FADA Annual Report 2012
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Introduction by Andrew Flatau
Introduction by Andrew Flatau The provocative Victor Gordon: art on the edge mount a powerful exhibition of his anti-apartheid art. When he could not find a mainstream commercial gallery to host the show, As Steven Dubin has so passionately and eloquently expressed in he wandered into the Waterside Workers Union Hall in Sydney his Foreword, Victor Gordon—the artist whose political awakening and presented Union officials with his proposal for a show, which during the traumatic period of South African apartheid was featured a full-scale stage set of a fascist political meeting. The sustained through a powerful series of anti-apartheid art projects officials discussed the proposal and, having appreciated Gordon’s in exile/refuge in Australia—is an inveterate slayer of ideological uncompromisingly satirical approach, accepted it with a proviso: the dragons and a deeply committed, uncompromising and provocative Union would give the artist the liberty of its hall, but unfortunately advocate for individual freedoms and political justice, whose hard- it could not pay him to curate the exhibition. Bless them! edged art relentlessly challenges the viewer to engage.1 Behold the Lands where Satan reigns (1990; see plate 5) was duly Dubin refers to the second coming of Gordon’s reputation in South installed, complete with stage lighting as well as Mnr Die Ware Africa, which is encapsulated in the repatriation, by the Ifu Lethu Jacob (1986–1990; see plate 180), an elaborate assemblage (‘Our Heritage’) Foundation, of some of his most potent political which is now touring with the Ifa Lethu exhibition. It encloses a works. -
February 2013 Teacher.Co.Za Reducing Disciplinary Challenges a System That Works
Thanking Educators School your do parent no drop off teacher learners zone Page 13 Page 16 Page 17 Your Guide to Education •February 2013 teacher.co.za Reducing disciplinary challenges A system that works PBIS schools equip learners with pro-social behavioural skills. Kutlwano Khumalo is in Grade 3 at Vuleka School, the first PBIS school. Page 20. Photo: Oupa Nkosi 2 Career February 2013 theTeacher Helping in her blood Driving for people with physical disabilities Thabo Mohlala aroline Rule works as an occupational therapist and a driving consultant for people with disabili- ties such as a spinal cord Cinjury and amputations. After assessing their remaining functionality and how best they can use it, she recommends driving adap- tations that would enable them to be behind the steering wheel safely and independently, as well as how they will get their wheelchairs in and out of the car. She then refers them to the relevant companies that can build the adaptations and in an ongoing way, she works with these companies to brainstorm even more effective solutions. Where a person has had a stroke or head injury, they undergo a physical and cognitive assessment and then team up with a driving instructor to do an on-road driving test to assess whether it will be safe for the person to drive. Rule also helps manage the Driving Ambitions driving school, owned by the QuadPara association. They have two adapted vehicles that they use to Caroline Rule is passionate about the mobility of the physically disabled. Photo: Delwyn Verasamy teach people with disabilities to drive. -
A Report on the Mapping Study of Peace & Security Engagement In
A Report on the Mapping Study of Peace & Security Engagement in African Tertiary Institutions Written by Funmi E. Vogt This project was funded through the support of the Carnegie Corporation About the African Leadership Centre In July 2008, King’s College London through the Conflict, Security and Development group (CSDG), established the African Leadership Centre (ALC). In June 2010, the ALC was officially launched in Nairobi, Kenya, as a joint initiative of King’s College London and the University of Nairobi. The ALC aims to build the next generation of scholars and analysts on peace, security and development. The idea of an African Leadership Centre was conceived to generate innovative ways to address some of the challenges faced on the African continent, by a new generation of “home‐grown” talent. The ALC provides mentoring to the next generation of African leaders and facilitates their participation in national, regional and international efforts to achieve transformative change in Africa, and is guided by the following principles: a) To foster African‐led ideas and processes of change b) To encourage diversity in terms of gender, region, class and beliefs c) To provide the right environment for independent thinking d) Recognition of youth agency e) Pursuit of excellence f) Integrity The African Leadership Centre mentors young Africans with the potential to lead innovative change in their communities, countries and across the continent. The Centre links academia and the real world of policy and practice, and aims to build a network of people who are committed to the issue of Peace and Security on the continent of Africa. -
Hands On! Masks Off!
