Considerations for Self Publishing
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Book Self-Publishing Best Practices
Montana Tech Library Digital Commons @ Montana Tech Graduate Theses & Non-Theses Student Scholarship Fall 2019 Book Self-Publishing Best Practices Erica Jansma Follow this and additional works at: https://digitalcommons.mtech.edu/grad_rsch Part of the Communication Commons Book Self-Publishing Best Practices by Erica Jansma A project submitted in partial fulfillment of the requirements for the degree of M.S. Technical Communication Montana Tech 2019 ii Abstract I have taken a manuscript through the book publishing process to produce a camera-ready print book and e-book. This includes copyediting, designing layout templates, laying out the document in InDesign, and producing an index. My research is focused on the best practices and standards for publishing. Lessons learned from my research and experience include layout best practices, particularly linespacing and alignment guidelines, as well as the limitations and capabilities of InDesign, particularly its endnote functionality. Based on the results of this project, I can recommend self-publishers to understand the software and distribution platforms prior to publishing a book to ensure the required specifications are met to avoid complications later in the process. This document provides details on many of the software, distribution, and design options available for self-publishers to consider. Keywords: self-publishing, publishing, books, ebooks, book design, layout iii Dedication I dedicate this project to both of my grandmothers. I grew up watching you work hard, sacrifice, trust, and love with everything you have; it was beautiful; you are beautiful; and I hope I can model your example with a fraction of your grace and fruitfulness. Thank you for loving me so well. -
How to Choose a Self-Publishing Service ALLI #1
ALLi (The Alliance of Independent Authors) is the nonprofit professional association for authors who self-publish and want to do it well. Our motto is “Working together to help each other” How to Choose a Self-Publishing Service ALLI #1 As soon as an author starts to consider self-publishing, questions begin to arise. Some are fear-based questions like: What will others think? Will I have the same status as a “properly” published writer? These we can ignore, as we must ignore all self-doubt that interferes with creative output and flow. But valid, work- centered, creative questions also arise: “Do I have what it takes to go it alone and publish well?” “What services and supports do I need?” “What kind of provider is best for me as an author and the book I want to publish?” “How much will it cost me?” “How much can I make? Do I want to make a living at this?” “Who offers the best services for me and this particular project?” It’s not easy. An industry has sprung up We all need editors and good promotional around self-publishing and it’s growing at plans, at a minimum, if we are to do this great speed, with trade publishers who job well. Many others need assistance with traditionally invested in authors now design and production issues and publicity. getting charging for services. This is why author services are now in big demand. To become a self-publisher is to step from one work sector into another. Writing is When demand for any service is high, self-expression; publishing is business, for scammers and schemers circle. -
The Four Paths to Publishing
THE FOUR PATHS TO PUBLISHING Revolutionary changes and unprecedented opportunities in publishing have established four clear paths that authors follow to achieve their publishing goals. by Keith Ogorek Senior Vice President of Marketing and Product Development Author Solutions, Inc. The past four years have brought about more upheaval in the publishing industry than the previous 400 years combined. From the time Gutenberg invented the printing press until the introduction of the paperback about 70 years ago, there weren’t many groundbreaking innovations. However, in the last few years, the publishing world has undergone an indie revolution similar to what occurred in the film and music industries. With the introduction of desktop publishing, print-on-demand