DOCSLIB.ORG

Mantis Release Notes 3.4.0 BID 10DB Notes

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mantis Release Notes 3.4.0 BID 10DB Notes Quantum3D, Inc. Mantis 2018-5-9 Mantis Release Notes 3.4.0 BID 10DB Notes Updates/Additions 1. Native support for direct loading of terrain databases in Common Database (CDB) format. See CdbPlugin section of Mantis Plugins User Manual for details. 2. New StaticModels plugin provides a mechanism to efficiently populate the terrain with a set of modelled features. E.g. this allows new tall constructions (such as buildings, wind-turbines, radio towers) to be added to the terrain without having to re-generate the complete terrain, allowing the terrain to be kept up to date with the real world. 3. Watercraft capability added to Autonomous Traffic plug-in. ZD 20306 Added support for NodeNamesToNotRender.txt in mnp folder. This may contain a list of node names. These nodes will be removed from the scene graph so will not get rendered or be used for mission functions. This can be used to prevent specific bad geometry from being rendered without having to rebuild the whole terrain. ZD 20314 Modified CIGI Moon Elevation and Phase Query short component control packet to also return moon azimuth, sun elevation and sun azimuth. ZD 20320 Added new Clear Day environment map to RunwayFX and AdvOcean plug-ins. These have much reduced cloud intensity campared to the Sunny Day environment maps. Re-named existing "Sunny Day" environment maps to "Partly Sunny Day" ZD 20339 Added additional monitor refresh values to the Channels->Params tab ZD 20355 Added new CIGI Short Component Control packet to allow host to request the current Terrain Paging Status (i.e. whether or not terrain paging is currently throttled or free running). ZD 20362 Added support for reading HMD or VR/AR goggles tracking in CustomSymbology plugin. ZD 20361 Added Spotlight intensity scale factor slider to MantisClient->Environment->NVG Stimulation tab. Deficiencies Addressed ZD 20304 Fixed issue introduced in 3.3.2 release that caused 2D clouds to appear opaque. 1 of 220 Quantum3D, Inc. Mantis 2018-5-9 ZD 20305 Fixed issue with the CIGI short component control packet that sets the animation time not working if there is more than one sync group active. ZD 20307 Fixed issue with CIGI short component control Set Animation Time also setting the Auto Airport Lighting parameters ZD 20313 Removed limit on maximum value of near clip plane (was previoulsy limited to 10.0 or less) when using CigiCCL plugin (CigiV2 never had this limit) ZD 20316 Fixed following issues that occur when host is controlling animation time: 1) If animation time jumps backwards then any rotorwash effects will stop rendering 2) Erratic DiGuy behaviour and very long render thread freezes when setting actions. ZD 20317 Fixed issues with some time dependent CIGI controls such as rate control not working correctly when host is supplying the animation time. ZD 20319 Fixed issue in AdvancedWeather plugin where Cloud City Glow would not be visible on the high LOD 3D clouds if a storm cloud is within the field of view. ZD 20321 Fixed issue with insets on Alaska/West Canada region of wwdb not suppressing the rendering of the underlying background terrain - so both inset and background would be rendered. ZD 20325 Made DiGuy use sample coverage alpha for semi-transparent geometry. This fixes an issue with semi-transparent geometry not being visible at all for DiGuy characters. ZD 20326 Fixed issue with HOT requests always failing when using igCigiV2 plug-in since Mantis version 3.3.1 ZD 20330 Reverted the default datasync behavior back to how it used to be prior to RN 130201-000002. It was found that the new datasync behavior implemented in that change results in an additional frame of latency being introduced. With this change the new behavior can be selected by setting the environment variable MANTIS_SYNC_METHOD to 2. This should only be done on systems that experience the long DataSync delays (the pale green line on the 8.1 stats). ZD 20345 Updated the NVIDIA GLCache priming mechanism to prime the cache from both %appdata%\..\Roaming and %appdata%\..\Local. Previously only primed the cache from %appdata%\..\Roaming. Newer NVIDIA drivers (approximately 388 and later) have switched to using Local rather than Roaming to store the cache. 2 of 220 Quantum3D, Inc. Mantis 2018-5-9 ZD 20353 Fixed issue with short component control that enables/disables NVG Stimulation for a channel not working. ZD 20354 Fixed issue introduced in 3.3.0 where in cloud fogging inside 2D cloud layers was not working on ViXsen sensor channels. ZD 20358 Fixed issue when using the TestPattern plugin Texture Test Pattern. It was eroneously affecting the properties of other textures in the scene. ZD 20360 Modified the way special matrices driven by the wind are computed. Previously if the wind speed changed even slightly the position of the matrix would jump randomly. With the new method the positions behave correctly as the wind is changed. ZD 20363 Fixed following issues when Host pauses or moves back animation time: - Bow spray blooms up for a short period after time is paused (actually caused since the ocean clamping physics continued to move the ship). - Wakes would zig-zag and overlay itself if time was moved backwards. Now the wake is reset in these circumstances. 