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Heritage at Risk
H @ R 2008 –2010 ICOMOS W ICOMOS HERITAGE O RLD RLD AT RISK R EP O RT 2008RT –2010 –2010 HER ICOMOS WORLD REPORT 2008–2010 I TAGE AT AT TAGE ON MONUMENTS AND SITES IN DANGER Ris K INTERNATIONAL COUNciL ON MONUMENTS AND SiTES CONSEIL INTERNATIONAL DES MONUMENTS ET DES SiTES CONSEJO INTERNAciONAL DE MONUMENTOS Y SiTIOS мЕждународный совЕт по вопросам памятников и достопримЕчатЕльных мЕст HERITAGE AT RISK Patrimoine en Péril / Patrimonio en Peligro ICOMOS WORLD REPORT 2008–2010 ON MONUMENTS AND SITES IN DANGER ICOMOS rapport mondial 2008–2010 sur des monuments et des sites en péril ICOMOS informe mundial 2008–2010 sobre monumentos y sitios en peligro edited by Christoph Machat, Michael Petzet and John Ziesemer Published by hendrik Bäßler verlag · berlin Heritage at Risk edited by ICOMOS PRESIDENT: Gustavo Araoz SECRETARY GENERAL: Bénédicte Selfslagh TREASURER GENERAL: Philippe La Hausse de Lalouvière VICE PRESIDENTS: Kristal Buckley, Alfredo Conti, Guo Zhan Andrew Hall, Wilfried Lipp OFFICE: International Secretariat of ICOMOS 49 –51 rue de la Fédération, 75015 Paris – France Funded by the Federal Government Commissioner for Cultural Affairs and the Media upon a Decision of the German Bundestag EDITORIAL WORK: Christoph Machat, Michael Petzet, John Ziesemer The texts provided for this publication reflect the independent view of each committee and /or the different authors. Photo credits can be found in the captions, otherwise the pictures were provided by the various committees, authors or individual members of ICOMOS. Front and Back Covers: Cambodia, Temple of Preah Vihear (photo: Michael Petzet) Inside Front Cover: Pakistan, Upper Indus Valley, Buddha under the Tree of Enlightenment, Rock Art at Risk (photo: Harald Hauptmann) Inside Back Cover: Georgia, Tower house in Revaz Khojelani ( photo: Christoph Machat) © 2010 ICOMOS – published by hendrik Bäßler verlag · berlin ISBN 978-3-930388-65-3 CONTENTS Foreword by Francesco Bandarin, Assistant Director-General for Culture, UNESCO, Paris .................................. -
Introducing Young People to T
INTRODUCING YOUNG PEOPLE TO THE PROTECTION OF HERITAGE SITES AND HISTORIC CITIES INTRODUCING YOUNG PEOPLE TO THE PROTECTION OF HERITAGE SITES AND HISTORIC CITIES An Introduction Course for Schoolchildren Supplementary Manual for Teachers in Georgia Tbilisi 2014 Project Leader - Merab Bochoidze, ICOMOS Georgia The original text for the Georgian edition reworked and the illustrative material prepared by: Manana Tevzadze Tsitsino Chachkhunashvili Nato Tsintsabadze Editor: Tea Karchava, PhD Translated by Konstantine Getsadze Cover Design: Marina Balavadze Proofreading and text adjustment: Konstantine Getsadze Layout and Design: Tamaz Chkhaidze Cover: Tbilisi, Qvemo Kala, sketch by Eter Makhatelashvili Preparation and publication of this manual is funded by the European Union and Ministry of Culture and Monument Protection of Georgia. This publication was implemented by financial support of the European Union. The contents of this publication are the sole responsibility of the ICOMOS Georgia and can in no way be taken to reflect the views of the European Union. © UNESCO-ICCROM 2003, 2006 © ICOMOS Georgia, 2014 16 B Betlemi Ascent, 0105 Tbilisi, Georgia www.icomos.org.ge [email protected] Tel: +995 322 984527 All Rights Reserved ISBN: 978-9941-0-7186-7 In 2003 the UNESCO Division for the Protection of Cultural Heritage (Paris) and the UNESCO Amman Office published in English and Arab languages the book – “Introducing Young People to Heritage Site Management and Protection: A Practical Guide for Secondary School Teachers in the Arab Region” In 2006 ICCROM published a second revised edition of the 2003 publication. In 2014 ICOMOS Georgia prepared and published a Georgian version of the second edition – “Protection of Cultural Heritage Sites and Historical Cities: An Introductory Course for Schoolchildren”. -
International Congress I Problems and Prospects Of
