How to Publish a Book

Total Page:16

File Type:pdf, Size:1020Kb

How to Publish a Book www.TheCreativePenn.com Bali Retreat 2010 How to Publish a Book http://www.flickr.com/photos/khouri/3960767699/ Power smoothie check in How are you feeling? Any „aha‟ moments What you want to learn in this session http://www.flickr.com/photos/echo0101/459 7608967/ “Writing is a journey. Your book is a goal.” Joanna Penn http://www.flickr.com/photos/shanegorski/3228415990/ 1 www.TheCreativePenn.com Bali Retreat 2010 What publishing option do you want to pursue? What do you want for your book? E.g. Global distribution/ in local bookstore/ income stream Your Book The same text 2 www.TheCreativePenn.com Bali Retreat 2010 http://www.flickr.com/photos/30832493@N06/3818286033/ Decide who to pitch http://www.curtisbrown.com.au/ http://awmonline.com.au/ 3 www.TheCreativePenn.com Bali Retreat 2010 Know your target What do publishers want? http://cba-ramblings.blogspot.com/ http://blog.nathanbransford.com/ All agencies and good agents have websites. 4 www.TheCreativePenn.com Bali Retreat 2010 Obey the rules. Do exactly what they ask for. Query email/letter first. Submission Pack e.g. Print black, single-sided A4 double line spacing. Plain font. http://www.flickr.com/photos/atomicshark/1288380740/ Cover Letter including publishing experience, your platform and marketing, target market Synopsis and chapter summaries First 3 Chapters Non-fiction: Book proposal Beware the slush pile! 5 www.TheCreativePenn.com Bali Retreat 2010 Rejection is part of the publishing process. Don’t take it personally! Rejected 12x now with sales of over 100 million books Rejected over 100x now with sales of over 112 million books Rejected 30x before launching Stephen King’s career 6 www.TheCreativePenn.com Bali Retreat 2010 Sign a contract for your book. It now belongs to the publisher. http://www.flickr.com/photos/julishannon/2434691031/ Write Editorial Process Read and Edit Cover Design http://www.flickr.com/photos/f7oor/2299409479/ http://www.flickr.com/photos/10176016@N03/2046784747/ 7 www.TheCreativePenn.com Bali Retreat 2010 http://editorialass.blogspot.com/2009/05/and-you-thought-royalty-involved-crown.html http://www.publetariat.com/sell/reality-times-bestseller Kudos and prestige Editorial support plus cover design Distribution to bookstores Possibly marketing help All depends on the publisher 8 www.TheCreativePenn.com Bali Retreat 2010 Time to market Lack of control Loss of rights esp. digital Beware the pulping meeting! What happens if you don’t sell? Lack of support For success in traditional publishing, do your homework. Be patient. http://blog.nathanbransford.com/ http://cba-ramblings.blogspot.com/ http://journal.neilgaiman.com/2005/01/everything- you-wanted-to-know-about.asp http://blog.writersdigest.com/norules/2009/1 0/06/TheSecretsToPublishingSuccessJanes200 9ToughLoveGuide.aspx http://www.juliamccutchen.com/ http://www.thecreativepenn.com/2009/09/19/podcast-julia- mccutchen-book-proposals-traditional-publishing/ 9 www.TheCreativePenn.com Bali Retreat 2010 Self publishing is DIY Or find someone to do it for you! Quicker time to market Total control and choice Sell by any means as you retain the rights Niche markets perfect More money per book Get into the game! Test the market and then approach a publisher with evidence of sales Time and effort into sales and marketing, not chasing agents and publishers 10 www.TheCreativePenn.com Bali Retreat 2010 You need to do it all yourself, or find professionals to help May cost you some money upfront Hard to get distribution into physical bookshops You might not sell as many books Less prestige than being ‘published’ but the stigma is lessening every day Where do you spend your energy? http://farm4.static.flickr.com/3556/3526094330_8721ef5967_m.jpg Chasing agents and publishers... http://farm4.static.flickr.com/3342/3315328081_ea9285fc9c_m.jpg 11 www.TheCreativePenn.com Bali Retreat 2010 Or writing more... and marketing http://farm4.static.flickr.com/3218/3041954566_a58919a9f7_m.jpg “I’m still self-publishing. Because you’ve got more control and I know the process, backwards, frontwards, sideways. I know it in and out. I know what it takes” Rachael Bermingham, co- author of ‘4 Ingredients’, still self-publishing with 4 versions of the book and a TV show Sold over 3 million books + TV show + now foreign rights. http://www.4ingredients.com.au/ http://www.lulu.com/ http://www.lightningsource.com/ https://www.createspace.com/ http://www.blurb.com/ http://www.thecreativepenn.com/2010/01/2 1/podcast-self-publishing-your-questions- answered-with-indie-author-april-hamilton/ With transcript. 