and Renaissance Literary (15Th-17Th Century) Edited by Giovanna Siedina
    45 BIBLIOTECA DI STUDI SLAVISTICI Giovanna Siedina Giovanna Essays on the Spread of Humanistic and Renaissance Literary Civilization in the Slavic World Civilization in the Slavic World (15th-17th Century) Civilization in the Slavic World of Humanistic and Renaissance Literary Essays on the Spread (15th-17th Century) edited by Giovanna Siedina FUP FIRENZE PRESUNIVERSITYS BIBLIOTECA DI STUDI SLAVISTICI ISSN 2612-7687 (PRINT) - ISSN 2612-7679 (ONLINE) – 45 – BIBLIOTECA DI STUDI SLAVISTICI Editor-in-Chief Laura Salmon, University of Genoa, Italy Associate editor Maria Bidovec, University of Naples L’Orientale, Italy Scientific Board Rosanna Benacchio, University of Padua, Italy Maria Cristina Bragone, University of Pavia, Italy Claudia Olivieri, University of Catania, Italy Francesca Romoli, University of Pisa, Italy Laura Rossi, University of Milan, Italy Marco Sabbatini, University of Pisa, Italy International Scientific Board Giovanna Brogi Bercoff, University of Milan, Italy Maria Giovanna Di Salvo, University of Milan, Italy Alexander Etkind, European University Institute, Italy Lazar Fleishman, Stanford University, United States Marcello Garzaniti, University of Florence, Italy Harvey Goldblatt, Yale University, United States Mark Lipoveckij, University of Colorado-Boulder , United States Jordan Ljuckanov, Bulgarian Academy of Sciences, Bulgaria Roland Marti, Saarland University, Germany Michael Moser, University of Vienna, Austria Ivo Pospíšil, Masaryk University, Czech Republic Editorial Board Giuseppe Dell’Agata, University of Pisa, Italy Essays on the Spread of Humanistic and Renaissance Literary Civilization in the Slavic World (15th-17th Century) edited by Giovanna Siedina FIRENZE UNIVERSITY PRESS 2020 Essays on the Spread of Humanistic and Renaissance Literary Civilization in the Slavic World (15th- 17th Century) / edited by Giovanna Siedina. – Firenze : Firenze University Press, 2020.
    [Show full text]
  • European Literature: Renaissance and Reformation
    Grade 12 ► Unit 2 European Literature: Renaissance and Reformation This six-week unit introduces students to the literature of the Renaissance and Reformation, exploring its continuity with and departure from the literature of the Middle Ages. OVERVIEW o Students consider Renaissance writers’ interest in ancient Greek and Latin literature and myth; their preoccupation with human concerns and life on earth; their aesthetic principles of harmony, balance, and divine proportion; and exceptions to all of these. This leads to a discussion of how literary forms themselves reflect religious, philosophical, and aesthetic principles. As students compare the works of the Renaissance with those of the Middle Ages, they will recognize the overlap and continuity of these periods. In addition, they consider how the outstanding works of the era transcend their time and continue to inspire readers and writers. The English Renaissance of the seventeenth century includes additional works by William Shakespeare. In their essays, students may analyze the ideas, principles, and form of a literary work; discuss how a work bears attributes of both the Middle Ages and the Renaissance; discuss convergences of Renaissance literature and arts; or pursue a related topic of interest. FOCUS STANDARDS o These Focus Standards have been selected for the unit from the Common Core State Standards. RL.11-12.4: Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the impact of specific word choices on meaning and tone, including words with multiple meanings or language that is particularly fresh, engaging, or beautiful. (Include Shakespeare as well as other authors.) RL.11-12.6: Analyze a case in which grasping point of view requires distinguishing what is directly stated in a text from what is really meant (e.g., satire, sarcasm, irony, or understatement).
    [Show full text]
  • Recent Studies in the English Renaissance
    KatherineSEL 57, 1 (Winter Eggert 2017): 181–225 181181 ISSN 0039-3657 © 2017 Rice University Recent Studies in the English Renaissance KATHERINE EGGERT The exercise of reviewing books on nondramatic Renaissance literature released over twelve months from August 2015 until August 2016 feels a bit like speculating on the futures market. Analyzing the way things have recently been, I am also guessing at what is to come. (Buy ecocriticism, sell globalism, is my guess. I explain further below.) I hasten to point out, however, that I am completing this essay just after the 2016 U.S. presidential election, whose results proved me—like many, many others—abjectly inept at predicting the future. Take my forecasting with due caution. I begin by observing that the books that arrived for my review did not surprise me in terms of their topics, since they reflect the kinds of concerns that have been aired recently at major confer- ences in Renaissance studies. The number of books in certain areas did, however, surprise me to some extent. Although the vagaries of publishing mean that any given year might see a coincidental surge in one type of study and temporary dearth in another, three trends seem evident: John Donne may be shoul- dering aside Milton as the Renaissance nondramatic poet about whom books may be written and marketed; cultural-studies books bearing titles fitting the formula “Such-and-Such Cultural Group, Practice, or Object in Early Modern Culture” are on the wane; and some of the best current work in the field connects literature to science (including the “dismal science,” economics), material- ity, and/or knowledge practices.