3.3.2 BID 10D8 Notes Updates/Additions ZD 20177 Made precipitation effect (rain/snow etc.) get illuminated by any spot lights or fog lights that are near the view position. ZD 20005 Added support to VTree scene graph for items such as windsocks, wind turbines, and weather vanes. A DTNode can now be flagged to use a special matrix, along with a matrix index. The index determines the type according to the vtScene::SpecialMatrices enum. These special matrices are updated each frame to perform the required action. OpenFlight2VTree has a new DOF node comment vt_special_matrix=<MatrixID> to use one of these matrices instead of the normal DOF matrix. ZD 20178 Made ShadowSwitch mechanism easier to use. A single switch node named ShadowSwitch may now be placed anywhere in an entities scene graph. The switch node must have exactly two children. The first child is traversed when 3 of 220 Quantum3D, Inc. Mantis 2018-5-9 rendering the visual scene, the second child is traversed when rendering to the shadow map. Also removed the restriction that the ShadowSwitch node mechanism would only operate on entities that were not shadow receivers. ZD 20188 Added support for using Texture Arrays in MNP files. This effectively allows multiple textures to be accessed from within a single draw call which allows a drastic reduction in the number of draw calls - which improves performance. ZD 20200 Added support for using file called TexturesToIgnoreForAllMF.txt to indicate which nodes to ignore completely for all mission function queries. Old filename called 3dTexturesThatIdentifyNodesThatClampingShouldIgnore.txt can now use the slightly less long TexturesToIgnoreForNearVerticalMF.txt instead. ZD 20203 Added capability for a separate process to interface to Quest2 and grab the frame buffer after blur and noise have been applied but before other post processing. A new ImageGrabAPI library has been created that the other process can use to perform this task. ZD 20216 Added option to GlobalAirport Plug-in GUI to disable rendering the base generic textured polygon for all airfields. This might be desired if all training areas have high resolution terrain texture. ZD 20197 Added support for using texture arrays for terrain global textures. This can greatly improve performance when terrains contain dense culture which uses many different textures (e.g. buildings). Also greatly reduced the overhead of switching back and forth between geometry that has lights maps and geometry that does not. ZD 20223 Made following enhancements to GlobalAirport Plugin: - Support for version 10.50 of X-Plane apt.dat (support airport codes > 4 characters) - Added support for heliports ZD 20225 Added display of Exclusion Zones in magenta on Autonomous Traffic debug map display. Added ability to pan and zoom the debug map display. ZD 20226 Added ability to have seasonal global textures in the terrain, e.g. for trees. This is achieved by looking for global textures in the wwd folder first before loading the embedded texture. So creating multiple folders, each containing a wwd and the seasonal version of the textures, allows selection between different global textures. ZD 20229 Added checkbox to GlobalAirport plug-in to disable terrain flattening ZD 20233 Added the ability to set the vertical size of the Quest2 temporal noise via CIGI ZD 20234 Added additional memory usage stats to the 3.2 stats display. 4 of 220 Quantum3D, Inc. Mantis 2018-5-9 ZD 20236 Added support for the following new OpenFlight comments: vt_vertical, vt_powerline, vt_culture, vt_night_or_low_vis, vt_no_isect ZD 20237 Added new option to send an additional multicast packet each time a CIGI start of frame is sent. This can be used for sychronizing other components of the system in addition to the host. ZD 20238 Made Atmosphere->Sky->Calib slider affect layered fog ranges (previously only affected general visibility). Added new CIGI packet to allow the Atmosphere->Sky->Calib value to be adjusted on individual channels. This allows, for example, visibility to increased on channels that are simulating a sensor that uses wavelengths that penetrate fog more than visible light. ZD 20239 Added support for per light point direction. Previously if an OpenFlight Light point node contained points with different direction vectors they would all end up with the same direction. Updated Global Airport plugin to make all runway and taxiway center lights directional. Changed light point glare texture to look a little better. Changed default Atmosphere->MinPixelSize to 2.5 (was 3.5) ZD 20242 Global Airport improvements: - Signage now has depth - PAPI/VASI/Wig-Wag now have polygonal box behind them - Added lighting to heliports that are flagged as having lighting.