12 www.TheCreativePenn.com Bali Retreat 2010 $zero Plus services Biggest criticism of indie authors => Lack of quality control http://farm1.static.flickr.com/36/107035396 _fd69301a3c_m.jpg http://www.thebookdesigner.com/ http://twitter.com/JFbookman Use professionals 13 www.TheCreativePenn.com Bali Retreat 2010 From Amazon.com Bestsellers and New releases Get a professional Research books in your genre, brainstorm ideas Look good as a thumbnail and be obvious http://www.flickr.com/photos/chromaticaberrations/2325563789/ It doesn’t have to be fancy or complicated! Ideas: http://covers.fwis.com/ http://nytimesbooks.blogspot.com/ http://bookcoverarchive.com/ Cover as brand – like Kiyosaki purple on multiple books, or For Dummies range. 14 www.TheCreativePenn.com Bali Retreat 2010 http://www.parapublishing.com/sites/para/resources/freedocs.cfm http://www.cafepress.com/cp/info/help/learn_book.aspx http://www.lulu.com/en/help/covers_faq http://www.gettyimages.com/ http://www.istockphoto.com/ http://www.flickr.com/ Google “royalty free images” Remember permissions! http://www.guru.com/ http://www.elance.com/ http://caffeinatedelf.com/ 15 www.TheCreativePenn.com Bali Retreat 2010 You also need page layout and typesetting http://www.flickr.com/photos/pinksherbet/3020250442/ To print or not to print.... that is the question http://www.flickr.com/photos/lexnger/100453053/ Print On Demand is Freedom http://www.flickr.com/photos/29968788@N00/2758252237/ 16 www.TheCreativePenn.com Bali Retreat 2010 Books are printed individually when they are ordered by the customer Saves you money. No upfront printing costs. Royalties monthly. No stock so no holding costs and no boxes around the house Ship straight to the customer from the printer, so no postage and packing for you Publish globally Ebooks and Digital Publishing 17 www.TheCreativePenn.com Bali Retreat 2010 Sell to anyone in the world over the internet without printing or shipping costs. More profit. “But I will never give up printed books” “I love the feel and the smell” “I hate ebooks” http://smellofbooks.com/aromas/new-book-smell/ http://www.idpf.org/doc_library/industrystats.htm 18 www.TheCreativePenn.com Bali Retreat 2010 http://news.cnet.com/8301-1023_3-20017260-93.html Reading 3x as many books since I got Kindle. Rejected his publishers, is publishing straight to ebook and also has a publishing deal with Amazon Encore http://jakonrath.blogspot.com/ 19 www.TheCreativePenn.com Bali Retreat 2010 Wants his rights back. http://jakonrath.blogspot.com/2010/09/konr ath-ebooks-sales-top-100k.html http://jakonrath.blogspot.com/2010/09/konrath-ebooks-sales-top-100k.html http://jakonrath.blogspot.com/2010/09/konrath-ebooks-sales-top-100k.html 20 www.TheCreativePenn.com Bali Retreat 2010 12 NY Times bestsellers through traditional publishing “my mission is to figure out who the audience is, and take them where they want and need to go, in whatever format works, even if it's not a traditionally published book” http://sethgodin.typepad.com/seths_blog/2010/08/moving-on.html http://www.deanwesleysmith.com/?page_id=860 21 www.TheCreativePenn.com Bali Retreat 2010 https://dtp.amazon.com/mn/signin http://ebookarchitects.com/ http://www.thecreativepenn.com/2010/02/24/podcast-ebooks-qa-with-joshua- tallent-from-ebookarchitects/ (with transcript) PDF from my website https://www.smashwords.com/ On the Stanza app 22 www.TheCreativePenn.com Bali Retreat 2010 http://www.smashwords.co http://www.smashwords.com/books/ m/books/view/52 view/305 http://www.scribd.com/ US citizens can publish. Others can use for marketing. Your book on the ipad Kindle app 23 www.TheCreativePenn.com Bali Retreat 2010 https://itunesconnect.apple.c om/WebObjects/iTunesConn ect.woa/wa/apply Must have: ISBNs for ebooks, EPUB format, US tax number, iTunes account. http://www.wattpad.com/ 24 www.TheCreativePenn.com Bali Retreat 2010 http://epublishersweekly.word press.com/ Only $4 for the ebook version – Highly recommended! http://www.ondemandbooks.com/home.htm http://moriahjovan.com/mojo/the -perfect-bookstore 25 www.TheCreativePenn.com Bali Retreat 2010 Why not? http://www.flickr.com/photos/pinksherbet/2872121203/ Your Book The same text What publishing options do you want to pursue? What has changed? 26 www.TheCreativePenn.com Bali Retreat 2010 Cocktail checkout What did you learn from the session? What are you going to do with the information? http://www.flickr.com/photos/alphaducentaure/2607814349/ 27.
