DOCSLIB.ORG

Steve Mcqueen's

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

November 2020 Steve McQueen’s Small Axe The world is made up of Innovators and Storytellers, Change-makers, Healers and Wanderers. Our artists create music that is as unique as they are, to soundtrack a world of stories and content. MAKE A MARK THROUGH MUSIC AND USE IT TO TELL YOUR STORY AUDIONETWORK.COM/DISCOVER/ART-OF-THE-ARTIST SEND US YOUR BRIEF [email protected] Journal of The Royal Television Society November 2020 l Volume 57/10 From the CEO The nights are drawing even the most inhospitable places We report on two excellent events in and opportunities look tempting and his empathy in the ongoing RTS Digital Convention for socialising are, to towards those he meets shines 2020. The first featured ITV’s CEO, put it mildly, limited. through the screen. Matthew Bell’s Carolyn McCall. The second saw two What better time to Comfort Classic celebrates his epic leading surgeons, Dr Alan Karthikesa­ watch some standout Pole to Pole trek, first shown in 1992. lingam and Professor Lord Darzi, dis­ shows? Few figures in lockdown have been cuss the potential impact of artificial This month’s cover story is Small as inspirational as Captain Tom Moore, intelligence in healthcare. Axe, Steve McQueen’s series of films now Captain Sir Tom Moore. We share Finally, I’m proud to announce looking at the experience of London’s how ITV News Anglia reporter Rebecca 40 new RTS bursary scholars. We aim West Indian community in the second Haworth broke the story of his heroic to widen participation in, and access half of the 20th century. The collabo­ charity walks (see page 35). to, the media industry by supporting ration between the BBC and Amazon At the RTS Student Masterclasses, talented students from lower­income looks like being one of the year’s most we enjoyed two days of inspirational backgrounds who are pursuing careers compelling television dramas. creators discussing careers across a in television. TV travelogues have come into their range of disciplines and programme own during lockdown, arguably none genres, and offering advice on how to more so than those by the matchless succeed in TV. Catch the full master­ Michael Palin. He makes travelling in classes online: bit.ly/RTSmaster. Theresa Wise Contents Cover: Small Axe (BBC) Warwick Davis’s TV Diary Our Friend in Guadeloupe He may be locked down but Warwick Davis Paradise also has germs, foul weather and regulatory 5 is as busy as ever 16 barriers, reports Tim Key. But it has very nice people to make up for that Comfort Classic: Pole to Pole Michael Palin’s most ambitious trek is still a Flying the flag for PSB 6 benchmark for the TV travelogue. Matthew Bell ITV Chief Executive Carolyn McCall explains why UK public celebrates a master broadcaster 17 service broadcasters need prominence on all platforms Ear Candy: Taskmaster: The Podcast Data-driven diagnostics Kate Holman presses download for the low-down Two distinguished surgeons discuss technology’s 7 on the show’s best-kept secrets 20 role in unlocking the future of healthcare Working Lives: production designer Freeview comes of age Adult Material production designer Grenville Horner As the digital platform marks its 18th birthday, 8 talks to Matthew Bell about the tricks of his trade 22 Caroline Thomson dissects the crucial role it plays in fostering a common culture The real Black British experience Steve McQueen’s five films under the umbrella title of An accidental career 10 Small Axe are a television first. Shilpa Ganatra examines Jed Mercurio, acclaimed for creating Line of Duty, the project’s genesis 24 headlines the RTS Midlands careers fair Enter the disruptors Why we love… reality TV Two news services that aim to challenge traditional UK An RTS panel discovers the secret of the genre’s 12 news providers are waiting in the wings. Simon Bucks 26 continuing success investigates TV skills and thrills A pledge to transform inclusivity Television distils two days of expert advice from leading Ade Rawcliffe has been promoted to drive ITV’s new set 28 television and film practitioners at the RTS Student 14 of diversity initiatives. She speaks to Caroline Frost Masterclasses 2020 Editor Production, design, advertising Royal Television Society Subscription rates Printing Legal notice Steve Clarke Gordon Jamieson 3 Dorset Rise UK £115 ISSN 0308-454X © Royal Television Society 2020. [email protected] [email protected] London EC4Y 8EN Overseas (surface) £146.11 Printer: FE Burman The views expressed in Television News editor and writer Sub-editor T: 020 7822 2810 Overseas (airmail) £172.22 20 Crimscott Street are