28 JUNE - 8 JULY 2012 HANDS ON! MASKS OFF! COMPLETING THE PUZZLE A series of workshops at the National Arts Festival, presented by Business and Arts South Africa with support from the SA Post Office. Growing the art of partnerships Seed to strength to sustainability Corporate Members: ABSA KWV Telkom SA Ltd Adele Lucas Promotions KykNet Terraplane Africa Empowered Le Canard Restaurant The Brand Leadership Group Anglo American Leaders Unlimited The Cement and Concrete Institute Anglogold Ashanti Legacy Group Holdings The Forum Artinsure Lemnis Lighting Africa The Grand Daddy Hotel Atterbury Live Wire Learning (Pty) Ltd The Sharks (Pty) Ltd ATKV Lombard Insurance Company Ltd The Soweto Hotel on Freedom Square Avalon Group Lotsha Ministries Trust The Walt Disney Company Africa Bell Dewar Louis Karol Architecture & Interiors TIXSA BHP Billiton Mastrantonio Holdings Total Exposure Black Coffee Design CC Matchboxology Translate.org.za Black Brand, Strategy and Design (Pty) Ltd Matumi Corporate Advisors (Pty) Ltd Transnet Foundation BMI Sponsorwatch (Pty) Ltd Mandela Bay Development Agency Trainiac SA (Pty) Ltd Boston Media House MayFord Seeds 3 Millar Warehouse CC Breinstorm Brand Architects Media 24 Ltd Vega the Brand Communication School Brown Spice Boutique CC Mercedes-Benz SA (Pty)Ltd, Vodacom Buz Publicity formerly Daimler Chrysler VWV Productions (Pty) Ltd Cape Town Partnership Middel & Partners Wag the Dog Publishers (Pty) Ltd Cell C Mobile Telephone Networks (MTN) Webber Wentzel Citadel, Private Client Wealthcare Models International -
Polish President Kaczynski's Death a Loss to Jews, Israel
BUTOH - WHERE DANCERS BOOKS: THE IMPROVISE / 12 BOY WHO BOEING BOEING - REASON HARVESTED TO STAY FAITHFUL / 12 THE WIND / 13 Subscribe FREE to Jewish Report’s weekly e-mail edition. Go to www.sajewishreport.co.za www.sajewishreport.co.za Friday, 16 April 2010 / 2 Iyar 5770 Volume 14 Number 13 Goldstone Polish President Kaczynski’s ‘barred’ from grandson’s death a loss to Jews, Israel barmitzvah / 3 PAGE 8 MOTTY SACKS: Religious leaders should sing Hatikvah / 14 Israel’s birthday celebrations / 3, 11, 23 Iran - first ‘suicide state’? / 11 Paula Slier - Settlers are powder keg / 9 Exposing the al-Durrah blood libel / 8 Literary circles mourn death of Shirley Kossick / 16 Holocaust survivor Dr Nathan Durst, displays the yellow star with the word "Jood" (Jew), he A bevy of NOW A BADGE and other Jews in Europe were made to wear during the Second World War. Today that anti- Jewish symbol, has become a symbol of dignity of a people who would not surrender to the beautiful brides Nazi plan to exterminate them. Durst was guest speaker at the Yom Hashoah commemorations OF HONOUR in Johannesburg. (PHOTOGRAPH: ILAN OSSENDRYVER) SEE PAGES 4-6, 24 / 21 YOUTH / 18-19 SPORTS / 24 LETTERS / 14-17 CROSSWORD & BRIDGE / 20 COMMUNITY BUZZ / 7 WHAT’S ON / 20 2 SA JEWISH REPORT 16 - 23 April 2010 PARSHA OF THE WEEK SHABBAT TIMES April 16/2 Iyar Published by April 17/3 Iyar S A Jewish Report (Pty) Ltd, Suite 175, Postnet X10039, The ethical symbolism of milah for all time. Having attained perfec- Tazria/Metzora Randburg, 2125 tion of nature, the Creative Energy Tel: (011) 023-8160 WHILE THE instruction to of the world rested on the seventh Abraham to circumcise himself day. -
Careers Matter May 2015 Changed.Indd