    [Show full text]
  • Unveiling Christian Motifs in Select Writers of Harlem Renaissance Literature
    UNVEILING CHRISTIAN MOTIFS IN SELECT WRITERS OF HARLEM RENAISSANCE LITERATURE A Thesis Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Master of Professional Studies by Joycelyn Laverne Collins May 2007 © 2007 Joycelyn Laverne Collins ABSTRACT Prior to the early 1900s, much of the artistic expression of African American writers and artists was strongly steeped in a Christian tradition. With the Harlem Renaissance (roughly 1917-1934), the paradigm shifted to some degree. An examination of several books and articles written during and about the Harlem Renaissance revealed that very few emphasized religion as a major theme of influence on Renaissance artists. This would suggest that African American intelligentsia in the first three decades of the twentieth century were free of the strong ties to church and Christianity that had been a lifeline to so many for so long. However, this writer suggests that, as part of an African American community deeply rooted in Christianity, writers and artists of the Harlem Renaissance period must have had some roots in and expression of that same experience. The major focus of this research, therefore, is to discover and document the extent to which Christianity influenced the Harlem Renaissance. The research is intended to answer the following questions concerning the relationship of Christianity to the Harlem Renaissance: 1. What was the historical and religious context of the Harlem Renaissance? 2. To what extent did Christianity influence the writers and artists of the Harlem Renaissance? 3. Did the tone of their artistry change greatly from the previous century? If so, what were the catalysts? 4.
    [Show full text]
  • Jerzy Ziomek the Renaissance in Poland : an Outline
    Jerzy Ziomek The Renaissance in Poland : an outline Literary Studies in Poland 3, 7-20 1979 Articles Jerzy Ziomek The Renaissance in Poland An Outline Genesis of the Renaissance in Poland The Renaissance in Poland has its own specific features. It should be remembered, however, that none of the subsequent epochs in the history of literature was so concurrent with the changes in the entire Latin Europe. The genesis of an epoch does not exhaust its senses. The culture of an epoch is the answer to the questions which arise during the social changes. Since the amount of outlooks and the number of sty­ les appearing in the culture is limited, or at least smaller than the amount of social situations, borrowings in intellectual life are inevi­ table. Poland entered upon the period of ideological and political upheav­ als which were troubling western and southern Europe as a strong, united and economically prospering country. However, the Polish middle class in the 15th and 16th century, contrary to that of western Europe, was debarred from political life. It lost its position in fa­ vour of the nobility and gentry, who in turn limited royal power, extorting privileges, often egoistically short-sighted, for themselves. In spite of this in the 16th century the landowning gentry became the leader of reformatory changes, formulating vhe programme of the executionist movement (the execution of the laws and the execution of estates) and consolidating the Polish model of parliament and civil liberty, admired and envied by the contemporaries, but viewed as the germ of the future downfall of the state by posterity.
    [Show full text]
  • The Renaissance Reflection & Review Questions
    World History Name___________________________ Unit 1—Chapter 1 Date_________________ Period The Renaissance Reflection & Review Questions 1. What was the Renaissance? A turning point in history that took the world from the medieval past to the modern present in regards to ideas about life, education, art/literature, and the world in general. 2. Describe the political, economic, and social conditions which contributed to the birth of the Renaissance in Italy. Politically Italy was divided into numerous city-states each ruled by theoretically by its own unique system of government…although in reality most were run by rich and powerful families. Often times feuds & rivalries developed between these city-states spurring competition in regards to achievement. Economically Italy was very affluent due its thriving international trade with Europe, Africa, and the Middle East. Business and trade created vast wealth for many who were quick to become patrons as a way of showing off their prosperity and power. Socially, Italy was far more urban and willing to embrace new ideas. 3. What was the main inspiration for Renaissance thought? Humanism or the Humanist Movement 4. Explain how Renaissance ideas about life differed from those of the Middle Ages. During the Middle Ages, people thought life sucked and then you die. Life on Earth was essential hell and all they had to look forward to was the possibility of heaven in the thereafter. During the Renaissance, people came to realize that life is what you make it…and that with the right attitude and education one could live a full, rewarding and enjoyable life in the here and now.