not necessarily those of the RTS. Matthew Bell Sarah Bancroft E: [email protected] Enquiries: [email protected] London SE1 5TP Registered Charity 313 728 [email protected] [email protected] W: www.rts.org.uk Television www.rts.org.uk November 2020 3 RTS CRAFT & DESIGN AWARDS 2020 23 NOVEMBER STREAMED LIVE WITH SPECIAL GUEST APPEARANCES SUPPORTED BY #RTSawards TV diary Warwick Davis may be locked down but he’s as busy as ever ll my days have ■ My involvement with Master Moley Ufgood in the Disney+ sequel to Ron been starting the started back in 2017 with a very short Howard’s 1988 film Willow. I’ve been same way this year animation presented to investors. asked many times over the years if – like much of the I had no idea Moley would become Willow will return, and I’m thrilled country, I have a household name. Well, that’s the to tell people that he will indeed. spent most of hope, anyway. I have prep that I’m doing to get them at home. I Master Moley creator James Reatch- back into character, so I find a quiet usually get up early, as I like the quiet lous, producer Tony Nottage, director spot – which can be challenging in a Atranquillity of the early morning. Leon Joosen and I bounced ideas off house in lockdown with children. After breakfast, the peace dissipates each other and developed the charac- into the usual busyness of the day, ter. I get to see all the scripts and ■ My work with Little People, the when the phone starts ringing and animatics as they are developed. charity I co-founded that provides emails start pinging. A cue for me to support to people with dwarfism head to my home office. ■ Pre-Covid, most of the sessions and their families, is hugely impor- were recorded in a London studio. tant to me, and part of my afternoon ■ One of my current projects is the For the special, we were able to do is dedicated to it. I usually round off animation Master Moley, for which I some recording with fellow cast my working day with preparing any voice the title character and am an members. Gemma Arterton and I scripts for tomorrow. executive producer. recorded a lot of our lines together, I keep my working day to regular Master Moley is introduced to audi- which was a joy. hours. Once 6:00pm comes around, ences through a 30-minute special, Fortunately, I have my own record- I’ll usually cook dinner for the family Master Moley: By Royal Invitation, which ing studio, which enables me to to give us a proper chance to sit toured the world in short-film festi- record remotely from home. Today is down with each other without the vals before going to Boomerang this largely consumed by a voice record- distraction of work, phones and TV. month. ing session, so I connect directly to But afterwards, as we’re all big film The show also has a full series the studio and engineer in London. and TV fans, we take the evening to order, which is incredibly exciting. The audio recording is the same delve into a couple of episodes of Master Moley is a slightly naive but quality as if I were in the studio with our favourite series – Prison Break, big-hearted mole, who lives in the them. The whole set-up is seamless Stranger Things, Only Fools and Horses amazing world of MoleTown – it feels and has worked perfectly every time. and Columbo – before I head to bed a bit like The Simpsons or The Flint- for another early night. stones, but with moles. In the special, ■ I usually record for around three to my character has to save the town four hours. Once my recording ses- Warwick Davis is an actor, writer, from a wicked gardener, who is sion has completed, I turn my atten- director and producer. Master Moley: voiced by Richard E Grant – it’s a tion to some of my other projects. I By Royal Invitation is on Boomerang great, comedic adventure. am set to reprise my role of Willow from 28 November at 9:00am. Television www.rts.org.uk November 2020 5 COMFORT CLASSIC Michael Palin’s most ambitious trek is still a benchmark for the TV travelogue. Matthew Bell celebrates a master broadcaster een again, almost three decades on, with the world at a virtual standstill due to Covid-19, Pole to Pole can induce mixed reactions. Michael Palin’s most adventurousS trek is a delight. It overflows with the present- Pole er’s love of travel and discov- ery, which, frustratingly, is precisely what we are missing right now.… Our only option is to soak up the sights and to hope that, one day soon, we will be able to follow in Palin’s footsteps. In Pole to Pole, which was first broadcast on BBC One in 1992, Palin undertakes a “hare-brained Pole migration from north to south”.
Recommended publications
  • East Tower Inspiration Page 6