10 Careers Matter, supplement to the Mail & Guardian May 29 to June 4 2015 Helpful contacts General enquiries: [email protected] Johannesburg: Tel 011 327 2002 Durban North: Tel 031 573 2038 King Sabata Dalindyebo FET College Cape Town Campus: PO Box 3423, Fax 086 409 1627 [email protected] Fax: 031 563 2268 (Mthatha) Cape Town 8000 Fax 021 422 1827 Pretoria: Tel 012 346 2189 Fax 086 409 1627 [email protected] Tel 047 505 1000 Fax 047 536 0932 Johannesburg Campus: PO Box 2289, [email protected] www.inscape.co.za Durban West: Tel 031 266 8400 [email protected] Parklands 2121 Fax 011 781 2796 Fax 031 266 9009 Engcobo Campus: Tel 047 548 1467 Intec College (Distance Learning) [email protected] Libode Ntshuba Campus: Tel 083 477 6972 AFDA Film, TV and Performance School Tel 021 417 6700 Fax 021 419 1210 Midrand: Tel 010 224 4300 Mapuzi Campus: Tel 047 575 9044 Cape Town: Tel 021 448 7500 www.intec.edu.za Fax 086 6126058 Mngazi Campus: Tel 047 576 9469 Fax 021 448 7610 [email protected] [email protected] Mthatha Campus: Tel 047 5360 923 Durban: Tel 031 569 2252 / 2317 Leaders in the Science of Fashion (Lisof) Pietermaritzburg: Tel 033 386 2376 Ntabozuko Campus: Tel 047 575 9044 [email protected] Johannesburg: Fax 033 386 3700 www.ksdfetcollege.co.za Johannesburg: Tel 011 482 8345 Tel 086 11 54763 Fax 011 326 1767 [email protected] Fax 011 482 8347 Pretoria: Tel 012 362 6827 Port Elizabeth: PO Box 27436, Lovedale FET College [email protected] Fax 086 695 1843 Greenacres 6057 (King William’s -
Conference Programme
DEFSA Conference 2009, 4 & 5th November, Graaff Reinet "Opening gates, between and beyond design disciplines" Provisional programme Wednesday 4 November Time DEFSA CONFERENCE MOHAIR SUMMIT 07:30 – 08:30 Registration and refreshments 08:30 – 08:50 Entertainment by the Mohair Summit 08:50 – 09:00 Welcome by DEFSA President Amanda Breytenbach 08:50 – 09:05 Welcome message 09:00 – 09:20 Interdisciplinary theory teaching: Can one size really fit all? 09:05 – 09:15 Official welcome Karen von Veh and Landi Raubenheimer, University of Johannesburg 09:20 – 09:40 Making space for identity, diversity and voice in a trancultural visual arts community of practice Mary Duker, Nelson Mandela Metropolitan University 09:15 – 10:00 Government papers 09:40 – 10:00 Meeting the challenges in modern design education 10:00 – 10:15 Launch of new mohair lifestyle Helen Bührs and Mornay Schoeman, Inscape Design College range 10:00 – 10:15 Panel discussion 10:15 – 10:45 TEA 10:45 – 11:05 Recognising and Developing Social and Environmental Ethics within a Visual Communication Programme in South Africa Nina Joubert and Inge Economou, Nelson Mandela Metropolitan University Refreshments 11:05 – 11:25 Wild Tussah Silk touching the emotional and spiritual side of humanity 11:00 – 12:30 Panel discussion: Going Green Lisa Slegtenhorst and Nelia Venter, Central University of Technology 11:25 – 11:45 The “Other” Side of Design Education: Creative Encounter and Discovery through Play Theresa Hardman, Nelson Mandela Metropolitan University 11:45 – 12:00 Panel discussion 12:00 -
14/03/2008 (Internal Question P
NATIONAL ASSEMBLY FOR WRITTEN REPLY QUESTION 473 DATE OF PUBLICATION OF INTERNAL QUESTION PAPER: 14/03/2008 (INTERNAL QUESTION PAPER 09-2008) 473. Mrs D van der Walt (DA) to ask the Minister of Education: (1) In each of the past ten years up to and including 2007, (a)(i) how many education providers were (aa) registered and (bb) accredited by the SA Qualification Authority (Saqa) and (ii) what are their names, (b)(i) how many education providers received provisional accreditation, (ii) what are their names and (iii) when did they receive it and (c)(i) how many of these providers have since received actual or full accreditation and (ii) when did they receive it; (2) whether any education providers lost their accreditation, if so, (a) what are their names, (b) when did this occur and (c) why, in each case? NW1113E REPLY: Private Higher Education Institutions The Department of Education is responsible for the registration of private higher education institutions. The responsibility for accreditation vests with the Higher Education Quality Committee (HEQC) of the Council on Higher