Recommended publications
  • Beyond%20Your%20Book%20Pdf
    Beyond Your Book Discover the Many Ways You Can Use Your Book to Skyrocket Your Success! ©2013 by Viki Winterton Expert Insights Publishing 1001 East WT Harris Blvd #247 Charlotte, NC 28213 All rights reserved. No part of this book may be reproduced in any manner whatsoever, nor may it be stored in a retrieval system, transmitted, or otherwise copied for public or private use, without written permission other than “fair use” as brief quotations embodied in articles and reviews. Author: Viki Winterton Cover Design: Terry Z Edited by: Pam Murphy 15 14 13 12 11 1 2 3 4 5 A portion of the profits from this book will be donated to Books For Africa, an organization with the simple mission to collect, sort, ship, and distribute books to students of all ages in Africa. The goal: to end the book famine in Africa. —Dedication— “There is no greater agony than bearing an untold story inside you.” ― Maya Angelou Table of Contents INTRODUCTION Page 5 1. 21 ways to make it big with your book before you write it! Page 6 2. 9 tips to ensure the right topic will make you THE EXPERT to expand your sought-after service offerings and products! Page 9 3. 9 book title and cover musts to create biz and buzz before your launch! Page 14 4. 7 ways to make you and your book irresistible to the press and the media! Page 20 5. 17 DOs and DON’Ts so your book chapter previews can make you a blog and article-writing superstar! Page 25 6.
    [Show full text]
  • Stephen Bushansky, Et Al. V. Cafepress Inc., Et Al. 18-CV-01607-Complaint for Violation of the Federal Securities Laws
    Case 1:18-cv-01607-UNA Document 1 Filed 10/17/18 Page 1 of 18 PageID #: 1 IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF DELAWARE STEPHEN BUSHANSKY, On Behalf of ) Himself and All Others Similarly Situated, ) Plaintiff, ) ) ) Case No. _____________ v. ) ) JURY TRIAL DEMANDED CAFEPRESS INC., FRED E. DURHAM, III, ) ANTHONY C. ALLEN, MARY ANN ) CLASS ACTION ARICO, KENNETH T. MCBRIDE and ) ALAN B. HOWE, ) Defendants. ) COMPLAINT FOR VIOLATION OF THE FEDERAL SECURITIES LAWS Plaintiff Stephen Bushansky (“Plaintiff”), by and through his undersigned counsel, for his complaint against defendants, alleges upon personal knowledge with respect to himself, and upon information and belief based upon, inter alia, the investigation of counsel as to all other allegations herein, as follows: NATURE OF THE ACTION 1. This is a class action brought on behalf of the public stockholders of CafePress Inc. (“CafePress” or the “Company”) against CafePress and the members of its Board of Directors (the “Board” or the “Individual Defendants”) for their violations of Sections 14(d)(4), 14(e) and 20(a) of the Securities Exchange Act of 1934 (the “Exchange Act”), 15 U.S.C. §§ 78n(d)(4), 78n(e), 78t(a), and U.S. Securities and Exchange Commission (“SEC”) Rule 14d-9, 17 C.F.R. §240.14d-9(d) (“Rule 14d-9”) and to enjoin the expiration of a tender offer (the “Tender Offer”) on a proposed transaction, pursuant to which CafePress will be acquired by Case 1:18-cv-01607-UNA Document 1 Filed 10/17/18 Page 2 of 18 PageID #: 2 Snapfish, LLC (“Snapfish”) through its wholly owned subsidiary Snapfish Merger Sub, Inc.
