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Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei By ©2016 Alison Miller Submitted to the graduate degree program in the History of Art and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Dr. Maki Kaneko ________________________________ Dr. Sherry Fowler ________________________________ Dr. David Cateforis ________________________________ Dr. John Pultz ________________________________ Dr. Akiko Takeyama Date Defended: April 15, 2016 The Dissertation Committee for Alison Miller certifies that this is the approved version of the following dissertation: Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei ________________________________ Chairperson Dr. Maki Kaneko Date approved: April 15, 2016 ii Abstract This dissertation examines the political significance of the image of the Japanese Empress Teimei (1884-1951) with a focus on issues of gender and class. During the first three decades of the twentieth century, Japanese society underwent significant changes in a short amount of time. After the intense modernizations of the late nineteenth century, the start of the twentieth century witnessed an increase in overseas militarism, turbulent domestic politics, an evolving middle class, and the expansion of roles for women to play outside the home. As such, the early decades of the twentieth century in Japan were a crucial period for the formation of modern ideas about femininity and womanhood. Before, during, and after the rule of her husband Emperor Taishō (1879-1926; r. 1912-1926), Empress Teimei held a highly public role, and was frequently seen in a variety of visual media. -
CURRICULUM VITAE Kenneth J. Ruoff Contact Information
CURRICULUM VITAE Kenneth J. Ruoff Contact Information: Department of History Portland State University P.O. Box 751 Portland, OR 97207-0751 Tel. (503) 725-3991 Fax. (503) 725-3953 e-mail: [email protected] http://web.pdx.edu/~ruoffk/ Education Ph.D. 1997 Columbia University History M.Phil. 1993 Columbia University History M.A. 1991 Columbia University History B.A. 1989 Harvard College East Asian Studies Study of advanced Japanese, Inter-University Center (formerly known as the Stanford Center), Yokohama, Japan, 1993-1994 (this is a non-degree program). Awards Tim Garrison Faculty Award for Historical Research, Portland State University, 2020. For Japan's Imperial House in the Postwar Era, 1945-2019. Ambassador, Hokkaido University, 2019-present. Branford Price Millar Award for Faculty Excellence, Portland State University, Spring 2015. For excellence in the areas of research and teaching, in particular, but also for community service. Commendation, Consulate General of Japan, Portland, OR, December 2014. For enriching the cultural landscape of Portland through programs sponsored by the Center for Japanese Studies and for improving the understanding of Japan both through these programs and through scholarship. Frances Fuller Victor Award for General Nonfiction (best work of nonfiction by an Oregon author), Oregon Book Awards sponsored by the Literary Arts Organization, 2012. For Imperial Japan at Its Zenith: The Wartime Celebration of the Empire’s 2,600th Anniversary. Jirõ Osaragi Prize for Commentary (in Japanese, the Osaragi Jirõ rondanshõ), 2004, awarded by the Asahi Newspaper Company (Asahi Shinbun) for the best book in the social sciences published in Japan during the previous year (For Kokumin no tennõ; translation of The People’s Emperor). -
Sino-Japanese Interactions Through Rare Books
Timelines and Maps Sino-Japanese Interactions Through Rare Books English Version © Keio University Timelines and Maps East Asian History at a Glance Books are part of the flow of history. But it is not only about Japanese history. Many books travel over the sea time to time for several reasons and a lot of knowledge and information comes and go with books. In this course, you’ll see books published in Japan as well as ones come from China and Korea. Let’s take a look at the history in East Asia. You do not have to remember the names of the historical period but please refer to this page for reference. Japanese History Overview This is a list of the main periods in Japanese history. This may be a useful reference as we proceed in the course. Period Name of Era Name of Era - mid-3rd c. CE Yayoi 弥生 mid-3rd c. CE - 7th c. CE Kofun (Tomb period) 古墳 592 - 710 Asuka 飛鳥 710-794 Nara 奈良 794 - 1185 Heian 平安 1185 - 1333 Kamakura 鎌倉 Nanboku-chō 1333 - 1392 (Southern and Northern Courts period) 南北朝 1392 - 1573 Muromachi 室町 1573 - 1603 Azuchi-Momoyama 安土桃山 1603 - 1868 Edo 江戸 1868 - 1912 Meiji 明治 Era names (Nengō) in Edo Period There were several era names (nengo, or gengo) in Edo period (1603 ~ 1868) and they are sometimes used in the description of the old books and materials, especially Week 2 and Week 4. Here is the list of the era names in Edo period for your convenience; 1 SINO-JAPANESE INTERACTIONS THROUGH RARE BOOKS KEIO UNIVERSITY © Keio University Timelines and Maps Start Era name English Start Era name English 1596 慶長 Keichō 1744 延享 Enkyō -