The Georgian National Academy of Sciences Iv. Javakhishvili Tbilisi State University Georgian Patriarchate INTERNATIONAL CONGRESS I PROBLEMS AND PROSPECTS OF KARTVELOLOGY Tbilisi, 2015 ABSTRACTS 49 Zaza Alexidze (Georgia, Tbilisi) The Issue of Language and Statehood in Georgian Literature and Politics of Old and Recent Period 1. At the turn of IV-III centuries B.C., when King Parnavaz was establishing the first unitary Georgian State, the peak of the process was the declaration of Geor- gian as a State language and creation of the Georgian writing system. 2. In the early fourth century, when Iberia was left without a descendent of the Parnavazids, local nobles invited a certain Persian prince Mihran, in Georgia known as Mirian, as king. Mirian married the last female descendant of the Parnavazid dynasty, “he loved the Georgians, forgot Persian, learned Georgian and adorned the tomb of Parnavaz”. Georgian remained as Iberia’s state language. 3. In the VI-VII centuries, when the Kingdom of Kartli started to become unit- ed, church service in the borderline provinces of Georgia was conducted in the Georgian language even for the non-Georgian-speaking parish. This process of unifi- cation of the Georgian lands was known by the introduction of the unifying term “Entire Kartli” and the construction of the Cross Monastery near Mtskheta, “The Protector of the Entire Kartli”. 4. Due to Arab invasion, Georgia lost independence and fell into parts. However, in the X century the process of unification started anew. The Georgia of David the Builder and King Tamar was gradually developing. Based on the 13-centuries’ experience, a genius Georgian scholar expressed a simple and clear idea: “Kartli is the land where the liturgy is performed in Georgian and all prayers are said in the Georgian language”. -
Doctoral Dissertation Byzantium and the Georgian World C. 900–1210
Doctoral Dissertation Byzantium and the Georgian World c. 900–1210: Ideology of Kingship and Rhetoric in the Byzantine Periphery Sandro Nikolaishvili Supervisor(s): Daniel Ziemann Submitted to the Medieval Studies Department, Central European University, Budapest in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Medieval Studies Budapest, Hungary 2019 CEU eTD Collection Table of Contents Introduction ................................................................................................................................................. 1 Aims of the Thesis .................................................................................................................................... 2 Methodology and Structure ....................................................................................................................... 5 Sources .................................................................................................................................................... 10 Hagiography ........................................................................................................................................ 10 Historiographical Texts ....................................................................................................................... 11 Panegyric Poems ................................................................................................................................. 12 Byzantine and Armenian sources ....................................................................................................... -
Mariam DIDEBULIDZE the G. Chubinashvili Institute of the History of Georgian Art, Tbilisi, Georgia
21st International Congress of Byzantine Studies, London 2006 Communication (VIII.7 Eastern Anatolia) Mariam DIDEBULIDZE The G. Chubinashvili Institute of the History of Georgian Art, Tbilisi, Georgia Monuments of the Medieval Georgian Wall Painting in the North-East Turkey (History and Present State) Tao-Klardjeti, a historical region of Georgia, at present in the north-east Turkey, used to be one of the most prominent political and cultural centers of Georgia in medieval times, and in the period between the 9th and 13th centuries in particular. Activities of St. Grigol Khandzteli (St. Gregory of Khandzta) (759-861)1 and his disciples having founded the monasteries throughout the region led to the