technology, and the Internet as a direct-to-consumer distribution channel, publishing became a service consumers could purchase, instead of an industry solely dependent on middlemen (agents) and buyers (traditional publishers). In addition, the exponential growth of e-books and digital readers has accelerated change, because physical stores are no longer the only way for authors to connect with readers. While these changes have made now the best time in history to be an author, they have also made it one of the most confusing times to be an author. Not that long ago, there was only one way to get published: find an agent; hope he or she would represent you; pray they sell your book proposal to a publisher; trust the publisher to get behind the book and believe in the project; and hope that readers would go to their local bookstore and buy your book. -
List of Book Printers in the United States and Beyond
List of Book Printers in the United States and Beyond TOP BOOK PRINTERS IngramSpark 1 Ingram Blvd. La Vergne, TN www.ingramspark.com Support: [email protected] Australia: [email protected] International: [email protected] Print on demand printing and distribution services. A division of Ingram. Baker and Taylor Publisher Services (formerly BookMasters) 30 Amberwood Parkway Ashland OH 44805 567-215-0030 800-537-6727 www.bookmasters.com/ Bookmasters, based in Ashland, Ohio, is one of the largest providers of customized publisher services in the United States. ALABAMA BOOK PRINTERS Walker 360 (formerly EBSCO Media) 2700 Hwy 280 S. Suite 350E Mountain Brook, AL 35223 334.832.4975 http://walker360.com [email protected] Top 1% of printers in the nation with facilities in Montgomery and Birmingham. ARIZONA BOOK PRINTERS Epic Print Solutions 3346 W Catalina Dr. Phoenix, AZ 85017 480-625-4682 www.epicprintsolutions.com [email protected] Print on demand and offset printing. Nonfiction Authors Association Page 2 Rev 4/18 CALIFORNIA BOOK PRINTERS Burnett Print Group 2600 W Olive Avenue, 5th Floor Burbank CA 91505 818-653-5118 www.burnettprintgroup.com Focused on sustainability in the manufacturing of high quality print materials. Corporate Color Printing 17855 Fitch Irvine, CA 92614 714-464-6705 or 800-495-0322 www.4printing.net [email protected] After 28 years, a printing company should know how to not disappoint the people who place faith in them. We only accept jobs we know will make you satisfied when our work is under your review. DeHart’s Media Services 6586 Whitbourne Dr. San Jose, CA 95120 408-768-1575 www.deharts.com Whether our customers need a small print run, supported by our short-run digital print technology—also called Print on Demand (POD) or their needs are better suited to direct- to-plate offset technology, DeHART’s offers complete print solutions—including complementary products, software manufacturing, and packaging—to meet our customer’s requirements. -
Please Order Books by Using the Contact Information Listed Under Each Press's Name, Or Visit Your Local Bookstore Or Online R
Please order books by using the contact information listed under each press’s name, or visit your local bookstore or online retailer. DEARTIME PUBLISHER WHITE CLOUD PRESS CLASSICAL GIRL PRESS [email protected], www.deartime.com PO Box 3400, Ashland, OR 97520 1095 Middleton Dr. Boulder Creek CA 95006; (541) 488-6415 (831) 338-4023; DEAR TIME: CIRCLE OF www.whitecloudpress.com www.classicalgirlpress.com, [email protected] LIFE by Jon Ng THE CHARISMA CODE OUTSIDE THE LIMELIGHT Premonitions, nightmares, and paranor- Communicating in a Language Beyond by Terez Mertes Rose mal phenomena bring John and Jeanne Words Kirkus’ Indie Books of the Month Selec- together as they journey the world in by Robin Sol Lieberman tion Jan 2017. Two competing dancer search of answers connecting the past, “The Charisma Code offers a wealth of sisters reexamine loyalty when a devastat- present, and future. tools for resolving conflict, inspiring en- ing medical condition leaves one fighting 9789671457900 • Paperback, $18.99 gagement, and changing culture.” –Tony for her career. “A lovely and engaging tale Hsieh, CEO, Zappos.com. of sibling rivalry in the high-stakes dance 9789671457917 • eBook, $2.99 world.” – Kirkus 9781940468402 • Paper, $18.95 492 pages • Fiction, Epic Fantasy 9780986093432 • Paper, $12.99 240 pages • Leadership / Personal Growth Available on Ingram, barnesandnoble. 390 pages • Contemporary women’s com, amazon.com, & lulu.com. See author’s website: robinsol.com. fiction Also available at amazon.com and your Author website: terezrose.com. Available favorite independent booksellers. through amazon.com and Ingram Book Company. IVORY LEAGUE PUBLISHING NATURE SPEAKS NICK BROWN www.ivoryleaguepublishing.com Art & Poetry for the Earth [email protected], www.theapologybook.com. -