    East Tower Inspiration Page 6

    The newspaper for BBC pensioners – with highlights from Ariel online East Tower inspiration Page 6 AUGUST 2014 • Issue 4 TV news celebrates Remembering Great (BBC) 60 years Bing Scots Page 2 Page 7 Page 8 NEWS • MEMORIES • CLASSIFIEDS • YOUR LETTERS • OBITUARIES • CROSPERO 02 BACK AT THE BBC TV news celebrates its 60th birthday Sixty years ago, the first ever BBC TV news bulletin was aired – wedged in between a cricket match and a Royal visit to an agriculture show. Not much has changed, has it? people’s childhoods, of people’s lives,’ lead to 24-hour news channels. she adds. But back in 1983, when round the clock How much!?! But BBC TV news did not evolve in news was still a distant dream, there were a vacuum. bigger priorities than the 2-3am slot in the One of the original Humpty toys made ‘A large part of the story was intense nation’s daily news intake. for the BBC children’s TV programme competition and innovation between the On 17 January at 6.30am, Breakfast Time Play School has sold at auction in Oxford BBC and ITV, and then with Channel 4 over became the country’s first early-morning TV for £6,250. many years,’ says Taylor. news programme. Bonhams had valued the 53cm-high The competition was evident almost ‘It was another move towards the sense toy at £1,200. immediately. The BBC, wary of its new that news is happening all the time,’ says The auction house called Humpty rival’s cutting-edge format, exhibited its Hockaday.
  • BBC AR Front Part 2 Pp 8-19

    BBC AR Front Part 2 Pp 8-19

    Executive Committee Greg Dyke Director-General since Jana Bennett OBE Director of Mark Byford Director of World customer services and audience January 2000, having joined the BBC Television since April 2002. Service & Global News since research activities. Previously as D-G Designate in November Responsible for the BBC’s output October 2001. Responsible for all European Director for Unilever’s 1999. Previously Chairman and Chief on BBC One, BBC Two, BBC Three the BBC’s international news and Food and Beverages division. Former Executive of Pearson Television from and BBC Four and for overseeing information services across all media positions include UK Marketing 1995 to 1999. Former posts include content on the UKTV joint venture including BBC World Service radio, Director then European Marketing Editor in Chief of TV-am (1983); channels and the international BBC World television and the Director with Unilever’s UK Food Director of Programmes for TVS channels BBC America and BBC international-facing online news and Beverages division and (1984), and Director of Programmes Prime. Previously General Manager sites. Previously Director of Regional Chairman of the Tea Council. (1987), Managing Director (1990) and Executive Vice President at Broadcasting. Former positions and Group Chief Executive (1991) at Discovery Communications Inc. include Head of Centre, Leeds and Carolyn Fairbairn Director of London Weekend Television. He has in the US. Former positions include Home Editor Television News. Strategy & Distribution since April also been Chairman of Channel 5; Director of Production at BBC; Head 2001. Responsible for strategic Chairman of the ITA; a director of BBC Science; Editor of Horizon, Stephen Dando Director of planning and the distribution of BBC of ITN, Channel 4 and BSkyB, and and Senior Producer on Newsnight Human Resources & Internal services.
  • The NHS Is a Health System Not a Charity. It Should Be Funded Accordingly, Writes Rebecca Richards

    The NHS Is a Health System Not a Charity. It Should Be Funded Accordingly, Writes Rebecca Richards