Treasures of Jodo Shinshu and the Hongwanji II —The Preservation of Beauty and Teachings—
Special Exhibition Treasures of Jodo Shinshu and the Hongwanji II —The Preservation of Beauty and Teachings— March 4th to June 11th, 2017 at Ryukoku Museum List of Works Notes • The list numbers corespond to the exhibition labels. • Not all the works of this list will be exhibited at the same time because of the exhibition rotations. Chapter 1 Past Chief Priests of Hongwanji No. Title Artist or Author Materials Date Location and Owner [National Treasure] Inscription and Endorsed Muromachi period, 1 Colors on silk Hongwanji, Kyoto Portrait of Shinran (Anjō no Go'ei ) by Rennyo (1415-99) Bunmei 11 (1479) Momoyama period, 2 Portraits of Shinran (Hana no Go'ei ) Colors on silk Hongyō-ji, Shiga 16th-17th century Endorsed by Muromachi period, 3 Portraits of Shinran Colors on silk Konjōbō, Toyama Jitsunyo (1458-1525) Meiō 6 (1497) Endorsed by Muromachi period, 4 Portraits of Shinran Colors on silk Hōon-ji, Toyama Shōnyo (1516-54) 16th century Wood with Kamakura-Nambokuchō 5 Seated Image of Shinran pigments, Hongaku-ji, Fukui period, 14th century crystal Eyes Wood with toned Nambokuchō-Muromachi 6 Seated Image of Shinran repairs, Konkaikōmyō-ji, Kyoto period, 14th-15th century crystal Eyes Illustrated Biography of Shinran Nambokuchō period, 7 Colors on paper Kōraku-ji, Nagano (Hongwanji shōnin Shinran denne ) 14th century [Important Cultural Property] Inscription by Nambokuchō period, Jōsembō in Temma, 8 Illustrated Biography of Shinran Colors on paper Zonkaku (1290-1373) 14th century Osaka (Hongwanji shōnin Shinran denne ) by Tokuriki Zensetsu, -
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Patricia Shehan Campbell, Chair Jeffrey M. Perl Christina Sunardi Paul S. Atkins Program Authorized to Offer Degree: Music ii ©Copyright 2017 Michiko Urita iii University of Washington Abstract In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita Chair of the Supervisory Committee: Professor Patricia Shehan Campbell Music This dissertation explores the essence and resilience of the most sacred and secret ritual music of the Japanese imperial court—kagura taikyoku and kagura hikyoku—by examining ways in which these two songs have survived since their formation in the twelfth century. Kagura taikyoku and kagura hikyoku together are the jewel of Shinto ceremonial vocal music of gagaku, the imperial court music and dances. Kagura secret songs are the emperor’s foremost prayer offering to the imperial ancestral deity, Amaterasu, and other Shinto deities for the well-being of the people and Japan. I aim to provide an understanding of reasons for the continued and uninterrupted performance of kagura secret songs, despite two major crises within Japan’s history. While foreign origin style of gagaku was interrupted during the Warring States period (1467-1615), the performance and transmission of kagura secret songs were protected and sustained. In the face of the second crisis during the Meiji period (1868-1912), which was marked by a threat of foreign invasion and the re-organization of governance, most secret repertoire of gagaku lost their secrecy or were threatened by changes to their traditional system of transmissions, but kagura secret songs survived and were sustained without losing their iv secrecy, sacredness, and silent performance. -
THE, /Ouvntxl OF
ISSN 0021-91 THE, /ouvntxl OF PUBLISHED BY THE ASSOCIATION FOR ASIAN STUDIES, INC. Volume XXXIX, Number 4 August 1980 Downloaded from https://www.cambridge.org/core. IP address: 170.106.203.244, on 04 Oct 2021 at 02:36:58, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0021911800028357 NEW EDITION DOCTORAL DISSERTATIONS ON ASIA compiled and edited In Frank Joseph Shulman Volume 3, No. 1 The latest issue of Doctoral Dissertations on Asia (DDOA) is 96 pages long and includes approximately 1,400 entries of world- wide doctoral dissertations on Asia in progress or completed since 1977. Addresses of many individuals also are included. (The next issue of the DDOA, Volume 3, No.2, will appear in the summer of 1980.) Publication Date: March 1980 Cost: S5.00 All orders must be prepaid. Checks should be made payable to the Association for Asian Studies. Inc. Send orders to the AAS Secretariat, 1 Lane Hall, University of Michigan, Ann Arbor, MI 48109. ASSOCIATION FOR ASIAN STUDIES MEMBERSHIP DIRECTORY This new edition, the first compiled since 1977, includes an alpha- betical name/address listing of current members (life, regular, student, associate, retired) as of May 15, 1980. This section of the publication is produced by offset printing of computer printouts. A separate alpha- betical name/address listing of supporting members also will be included. Indices, compiled from data submitted by AAS members (excluding supporting members), will provide breakdowns on primary discipline and country/region of greatest interest. