The Business Case for on Demand Products
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Book Self-Publishing Best Practices
Montana Tech Library Digital Commons @ Montana Tech Graduate Theses & Non-Theses Student Scholarship Fall 2019 Book Self-Publishing Best Practices Erica Jansma Follow this and additional works at: https://digitalcommons.mtech.edu/grad_rsch Part of the Communication Commons Book Self-Publishing Best Practices by Erica Jansma A project submitted in partial fulfillment of the requirements for the degree of M.S. Technical Communication Montana Tech 2019 ii Abstract I have taken a manuscript through the book publishing process to produce a camera-ready print book and e-book. This includes copyediting, designing layout templates, laying out the document in InDesign, and producing an index. My research is focused on the best practices and standards for publishing. Lessons learned from my research and experience include layout best practices, particularly linespacing and alignment guidelines, as well as the limitations and capabilities of InDesign, particularly its endnote functionality. Based on the results of this project, I can recommend self-publishers to understand the software and distribution platforms prior to publishing a book to ensure the required specifications are met to avoid complications later in the process. This document provides details on many of the software, distribution, and design options available for self-publishers to consider. Keywords: self-publishing, publishing, books, ebooks, book design, layout iii Dedication I dedicate this project to both of my grandmothers. I grew up watching you work hard, sacrifice, trust, and love with everything you have; it was beautiful; you are beautiful; and I hope I can model your example with a fraction of your grace and fruitfulness. Thank you for loving me so well. -
List of Book Printers in the United States and Beyond
List of Book Printers in the United States and Beyond TOP BOOK PRINTERS IngramSpark 1 Ingram Blvd. La Vergne, TN www.ingramspark.com Support: [email protected] Australia: [email protected] International: [email protected] Print on demand printing and distribution services. A division of Ingram. Baker and Taylor Publisher Services (formerly BookMasters) 30 Amberwood Parkway Ashland OH 44805 567-215-0030 800-537-6727 www.bookmasters.com/ Bookmasters, based in Ashland, Ohio, is one of the largest providers of customized publisher services in the United States. ALABAMA BOOK PRINTERS Walker 360 (formerly EBSCO Media) 2700 Hwy 280 S. Suite 350E Mountain Brook, AL 35223 334.832.4975 http://walker360.com [email protected] Top 1% of printers in the nation with facilities in Montgomery and Birmingham. ARIZONA BOOK PRINTERS Epic Print Solutions 3346 W Catalina Dr. Phoenix, AZ 85017 480-625-4682 www.epicprintsolutions.com [email protected] Print on demand and offset printing. Nonfiction Authors Association Page 2 Rev 4/18 CALIFORNIA BOOK PRINTERS Burnett Print Group 2600 W Olive Avenue, 5th Floor Burbank CA 91505 818-653-5118 www.burnettprintgroup.com Focused on sustainability in the manufacturing of high quality print materials. Corporate Color Printing 17855 Fitch Irvine, CA 92614 714-464-6705 or 800-495-0322 www.4printing.net [email protected] After 28 years, a printing company should know how to not disappoint the people who place faith in them. We only accept jobs we know will make you satisfied when our work is under your review. DeHart’s Media Services 6586 Whitbourne Dr. San Jose, CA 95120 408-768-1575 www.deharts.com Whether our customers need a small print run, supported by our short-run digital print technology—also called Print on Demand (POD) or their needs are better suited to direct- to-plate offset technology, DeHART’s offers complete print solutions—including complementary products, software manufacturing, and packaging—to meet our customer’s requirements. -
Stephen Bushansky, Et Al. V. Cafepress Inc., Et Al. 18-CV-01607-Complaint for Violation of the Federal Securities Laws