Load more

Recommended publications
  • Courrier Du CNRS 1991
    Ce document a été réalisé à partir du document original de 1995. Il a été obtenu par scan (en 2017) de chaque page ensuite traitée, avant d’être reconstruit. Il peut donc présenter des légères différences ainsi que quelques coquilles mais son contenu est inchangé par rapport à celui du document original LE COURRIER DU CNRS Ce numéro du Courrier du CNRS a été DOSSIERS SCIENTIFIQUES préparé sous la direction du département scientifique Sciences pour l'ingénieur du CNRS. Directeur de la publication : Le Courrier du CNRS remercie les François Kourilsky auteurs et les organismes qui ont participé à ce dossier. REALISATION : Les titres, les chapeaux introductifs et CNRS-Atelier de l'Ecrit les résumés ont été rédigés par la Groupement des Unités de la rédaction. Communication du CNRS Les textes peuvent être reproduits sous I - place Aristide Briand réserve de l’autorisation du directeur 92195 Meudon Cedex de la publication. Prix : 50 francs. Vente au numéro : Direction : Bernard Hagene Presses du CNRS, 20-22, rue Saint- Rédaction en chef: Sylvie Langlois Amand, 75015 Paris- Rédaction : Pierrette Massonnet tél :(1) 45 33 16 00. Diffusion : Christine Girard Secrétariat: Muriel Hourüer Fabrication Coordination de la fabrication : COMITE SCIENTIFIQUE : J.O. - Communication, 10, avenue Bourgain, Coordinateur 92130 Issy-les-Moulineaux COUVERTURE Direction artistique ; Top Conseil. 18, rue Gérard Favier Volney, 75002 Paris - tél. : 42.96.14.58. Première étape du traitement du signal : Pierre-Y ves Arqués Impression : Roto-France-Impression, boulevard l'acquisition de l’information. de Beaubourg, Emerainville, 77327 Marne-la- Albert Bijaoui Vallée Cedex 2 - tél. : 60.06.60.00.
    [Show full text]
  • The Impact of Multichannel Game Audio on the Quality of Player Experience and In-Game Performance
    The Impact of Multichannel Game Audio on the Quality of Player Experience and In-game Performance Joseph David Rees-Jones PhD UNIVERSITY OF YORK Electronic Engineering July 2018 2 Abstract Multichannel audio is a term used in reference to a collection of techniques designed to present sound to a listener from all directions. This can be done either over a collection of loudspeakers surrounding the listener, or over a pair of headphones by virtualising sound sources at specific positions. The most popular commercial example is surround-sound, a technique whereby sounds that make up an auditory scene are divided among a defined group of audio channels and played back over an array of loudspeakers. Interactive video games are well suited to this kind of audio presentation, due to the way in which in-game sounds react dynamically to player actions. Employing multichannel game audio gives the potential of immersive and enveloping soundscapes whilst also adding possible tactical advantages. However, it is unclear as to whether these factors actually impact a player’s overall experience. There is a general consensus in the wider gaming community that surround-sound audio is beneficial for gameplay but there is very little academic work to back this up. It is therefore important to investigate empirically how players react to multichannel game audio, and hence the main motivation for this thesis. The aim was to find if a surround-sound system can outperform other systems with fewer audio channels (like mono and stereo). This was done by performing listening tests that assessed the perceived spatial sound quality and preferences towards some commonly used multichannel systems for game audio playback over both loudspeakers and headphones.
