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Leeds Pottery
Leeds Art Library Research Guide Leeds Pottery Our Art Research Guides list some of the most unique and interesting items at Leeds Central Library, including items from our Special Collections, reference materials and books available for loan. Other items are listed in our online catalogues. Call: 0113 378 7017 Email: [email protected] Visit: www.leeds.gov.uk/libraries leedslibraries leedslibraries Pottery in Leeds - a brief introduction Leeds has a long association with pottery production. The 18th and 19th centuries are often regarded as the creative zenith of the industry, with potteries producing many superb quality pieces to rival the country’s finest. The foremost manufacturer in this period was the Leeds Pottery Company, established around 1770 in Hunslet. The company are best known for their creamware made from Cornish clay and given a translucent glaze. Although other potteries in the country made creamware, the Leeds product was of such a high quality that all creamware became popularly known as ‘Leedsware’. The company’s other products included blackware and drabware. The Leeds Pottery was perhaps the largest pottery in Yorkshire. In the early 1800s it used over 9000 tonnes of coal a year and exported to places such as Russia and Brazil. Business suffered in the later 1800s due to increased competition and the company closed in 1881. Production was restarted in 1888 by a ‘revivalist’ company which used old Leeds Pottery designs and labelled their products ‘Leeds Pottery’. The revivalist company closed in 1957. Another key manufacturer was Burmantofts Pottery, established around 1845 in the Burmantofts district of Leeds. -
Philippa H Deeley Ltd Catalogue 17 Oct 2015
Philippa H Deeley Ltd Catalogue 17 Oct 2015 1 A Pinxton porcelain teapot decorated in gilt with yellow cartouches with gilt decoration and hand hand painted landscapes of castle ruins within a painted botanical studies of pink roses, numbered square border, unmarked, pattern number 300, 3824 in gilt, and three other porcelain teacups and illustrated in Michael Bertould and Philip Miller's saucers from the same factory; Etruscan shape 'An Anthology of British Teapots', page 184, plate with serpent handle, hand painted with pink roses 1102, 17.5cm high x 26cm across - Part of a and gilt decoration, the saucer numbered 3785 in private owner collection £80.00 - £120.00 gilt, old English shape, decorated in cobalt blue 2 A Pinxton porcelain teacup and saucer, each with hand painted panels depicting birds with floral decorated with floral sprigs and hand painted gilt decoration and borders, numbered 4037 in gilt landscapes with in ornate gilt surround, unmarked, and second bell shape, decorated with a cobalt pattern no. 221, teacup 6cm high, saucer 14.7cm blue ground, gilt detail and hand painted diameter - Part of a private owner collection £30.00 landscape panels - Part of a private owner - £40.00 collection £20.00 - £30.00 3 A porcelain teapot and cream jug, possibly by 8A Three volumes by Michael Berthoud FRICS FSVA: Ridgway, with ornate gilding, cobalt blue body and 'H & R Daniel 1822-1846', 'A Copendium of British cartouches containing hand painted floral sparys, Teacups' and 'An Anthology of British Teapots' co 26cm long, 15cm high - -
Download New Glass Review 15
eview 15 The Corning Museum of Glass NewGlass Review 15 The Corning Museum of Glass Corning, New York 1994 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1993 calendar year. halb des Kalenderjahres 1993 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1994 Alle Rechte vorbehalten, 1994 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-133-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 58 etztes Jahr an dieser Stelle beklagte ich, daB sehr viele Glaskunst- Jury Statements Ller aufgehort haben, uns Dias zu schicken - odervon vorneherein nie Zeit gefunden haben, welche zu schicken. Ich erklarte, daB auch wenn die Juroren ein bestimmtes Dia nicht fur die Veroffentlichung auswahlen, alle Dias sorgfaltig katalogisiert werden und ihnen ein fester Platz in der Forschungsbibliothek des Museums zugewiesen ast year in this space, I complained that a large number of glass wird. -