    The NHS is a health system not a charity. It should be funded accordingly, writes Rebecca Richards He walked his way into the hearts of a nation – one lap of his garden at a time. In doing so, 100-year-old – soon to be Sir – Captain Tom Moore raised a staggering £29million for the NHS.[1] While perhaps the most publicised, he is not the only private citizen helping the NHS respond to the Covid-19 pandemic. The ‘Run for Heroes’ Challenge – whereby social media users run 5km, donate £5, and nominate five of their friends to do the same – has raised more than £5million in less than a month.[2] And all over the country, people are sewing Personal Protective Equipment (PPE) for frontline healthcare workers that are lacking adequate safety equipment.[3] But the heart-warming response these extraordinary feats of solidarity and good-will elicit in us can also obscure the fact that the NHS should not need this level of support. As an anonymous NHS doctor recently pointed out, ‘The NHS is not a charity’.[4] The NHS is a healthcare system. It is therefore the government’s responsibility to fund, staff, and supply it so that it can effectively respond to a pandemic that was not entirely unexpected.[5] [6] It is a responsibility the government has arguably failed to fulfill adequately. Though not alone in its enforcement of austerity measures over the past decades, [7] the government’s economic policies left the NHS under pressure even before the pandemic broke out.[8] Between 2010 and 2014, for example, the real-term annual increase in NHS England funding was only 1.3%, down from historical annual growth rates of approximately 4%.[9] This has been associated with nearly 120,000 preventable deaths in England during this time period.[10] And though the government committed to increasing NHS funding in 2018,[11] this – and subsequent government funding increases – has not been enough to ‘reverse years of health underfunding’.[12] When the magnitude of the Covid-19 crisis became clear, the NHS was therefore not fully prepared.
  • Film Suggestions to Celebrate Black History

    Film Suggestions to Celebrate Black History

    Aurora Film Circuit I do apologize that I do not have any Canadian Films listed but also wanted to provide a list of films selected by the National Film Board that portray the multi-layered lives of Canada’s diverse Black communities. Explore the NFB’s collection of films by distinguished Black filmmakers, creators, and allies. (Link below) Black Communities in Canada: A Rich History - NFB Film Info – data gathered from TIFF or IMBd AFC Input – Personal review of the film (Nelia Pacheco Chair/Programmer, AFC) Synopsis – this info was gathered from different sources such as; TIFF, IMBd, Film Reviews etc. FILM TITEL and INFO AFC Input SYNOPSIS FILM SUGGESTIONS TO CELEBRATE BLACK HISTORY MONTH SMALL AXE I am very biased towards the Director Small Axe is based on the real-life experiences of London's West Director: Steve McQueen Steve McQueen, his films are very Indian community and is set between 1969 and 1982 UK, 2020 personal and gorgeous to watch. I 1st – MANGROVE 2hr 7min: English cannot recommend this series Mangrove tells this true story of The Mangrove Nine, who 5 Part Series: ENOUGH, it was fantastic and the clashed with London police in 1970. The trial that followed was stories are a must see. After listening to the first judicial acknowledgment of behaviour motivated by Principal Cast: Gary Beadle, John Boyega, interviews/discussions with Steve racial hatred within the Metropolitan Police Sheyi Cole Kenyah Sandy, Amarah-Jae St. McQueen about this project you see his 2nd – LOVERS ROCK 1hr 10 min: Aubyn and many more.., A single evening at a house party in 1980s West London sets the passion and what this production meant to him, it is a series of “love letters” to his scene, developing intertwined relationships against a Category: TV Mini background of violence, romance and music.
  • Drug Education and Its Publics in 1980S Britain