    [Show full text]
  • Episteme Em Artigos VIII
    Ensinar e aprender é algo contagioso, pois o que dissemina sabedoria também constrói o novo. O projeto Episteme é uma destas inovações que, há anos, se renova e reinventa nossa realidade. Por isso, com muito Episteme em Artigos orgulho convidamos a todos para conhecer mais um pouco deste trabalho, e junto conosco compartilhar seus pensamentos, seus ideais e suas buscas. VIII Um olhar sobre as Profissões Pontual Centro de Ensino - Uma escola feita a mão... Rua Tupi, 455 - Centro - Londrina PR - 43 3321 6757 www.pontuallondrina.com.br facebook.com/pontuallondrina Uma Escola feita a mão Organização Carlos Augusto Portello Carlos Henrique Duarte Maria Luisa Marigo 2014 Volume VIII Todos os direitos reservados. Proibida a reprodução total ou em partes sem autorização prévia. Índice Apresentação .......................................................................................... 04 Dedicatória ............................................................................................... 05 A biologia celular e marinha ................................................................... 06 Eduardo Kiiti Hachiya Martins e William Seiki Ogido Hirata Jogos indies – Gamers nova profissão? ............................................... 18 Antonio Panissa e André Panissa O que é um escritor? ............................................................................... 31 Júlia Oliveira Bilibio Profissões mais e menos remuneradas ................................................ 43 Vitor Hugo Omotto e Henrique Yabushita Um olhar sobre a psicanálise
    [Show full text]
  • Official Playstation Magazine! Get Your Copy of the Game We Called A, “Return to Form for the Legendary Spookster,” in OPM #108 When You Subscribe
    ISSUE 114 OCTOBER 2015 £5.99 gamesradar.com/opm LARA COMES HOME TOMB RAIDER It’s official! First look as Rise Of The Tomb Raider heads to PS4 ASSASSIN’SBETTER ON PS4! CREED SYNDICATE Back to its best? Victorian London explored and PS4-exclusive missions uncovered in our huge playtest EXPERT PLAYTEST STAR WARS BATTLEFRONT Fly the Millennium Falcon in the mode of your dreams COMPLETED! RECORD-BREAKING TEN-PAGE METAL GEAR SOLID REVIEW DESTINY: MAFIA III COMES BACK FROM THE TAKEN KING THE DEAD TO MAKE OUR DAY We’ve finished it! All-access CALL OF DUTY SIDES WITH PS4: pass to the best DLC ever WHAT DOES IT MEAN FOR YOU? ISSUE 114 / OCT 2015 Future Publishing Ltd, Quay House, The Ambury, Welcome Bath BA1 1UA, United Kingdom Tel +44 (0) 1225 442244 Fax: +44 (0) 1225 732275 here’s just no stopping the PS4 train. Email [email protected] Twitter @OPM_UK Web www.gamesradar.com/opm With Sony’s super-machine on track to EDITORIAL Editor Matthew Pellett @Pelloki eventually overtake PS2 as the best- Managing Art Editor Milford Coppock @milfcoppock T Production Editor Dom Reseigh-Lincoln @furianreseigh selling console ever, developers keep News Editor Dave Meikleham flocking to Team PlayStation. This month we CONTRIBUTORS Words Alice Bell, Jenny Baker, Ben Borthwick, Matthew Clapham, Ian Dransfield, Matthew Elliott, Edwin Evans-Thirlwell, go behind the scenes of five of the best Matthew Gilman, Ben Griffin, Dave Houghton, Phil Iwaniuk, Jordan Farley, Louis Pattison, Paul Randall, Jem Roberts, Sam games due out this year to show you why Roberts, Tom Sykes, Justin Towell, Ben Wilson, Iain Wilson Design Andrew Leung, Rob Speed the biggest blockbusters of the gaming ADVERTISING world are set to be better on PS4.