Quarterly Journal of the All India Glass Manufacturers' Federation Inside
Vol. 4 | No. 1 | April - June 2016 www.aigmf.com Quarterly Journal of The All India Glass Manufacturers’ Federation Bi-lingual Inside Interview Special Feature Yoshihiko Sano • Sustainability in Glass President of Nipro Corporation • A Note on Closed Glass Companies in the USA • Nipro Injects Innovation into Pre- for Artistic Appreciation filled Syringes and Targets US Expansion • Efficient Workflow: Automation and Digitisation Reduce Production and Handling Costs Upcoming Events (Sept 2, 2016) • FEA Studies of Impact Loads on NNPB Refillable • Enhancing Profitability by Empowering Workforce Bottles • Business Opportunities for Indian Glass Companies at Port of Duqm, • Energy Efficient Renovation Boost for Added- Sultanate of Oman Value Glazing • AIGMF Executive Committee Meeting / AGM Main Story Glass Packaging Supporting Swachh Bharat Abhiyaan (Clean India Campaign) event at Central Glass and Ceramic Research Institute (CSIR-CGCRI), Kolkata Page No. 6 Technical Articles Prof. (Dr.) A. K. Bandyopadhyay Prof. (Dr.) A Sustainable 50 for postage postage for 50 ` ASS ASS www.aigmf.com Building and Packaging material - An Publication GlASS Gl Gl 500 (within India) + + India) (within 500 ` ` Overseas: US$ 60 (including postage and bank charges) bank and postage (including 60 US$ Overseas: Order Print Copies: Print Order Price: Price: PORT OF DUQM Duqm, 100% Foreign Ownership the preferred Tax -exemption for 30 years Free Repatriation of Capital Special Economic & profi ts No minimum capital requirement No currency restrictions Zone for your No personal income tax Exemption from import & overseas export duties Usufruct agreements up to 50 years renewable investment One-stop station service For more information, contact: Port of Duqm Company SAOC Tel: (+968) 24342800 | Fax: (+968) 24587343 | [email protected] | www.portduqm.com 2 Kanch | Vol. -
DAACS Cataloging Manual: Ceramics
DAACS Cataloging Manual: Ceramics by Jennifer Aultman, Nick Bon-Harper, Leslie Cooper, Jillian Galle, Kate Grillo, and Karen Smith OCTOBER 2003 LAST UPDATED OCTOBER 2014 INTRODUCTION .......................................................................................................... 6 1. CERAMIC ARTIFACT ENTRY ...................................................................................... 7 1.1 COUNT ......................................................................................................................... 7 1.2 WARE .......................................................................................................................... 8 1.3 MATERIAL ..................................................................................................................... 8 1.4 MANUFACTURING TECHNIQUE .......................................................................................... 9 1.5 VESSEL CATEGORY .......................................................................................................... 9 1.6 FORM ......................................................................................................................... 10 1.6.1 Teaware ............................................................................................................ 10 1.6.2 Tableware ......................................................................................................... 11 1.6.3 Utilitarian ......................................................................................................... -