flourishing and enhancement of all fields of culture, including wall painting. The history of the monuments is closely linked with the most crucial moments in the history of Georgia, including the upsurge of a strong movement aiming at the unification of Georgian kingdoms and principalities, which was initiated in this very region in the period from the 9th to the 10th centuries, under the leadership of the Bagrationi royal family who reigned in Georgia until the annexation of the Georgian state by the Russian Empire in the 19th century2. Further dramatic events in the region resulted in the destruction of numerous monuments of medieval Georgian architecture and the murals adorning them respectively. The cultural impact of this region over other regions of Georgia was by all means very important, no less than the political3. The period between the 10th and 13th centuries was marked with the development of a specific painting school in Tao-Klardjeti, which despite revealing many features in common with the medieval Christian painting in general and the Georgian painting in particular, contain noteworthy peculiarities which may be explained by closer relations and cultural links with Byzantium and the Near East4. -
You Really Must See... Shida Kartli Settlements Were Located Around the Caves
• PRINTED IN GEORGIA • 2012 • GEORGIA IN PRINTED • NOT FOR SALE FOR NOT centuries BC the settlement grew into an important strategic healthy climate, Surami also has natural mineral springs which town, with two parts: the ‘inner’ town, located in the caves which can help to treat patients suffering from respiratory diseases. were used as shelter during invasions, and the ‘outer’ town where www.georgia.travel Email: [email protected] Email: You really must see... Shida Kartli settlements were located around the caves. Kvatakhevi Georgia Tbilisi, 0105, Str, Sanapiro 4, At the summit of the complex is a Christian basilica and there Kvatakhevi is a medieval Georgian Orthodox monastery. Administration Tourism National Georgian WELCOME TO SHIDA KARTLI are many caves of different sizes and types to explore. You can Dating back to the 12-13th centuries its architectural form and In many ways Shida Kartli is Georgia’s heartland, filled with hidden also see fragments of roads carved in stone, ditches and secret decoration reflects the contemporary canon of a Georgian domed valleys and secret treasures. Spreading out across both sides tunnels. church. of the Mtkvari valley, Shida Kartli lies at the foothills of Greater The monastery complex is covered with finely hewn white stone Caucasus and the forested Trialeti Range, offering visitors a Skhvilo Complex squares. The Eastern façade is adorned with a large ornate cross. diverse range of cultural, educational, and archaeological tours, The Skhvilo Complex is located on the high mountain slopes of the The bell tower is a two-storey building and to the West side there including walking tours to one of the main tourist attractions of the Kaspi borough. -
Georgian Art in the Context of European and Asian Cultures JUNE 21-29, 2008, GEORGIA
VAKHTANG BERIDZE 1st INTERNATIONAL SYMPOSIUM OF GEORGIAN CULTURE Georgian Art in the Context of European and Asian Cultures JUNE 21-29, 2008, GEORGIA PROCEEDINGS TBILISI 2009 UDC(uak)7(479.22)+008.1(479.22:100) q-279 PUBLISHED BY: GEORGIAN ARTS & CULTURE CENTER through INTERNATIONAL INITIATIVE FOR GEORGIAN CULTURAL STUDIES 7, N.Nikoldaze str., Tbilisi, 0108, Georgia e-mail: [email protected] www.gaccgeorgia.org PROJECT LEADER Maka Dvalishvili Georgian Arts & Culture Center EDITORS: Peter Skinner Dimiti Tumanishvili G. Chubunashvili National Center of Georgian Art History and Monuments Protection, Tbilisi State Academy of Arts Anna Shanshiashvili Georgian Arts & Culture Center CATALOGUE COORDINATION: Anna Shanshiashvili Georgian Arts & Culture Center DESIGN AND TYPESETTING: Gega Paksashvili Photography on the cover: David Garedji Monastery. Bertubani 13th c Printed in: PETITE Ltd ISBN 978-9941-0-2005-6 ISSN 1987-829X © Georgian Arts & Culture Center 2009 © Authors 2009 Vakhtang Beridze The Proceedings of the International Symposium “Georgian Art in the Context of European and Asian Cultures” are dedicated with great respect to the memory of Vakhtang Beridze, one of the most distinguished Georgian scholars, Director of the Giorgi Chubinashvili Institute of Georgian Art History, and founder and organizer of the International Symposiums on Georgian Art, 1974 to 1989. Contents PREFACE Maka Dvalishvili. Project Leader. GACC International Initiative for Georgian Cultural Studies. President, Georgian Arts and Culture Center ----------------------------------------------------------------------------------6 -