Case 1:18-cv-01607-UNA Document 1 Filed 10/17/18 Page 1 of 18 PageID #: 1 IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF DELAWARE STEPHEN BUSHANSKY, On Behalf of ) Himself and All Others Similarly Situated, ) Plaintiff, ) ) ) Case No. _____________ v. ) ) JURY TRIAL DEMANDED CAFEPRESS INC., FRED E. DURHAM, III, ) ANTHONY C. ALLEN, MARY ANN ) CLASS ACTION ARICO, KENNETH T. MCBRIDE and ) ALAN B. HOWE, ) Defendants. ) COMPLAINT FOR VIOLATION OF THE FEDERAL SECURITIES LAWS Plaintiff Stephen Bushansky (“Plaintiff”), by and through his undersigned counsel, for his complaint against defendants, alleges upon personal knowledge with respect to himself, and upon information and belief based upon, inter alia, the investigation of counsel as to all other allegations herein, as follows: NATURE OF THE ACTION 1. This is a class action brought on behalf of the public stockholders of CafePress Inc. (“CafePress” or the “Company”) against CafePress and the members of its Board of Directors (the “Board” or the “Individual Defendants”) for their violations of Sections 14(d)(4), 14(e) and 20(a) of the Securities Exchange Act of 1934 (the “Exchange Act”), 15 U.S.C. §§ 78n(d)(4), 78n(e), 78t(a), and U.S. Securities and Exchange Commission (“SEC”) Rule 14d-9, 17 C.F.R. §240.14d-9(d) (“Rule 14d-9”) and to enjoin the expiration of a tender offer (the “Tender Offer”) on a proposed transaction, pursuant to which CafePress will be acquired by Case 1:18-cv-01607-UNA Document 1 Filed 10/17/18 Page 2 of 18 PageID #: 2 Snapfish, LLC (“Snapfish”) through its wholly owned subsidiary Snapfish Merger Sub, Inc. -
Self-Publishing and Collection Development: Opportunities and Challenges for Libraries Robert P
Purdue University Purdue e-Pubs Purdue University Press Books Purdue University Press Fall 9-15-2015 Self-Publishing and Collection Development: Opportunities and Challenges for Libraries Robert P. Holley Wayne State University Follow this and additional works at: https://docs.lib.purdue.edu/purduepress_ebooks Part of the Cataloging and Metadata Commons, and the Collection Development and Management Commons Recommended Citation Holley, Robert P., Self-Publishing and Collection Development: Opportunities and Challenges for Libraries. (2015). Purdue University Press. (Knowledge Unlatched Open Access Edition.) This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Self-Publishing and Collection Development Opportunities and Challenges for Libraries Charleston Insights in Library, Archival, and Information Sciences Editorial Board Shin Freedman Tom Gilson Matthew Ismail Jack Montgomery Ann Okerson Joyce M. Ray Katina Strauch Carol Tenopir Anthony Watkinson Self-Publishing and Collection Development Opportunities and Challenges for Libraries Edited by Robert P. Holley Charleston Insights in Library, Archival, and Information Sciences Purdue University Press West Lafayette, Indiana Copyright 2015 by Purdue University. All rights reserved. Cataloging-in-Publication data on file at the Library of Congress. Contents Foreword i Mitchell Davis (BiblioLabs) Introduction 1 Robert P. Holley (Wayne State University) 1 E-Book Self-Publishing and the Los Gatos Library: A Case Study 5 Henry Bankhead (Los Gatos Library) 2 Supporting Self-Publishing and Local Authors: From Challenge to Opportunity 21 Melissa DeWild and Morgan Jarema (Kent District Library) 3 Do Large Academic Libraries Purchase Self-Published Books to Add to Their Collections? 27 Kay Ann Cassell (Rutgers University) 4 Why Academic Libraries Should Consider Acquiring Self-Published Books 37 Robert P. -
FFF-Preview-Edition.Pdf
Preview Edition / Excerpt Preview Edition © 2009 Scott Kirsner / CinemaTech Books Web site: http://www.scottkirsner.com/fff Cover design by Matt W. Moore. Photo credits: Tobin Poppenberg (DJ Spooky), Dale May (Jonathan Coulton), JD Lasica (Gregg and Evan Spiridellis), Scott Beale/LaughingSquid.com (Ze Frank), Dusan Reljin (OK Go), Todd Swidler (Sarah Mlynowski). Tracy White and Dave Kellett provided their own illustrations. All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means without permission in writing from the author: [email protected]. Feel free to share this book preview or post it online. You can purchase the full book at http://www.scottkirsner.com/fff or Amazon.com 10 9 8 7 6 5 4 3 2 1 Contents Understanding the New Rules 1 Table: Defining the Terms 23 Introduction to the Interviews 24 Film & Video Michael