The History of the Worshipful Company of Glaziers and Painters of Glass, London
THE HISTORY OF THE WORSHIPFUL COMPANY OF GLAZIERS AND PAINTERS OF GLASS, LONDON FROM 1919 TO 1999 EDITED BY R.F. LANE, P. S. LONDON, P. H. TROLLOPE Hi - Dedicated to Glaziers past and present. 1. The Glass Stainers. To every Man his Mystery A trade and only one; The Masons make the hives of men, The domes of grey or dun, But we have wrought in rose and gold The houses of the sun. From "The Five Guilds" by G.K. Chesterton THE COMPANY'S ARMORIAL BEARINGS ii TABLE OF CONTENTS 1. Foreword by The Master. 2. Introduction. 3. Chapter 1. Rights, Privileges and Charters of the Glaziers' Company. Chapter 2. The Company's Armorial Bearings. Chapter 3. The Craft and other charitable activities of the Company. Chapter 4. The story of the Glaziers' Halls. Chapter 5. Extracts from the Minutes Books of the Court of Assistants. Appendices. 1. Masters, Upper Wardens, Clerks, Chaplains and Beadles. 2. Senior Officers that did not proceed. 3. Members of the Company upon whom Honours were conferred and/or who held high office in the City and Corporation of London. 4. Members of the Royal Family and Honorary Freeman of the Company. 5. Persons admitted to the Livery by Gift. 6. Livery Halls and other accommodation used by the Company. 7. Dinners then and now. Chapter 6. The Glaziers' Company's associations with other organisation. Chapter 7. Some valued possessions. Chapter 8. Some famous names in glazing. IV - FOREWORD Since Ashdown's History of the Glaziers' Company from its earliest recorded existence in 1328 until 1918 was published, those wishing to know something of events during the succeeding eight decades have had to be content with the brief accounts in the Company's Livery List (the Blue Book) and, more recently, the Silver Booklet. -
Auktionskatalog Die Objekttitel Anklicken Um Ein Ausführliches Expose Des Objektes (PDF-Format Inklusive Bilder) Von Unserem Webserver Abzurufen
Kunst- und Auktionshaus Eva Aldag 182. Kunst Auktion am 03.09.2011, Beginn 11:00 Uhr Vorbesichtung vom 30.08.2011 bis 02.09.2011 jeweils von 10 - 19 Uhr sowie 2 Stunden vor Auktionsbeginn Katalog-Nr.: 43 Anton van Dyck (1599 - 1641) - Attr.: Öl auf Leinwand, "Darstellung des Jacomo de Cachiopin (1578 - 1642)" INHALTSVERZEICHNIS Gemälde 1 - 292 294 Objekte Graphik 293 - 377 85 Objekte Bücher 378 - 394 17 Objekte Silber 395 - 629 239 Objekte Bronzen 632 - 681 51 Objekte Schmuck 682 - 830 149 Objekte Porzellan 852 - 1019 171 Objekte Asiatika 1020 - 1037 19 Objekte Kleinkunst 1038 - 1095 58 Objekte Glas 1096 - 1150 55 Objekte Spiegel 1151 - 1162 12 Objekte Lampen 1163 - 1197 35 Objekte Uhren 1198 - 1209 12 Objekte Möbel 1210 - 1243 34 Objekte Teppiche 1244 - 1252 9 Objekte Künstlerindex TIPP: Sie können im nachfolgenden Auktionskatalog die Objekttitel anklicken um ein ausführliches Expose des Objektes (PDF-Format inklusive Bilder) von unserem Webserver abzurufen. Zurück zum Inhaltsverzeichnis Katalog erstellt am 23.08.2011 auf www.auktionshaus-aldag.de - Seite 1 von 130 Ottensener Weg 10, 21614 Buxtehude, Telefon 04161-81005, Telefax 04161-86096, eMail [email protected] Kunst- und Auktionshaus Eva Aldag Gemälde 1 Friedrich Albin Koko-Micoletzky (1887 - 1981) - Öl auf Leinwand, "Wasserträgerin vor orientalischer ... 2.800,00 EUR unten rechts in Rot handsigniert "Koko-Micoletzky", München, vor einer orientalischen Stadt mit zahlreichen Palast- und Moscheenkuppeln die sich im diffusen Morgenlicht spiegeln, eine Wasserträgerin mit ihrer Kalebasse auf dem Weg zum Brunnen. Ein imposantes, impressionistisches Werk des Künstlers. Verso auf dem Keilrahmen mit Bleistift beschrieben "F.A. Koko-Micoletzky, Berlin W. -
The Stained Glass of John Hardman and Company Under the Leadership of John Hardman Powell from 1867 to 1895