Assays from the History of Georgia
Assays from the History of Georgia ABKHAZIA ABKHAZIA Assays from the History of Georgia Assays from Ministry of Education and Culture of Abkhazia Institute of History and Ethnology of Iv. Javakhishvili Assays from the History of Georgia ABKHAZIA from ancient times till the present days Tbilisi 2011 UDC (uak) 94 (479.224) G-16 - Prof. Jemal Gamakharia (Chief editor) Prof. Tamaz Beradze Prof. Teimuraz Gvantseladze Jemal Gamakharia (Head of the Project), Lia Akhaladze, Malkhaz Baramidze, Salome Bakhia –Okruashvili, Tamaz Beradze, Lia Bitadze, Dazmir Jojua, Merab Gejua, Irakli Gelenava, Teimuraz Gvantseladze, Badri Gogia, Revaz Khvistani, Bezhan Khorava, Guranda Pkhakadze. Ketevan Chogigidze Prof. Otar Zhordania, Prof. Manana Sanadze, Prof. Tariel Phutkaradze - ISBN 978-9941-0-3928-7 Introduction - - - - - - - - 3 - - - - Chapter I. -
Cultural-Informative Tour “To the Heart of Silk Road”
Tbilisi Cultural-informative tour “To the Heart of Silk Road” Counties of visit: Georgia – Azerbaijan – Uzbekistan - Turkmenistan Duration: 17 days This fascinating cultural-informative tour runs across four countries of Caucasus and Central Asia: Georgia, Azerbaijan, Uzbekistan and Turkmenistan - four countries of ancient culture and rich history; four countries of green valleys, snowy picks and sultry deserts, where the sunlight is bright and dazzling, where water is life itself, and where According to an old legend, the hospitable and kind people are resided. present-day territory of Tbilisi was covered by forests as late as 458. One widely accepted variant of the legend During the tour you will familiarize yourself with magnificent and breathtaking nature of Tbilisi's founding states that King of Caucasus, will taste genuine Georgian vine, stop by the fairytale Palace of Sheki Vakhtang I Gorgasali of Georgia went khans in Azerbaijan, and visit the relics and monuments of oriental architecture in hunting in the heavily wooded region Uzbekistan, the palaces of ancient rulers of Turkmenistan and many other sites. with a falcon . The King's falcon allegedly caught or injured a pheasant Immerse yourself in the oriental world with its unorthodox and sight captivating during the hunt, after which both architecture, ancient monuments, abound antique shops and handicraft workshops. birds fell into a nearby hot spring and Visit the cities which are colored with bright colors of national dress and stirring and died from burns. King Vakhtang inflaming dances, and take delight in the rich cuisine of these people of original culture. became so impressed with the hot springs that he decided to cut down the forest and build a city on the Saturday Day 1 location. -
Isbn 978-9941-0-2725-3
ISBN 978-9941-0-2725-3 9 789941 027253 UDC (უაკ) 7.078+719] (479.22) თ - 842 © teqstis avtori: დიმიტრი თუმანიშვილი Tanaavtorebi: ნიკოლოზ ვაჩეიშვილი, მაკა შავიშვილი, მამუკა ჩხაიძე TEXT BY: Dimitri Tumanisvili in cooperation with Nikoloz Vacheishvili, Maka Shavishvili, Mamuka Chkhaidze Targmani: პეტრე დგებუაძე TRANSLATED FROM GEORGIAN BY: Peter Dgebuadze © fotoebi: შალვა ლეჟავა, ქუცნა ამირეჯიბი, მირიან კილაძე, ნიკოლოზ ვაჩეიშვილი, დიანა ბოლოთაშვილი, გიორგი გაგოშიძე, დავით ტყეშელაშვილი PHOTOS: Shalva Lejava, Kutsna Amirejibi, Mirian Kiladze, Nikoloz Vacheishvili, საქართველოს კულტურული მემკვიდრეობის Diana Bolotashvili, Giorgi Gagoshidze, David Tkeshelashvili დაცვის 2010 წლის პროგრამა Programme for Georgia’s Cultural Heritage © საქართველოს კულტურული მემკვიდრეობის დაცვის ეროვნული სააგენტო Preservation for the Year 2010 National Agency for Cultural