    [Show full text]
  • Work Experiences Skills School Formation Prizes and Mentions
    [email protected] (514) 462-7297 5792 rue Alphonse, Brossard, QC Alexandre Trudel J4Z 1C1 DMP/ENV Artist Work experiences Skills 3D Generalist Softwares: Photoshop, Illustrator, After Effects, Premiere Rayon FX Pro, Bridge & inDesign CC, NukeX, Maya, ZBrush, August 3rd, 2020 to January 5th, 2021 Mudbox (basic); Substance Painter, Designer and Softwares: Maya, Nuke, Photoshop, Redshift, Houdini, Alchemist; Mari, SpeedTree, Cinema 4D, Katana, Substance Painter and Alchemist, Blender, 3Ds Max Reality Capture (basic), UVLayout, Photoscan, Terragen (basic), Houdini (basic), Clarisse iFX, Quadspinner Environment Artsit/Digital Matte Painter Gaea, World Creator 2, Unreal Engine, Ableton Live 9 Rodeo FX Montreal July 2nd, 2019 to December 18, 2019 Renderers: Arnold, Octane, Renderman, VRay, Redshift Softwares: Maya, Nuke, Katana, Photoshop, Bridge, ZBrush, Clarisse iFX, Substance Painter and Designer, Blender Programming languages: PyMEL, MEL & Python (basic) Movies: Zombieland: Double Tap, Jumanji: The Next Level OS: Windows, Linux, Mac Environment TD/Digital Matte Painter Prizes and mentions MPC Film Montreal May 23rd, 2017 to June 28, 2019 Populis Sakarine was selected for the evening of Softwares: Maya, Nuke, Katana, Mari, Photoscan, projection of the 16th edition of Dérapage Photoshop, Bridge, ZBrush, Mudbox, UVLayout, Houdini Cinémathèque québécoise, Montreal Movies: X-Men: Dark Phoenix, Underwater, The Predator, May 3, 2016 Maleficent: Mistress of Evil, Godzilla: The King of Monsters, SHAZAM!, Dolittle, Noëlle Certificate of voluntary implication VFX Generalist Action Humanitaire et Communautaire (AHC) MPC Film Montreal University of Montreal, Montreal October 11, 2016 to February 3, 2017 April 2015 Softwares & Scripts: Maya, Nuke, Katana, Cinema 4D, Octane, Reality Capture, Sublime, MPC Tools, Python Winning team for the pitch Movie: Ghost in the Shell Annie Sage and Couche-Tard Class : Promotional Communication School formation University of Montreal, Montreal December 2013 D.É.S.S.
    [Show full text]
  • The Urban Mixed Realities Workshop
    Welcome to the Urban Mixed Realities Workshop We would like to welcome you to the Urban Mixed Realities workshop which is being hosted as part of CHI 2008 in the stunning city of Florence. In common with CHI, this workshop embraces the themes of art, science and balance from the perspective of urban mixed realities and brings together researchers, practitioners and students from a range of backgrounds and countries. Urban mixed reality environments encompass a range of user experiences from games through to systems which help people uncover the invisible elements of the city. They also range from single user industrial applications through to multi-user shared experiences which utilise anything from mobile phones through to large multi-touch displays. However one aspect remains common across all these experiences in that they are inherently linked to the underlying aspects of the city, and in doing so rely as much on the advanced technologies as they do on the diversity of city life. In common with the field of mixed reality this workshop is very much a mesh of prior and new work, with classic HCI research through to CSCW, virtual environments, mobile spatial interaction, pervasive games and art all playing a part. However it was felt that the diverse array of user experience issues within urban mixed realities represented a real challenge and one which (as the field is growing in popularity) required a specific workshop. One which would allow us to explore the wide range of aspects such as: meshing reality with unreality; understanding constructive perception and social action; presence; group behaviours and co- location; materiality vs immateriality and meaning making.