The Chapbooks and Broadsides of James Chalmers III, Printer in Aberdeen: Some Re-Discoveries and Initial Observations on His Woodcuts
The Chapbooks and Broadsides of James Chalmers III, Printer in Aberdeen: Some Re-discoveries and Initial Observations on His Woodcuts IAIN BEAVAN BACKGROUND This essay consists of two related elements. First, an empirical discussion of recent evidence to emerge for chapbook and broadside production in Aberdeen. Second, a consideration of some features of the woodcuts used by James Chalmers III and other chapbook printers, which, in the present context, provide the central evidential theme of this investigation. Previous and contemporary scholars have argued that the north-east of Scotland has the richest ballad and popular song tradition in Britain, and that an analysis of Francis Child’s still unsurpassed and authoritative fi ve-volume compilation, The English and Scottish Popular Ballads, shows that ‘one-third of Child’s Scottish texts and almost one-third of his A-texts [his base or ‘prime’ texts, from which variants may be identifi ed] come from Aberdeenshire’.1 Moreover, ‘of some 10,000 variants of Lowland Scottish songs recorded by the School of Scottish Studies [of Edinburgh University] … several thousand are from the Aberdeen area alone’.2 From the early eighteenth century, popular lowland Scottish song had found itself expressed in printed form, early appearances having been James Watson’s Choice Collection of Comic and Serious Scots Poems, 3 parts (Edinburgh, 1706–11), followed by the Edinburgh Miscellany (Edinburgh, 1720) and Allan Ramsay’s Tea-table Miscellany (Edinburgh, 1723).3 From the mid-eighteenth century also, Scottish chapbook texts appeared in ever increasing numbers, given over to different sub-genres, including histories, prophecies, humorous stories and collections of songs (often called garlands). -
Self-Publishing and Collection Development: Opportunities and Challenges for Libraries Robert P
Purdue University Purdue e-Pubs Purdue University Press Books Purdue University Press Fall 9-15-2015 Self-Publishing and Collection Development: Opportunities and Challenges for Libraries Robert P. Holley Wayne State University Follow this and additional works at: https://docs.lib.purdue.edu/purduepress_ebooks Part of the Cataloging and Metadata Commons, and the Collection Development and Management Commons Recommended Citation Holley, Robert P., Self-Publishing and Collection Development: Opportunities and Challenges for Libraries. (2015). Purdue University Press. (Knowledge Unlatched Open Access Edition.) This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Self-Publishing and Collection Development Opportunities and Challenges for Libraries Charleston Insights in Library, Archival, and Information Sciences Editorial Board Shin Freedman Tom Gilson Matthew Ismail Jack Montgomery Ann Okerson Joyce M. Ray Katina Strauch Carol Tenopir Anthony Watkinson Self-Publishing and Collection Development Opportunities and Challenges for Libraries Edited by Robert P. Holley Charleston Insights in Library, Archival, and Information Sciences Purdue University Press West Lafayette, Indiana Copyright 2015 by Purdue University. All rights reserved. Cataloging-in-Publication data on file at the Library of Congress. Contents Foreword i Mitchell Davis (BiblioLabs) Introduction 1 Robert P. Holley (Wayne State University) 1 E-Book Self-Publishing and the Los Gatos Library: A Case Study 5 Henry Bankhead (Los Gatos Library) 2 Supporting Self-Publishing and Local Authors: From Challenge to Opportunity 21 Melissa DeWild and Morgan Jarema (Kent District Library) 3 Do Large Academic Libraries Purchase Self-Published Books to Add to Their Collections? 27 Kay Ann Cassell (Rutgers University) 4 Why Academic Libraries Should Consider Acquiring Self-Published Books 37 Robert P. -