Buckley: Creator of “What the Buck” 25 Mike Chapman: Animator and Writer, “Homestar Runner” 28 Ze Frank: Multimedia Artist and Creator of “theshow” 31 Curt Ellis: Documentary Producer and Writer 36 Michael “Burnie” Burns: Creator of “Red vs. Blue” 39 Sandi DuBowski: Documentary Filmmaker 41 Gregg and Evan Spiridellis: Co-Founders, JibJab Media 43 Timo Vuorensola: Science Fiction Director 47 Steve Garfield: Videoblogger 49 Robert Greenwald: Documentary Filmmaker 51 M dot Strange: Animator 54 Music Jonathan Coulton: Singer-Songwriter 57 Damian Kulash: Singer and Guitarist, OK Go 61 DJ Spooky: Composer, Writer and Multimedia Artist 65 Jill Sobule: Singer-Songwriter 67 Richard Cheese: Singer 70 Chance: Singer-Songwriter 73 Brian Ibbott: Host of the Podcast “Coverville” 75 Visual Arts Natasha Wescoat: Painter, Designer and Illustrator 77 Tracy White: Comics Artist 79 Matt W. -
Northwest Newsletter Vol 54, No
TIME SENSITIVE MATERIAL TIME SENSITIVE MATERIAL 84403 S Ogden, UT 4500875S E Tom Burchard, Circulation Socie ofNorthwest FederationMineralogical Northwest - 2913 Newsletter VOLUME 54, NO. 7 Northwest Federation of Mineralogical Societies AUGUST 2014 ties NFMS Annual Meeting August 15, 2014 4 pm U.S. Paid Postage Non Permit No. 9 Permit No. ID 83318 Burley Hermiston Conference Center, - Profit Profit Org. Hermiston, Oregon See you there ! ! ! Hatrockhound Happenin’ It’s almost time to circle up your wagons and come on down to the biggest little show in town. We hope you have gotten your advanced registration in so you will be ready to relax and enjoy the What’s Inside: show. If you have sent in a registration and haven’t received anything yet, Judi will be gone from July 12-August 5, so there will be a lot of catching up to do upon her return. NFMS Meeting . 1 We are excited about the offerings we have for you as you enjoy the show. On Friday, Ed VPs’ Reports . 3 Thornton will be doing a presentation on Data Assisted Mineral Identification and Greg Tolbert will Bulletin Aids Report . .4 inform about the law of rock, fossil, and mineral collecting. The annual meeting will take place at Editor’s Rockpile. 4 4:00 on Friday. Public Lands Report . .5-6 Saturday is a jam-packed day. First thing, at 8:00 is the Editors’ Breakfast. At 10:00 there Juniors’ Activity . .7 will be an ALAA meeting. After the meeting, you won’t want to miss John George, Executive Club Shows . -
Alessandro Ludovico
POSt- DIGITAL PRINT The Mutation of Publishing since 1894 Alessandro Ludovico ONOMATOPEE 77 In this post-digital age, digital technology is no longer a revolutionary phenomenon but a normal part of every- day life. The mutation of music and film into bits and bytes, downloads and streams is now taken for granted. For the world of book and magazine publishing however, this transformation has only just begun. Still, the vision of this transformation is far from new. For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of publishing? How will they transition, mix and cross over? In this book, Alessandro Ludovico re-reads the history of media technology, cultural activism and the avant- garde arts as a prehistory of cutting through the so-called dichotomy between paper and electronics. Ludovico is the editor and publisher of Neural, a magazine for critical digital culture and media arts. For more than twenty years now, he has been working at the cutting edge (and the outer fringes) of both print publishing and politically engaged digital art. ISBN 9789078454878 90000 > 9 789078 454878 POSt- DIGITAL PRINT The Mutation of Publishing since 1894 Alessandro Ludovico ONOMATOPEE 77 1 2 contents Introduction. 7 Chapter 1 – The death of paper (which never happened). 15 1.1 Early threats to the printed medium. -
Silver City Public Library Guide to Self-Publishing Resources