    [Show full text]
  • Exploring Collaboration in Video Games for Children
    Exploring Collaboration in Video Games for Children Game Prototype and Experiment David Johän Hovind Master of Science in Computer Science Submission date: June 2016 Supervisor: Alf Inge Wang, IDI Norwegian University of Science and Technology Department of Computer and Information Science TDT4900 - C S, M’ T EXPLORING COLLABORATION IN VIDEO GAMES FOR CHILDREN Game Prototype and Experiment David Hovind supervised by Alf Inge Wang June 2016 Abstract Children today, are exposed to video games from an early age in the form of tablets, smart phones and computers. Social interaction is a big part of why we play video games and is a way for us to socialize with friends and strangers. This thesis seeks to explore these areas by creating a video game, focusing on social interaction to stimulate collaboration children. The main research goals of this thesis was to create a game prototype that focuses on social interaction and collaboration, conduct an experiment by testing the game with children, and to study the technologies and process involved in video game development. Reaching these goals was achieved through a literature study on video game technologies and concepts, the design and creation of a video game prototype, and by analysing the results from a play test that was performed at Buvik School. From these methods, the central findings were that having different roles for the players in the game created a dependency between the them, which enhanced the collaboration. Puzzle elements, and the unique gameplay elements in the game prototype were a great way to encourage special interaction, as the children needed to communicate in order to succeed in the game.
    [Show full text]
  • View the Revised S2018 Advance Program
    PLAN YOUR EXPERIENCE ADVANCE PROGRAM The 45th International Conference & Exhibition on Computer Graphics and Interactive Techniques TABLE OF CONTENTS SCHEDULE AT A GLANCE ................................................... 3 CURATED CONTENT REASONS TO ATTEND ......................................................... 6 SIGGRAPH 2018 offers several events and sessions that are individually chosen by program chairs to CONFERENCE OVERVIEW ...................................................7 address specific topics in computer graphics and interactive techniques. CONFERENCE SCHEDULE ................................................ 10 Curated content is not selected through the regular APPY HOUR ..........................................................................19 channels of a comprehensive jury. ART GALLERY ......................................................................20 ART PAPERS........................................................................23 INTEREST AREAS SIGGRAPH brings together a wide variety of BUSINESS SYMPOSIUM ...................................................25 professionals who approach computer graphics and COMPUTER ANIMATION FESTIVAL: interactive techniques from different perspectives. ELECTONIC THEATER ........................................................26 Our programs and events align with five broad interest areas (listed below). Use these interest areas to help COMPUTER ANIMATION FESTIVAL: VR THEATER ........ 27 guide you through the content at SIGGRAPH 2018. COURSES .............................................................................28
    [Show full text]
  • NVIDIA and Square Enix Team up to Deliver Stunning Version of FINAL FANTASY XV on PC
    NVIDIA and Square Enix Team Up to Deliver Stunning Version of FINAL FANTASY XV on PC Newest addition to FINAL FANTASY XV Universe, FINAL FANTASY XV's WINDOWS EDITION, Comes Loaded with NVIDIA GameWorks Technology, Other Advanced PC Features Gamescom - NVIDIA and Square Enix today announced they are bringing FINAL FANTASY XVWINDOWS EDITION to the PC and adding cutting-edge graphics and physics simulations technologies, as well as support for NVIDIA's capture and share tools. The FINAL FANTASY series is one of the best-selling videogame franchises of all time, with over 135 million units sold worldwide. The series is known for having among the highest production values in video games. Square Enix will use its next-generation Luminous Engine together with NVIDIA® GameWorks™ and other advanced technologies to make FINAL FANTASY XV WINDOWS EDITION the definitive version of the game with native support for 4K and 8K resolutions, as a well as HDR10. In addition, FINAL FANTASY XV WINDOWS EDITION will include all free game updates and paid downloadable content available for the console version. FINAL FANTASY XVWINDOWS EDITION will support both GeForce® Experience™ capture and share tools. NVIDIA Ansel™ is an in-game photography tool that allows gamers to compose shots from any position, adjust with post-process filters, capture HDR images in high-fidelity formats and share screenshots in 360 degrees via smartphones, PCs or VR headsets. NVIDIA ShadowPlay™ Highlights automatically captures a gamer's greatest gaming achievements in video and screenshot, and enables seamless sharing through Facebook, YouTube or Imgur. "With the help of NVIDIA, we are creating a stunning visual experience in FINAL FANTASY XV WINDOWS EDITION, one worthy of this beloved franchise," said Hajime Tabata, director of FINAL FANTASY XV at Square Enix.