    [Show full text]
  • FFF-Preview-Edition.Pdf
    Preview Edition / Excerpt Preview Edition © 2009 Scott Kirsner / CinemaTech Books Web site: http://www.scottkirsner.com/fff Cover design by Matt W. Moore. Photo credits: Tobin Poppenberg (DJ Spooky), Dale May (Jonathan Coulton), JD Lasica (Gregg and Evan Spiridellis), Scott Beale/LaughingSquid.com (Ze Frank), Dusan Reljin (OK Go), Todd Swidler (Sarah Mlynowski). Tracy White and Dave Kellett provided their own illustrations. All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means without permission in writing from the author: [email protected]. Feel free to share this book preview or post it online. You can purchase the full book at http://www.scottkirsner.com/fff or Amazon.com 10 9 8 7 6 5 4 3 2 1 Contents Understanding the New Rules 1 Table: Defining the Terms 23 Introduction to the Interviews 24 Film & Video Michael Buckley: Creator of “What the Buck” 25 Mike Chapman: Animator and Writer, “Homestar Runner” 28 Ze Frank: Multimedia Artist and Creator of “theshow” 31 Curt Ellis: Documentary Producer and Writer 36 Michael “Burnie” Burns: Creator of “Red vs. Blue” 39 Sandi DuBowski: Documentary Filmmaker 41 Gregg and Evan Spiridellis: Co-Founders, JibJab Media 43 Timo Vuorensola: Science Fiction Director 47 Steve Garfield: Videoblogger 49 Robert Greenwald: Documentary Filmmaker 51 M dot Strange: Animator 54 Music Jonathan Coulton: Singer-Songwriter 57 Damian Kulash: Singer and Guitarist, OK Go 61 DJ Spooky: Composer, Writer and Multimedia Artist 65 Jill Sobule: Singer-Songwriter 67 Richard Cheese: Singer 70 Chance: Singer-Songwriter 73 Brian Ibbott: Host of the Podcast “Coverville” 75 Visual Arts Natasha Wescoat: Painter, Designer and Illustrator 77 Tracy White: Comics Artist 79 Matt W.
    [Show full text]
  • A Detailed Look at the State of the Entertainment Industry
    A detailed look at the state of the entertainment industry. 2014 EDITION October 2014 Michael Masnick, Michael Ho Joyce Hung, Leigh Beadon A closer look at growth in the major entertainment industries MUSICMUSIC VIDEO GAME SALES VIDEO TOTAL CONSUMER SPEND, IN BILLIONS LIVE CONCERT REVENUES 18 IN BILLIONS BOOKSBOOKS $3.5 15 FILMS RELEASED IN THE US E-BOOK UNITS SOLD IN MILLIONS 12 650 $2.5 500 9 600 $1.5 375 550 2002 2012 250 500 1990 2010 MOBILE GAME REVENUES 125 IN BILLIONS, WITH PROJECTION 2002 2005 2008 2011 ROYALTY REVENUES 15 IN BILLIONS 2008 09 10 11 2012 TIME SPENT WATCHING TV $3 AVG. DAILY HOUSEHOULD HOURS E-READER OWNERS 10 9h AS % OF POPULATION $2 5 8h30m $1 4% 32% 8h 2008 2011 2014 2017 7h30m 1990 2010 CONSUMER SPEND ON GAMES 2010 2014 2012, BY CATEGORY 1999 00 2010 11 NUMBER OF TRACKS SELF-PUBLISHING OUTPUT INDEXED BY GRACENOTE MOVIE INVESTMENT BY TOTAL NUMBER OF ISBNs $14.8B IN BILLIONS eBooks Print Books TOTAL: $1.93B 24 40,000 $20.77B +1536% 180,000,000 $4.04B 30,000 18 11,000,000 2001 20,000 Content Hardware Accessories 12 2013 10,000 GAMING CONSOLE SALES 1990 2010 MUSIC APP REVENUES 2007 08 09 10 11 2012 LIFETIME UNITS SOLD, BY GENERATION GROWTH INDEX 300 ONLINE VIDEO TRAFFIC TOTAL BOOK MARKET AS % OF ALL TRAFFIC, PROJECTED IN BILLIONS 200 40% +77% 28 30% 27.5 100 2012 20% 2013 27 iOS App Store 1ST 3RD 5TH 7TH Google Play 10% 26.5 1972-77 1983-86 1993-97 2005-11 2ND 4TH 6TH 1978-82 1987-92 1998-2004 2010 11 12 13 14 2015 2008 09 10 11 2012 Sources: MPAA, Box Oce Mojo, Hollywood Reporter, BMO Capital Markets, Neilsen,
    [Show full text]
  • Newsletter-2011-Ebook.Pdf