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
“Modernization” of Buddhist Statuary in the Meiji Period
140 The Buddha of Kamakura The Buddha of Kamakura and the “Modernization” of Buddhist Statuary in the Meiji Period Hiroyuki Suzuki, Tokyo Gakugei University Introduction During Japan’s revolutionary years in the latter half of the nineteenth century, in particular after the Meiji Restoration of 1868, people experienced a great change in the traditional values that had governed various aspects of their life during the Edo period (1603-1867). In their religious life, Buddhism lost its authority along with its economic basis because the Meiji government, propagating Shintoism, repeatedly ordered the proclamation of the separation of Shintoism and Buddhism after the Restoration. The proclamation brought about the anti-Buddhist movement haibutsu kishaku and the nationwide movement doomed Buddhist statuary to a fate it had never before met.1 However, a number of statues were fortunately rescued from destruction and became recognized as sculptural works of Buddhist art in the late 1880s. This paper examines the change of viewpoints that occurred in the 1870s whereby the Buddha of Kamakura, a famous colossus of seated Amida (Amitâbha) from the mid-thirteenth century, was evaluated afresh by Western viewers; it also tries to detect the thresholds that marked the path toward a general acceptance of the idea that Buddhist statuary formed a genre of sculptural works in the fine arts during the Meiji period (1868-1912). Buddhist statuary in the 1870s It is widely known that the term bijutsu was coined in 1872, when the Meiji government translated the German words Kunstgewerbe (arts and crafts) and bildende Kunst (fine arts) in order to foster nationwide participation in the Vienna World Exposition of 1873. -
The History of Modern Iron Manufacture
Drew Beinhaker Anthropology 377 5/19/94 The History of Modern Iron Manufacture To Virginia, the first of the English settlements in America, belongs the honor of inaugurating within their limits as a colony that most important industry, iron manufacture. -R.A. Brock, 18851 Among the vast spectrum of metallic elements found in the earth’s crust, iron ore, because of its abundance and accessibility, has proved to be nature’s greatest gift to mankind. Although rarely found in a pure state, the presence of iron makes up nearly one-fifth of the earth’s total mass. Due to its solubility in water, iron is much more prevalent deep in the earth’s core than it is in the surface layers. Limestone is the… 1 Robert Alonzo Brock, “Early Iron Manufacture in Virginia: 1619-1776,” in Proceedings of the United States National Museum, 1885, 8(Washington, 1886): 77. quoted in A History of Metals in Colonial America, (p.55). most common agent attributed to the deposits of iron in water. The available nature of this metal and the many uses of its finished product has lead to the development of one of the most fundamental industries known to man, iron manufacture. The beginning of modern iron making can be traced back to sixteenth century Europe with the operation of the Catalan forge in Catalonia, Spain. The forge contained an air blast system which was triggered by the pressure of a waterfall through the use of a device known as a trompe. Water and air bubbles would flow through a pipe into an airtight receptacle allowing for the necessary pressure to accumulate in order to initiate the process. -
Chapter 1, the Nature of Ironmaking