Northwest Newsletter Vol 54, No
TIME SENSITIVE MATERIAL TIME SENSITIVE MATERIAL 84403 S Ogden, UT 4500875S E Tom Burchard, Circulation Socie ofNorthwest FederationMineralogical Northwest - 2913 Newsletter VOLUME 54, NO. 7 Northwest Federation of Mineralogical Societies AUGUST 2014 ties NFMS Annual Meeting August 15, 2014 4 pm U.S. Paid Postage Non Permit No. 9 Permit No. ID 83318 Burley Hermiston Conference Center, - Profit Profit Org. Hermiston, Oregon See you there ! ! ! Hatrockhound Happenin’ It’s almost time to circle up your wagons and come on down to the biggest little show in town. We hope you have gotten your advanced registration in so you will be ready to relax and enjoy the What’s Inside: show. If you have sent in a registration and haven’t received anything yet, Judi will be gone from July 12-August 5, so there will be a lot of catching up to do upon her return. NFMS Meeting . 1 We are excited about the offerings we have for you as you enjoy the show. On Friday, Ed VPs’ Reports . 3 Thornton will be doing a presentation on Data Assisted Mineral Identification and Greg Tolbert will Bulletin Aids Report . .4 inform about the law of rock, fossil, and mineral collecting. The annual meeting will take place at Editor’s Rockpile. 4 4:00 on Friday. Public Lands Report . .5-6 Saturday is a jam-packed day. First thing, at 8:00 is the Editors’ Breakfast. At 10:00 there Juniors’ Activity . .7 will be an ALAA meeting. After the meeting, you won’t want to miss John George, Executive Club Shows . -
Download the Practice Guidelines
versionversion 1.0 1.1 Arthur C. Evans Jr., Ph.D., Commissioner Philadelphia Behavioral Health Services Transformation Practice Guidelines for Recovery and Resilience Oriented Treatment Transformation is more jazz than scored music. William L. White author, senior research consultant Philadelphia BehaVIORal Health SERVices TRANSFORMATION PRACTICE GUIDELINES FOR RecOVERY and Resilience ORiented TReatment Co-Authors Ijeoma Achara Abrahams, PsyD OmiSadé Ali, MA Larry Davidson, PhD Arthur C. Evans, PhD Joan Kenerson King, RN, MSN, APRN-BC Paul Poplawski, PhD William L. White, MA © 2013 by AuthorHouse Publishers. First published in The United States of America Philadelphia Department of Behavioral Health All rights reserved. No part of this book By AuthorHouse a Author Solutions brand and Intellectual disAbility Services may be reproduced in any form without and book publishing company written permission of the copyright owners. 1663 Liberty Drive All images in this book have reproduced Bloomington, Indiana 47403 with the knowledge and prior consent of 888.519.5121 the artists concern, and no responsibility www.authorhouse.com is accepted by producer, publisher, printer, ISBN: 978-1-4817-5741-0 or parent companies for any infringement Layout design: Sadé Ali of copyright or otherwise, arising from the Cover design: Monava Jones contents of this publication. Every effort has been made to ensure that credits accurately Printed in the USA on acid free paper comply with information supplied. Dear Stakeholders, We are at a critical juncture in the history of healthcare in the United States. The recently enacted healthcare reform legislation is shifting the landscape for all health-related services. Philadelphia is extremely fortunate to be building on a long history of innovative services, and so we are poised to meet the challenges of this new era in healthcare. -
Alessandro Ludovico