    Author Marketing Experts, Inc. BME 2011 Issues Table of Contents: ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ January 06, 2011 Issue #237 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ in this issue -- Note From The Editor -- 6 Ways to Promote Your E-book -- Amazon Know-How -- Secrets of Media Kits -- Become a Quotable Source -- Back Cover Blurb Basics -- Get Better Google Search Results -- Connecting to Conferences -- Ramp Up Your Facebook Fanpage -- Online Word Helper -- Why Goodreads Matters -- Join The Publishing Insiders in 2011 -- Red Hot Internet Publicity BootCamp Jan. 29, 2011 -- How to Write the Perfect Query -- Ten Top Twitter Tips -- How to Format Your E-book -- Boost Your Facebook Page Engagement -- Headlines that Pop -- Reader Tip! -- WHO ARE WE -------------------------------------------------------------- ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ January 20, 2011 Issue #238 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ in this issue -- Note from The Editor -- Buy an AME Program and Win a Kindle! -- Feature Article: 50 Things to Tweet About -- Build Traffic with Facebook and Twitter -- See What's New at AME's Book Marketing Channel on YouTube! -- Book Bits and Bites -- Everyone Wants Easy Buttons -- Learn How to Start a Blog -- How to Share Web Content -- Become a Better Blog Commenter -- Penny in the News! -- Hear What The Publishing Insiders Have to Say -- Reader Tip: Self Promote at Successimo -- How Popular is Your Topic? -- Easy Screen Capture -- National Indie Excellence Awards Seeks Submissions -- Twitter Tip: Keep Pace
    [Show full text]
  • Cafepress Inc.Inc
    May 2013 AllAll contentcontent copyrightcopyright ©© 2013 2013 CafePress. CafePress. AllAll rightsrights reserved.reserved. CafePressCafePress isis aa registeredregistered trademarkstrademarks ofof CafePressCafePress Inc.Inc. All All otherother trtrademarksademarks notednoted hereinherein areare thosethose ofof theirtheir respectiverespective ownersowners 1 SAFE HARBOR These slides and the accompanying oral presentation contain forward-looking statements. All statements other than statements of historical facts contained in these slides and the accompanying oral presentation, including statements regarding CafePress’ (“CafePress” or the “Company”) future operations, future financial position, future revenue, projected expenses, opportunities, prospects and plans and objectives of management are forward-looking statements. In some cases, you can identify forward-looking statements by terms such as “anticipate,” “believe,” “estimate,” “expect,” “intent,” “may,” “might,” “plan,” “project,” “will,” “would,” “should,” “could,” “can,” “predict,” “potential,” “continue,” “objective,” or the negative of these terms or similar expressions. The Company has based these forward-looking statements largely on its estimates of its financial results and its current expectations and projections about future events and financial trends that it believes may affect its financial condition, results of operations, business strategy, short term and long-term business operations and objectives and financial needs. These forward-looking statements are subject to a number of risks, uncertainties and assumptions, including, but not limited to, our operation in an emerging market and our relatively new and evolving business model, our ability to evaluate our current and future prospects, our ability to generate additional revenue on a cost-effective basis, our ability to attract and retain advertisers, our ability to increase our customer base, our ability to continue operating under existing laws and a number of other factors outside of our control.