    Drug Education and Its Publics in 1980S Britain

    International Journal of Drug Policy 88 (2021) 103029 Contents lists available at ScienceDirect International Journal of Drug Policy journal homepage: www.elsevier.com/locate/drugpo Policy Analysis Just say know: Drug education and its publics in 1980s Britain Alex Mold Centre for History in Public Health, London School of Hygiene & Tropical Medicine, 15-17 Tavistock Place, London, WC1H 9SH, United Kingdom ARTICLE INFO ABSTRACT Keywords: Until the 1980s, anti-drug education campaigns in the UK were rare. This article examines the reasons behind a Heroin policy shift that led to the introduction of mass media drug education in the mid 1980s. It focuses on two Drug education campaigns. ‘Heroin Screws You Up’ ran in England, and ‘Choose Life Not Drugs’ ran in Scotland. The campaigns Health education were different in tone, with ‘Heroin Screws You Up’ making use of fear and ‘shock horror’ tactics, whereas History of drug use ‘Choose Life Not Drugs’ attempted to deliver a more positive health message. ‘Heroin Screws You Up’ was criticised by many experts for its stigmatising approach. ‘Choose Life Not Drugs’ was more favourably received, but both campaigns ran into difficulties with the wider public. The messages of these campaigns were appro­ priated and deliberately subverted by some audiences. This historical policy analysis points towards a complex and nuanced relationship between drug education campaigns and their audiences, which raises wider questions about health education and its ‘publics’. In April 1986, the cast of teen TV soap, Grange Hill, released a song wanted to be seen to take action on drugs, leading to the introduction of titled ‘Just say no’.
  • 198J. M. Thornton Phd.Pdf

    198J. M. Thornton Phd.Pdf

    Kent Academic Repository Full text document (pdf) Citation for published version Thornton, Joanna Margaret (2015) Government Media Policy during the Falklands War. Doctor of Philosophy (PhD) thesis, University of Kent. DOI Link to record in KAR https://kar.kent.ac.uk/50411/ Document Version UNSPECIFIED Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html Government Media Policy during the Falklands War A thesis presented by Joanna Margaret Thornton to the School of History, University of Kent In partial fulfilment of the requirements for the degree of Doctor of Philosophy in the subject of History University of Kent Canterbury, Kent January 2015 ©Joanna Thornton All rights reserved 2015 Abstract This study addresses Government media policy throughout the Falklands War of 1982. It considers the effectiveness, and charts the development of, Falklands-related public relations’ policy by departments including, but not limited to, the Ministry of Defence (MoD).
  • Buses from Grange Hill

    Buses from Grange Hill

    Buses from Grange Hill 462 FR Limes Farm Estate O Copperfield GH D A LL L Hail & Ride MANOR ROA section AN E Manor Road C St. Winifred’s Church D Grange Hill M AN W A AR MANOR ROAD FO REN Grange Hill C RD T. LONG B WAY G R Manford Way G E Manford Primary School CRE RANGE E N SCEN Brocket Way T Manford Way Hainault Health Centre Destination finder Destination Bus routes Bus stops Destination Bus routes Bus stops B L Barkingside High Street 462 ,a ,c Limes Farm Estate Copperfield 462 ,b ,d Hainault Waverley Gardens Longwood Gardens 462 ,a ,c The Lowe Beehive Lane 462 ,a ,c M Brocket Way 362 ,c Manford Way 462 ,a ,c C Hainault Health Centre Chadwell Heath o High Road 362 ,c Manford Way 462 ,a ,c Manford Primary School Chadwell Heath Lane 362 ,c Manor Road St. Winifred's Church 462 ,b ,d Elmbridge Road New North Road Cranbrook Road for Valentines Park 462 ,a ,c Harbourer Road Marks Gate Billet Road 362 ,c E Eastern Avenue 462 ,a ,c N New North Road Harbourer Road 362 ,c Elmbridge Road 462 ,a ,c New North Road Yellow Pine Way 362 ,c F Buses from Grange Hill Fairlop 462 ,a ,c BusesR from Grange Hill Romford Road 362 ,c Forest Road New North Road Fremantle Road 462 ,a ,c Hainault Forest Golf Club for Fairlop Waters Yellow Pine Way Barkingside High Street Boulder Park Rose Lane Estate 362 ,c Forest Road 462 ,a ,c 462 for Fairlop Waters Boulder Park FR Limes Farm Estate W Copperfield O D Fullwell Cross for Leisure Centre 462 ,a ,c WhaleboneGH Lane North 362 ,c A Romford RoadLL L Hail & Ride G MANOR ROA section WhaleboneAN Lane North 362 ,c Gants Hill 462 ,a ,c Fairlop Romford Road Whalebone GroveE Manor Road Hainault Forest Golf Club H Woodford Avenue C 462 ,a ,c St.
  • February 2018 at BFI Southbank Events