    [Show full text]
  • CURRICULUM VITAE Victoria Kirkham, Professor Emerita 604 S
    CURRICULUM VITAE Victoria Kirkham, Professor Emerita 604 S. Washington Sq. Department of Romance Languages Apt. 207 521 Williams Hall, University of Pennsylvania Philadelphia, PA 19106 tel. 215-898-7428 ; fax 215-898-0933 e-mail: [email protected] Education Wellesley College (Italian and French), B.A., 1964. Università Statale di Milano (part time student), 1964-65. University of Illinois (Italian), M.A., 1967. Johns Hopkins University (Romance Languages), M.A., 1969; Ph.D., 1972. Doctoral dissertation: "The Filocolo of Giovanni Boccaccio with an English Translation of the Thirteen Questioni d'amore," Director, Charles S. Singleton. Teaching Positions Professor Emerita of Romance Languages, University of Pennsylvania, 2011 - Full Professor, Romance Languages, University of Pennsylvania, 1994 - Associate Professor, Romance Languages, University of Pennsylvania, 1978-94. Graduate Group, Comparative Literature, University of Pennsylvania, 1978 - Assistant Professor, Romance Languages, University of Pennsylvania, 1972-78. Assistant Professor, Italian, State University of New York, Buffalo, 1970-72. Teaching Assistant, Italian Literature, Johns Hopkins University, 1967-70. Teaching Assistant, Italian Language, University of Illinois at Urbana, 1965-67. Fulbright Teaching Assistant of English, Istituto Tecnico Industriale Statale "Omar," Novara, Italy, 1964-65. Visiting Professor: Johns Hopkins University, for a weekly graduate seminar: Women in Poetry: From the Troubadors to the Petrarchans, spring semester, 1999. Harvard Center for Renaissance Studies in Florence, Villa I Tatti, fall semester, 2012. Fellowships, Honors, and Awards Pendleton Scholarship, 1960-64, Wellesley College. Fulbright Teaching Assistantship of English, Novara, Italy, 1964-65. National Defense Education Act Graduate Fellowship, Johns Hopkins University, 1967-70. University of Pennsylvania Junior Faculty Summer Research Fellowship, 1974.
    [Show full text]
  • The Renaissance Activity Book Core Knowledge Language Arts® Knowledge Core
    Unit 4 The Renaissance Activity Book Core Knowledge Language Arts® Knowledge Core GRADE 5 GRADE Unit 4 The Renaissance Activity Book GRADE 5 Core Knowledge Language Arts® Creative Commons Licensing This work is licensed under a Creative Commons Attribution-NonCommercial- ShareAlike 3.0 Unported License. You are free: to Share — to copy, distribute and transmit the work to Remix — to adapt the work Under the following conditions: Attribution — You must attribute the work in the following manner: This work is based on an original work of the Core Knowledge® Foundation made available through licensing under a Creative Commons Attribution-NonCommercial- ShareAlike 3.0 Unported License. This does not in any way imply that the Core Knowledge Foundation endorses this work. Noncommercial — You may not use this work for commercial purposes. Share Alike — If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. With the understanding that: For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link to this web page: http://creativecommons.org/licenses/by- nc-sa/3.0/ ISBN: 978-1-942010-18-0 Copyright ©2014 Core Knowledge Foundation www.coreknowledge.org All Rights Reserved. Core Knowledge Language Arts is a trademark of the Core Knowledge Foundation. Trademarks and trade names are shown in this book strictly for illustrative and educational purposes and are the property of their respective owners. References herein should not be regarded as affecting the validity of said trademarks and trade names.
    [Show full text]
  • Introduction. the Polish Golden Age – Current State of the Arts and Challenges 9 Toriography (Kromer), Ethics and Political Thought (E.G
    Introduction The Polish Golden Age – Current State of the Arts and Challenges Similar to all of Latin Europe, the Renaissance period marks the begin- ning of the modern history of Polish culture. This period is fundamental to shaping the Polish identity – initially the political system (the republic of the gentry with an elected king), ultimately the mentality, customs and culture. It is also the irst literary period whose works have been preserved in such great magnitude, allowing us a comprehensive picture of the literary and intellectual life of the epoch. The above remark is necessary, as the beginnings of Polish literature seem to be lost in the oblivion of history – only a minor part of Medieval literature has survived, thus failing to render a complete picture of the epoch and its language. The beginnings of literature in Polish (one might just jokingly risk to compare it here to the one in Greek) are marked with two oeuvres both with a complex artistic form; this proves the very high literary culture and educational status of their authors who were famil- iar with the Latin tradition (and also, in the irst case, the Greek one). These two works are: a hymn devoted to Saint Mary, Bogurodzica, a work with Latin and Byzantine roots, dated somewhere between the 10th and 13th centuries, and the collection of sermons, Kazania Świętokrzyskie, written according to the principles of ars dictandi, at the turn of the 13th and 14th centuries, although only discovered as late as the 19th century. Only these two irst works allow one to assume that Polish Medieval lit- erary output was much larger and older than its preserved manifesta- tions.