    [Show full text]
  • United States Court of Appeals for the Sixth Circuit
    Case: 19-3388 Document: 25 Filed: 09/05/2019 Page: 1 No. 19-3388 In the United States Court of Appeals for the Sixth Circuit THE OHIO STATE UNIVERSITY, Plaintiff-Appellant, v. REDBUBBLE, INC., Defendant-Appellee. _______________________________________ Appeal from the United States District Court for the Southern District of Ohio at Columbus, No. 2:17-cv-01092. The Honorable Algenon L. Marbley, Judge Presiding. BRIEF OF AMICUS CURIAE INTERNATIONAL TRADEMARK ASSOCIATION IN SUPPORT OF NEITHER PARTY DAVID H. BERNSTEIN* KATHRYN C. SABA DEBEVOISE & PLIMPTON LLP 919 Third Avenue New York, NY 10022 Tel. (212) 909-6696 Counsel for Amicus Curiae International Trademark Association *Counsel of Record COUNSEL PRESS ∙ (866) 703-9373 PRINTED ON RECYCLED PAPER Case: 19-3388 Document: 25 Filed: 09/05/2019 Page: 2 CORPORATE DISCLOSURE STATEMENT Pursuant to Federal Rule of Appellate Procedure 26.1, amicus curiae International Trademark Association (“INTA”) states that it is not a publicly-held corporation or other publicly-held entity. INTA does not have any parent corporation and no publicly-held corporation or other publicly-held entity holds 10% or more of INTA’s stock. i Case: 19-3388 Document: 25 Filed: 09/05/2019 Page: 3 TABLE OF CONTENTS CORPORATE DISCLOSURE STATEMENT ......................................................... i TABLE OF AUTHORITIES ................................................................................... iii STATEMENT OF INTEREST OF AMICUS CURIAE............................................. 1 ARGUMENT ............................................................................................................. 7 I. The district court erred as a matter of law by failing to acknowledge that “use in commerce,” pursuant to Section 32(1) of the Lanham Act, includes more than the mere act of selling goods. ........ 7 A. The sale of allegedly infringing goods is not a prerequisite to establishing “use in commerce” pursuant to Section 32(1).
    [Show full text]
  • “Where the Mix Is Perfect”: Voices
    “WHERE THE MIX IS PERFECT”: VOICES FROM THE POST-MOTOWN SOUNDSCAPE by Carleton S. Gholz B.A., Macalester College, 1999 M.A., University of Pittsburgh, 2007 Submitted to the Graduate Faculty of The Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Carleton S. Gholz It was defended on April 11, 2011 and approved by Professor Brent Malin, Department of Communication Professor Andrew Weintraub, Department of Music Professor William Fusfield, Department of Communication Professor Shanara Reid-Brinkley, Department of Communication Dissertation Advisor: Professor Ronald J. Zboray, Department of Communication ii Copyright © by Carleton S. Gholz 2011 iii “WHERE THE MIX IS PERFECT”: VOICES FROM THE POST-MOTOWN SOUNDSCAPE Carleton S. Gholz, PhD University of Pittsburgh, 2011 In recent years, the city of Detroit’s economic struggles, including its cultural expressions, have become focal points for discussing the health of the American dream. However, this discussion has rarely strayed from the use of hackneyed factory metaphors, worn-out success-and-failure stories, and an ever-narrowing cast of characters. The result is that the common sense understanding of Detroit’s musical and cultural legacy tends to end in 1972 with the departure of Motown Records from the city to Los Angeles, if not even earlier in the aftermath of the riot / uprising of 1967. In “‘Where The Mix Is Perfect’: Voices From The Post-Motown Soundscape,” I provide an oral history of Detroit’s post-Motown aural history and in the process make available a new urban imaginary for judging the city’s wellbeing.
    [Show full text]
  • The Business Case for on Demand Products
    The Business Case for On Demand Products Andrew Talbot @customgateway +andrewtalbot ​ ​ May 2016 custom-gateway3d.com Introduction Difference Between On Demand and Personalised Products Difference between On Demand and Mass Produced Types of On Demand Products Interface Options The Commercial Case Unlimited Demand - The Long Tail DesIgn and Content Options The Economic Argument Possible Limitations Critical Success Factors The Supply Chain The Production Process Software Needed for Creating On Demand Products At What Point Do On Demand Product Become Viable Suitable Product Groups Decoration Options Current Market Sectors Sales Channels Case Studies & Example Sites About Gateway 3D ________________________________________________________________________________________ The Business Case for On Demand Products Page 1 of 22 Introduction This paper introduces the concept of printed or decorated on demand products and explains the business case for their adoption and technology / supply chain needed to deliver them to the customer Technology has enabled many advances in print and decoration methods helping printers and decorators implement the mass customisation business model. This has lead to a substantial reduction in the costs of supplying products on demand enabling them to become more competitive when compared against products supplied and manufactured in larger volumes (Mass Production) Mass customisation is now well understood as a method of delivering user personalised products but has so far been less utilised for delivering on demand pre designed products - despite the fact that they can be produced in exactly the same way. Print on demand (POD) is a printing technology and business process in which products are not printed until an ​ ​ ​ order has been received, allowing them to be printed singly, or in small quantities.