POSt- DIGITAL PRINT The Mutation of Publishing since 1894 Alessandro Ludovico ONOMATOPEE 77 In this post-digital age, digital technology is no longer a revolutionary phenomenon but a normal part of every- day life. The mutation of music and film into bits and bytes, downloads and streams is now taken for granted. For the world of book and magazine publishing however, this transformation has only just begun. Still, the vision of this transformation is far from new. For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of publishing? How will they transition, mix and cross over? In this book, Alessandro Ludovico re-reads the history of media technology, cultural activism and the avant- garde arts as a prehistory of cutting through the so-called dichotomy between paper and electronics. Ludovico is the editor and publisher of Neural, a magazine for critical digital culture and media arts. For more than twenty years now, he has been working at the cutting edge (and the outer fringes) of both print publishing and politically engaged digital art. ISBN 9789078454878 90000 > 9 789078 454878 POSt- DIGITAL PRINT The Mutation of Publishing since 1894 Alessandro Ludovico ONOMATOPEE 77 1 2 contents Introduction. 7 Chapter 1 – The death of paper (which never happened). 15 1.1 Early threats to the printed medium. -
The Woodcut in Early Printed Books. Part I: the Title Page (1477-1549)
THE ART OF THE WOODCUT IN EARLY PRINTED BOOKS I. The Title Page: Borders & Devices 1477 - 1549 Maggs Bros. Ltd. 48 Bedford Square London WC1B 3DR Maggs Bros. Ltd. are pleased to present the first instalment of a series of short lists on the subject of woodcut illustration in the early printed book. These lists are intended as a broad survey of the use and evolution of the form across Europe from the fifteenth century onwards. So ubiquitous in early printing as to be frequently overlooked, woodcuts were employed in multitudinous and versatile ways by printers; from their own devices to decorative borders, geometric diagrams to illustrative vignettes, simple, decorative ornaments to sumptuous illustrations. For this first instalment (which will be in two parts, arranged chronologically), we begin at the beginning, with the title page. The earliest extant use of a title on a separate page, preceding the text, was in 1463; thirteen years later Ratdolt, in Venice, printed the first decorated title border in woodcut (seeItem 1; Cole, 305). After Ratdolt, we see the variety of styles that developed across Europe in the decades before 1550. ‘The first thirty years of the sixteenth century saw the greatest efflorescence in the history of the woodcut, both in single sheet designs and in book illustrations’ (Griffith, 18). That is evident here. We move from the crude and copied cuts of Florence, and particularly Venice’s thriving popular print market (Items 5, 9, 13, 20), to the elaborate designs of Graf (Item 6), Holbein (11) and Woensam (15) in Germany and Oronce Finé (12) in France. -
Silver City Public Library Guide to Self-Publishing Resources
Silver City Public Library Guide to Self-Publishing Resources There are many possibilities for aspiring authors to publish their work independently. Authors can self-publish in various formats—print, e-book, or audiobook. When working with any type of publishing service, make sure to find out what legal rights you are granting the service provider to your work. As an example, the agreements for Amazon’s CreateSpace and Kindle Direct Publishing request permissions to distribute the work globally. However, they state that the authors retain the copyright. The Silver City librarians and self-publishing panelists are not lawyers, so our ability to offer guidance is very limited. Companies for Self-Publishing e-Books, Print, or Audio Lulu www.lulu.com Publish e-books or printed books. Overview of printing: www.lulu.com/create/books Overview of e-books: www.lulu.com/create/ebooks Terms of service can be found at www.lulu.com/about/legal Draft2Digital draft2digital.com Publish e-books or printed books. An overview of how to use their services: www.draft2digital.com/steps Terms of service can be found at www.draft2digital.com/terms-of-service BookBaby www.bookbaby.com Publish e-books or printed books. Overview of print: www.bookbaby.com/book-printing Overview of e- books: www.bookbaby.com/ebooks Terms of service can be found at www.bookbaby.com/terms-of- service Smashwords www.smashwords.com Details about e-book creation are at www.smashwords.com/about/how_to_publish_on_smashwords Terms of service can be found at www.smashwords.com/about/tos Mercury Heartlink (Stewart Warren) Assistance with design, layout, e-book creation, and print-on-demand: www.heartlink.com/publishing.htm 505-881-2499 Author Solutions authorsolutions.com This company runs Booktango for e-book publishing (see below), and offers print self-publishing too.