    [Show full text]
  • Arcadian (Adj.) in Renaissance and Later Art, Depictions of an Idyllic Place of Rural Peace and Simplicity
    Arcadian (adj.) In Renaissance and later art, depictions of an idyllic place of rural peace and simplicity. Derived from Arcadia, an ancient district of the central Peloponnesus in southern Greece. architrave The lintel or lowest division of the entablature; also called the epistyle. belvedere Italian, “beautiful view.” A residence on a hill or any structure with a view of a landscape or seascape. capriccio Italian, “originality.” One of several terms used in Italian Renaissance literature to praise the originality and talent of artists. cassone (pl. cassoni) A carved chest, often painted or gilded, popular in Renaissance Italy for the storing of household clothing. cella The chamber at the center of an ancient temple; in a classical temple, the room (Greek, naos) in which the cult statue usually stood. colorito Italian, “colored” or “painted.” A term used to describe the application of paint. Characteristic of the work of 16th­century Venetian artists who emphasized the application of paint as an important element of the creative process. Central Italian artists, in contrast, largely emphasized disegnothe careful design preparation based on preliminary drawing. cupola An exterior architectural feature composed of a drum with a shallow cap; a dome. cutaway An architectural drawing that combines an exterior view with an interior view of part of a building. disegno Italian, “drawing” and “design.” Renaissance artists considered drawing to be the external physical manifestation (disegno esterno) of an internal intellectual idea of design (disegno interno). enamel A decorative coating, usually colored, fused onto the surface of metal, glass, or ceramics. escutcheon An emblem bearing a coat of arms.
    [Show full text]
  • 1. RENAISSANCE 16 Jan
    MPPSCADDA MPPSC MAINS WORLD HISTORY CONTENT TOPIC Releasing Date 1. RENAISSANCE 16 Jan 2. REVOLUTION OF ENGLAND 17 Jan 3. FRENCH REVOLUTION 18 Jan 4. INDUSTRIAL REVOLUTION 19 Jan 5. RUSSIAN REVOLUTION 20 Jan 6. WORLD WAR-I 21 Jan 7. WORLD WAR-II 22 Jan TOPPER’S NOTES 2019 mppscadda.com 1 MPPSCADDA 1. RENAISSANCE LEARNING CURVE Previous Year Questions MPPSC Mains ( 2010-2018) • What do you understand by the Renaissance that took place in Europe? Explain its main causes. (6 marker- 2014) • Erasmus (3 Marker - 2015, 2018) • Leonardo da Vinci (3Marker - 2015,2016) • Describe the characteristics of Renaissance.(6 Marker - 2016) • Raphael (3 Marker - 2017) • Why did the Renaissance start from Italy? Discuss the causes.(6 Marker - 2017) • Francis Bacon(3 Marker - 2018) • Shakespeare (3 Marker - 2018) • Sketch the contributions of Michelangelo in European Renaissance. (6 Marker - 2018) Things to Understand • What is the meaning of Renaissance? • What were the factors that led to the rise of Renaissance? • What are the causes for the birth of Renaissance in Italy? • Revival of classical Literature. • Renaissance Literature and Arts. • The scientific development during the Renaissance. • What were the outcomes of the Renaissance? • Reformation and its causes. Words/Name that Matter • Renaissance, Reformation, Utopia , Catholic Reformation Counter Reformation • Dante, Petrarch, Boccaccio, Machiavelli, Erasmus, Leonardo da Vinci, Michelangelo, Raphael, Lorenzo Ghiberti, Francis Bacon, Descartes ,Copernicus, Kepler, Galileo, Newton, ,William Shakespeare, Johann Gutenberg, Martin Luther Practice Questions • Reasons for Renaissance. (6 Marker) • Italy is considered the birth place of the Renaissance for several reasons. (6 Marker) • Short notes on development of Science during Renaissance.(6 Marker) • How North European Writers Tried to Reform Society? (6 Marker) • What were the Outcomes/Results of the Renaissance? (15 marker) • What were the Causes of Reformation? (15 marker) INTRODUCTION • During the late Middle Ages, Europe suffered from both war and plague.
    [Show full text]