Education (CHE). (a) (i) In the period up to 2007, 443 institutions lodged applications for registration as private higher education institutions in terms of the Higher Education Act, 1997 (Act No 101 of 1997). Of these, the Department registered 144 institutions, either provisionally or with full registration.. (bb) All institutions that have been granted registration would have obtained accreditation initially by SAQA and later by the Council on Higher Education (CHE). (ii) The 144 registered institutions that were registered by the Department after undergoing a quality assurance evaluation are listed in Table 1. -
REPORT 2009 1 April 2009 to 31 March 2010
ANNUAL REPORT 2009 1 April 2009 to 31 March 2010 1 SACAP Annual Report 2009 - 2010 Section One Governance Highly competent Operationally ensuring Transparency: architectural excellence in Disclosing information professionals performance and responsibly and compliant with service delivery and promoting a culture of international best fostering collaborative openness practice and serving relationships with Respect: Treating the needs of roleplayers in order to: everyone with the developing • be responsive to the highest regard and economies. needs of the public dignity starting with • maintain a quality and greeting sustainable skills Accountability: base in the Accepting responsibility profession Courtesy: Being • ensure good friendly, helpful and governance which thoughtful at all times results in a positive Professionalism: impact on built Vision Conducting ourselves in environment practice line with best practice, • grow the information Values e.g. good planning, and knowledge hub decision-making, • promote communication, doing Mission transformation and one’s job, doing what is diversity within the right built environment Integrity: Exhibiting honesty, trust and ethical behaviour 2 SACAP Annual Report 2009 - 2010 Section One Governance ANNUAL REPORT 2009 1 April 2009 to 31 March 2010 3 SACAP Annual Report 2009 - 2010 Contents SECTION ONE SECTION TWO SECTION THREE SECTION FOUR GOVERNANCE OPERATIONS MANDATES ACCOUNTS & INTRODUCTION: THE ROLE OF THE CHIEF OPERATIONS OFFICER REPORT ACCREDITATION 40 FINANCIALS ARCHITECTURAL PROFESSION IN -
Call for Papers
OPENING GATES: REFLECTING ON THE LIAISON ROLE OF THE DESIGN EDUCATION FORUM OF SOUTHERN AFRICA AT A TERTIARY LEVEL Amanda BREYTENBACH Faculty of Art, Design and Architecture, University of Johannesburg Abstract The paper reflects on how DEFSA has delivered on the Forum’s first aim, with specific focus on the liaison activities that takes place at a tertiary level. This aim, as documented in the DEFSA Constitution, reads “Ensuring that liaison is maintained between relevant primary, secondary and tertiary levels of education in matters pertaining to design education, between technikons, universities, technical colleges, private institutions, education authorities and the design industry” (DEFSA, 2007a). This paper focuses on the manner in which liaison has been maintained over the past 18 years, through the use of the DEFSA conferences, between tertiary institutions and between similar design disciplines. The liaison activities are associated with gates of opportunities that are opened and as a result connect people, institutions and design disciplines nationally and abroad. The reflection is conducted over three time periods; past, present and future. The first time period described as the Technikon phase, reflects on the past history and liaisons that took place from DEFSA’s inception in 1991 to the announcement of the higher education institutional mergers in 2002. The second period reflects on the present, which includes the merger period. This phase described as the Higher Education merger and restructuring phase, reflects on the impact of the merger, the restructuring of the design education landscape, design programme offerings and the role that DEFSA fulfilled during this period. Lastly, the third period presents a future projection by reflecting on the current expectations and challenges that impact on the future of DEFSA. -