Chapter 1 The Nature of Ironmaking D. H. Wakelin, Manager-Development Engineering, Primary, LTV Steel Co. J. A. Ricketts, Senior Staff Engineer, Ironmaking Technology, Ispat-Inland Inc. 1.1 Introduction The term ironmaking inevitably conjures a picture of man wresting glowing liquid hot metal from a giant reactor using methods steeped in history, more art than science. Understanding of the processes taking place, however, has expanded dramatically over the past few decades, bringing science to the operation, while retaining some of the art for future explanation. Our knowledge has increased significantly even since the publication of the 10th edition of The Making, Shaping and Treating of Steel in 1985, and it is the intention of this volume to present this information, together with the previous understanding of the process.1 While the production of molten iron from the blast furnace has held the predominant position to the present day as the method of supplying virgin iron units for oxygen steelmaking, it remains dependent on the availability of suitable coals for making coke. Alternative processes have prolif- erated in recent years to take advantage of lower cost raw materials and lower capital cost for smaller scale equipment. Some are coal-based, some are gas-based. Some use lump iron ore, some use iron ore fines. All are properly included in this volume on ironmaking, which presents the basic principles, operating practices and equipment used in separating iron from its naturally occurring oxide state. 1.2 Structure of this Volume This introductory chapter is largely devoted to the history of ironmaking, bringing the reader from the earliest records to present day developments in blast furnace technology and equipment. -
Title the NEW ECONOMIC POLICY in the CLOSING DAYS of the TOKUGAWA SHOGUNATE Author(S) Honjo, Eijiro Citation Kyoto University Ec
CORE Metadata, citation and similar papers at core.ac.uk Provided by Kyoto University Research Information Repository THE NEW ECONOMIC POLICY IN THE CLOSING DAYS Title OF THE TOKUGAWA SHOGUNATE Author(s) Honjo, Eijiro Citation Kyoto University Economic Review (1929), 4(2): 52-75 Issue Date 1929-12 URL http://hdl.handle.net/2433/125185 Right Type Departmental Bulletin Paper Textversion publisher Kyoto University 1 Kyoto University Economic Review MEMOIRS OF THE DEPARTMENT OF ECONOMICS IN THE IMPERIAL. UNIVERSITY OF KYOTO VOLUME IV 1929 PUBUSIIED bY THE DEPARTMENT OF ECONOMICS IN 'fHR IMPERIAL UNIVERSITY OF KYOTO THE NEW ECONOMIC POLICY IN THE CLOSING DAYS OF THE TOKUGAW A SHOGUNATE The period of about 260 years following the Keicho and Genna eras (1596-1623) is called either the Tokugawa period or the age of the feudal system based on the centralisation of power; but, needless to say, the situation in this period, as in other periods, was subject to a variety of changes. Especially in and after the middle part of the Tokugawa Shogunate, commerce and industry witnessed considerable development, currency was widely circulated and the chanin class, or commercial interests, gained much influence in consequence of the growth of urban districts. This led to the development of the currency economy in addition to the land economy already existing, a new economic power thus coming into being besides the agrarian economic power. Owing to this remarkable economic change, it became im· possible for the samurai class to maintain their livelihood, and for the farming class to support the samurai class as under the old economic system, with the result that these classes had to bow to the new economic power and look to the chiinin for financial help. -
Above the Clouds Page 1
Above the Clouds Page 1 Above the Clouds Status Culture of the Modern Japanese Nobility Takie Sugiyama Lebra University of California Press Berkeley Los Angeles London Above the Clouds Page 2 University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 1993 by The Regents of the University of California First Paperback Printing 1995 Library of Congress Cataloging-in-Publication Data Lebra, Takie Sugiyama, 1930- Above the clouds : status culture of the modern Japanese nobility / Takie Sugiyama Lebra. p. cm. Includes bibliographical references and index. ISBN 0-520-07602-8 1. Japan—Social life and customs—20th century. 2. Nobility— Japan. L Title. DS822.3.L42 1992 306.4’0952—dc20 91-28488 Printed in the United States of America 9 8 7 6 5 4 3 2 1 The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences— Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. Above the Clouds Page 3 To the memory of William P. Lebra Above the Clouds Page 4 Contents List of Tables List of Illustrations Orthographic Note on Japanese Words Acknowledgments 1. Studying the Aristocracy: Why, What, and How? 2. Creating the Modern Nobility: The Historical Legacy 3. Ancestors: Constructing Inherited Charisma 4. Successors: Immortalizing the Ancestors 5. Life-Style: Markers of Status and Hierarchy 6. Marriage: Realignment of Women and Men 7. Socialization: Acquisition and Transmission of Status Culture 8. Status Careers: Privilege and Liability 9. Conclusion Epilogue: The End of Showa Notes Glossary References Above the Clouds Page 5 Tables 1.