    February 2018 at BFI Southbank Events

    BFI SOUTHBANK EVENTS LISTINGS FOR FEBRUARY 2018 PREVIEWS Catch the latest film and TV alongside Q&As and special events Preview: The Shape of Water USA 2017. Dir Guillermo del Toro. With Sally Hawkins, Michael Shannon, Doug Jones, Octavia Spencer. Digital. 123min. Courtesy of Twentieth Century Fox Sally Hawkins shines as Elisa, a curious woman rendered mute in a childhood accident, who is now working as a janitor in a research center in early 1960s Baltimore. Her comfortable, albeit lonely, routine is thrown when a newly-discovered humanoid sea creature is brought into the facility. Del Toro’s fascination with the creature features of the 50s is beautifully translated here into a supernatural romance with dark fairy tale flourishes. Tickets £15, concs £12 (Members pay £2 less) WED 7 FEB 20:30 NFT1 Preview: Dark River UK 2017. Dir Clio Barnard. With Ruth Wilson, Mark Stanley, Sean Bean. Digital. 89min. Courtesy of Arrow Films After the death of her father, Alice (Wilson) returns to her family farm for the first time in 15 years, with the intention to take over the failing business. Her alcoholic older brother Joe (Stanley) has other ideas though, and Alice’s return conjures up the family’s dark and dysfunctional past. Writer-director Clio Barnard’s new film, which premiered at the BFI London Film Festival, incorporates gothic landscapes and stunning performances. Tickets £15, concs £12 (Members pay £2 less) MON 12 FEB 20:30 NFT1 Preview: You Were Never Really Here + extended intro by director Lynne Ramsay UK 2017. Dir Lynne Ramsay. With Joaquin Phoenix, Ekaterina Samsonov, Alessandro Nivola.
  • Captain Tom Moore

    Captain Tom Moore

    Captain Tom Moore Captain Tom Moore is the war veteran who made headlines around the world in mid-April 2020, when he pledged to raise money for the National Health Service (NHS), by walking 100 laps around his garden before his 100th birthday on April 30th. The Challenge Captain Tom has long been a supporter of the NHS. He spent some time in hospital after a hip replacement a few years ago and has been following the news about the NHS, who have been working hard to treat patients during the COVID-19 crisis. He decided to set himself the challenge of completing 100 laps of his 25 metre garden, walking 10 laps each day, finishing before his 100th birthday. Captain Tom hoped to raise £1000 for NHS Charities Together. Worldwide Support Captain Tom’s challenge was reported by his local news and word soon spread about his amazing effort. People very quickly took Captain Tom to their hearts and his story was shared more widely, including on the national news. More and more people donated money from all over the world. Within a day, Captain Tom had exceeded his target. Captain Tom completed his 100 laps two weeks before his birthday, so decided to increase the number of laps he walked to 200. More Fundraising To help celebrate Tom reaching 100 laps, singer Michael Ball, the NHS Voices of Care Choir and Captain Tom released a version of the song ‘You’ll Never Walk Alone’, which was number one in the singles charts on 24th April. Captain Tom is the oldest person ever to reach number one and the single is the fastest selling of 2020 so far.
  • 2020 Social Purpose Impact Report

    2020 Social Purpose Impact Report

    1 6.4 million 217 million extra Contents people talking portions of veg Britain Get Talking, page 9 Eat Them to Defeat Them, page 12 Welcome 3 ITV’s Social Purpose 5 70,605 more 29 million people kids exercising saw the campaign Better Health 7 The Daily Mile, page 14 Black Voices, page 26 Diversity & Inclusion 21 Climate Action 37 Giving Back 49 Awards 57 What’s coming up in 2021 59 Colleague 26.6% emissions The Data 60 engagement doubled reduction Network Groups, page 34 Climate Action, page 37 5,000 £9.3m raised Watch our Video colleagues trained for Soccer Aid of the Year Climate Action, page 37 Soccer Aid, page 51 2 Welcome We spoke to Carolyn McCall, ITV’s CEO, on the extraordinary year that was 2020, and how ITV’s Social Purpose activity has been having an impact. 2020 has been a year like no other. What has been the biggest changes in society? All of us will remember 2020 as the year our lives were turned upside down by Covid-19. It’s hard to overestimate the impact that had on not just our physical health and our daily lives, but also on our mental health, with rates of depression doubling during the first six months of lockdown. The Black Lives Matter movement also stands out, shining a light on the systemic issues facing Black people and people of colour around the world. And of course, climate change is ever-present. 2020 showed that we can all mobilise to change. What impact have these issues had on ITV and its Social Purpose? I think it shows that purpose-driven business is more important than ever before.
  • BBC MAG Spring 2018 32P A5 FC DS 90Gsm W + 4P 250Gsm Gloss