Silver City Public Library Guide to Self-Publishing Resources There are many possibilities for aspiring authors to publish their work independently. Authors can self-publish in various formats—print, e-book, or audiobook. When working with any type of publishing service, make sure to find out what legal rights you are granting the service provider to your work. As an example, the agreements for Amazon’s CreateSpace and Kindle Direct Publishing request permissions to distribute the work globally. However, they state that the authors retain the copyright. The Silver City librarians and self-publishing panelists are not lawyers, so our ability to offer guidance is very limited. Companies for Self-Publishing e-Books, Print, or Audio Lulu www.lulu.com Publish e-books or printed books. Overview of printing: www.lulu.com/create/books Overview of e-books: www.lulu.com/create/ebooks Terms of service can be found at www.lulu.com/about/legal Draft2Digital draft2digital.com Publish e-books or printed books. An overview of how to use their services: www.draft2digital.com/steps Terms of service can be found at www.draft2digital.com/terms-of-service BookBaby www.bookbaby.com Publish e-books or printed books. Overview of print: www.bookbaby.com/book-printing Overview of e- books: www.bookbaby.com/ebooks Terms of service can be found at www.bookbaby.com/terms-of- service Smashwords www.smashwords.com Details about e-book creation are at www.smashwords.com/about/how_to_publish_on_smashwords Terms of service can be found at www.smashwords.com/about/tos Mercury Heartlink (Stewart Warren) Assistance with design, layout, e-book creation, and print-on-demand: www.heartlink.com/publishing.htm 505-881-2499 Author Solutions authorsolutions.com This company runs Booktango for e-book publishing (see below), and offers print self-publishing too. -
Part 1: Software Printers and Enterprise Customers Are Finding More Software Solutions for >> VDP Success
Digital Publishing Solutions - Subscribe at www.dpsmagazine.com [ CoverStory ] Part 1: Software Printers and enterprise customers are finding more software solutions for >> VDP success. 22 What’s Easier to Do, 23 Harder to Sort Out? Variable data printing (VDP) strategies are on a lot of minds and whiteboards these days. “More people are interested in it because it’s getting easier to do,” stated one industry pundit. The VDP market is as dynamic and diverse as the documents it helps generate. Dozens of companies offer scores of solutions, while users and services providers are busy creating applications by the thousands. This report highlights the diversity of the market and provides a snapshot of some of the many solutions available. BY CARRO FORD WESTON DPS • JANUARY/FEBRUARY 2005 WWW.DPSMAGAZINE.COM WWW.DPSMAGAZINE.COM JANUARY/FEBRUARY 2005 • DPS Digital Publishing Solutions - Subscribe at www.dpsmagazine.com [ CoverStory ] Ease of use, quick deployment, seamless postcards, coupons, newsletters, full-length output generated by billing information a DAM system. For Web-to-print integration, open systems, single platform, proposals, and more, with each individually systems into fully customized documents. applications, one key problem Web-based capabilities, enterprise scalabil- customized by text, image, color, chart, and The company is focused on two verticals: solved by the use of Pageflex tech- ity, and multi-channel delivery—these are layout. Working with QuarkXPress 6.0 for healthcare and retailers. nology is providing accurate some of the terms venders use to describe the Mac OS X, Darwin makes it possible to “Our integrated technology and produc- online previews and online their VDP heaven. -
Library of Congress Collections Policy Statements, Supplementary Guidelines: Independently Published and Self-Published Textual
LIBRARY OF CONGRESS COLLECTIONS POLICY STATEMENTS SUPPLEMENTARY GUIDELINES Independently Published and Self-Published Textual Materials Contents I. Introduction II. Definitions III. Previously overlooked sources IV. Current guidelines V. Poetry and literature Preface This document provides guidance to Library of Congress staff regarding: (a) the dramatic increase of self- published works as a significant portion of and change in the book publishing industry, and (b) the acquisition of independent (indie) and self-published materials. In this document, the term self- published will be understood to include independent or indie publishing. This document applies only to textual works, and not to non-textual works such as sound recordings or moving images. History Self-publishing was a common method of publishing in the 19th century, with authors paying all costs, or publishers