Heritage Preservation of Georgia სარჩევი/CONTENTS 4/7 შესავალი/INTRODUCTION 147 კახეთი/KAKHETI 149/153 დავით-გარეჯი/David Gareji 9 თბილისი/TBILISI 157/159 გრემი/Gremi 11/13 ანჩისხატი/Anchiskhati 161/163 კაწარეთის სამება/Katsareti Holly Trinity Church 15/17 სიონი/Sioni 165/169 ნინოწმინდა/Ninotsminda 19/20 მეტეხის ტაძარი/Metekhi Temple 171/172 გურჯაანის ყველაწმინდა/Gurjaani Kvelatsminda 23/25 ლურჯი მონასტერი/Blue Monastery 175/177 სანაგირის ეკლესია/Sanagiri Church 27/29 ქაშუეთის წმ. გიორგის ეკლესია/ 179/181 ვაჩნაძიანის ყველაწმინდა/Vachnadziani Kvelatsminda Kashueti St. George Church 183/184 აკურას „მამა-დავითი”/Akura “Mamadaviti” 187/189 ძველი შუამთა/The OLd Shuamta 31 შიდა ქართლი/SHIDA KARTLI 191/193 ახალი შუამთა/The New Shuamta 33/38 სვეტიცხოველი/SvetiTskhoveli 195/197 იყალთოს მონასტერი/Ikalto Monastery 43/47 სამთავროს ტაძარი/Samtavro Temple 199/201 კვეტერას ციხე/Kvetera Castle 49/51 მცხეთის წმ. ჯვარი/Holly Cross Monastery 203/206 ალავერდის ტაძარი/Alaverdi Cathedral 53/55 კალოუბნის წმ. -
Byzantine Church Decoration and Georgian Art
ECA 7 (2010), p. 97-134; doi: 10.2143 / ECA.7.0.2136908 The Oldest Murals at Oshki Church: 1 Byzantine Church Decoration and Georgian Art Zaza SKHIRTLADZE In 1917, during an expedition organized under the the mosque stood, was fully revealed at the struc- direction of Ekvtime Taq’aishvili in historical Tao- ture’s demolition in the early 1980s. The main Klarjeti (now north-eastern Turkey), special atten- composition occupies the middle register of the tion was given to the church of Oshki, dedicated to central section of the apse, between the two win- St John the Baptist (Pl. 1). The church had been dows: an unidentifiable chief priest, probably one built under the patronage of the rulers of the Tao- of the initiators of the painting, and the donor, Klarjeti Kingdom, Bagrat the Magistros (d. 966) Patrikios Jojik face St John the Baptist, who holds and David Curopalates (d. 1001) in 963-9762. a scroll inscribed in Georgian (John 1:29) (Pl. 4)5. Taq’aishvili gave a brief description of the frescoes To the left, the entire length of the eastern wall of surviving in the church and deciphered the already the apse must have displayed a large, multi-figure fragmentary donor inscription running along the scene of the Crucifixion, of which only fragments painted band that divided the two registers of fig- ures below the conch (Pls 2, 3). According to the inscription, the frescoes were executed with the donation of Jojik the Patrikios, in koronikon snv, 1 3 This article is based on the paper presented at the LXIII i.e. -
Gareji NET.Pdf
Multidisciplinary Study and Development Strategy April 18,19, 20, 2019, Georgia Tbilisi 2020 PUBLISHED BY: Georgian Arts and Culture Center/ country representation of Europa Nostra in Georgia National Agency for the Cultural Heritage Preservation of Georgia WITH FINANCIAL SUPPORT OF: Shota Rustaveli National Science Foundation of Georgia (SRNSFG) [grant number: CG18_26] National Agency for Cultural Heritage Preservation of Georgia SUPPORTED BY: Europa Nostra, European Investment Bank Institute, Creative Europe PROJECT LEADER Maka Dvalishvili, Director of the Georgian Arts and Culture Center Country Representative of Europa Nostra in Georgia ORGANIZING COMMITTEE Maka Dvalishvili Nikoloz Antidze Nana Kuprashvili Tamar Kiknadze Marita Sakhltkhutsishvili EDITOR: Ori Z Soltes CATALOGUE COORDINATOR: Marita Sakhltkhutsishvili DESIGN: Gega Paksashvili PHOTOGRAPHY ON THE COVER Davit Gareji Monastery. St. Davit’s Lavra, 6th C. (photo by Marita Sakhltkhutsishvili) © Georgian Arts and Culture Center/ The country representation of Europa Nostra in Georgia, National Agency for Cultural Heritage Preservation of Georgia, Shota Rustaveli National Science Foundation of Georgia © Authors 2020 ISBN 978-9941-8-2198-1 Editorial Note: the publication has been published with the assistance of Rustaveli National Science Foundation of Georgia, and National Agency for Cultural Heritage Preservation of Georgia by Georgian Arts and Culture Center. The content of this publication is the sole responsibility of the authors and in no way reflect the views of the publishers.