    BBC MAG Spring 2018 32P A5 FC DS 90Gsm W + 4P 250Gsm Gloss

    SOIRÉES MUSICALES Spring 2018 ~ Edition 58 Bramwell Tovey The Magazine of the BBC Concert Orchestra’s Supporters Club President: Richard Baker OBE Vice Presidents: Nigel Blomiley, Cynthia Fleming & Martin Loveday Editor / Chairman: Brian Crouch 57A Chilvers Bank, Baldock Herts. SG7 6HT Tel : 01462 892 670 Other Ed and Photos: Jenny Thomas Treasurer: James McLauchlan Accounts: Jenny Thomas Minute Secretary: James Connelly Membership Secretary: Jenny Thomas Tours & Visits: John Harding Website: Stephen Greenhalgh Constitution: Jan Mentha Orchestra Representative: Marcus Broome Soirées Musicales is the Magazine of the BBC Concert Orchestra's Supporters Club, which is an independent body set up in 1983 for the purpose of promoting and supporting the Members of the BBC Concert Orchestra. We are not affiliated to the BBC, neither do we receive any financial support from them. Disclaimer: The views expressed by the contributors to this Magazine are not necessarily the views of the Chairman, the Orchestra or the BBC. All material © 2018 BBC Concert Orchestra's Supporters Club ED LINES. The old saying tells us that absence makes the heart grow fonder but when absence is prolonged perhaps the fondness becomes somewhat diminished. I write this as a consequence of many phone calls in recent years regarding the scant appearances on Radio2 of the BBC Concert Orchestra. A few years ago, we had 2 or3 regular broadcasts every week by our favourite orchestra, but now it is just usually one a week and sometimes not even that. I know that they appear from time to time on Radio3, but not in my opinion playing the type of music which they do best or indeed the music for which they were originally intended.
  • David Olusoga Author/Presenter

    David Olusoga Author/Presenter

    David Olusoga Author/Presenter David Olusoga is a British-Nigerian historian, broadcaster and film- maker. His most recent TV series include Empire (BBC 2), Black and British: A Forgotten History (BBC 2), The World’s War (BBC 2), 4 seasons of A House Through Time (BBC 2) and the BAFTA winning Britain’s Forgotten Slave Owners (BBC 2). David is also the author of Black & British: A Forgotten History which was awarded both the Longman-History Today Trustees Award and the PEN Hessell-Tiltman Prize. His other books include The World’s War, which won First World War Book of the Year in 2015, The Kaiser’s Holocaust: Germany’s Forgotten Genocide and the Colonial Roots of Nazism and Civilizations: Encounters and the Cult of Progress. David was also a contributor to the Oxford Companion to Black British History and writes for The Guardian and is a columnist for The Observer and BBC History Magazine. He is also one of the three presenters on the BBC's landmark Arts series Civilizations. In 2020 he held an exclusive interview with former President of the United States, Barack Obama. David's most recent book Black and British: A Short, Essential History won the Children's Illustrated & Non-Fiction book of the year at the 2021 British Book Awards. Agents Charles Walker Assistant [email protected] Olivia Martin +44 (0) 20 3214 0874 [email protected] +44 (0) 20 3214 0778 Credits Television Production Company Notes OUR NHS: A HIDDEN Uplands David Olusoga meets nurses, doctors and health HISTORY Television / BBC workers from overseas who have transformed the 2021 NHS in spite of hostility and discrimination.