    [Show full text]
  • Primary & Secondary Sources
    Primary & Secondary Sources Brands & Products Agencies & Clients Media & Content Influencers & Licensees Organizations & Associations Government & Education Research & Data Multicultural Media Forecast 2019: Primary & Secondary Sources COPYRIGHT U.S. Multicultural Media Forecast 2019 Exclusive market research & strategic intelligence from PQ Media – Intelligent data for smarter business decisions In partnership with the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers Co-authored at PQM by: Patrick Quinn – President & CEO Leo Kivijarv, PhD – EVP & Research Director Editorial Support at AIMM by: Bill Duggan – Group Executive Vice President, ANA Claudine Waite – Director, Content Marketing, Committees & Conferences, ANA Carlos Santiago – President & Chief Strategist, Santiago Solutions Group Except by express prior written permission from PQ Media LLC or the Association of National Advertisers, no part of this work may be copied or publicly distributed, displayed or disseminated by any means of publication or communication now known or developed hereafter, including in or by any: (i) directory or compilation or other printed publication; (ii) information storage or retrieval system; (iii) electronic device, including any analog or digital visual or audiovisual device or product. PQ Media and the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers will protect and defend their copyright and all their other rights in this publication, including under the laws of copyright, misappropriation, trade secrets and unfair competition. All information and data contained in this report is obtained by PQ Media from sources that PQ Media believes to be accurate and reliable. However, errors and omissions in this report may result from human error and malfunctions in electronic conversion and transmission of textual and numeric data.
    [Show full text]
  • Bankrolling Bigotry: an Overview of the Online Funding Strategies Of
    Bankrolling Bigotry: An Overview of the Online Funding Strategies of American Hate Groups Beirut Berlin London Paris Washington DC The Global Disinformation Index is a UK-based not-for-profit that operates on the three principles of neutrality, independence and Copyright © Institute for Strategic Dialogue (2020). Institute transparency. Our vision is a world in which we can trust what we for Strategic Dialogue (ISD) is a company limited by guarantee, see in the media. Our mission is to restore trust in the media by registered office address PO Box 75769, London, SW1P 9ER. providing real-time automated risk ratings of the world’s media ISD is registered in England with company registration sites through a Global Disinformation Index (GDI). The GDI is number 06581421 and registered charity number 1141069. non-political. Our Advisory Panel consists of international experts All Rights Reserved. in disinformation, indices and technology. www.isdglobal.org For more information, visit www.disinformationindex.org The Global Disinformation Index and the Institute for Strategic Dialogue gratefully acknowledge the support of The John S. and James L. Knight Foundation. Bankrolling Bigotry: An Overview of the Online Funding Strategies of American Hate Groups 3 Contents Executive Summary 4 Project Overview 4 Key Findings 5 Recommendations 6 Project Overview and Approach 7 Definitional Framework 7 Understanding Hate 7 Identifying Hate Groups for Analysis 7 Sub-categorising Hate Groups 7 Understanding Funding Mechanisms 10 Methodology 12 Findings 13 Prioritisation
    [Show full text]
  • Cafepress Inc
    CAFEPRESS INC. FORM 10-K (Annual Report) Filed 03/30/16 for the Period Ending 12/31/15 Address 1850 GATEWAY DRIVE SUITE 300 SAN MATEO, CA 94404 Telephone 650.655.3000 CIK 0001117733 Symbol PRSS SIC Code 5900 - Retail-Miscellaneous Retail Industry Retail (Catalog & Mail Order) Sector Services Fiscal Year 12/31 http://www.edgar-online.com © Copyright 2016, EDGAR Online, Inc. All Rights Reserved. Distribution and use of this document restricted under EDGAR Online, Inc. Terms of Use. UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) ý ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2015 or ¨ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number: 001-35468 CafePress Inc. (Exact name of registrant as specified in its charter) Delaware 94-3342816 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 6901 Riverport Drive, Louisville, KY 40258 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (502)-995-2258 Securities registered pursuant to Section 12(b) of the Act: Title of each class : Name of each exchange on which registered : Common Stock, par value $.0001 per share NASDAQ Global Select Market Securities registered pursuant to Section 12(g) of the Act: None (Title of class) Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act.
    [Show full text]