Policy and Procedures for Inscape Design College (PTY)
INSCAPE EDUCATION GROUP Admission policy and procedure V2021, R02, U01 Admission into a Qualification programme stems from various rules and regulations set out by Universities South Africa (USAf). Inscape also adopts the Council on Higher Education (CHE’s) frameworks and applicable regulations for Admissions, Credit Accumulation transfer (CAT) and Recognition of Prior Learning (RPL) based on the Policies for RPL, CAT and Assessment in Higher Education published in August 2016. The following Policy and rules apply to all Contact and Distance programmes offered by Inscape. Where Distance programmes warrant specific rules, procedures or requirements, these are stated in the Policy document. All Policies and Procedures are reviewed and updated as necessary on a regular basis, and students will be kept informed of these reviews/updates. It remains the responsibility of students and staff to remain up to date with the latest Inscape Policies and Procedures. THE FOLLOWING PROCEDURES NEED TO BE READ IN CONJUNCTION WITH THE STUDENT AND/OR LECTURER HANDBOOK CONTENTS 1. ADMISSION POLICY OBJECTIVE / INTENTION 3 2. ADMISSION CRITERIA 3 2.1. Admission requirements 3 2.1.1. Higher Certificate Programmes 3 2.1.2. Diploma programmes 3 2.1.3. Degree Programmes 3 2.1.4. BA Honours in Design 4 2.1.5. Short Courses 4 3. RPL and CAT 4 4. Special Admissions 4 4.1. USAf 4 4.2. SAQA 5 4.2.1. Mature Age Exemption 5 4.2.2. Home schooling or other schooling systems 6 4.2.3. Degree exemption 6 4.2.4. International Students 6 4.2.4.1. -
Sun Shining Australia Since 1987
SPINE < FOLD IN FLAP > BACK COVER FRONT COVER - WITH SPOT UV VARNISH < FOLD IN FLAP > Andrew Flatau Victor Gordon MA (SCA) BA (Wits) Andrew Flatau studied Dentistry and Arts at The University of Sydney, South African born, Victor Gordon has graduating with First Class Honours exhibited, practised and taught art in and the University Medal in both SUN SHINING Australia since 1987. Primarily a painter degrees. He was awarded a PhD in and sculptor, he also creates assemblages, 2001 for his doctoral thesis, entitled SUN SHINING collages, drawings, photographs and The anatomy of the infratemporal installations. His wide ranging concerns fossa: dissections and historical BLOOD EVERYWHERE and techniques offer uncompromising, representations, an interdisciplinary refreshingly unique and often quirky and study involving not only original challenging artistic statements. anatomical investigations, but also The Art of Victor Gordon research into the history of anatomy When not [subversively] exploiting the endless possibilities and permutations and anatomical art. He has co- —BLOOD EVERYW authored chapters on anatomy for of Realism, Gordon’s work embodies a surgical textbooks and taught in a matured awareness of the diametric variety of disciplines, ranging from opposition between nineteenth-century anatomy and pre-clinical sciences to painterly realism and twentieth-century clinical dentistry at the University of modernist devices. Recognisable symbols Sydney, where he also briefly taught and quotations are manipulated to offer Old Icelandic. In 1988 he taught in fresh multi-layered interpretations and the dental faculty at the University readings. Gordon is not afraid, however, of Iceland. Currently he is Associate H to explore serious issues with humour Professor in Clinical Dentistry at ERE and acute wit.