The Stained Glass of John Hardman and Company under the leadership of John Hardman Powell from 1867 to 1895 Mathé Shepheard Volume I Text Based on a thesis presented at Birmingham City University in January 2007 Copyright © 2010 Mathé Shepheard This text is Volume I of The Stained Glass of John Hardman and Company under the leadership of John Hardman Powell from 1867 to 1895 by Mathé Shepheard. The accompanying two volumes of Plates can be downloaded from the same site. CONTENTS Page Acknowledgements 11 Preface 12 Note on viewing 14 Chapter One The Historical and Religious Background 15 Chapter Two The Crucifixion 32 Chapter Three Typology 49 Chapter Four Events in the life of the Lord 58 Chapter Five Saints 72 Chapter Six The Virgin Mary 92 Chapter Seven Conclusion 103 Appendix One Saints 112 Appendix Two Note on Kempe 115 Appendix Three Further considerations on viewing 117 Tables: Table 1. Analysis of 106 Crucifixion windows by content and decade 120 Table 2. Lady Patrons’ windows 1865-76 121 Table 3. Production of Windows in selected years with cost ranges 122 Table 4. Number of Schemes by Architect 1865 to 1890 123 Archive Abbreviations 124 Bibliography 124 Previous Publication 132 3 List of Plates Volume II – Plates 1 to 54 Plates 1 to 26–Illustrations for Chapter 2, The Crucifixion. Plate Number 1. East Window, St. Bartholomew and All Saints, Wootton Bassett, 1870. 2. East Window, Lady Chapel, Hereford Cathedral, 1874. 3. East Window, The Immaculate Conception and St. Dominic, Stone, 1866. 4. East Window, St. John the Baptist, Halesowen, Window and Sketch, 1875. -
CREAMWARE: ITS ORIGINS and DEVELOPMENT by Pat Halfpenny
CREAMWARE: ITS ORIGINS AND DEVELOPMENT by Pat Halfpenny Keeper of Centimes, City Museum & Art Gallery, Hanley, Stoke-on-Trent Crcamwarc, cream coloured earthenware, Queen’s Figure l. Interior of creamware bowl with underglazc painted decoration inscribed ‘W G’ and ‘1743’, possibly made to ware — are all names for a species of pottery made commemorate the Battle of Dettingen in June 1743, tenta from clays, which, when fired, burn to a white tively attributed to Enoch Booth, made in Staffordshire 1743, colour. The pots may be made by throwing on a this example and the bowl in the British Museum represent wheel or by the use of moulds, they are dried and the earliest recorded dated creaimvare. Diameter 2S5 mm. then fired to about 1100-1150°C. When removed City Museum Art Gallery, Stoke-on-Trent 117.P. 19S9. from the oven the pots are white, brittle and porous rather like a biscuit or cookie — hence once fired, cream, ranging from a deep butter colour to a pale unglazed ware is known as - biscuit. At this stage the primrose. The story of creamware is the story of the piece may be decorated or left plain, it then receives struggle to remove the iron contamination achieving a glaze and is fired in an oven at a lower temperature a clear untinted glaze thus producing white ware. of about 1050-1100°C. The first published reference to creamware is that The main ingredient of the glaze is lead, a well found in A Description of the Cotintr}' front Thirty to known glass forming material. -
Deaccessioned Objects from the Permanent Collection in Fiscal Year2016
WORCESTER ART MUSEUM 55 Salisbury Street Worcester, MA 01609 Deaccessioned Objects from the Permanent Collection in Fiscal Year2016 Tancrède Abraham Le Barrage de l'Etang ~ du ~ Merle, 19th century engraving on cream laid paper plate: 24.8 × 16.9 cm (9 3/4 × 6 5/8 in.) sheet: 28.2 × 19.2 cm (11 1/8 × 7 9/16 in.) 1941.18.2 Admiralty Islands Comb, 1940s to 1960s wood with red paint 24.8 cm (9 3/4 in.) 2004.151 Charles Avery Aiken Rhododendrons by the Roadside, early 20th century color plaster block print on cream laid Strathmore paper mounted on board image: 35.3 × 25.2 cm (13 7/8 × 9 15/16 in.) sheet: 48.2 × 31.7 cm (19 × 12 1/2 in.) mount: 56 × 45.6 cm (22 1/16 × 17 15/16 in.) 1927.35 