asking for subsidies to produce books by new authors or with little apparent commercial value. In 1916 Publishers’ Weekly wrote that the practice was still common, because worthy books with limited appeal needed financial assistance from the author to be published. However, within the next decades, self-publishing had acquired a stigma and a pejorative name: vanity publishing or vanity press. With the advent of the Internet in the 1990s, circumstances were advantageous for changes to the traditional vs. vanity publishing model. Not only did the Internet allow for democratization of information dissemination in general, but specific technologies and subsequent services were developed such as POD (print-on-demand), self-publishing platforms, and hybrid publishers, all of which are contemporary forms of independent publishing. Self-publishing grew along with the development of the e-book and the Internet. -
Digital Printing: How It Will Benefit Readers, Publishers and Booksellers
LOGOS 13(1)_CRC 9/4/02 12:04 PM Page 25 LOGOS Digital printing: How it will benefit readers, publishers and booksellers Jeff Nock In the over 500 years since Gutenberg’s discovery, almost all books have been produced by letterpress or, later, offset or lithography printing. Publishers, bookstores, librarians and readers require books with print quality and fidelity of illustration that, until now, only offset printing could provide. In the last ten years, technology from companies such as Xerox, IBM and Océ has created digital printers able to As founder of the POD and print text as effectively as offset presses. Until e-textbook business of netLibrary recently, however, the production of color covers of Boulder, Colorado, Jeff Nock and halftones in the book block was below publisher and user standards. Also, like all new technology is a pioneer in the development of products, the digital printers have been so expensive digital printing. Before joining that, even if the quality of colors and halftones had netLibrary, he worked for not been an issue, unit costs were too high. thirteen years in publishing, Today the quality of digital printing has printing and book distribution, improved, so that publishers are accepting it for even the most complex books. While halftones including a spell as CEO of have not yet achieved 100% of the quality of offset, EPX/Denver. Nock has a they are close to it. Color in the book block is pos- Bachelors degree in Political sible, but not economically viable, and probably Science from the University of won’t be for three to five years. -
Print on Demand (POD)
Print on demand (POD) is the commonly-used term for the digital printing technology that allows a book to be printed, bound and produced immediately to supply sales orders. POD is not a publishing model, it is a printing model. One of the reasons for the confusion regarding the POD model is that virtually all self-publishing service companies use POD. POD service companies are not publishers, but sellers of publishing services to writers. Their sole function is selling their services, not publishing. They have no vested financial interest in how the book does in the market. Trade publishers frequently use POD until a book starts selling well, justifying the cost of producing a volume of offset produced books, and incurring warehousing and insurance fees. The confusion regarding POD is further fueled by uneducated individuals who see the term POD and immediately think the book is self-published or that no physical books are available for immediate shipment. Even though most Brighton Books are initially produced POD, we maintain an inventory of printed books at the distributor and various other outlets, making the book available for immediate shipment without any delay in waiting for the book to be printed. In reality, the delay in POD printing is minimal, and most POD orders are printed and shipped within 24 hours of the order being received. POD printing is a cost-effective method of producing books without having to print and warehouse book inventories. Prior to POD technology, books were produced on offset press in varying quantities, transferred to the warehouse where they were placed on pallets waiting for sales.