Charles Avery Aiken The Oldest House, early 20th century black plaster block print on cream laid paper mounted on board image: 26.5 × 36 cm (10 7/16 × 14 3/16 in.) sheet: 31.8 × 48.4 cm (12 1/2 × 19 1/16 in.) mount: 45.6 × 56 cm (17 15/16 × 22 1/16 in.) 1927.36 Print Date: 11/28/2016 Page 1 of 220 WORCESTER ART MUSEUM 55 Salisbury Street Worcester, MA 01609 Deaccessioned Objects from the Permanent Collection in Fiscal Year2016 James Baylis Allen Gallery of the Louvre, 19th century offset lithograph on cream wove paper image: 11.7 × 8.6 cm (4 5/8 × 3 3/8 in.) sheet: 13.4 × 9.8 cm (5 1/4 × 3 7/8 in.) 1941.17.125 James Baylis Allen St. -
20Th Century Collectable Ceramics Auction June 2020
Tuesday 9th June 2020 | 10:00 20th Century Collectable Ceramics Auction June 2020 Lot 1 Description Estimate Royal Worcester figurine, from the 'Graceful Arts' series, 'Poetry', No. 705, £20.00 - £30.00 CW384, with a certificate of authenticity Lot 2 Description Estimate Royal Worcester ovoid vase, the spirally twisted body completely painted £10.00 - £20.00 yellow below a gilt rim, marked G161 to the base, circa 1926, 6.5cm high Lot 3 Description Estimate Royal Worcester figurine, 'The Fairest Rose', No. 11973, with a certificate of £20.00 - £30.00 authenticity Lot 4 Description Estimate Royal Worcester ovoid footed vase, the body decorated with roses on a sky £20.00 - £30.00 blue and cream ground, marked to the base, G958, circa 1917, 6.5cm high Lot 5 Description Estimate Royal Doulton porcelain figure, Uncle Ned HN2094 £20.00 - £30.00 Lot 6 Description Estimate Royal Worcester ovoid vase, the body decorated with panels of flowers on a £20.00 - £30.00 cream and green coloured ground below a gilt rim, marked to the base F113/1049, 9cm high Lot 7 Description Estimate Royal Doulton porcelain figure, Owd Willium HN2042 £20.00 - £30.00 Lot 8 Description Estimate Grainger & Co Royal Worcester ovoid vase, the spirally twisted body £20.00 - £30.00 decorated with flowers, marked to the base G161, 6.5cm high Lot 9 Description Estimate Royal Worcester figurine, produced for the Golden Jubilee Year, £20.00 - £30.00 'Charlotte', CW572, 23cm high Lot 10 Description Estimate Royal Worcester four-footed vase, the blush ground with floral decorations -
USA Town State Church Date Artist Details Order No. Albany New York
Archives of James Powell and Sons held at the Archive of Art and Design, V and A London Compiled by Dr Dennis Hadley USA Town State Church Date Artist Details Order No. Albany New York St Peter 1884 Holiday H 2-3l 2404/248 1885 Holiday H 3l W 2590/361 1885 Holiday H 3l (Forest Hill) 2704/9 Albany, Elk St. New York 1895 Panels portrait in circle 6730/238 Albuquerque New Mexico Cathedral 1926 Hogan J* 1l 6644/223 Ann Arbor Michigan St Andrew 1937 Hogan J small 1l 8507/323 1938 Hogan J 1l 8635/10 1938/9 Hogan J 1lS 8659/26 1960 1l 9951/230 Bala Cynwyd Pensylvania St John 1928/9 Hogan J 8-1l nave 7296/228/31 1928/9 Hogan J 8-1l nave 7232/228/31 Baltimore Corpus Christi 1895/6 Hardman & Co Opus in apse 6781/272 Bar Harbour Maine St Saviour 1957 Morris C 1l; Faith 9736/83 Belfast Maine St Margaret 1920 Hogan J* 3l trans 5568/380 1922/3 2-1l no figures 5951/161 1923/4 Read* 3lE 6136/284 1924/5 Read* 1l 6337/33 1928 Hogan/Coakes* 2-1lE, Michael *Hogan 7066/109 Bellingham DC St Paul Episcopalian 1952 2l 9428/231 1955 1l 9631/13 1957 Moore R 1l 9703/61 1958 Inscription 9801/124 Bernardsville New Jersey St Bernard 1962 Moore R 3l 147/232 Bethesda-by-the-sea Florida (Palm Beach) 1939/0 Altar panel 8759/110 1941 New inscription No number/70 1941 Hogan J 3l, 2-1l ch, 2-1l cler (ornament only) Angels 8818/144/6 1950 2l 9295/143 Beverley Hills California All Saints Episcopalian 1951 Rose 9400/218 1951 3l 9409/219 1952 3-1l 9440/239 1952 3l 9470/261 Binghamtown New York Trinity church 1930 Hogan J; ctn Read* 2l 7471/375 Bloomfield Connecticut StThomas