    [Show full text]
  • QUESTION 11-3/2 Suisse T Erre
    2 RAPPORT FINAL UIT-D COMMISSION D’éTUDES 2 Union internationale des télécommunications 2010-2014 Bureau de Développement des Télécommunications Place des Nations CH-1211 Genève 20 QUESTION 11-3/2 Suisse ERRE... T ÉTUDE DES TECHNIQUES ET DES SYSTÈMES www.itu.int DE RADIODIFFUSION SONORE RIQUE DE É ET TÉLÉVISUELLE NUMÉRIQUE DE TERRE, DE L’interopÉRABILITÉ DES SYSTÈMES NUMÉRIQUES DE TERRE VISUELLE NUM É L AVEC LES RÉSEAUX ANALOGIQUES EXISTANTS É ET DES STRATÉGIES ET MÉTHODES DE TRANSITION DES TECHNIQUES ANALOGIQUES DE TERRE AUX TECHNIQUES NUMÉRIQUES ÉTUDE DES TECHNIQUES ET DES SYSTÈMES DE RADIODIFFUSION SONORE ET T TECHNIQUES ET DES SYSTÈMES DE RADIODIFFUSION SONORE ÉTUDE DES Imprimé en Suisse 5 e PÉRIODE D’ÉTUDES 2010-2014 Genève, 2014 01/2014 QUESTION 11-3/2: Secteur du développement des télécommunications Union internationale des telecommunications (UIT) Bureau de développement des télécommunications (BDT) Bureau du Directeur Place des Nations CH-1211 Genève 20 – Suisse Courriel: [email protected] Tél.: +41 22 730 5035/5435 Fax: +41 22 730 5484 Adjoint au directeur et Département de l'environnement Département de l'innovation et des Département de l'appui aux projets et Chef du Département de propice aux infrastructures et partenariats (IP) de la gestion des connaissances (PKM) l'administration et de la aux cyberapplications (IEE) coordination des opérations (DDR) Courriel: [email protected] Courriel: [email protected] Courriel: [email protected] Courriel: [email protected] Tél.: +41 22 730 5784 Tél.: +41 22 730 5421 Tél.: +41 22 730 5900 Tél.: +41 22 730 5447 Fax: +41 22 730 5484 Fax: +41 22 730 5484 Fax: +41 22 730 5484 Fax: +41 22 730 5484 Afrique Ethiopie Cameroun Sénégal Zimbabwe International Telecommunication Union internationale des Union internationale des International Telecommunication Union (ITU) telecommunications (UIT) telecommunications (UIT) Union (ITU) Bureau régional Bureau de zone de l’UIT Bureau de zone de l’UIT Bureau de zone P.O.
    [Show full text]
  • Using Unavailable and Off-Label Meds: Getting Tougher? the Lengths Physicians Will Go to in Order to Save Patients’ Vision
    HELP FOR ADMINISTERING DROPS P. 14 • IDIOPATHIC INTRACRANIAL HYPERTENSION IN KIDS P. 40 NEUROIMAGING THE GLAUCOMA PATIENT P. 44 • BE PREPARED FOR OCULAR TRAUMA P. 50 Review of Ophthalmology Vol. XXIV, No. 9 • September 2017 • Getting Unavailable Drugs for Patients • Corneal Cross-linking at One Year • How to Manage Corneal • How Ulcers No. 9 • September • Corneal 2017 • Getting Drugs Cross-linking at One Year Unavailable for Patients Review of Ophthalmology Vol. XXIV, PROS AND CONS OF HEADS-UP SURGERY P. 53 • ALTERNATIVE BROW-LIFTING TECHNIQUES P. 56 SSeptembereptember 20120177 reviewofophthalmology.comreviewofophthalmology.com ANNUAL CORNEA ISSUE Using Unavailable and Off-label Meds: Getting Tougher? The lengths physicians will go to in order to save patients’ vision. Page 18 ? ALSO INSIDE: ➤ Cross-linking at One Year: How Surgeons Are Using It P. 23 ➤ Work Up Corneal Ulcers Like an Expert P. 30 ➤ How to Diagnose and Manage Conjunctivochalasis P. 36 001_rp0817_fc.indd 1 8/25/17 3:47 PM The FIRST and ONLY NSAID indicated to prevent ocular pain in cataract surgery patients1 A DROP OF PREVENTION FOR YOUR CATARACT SURGERY PATIENTS Defend against ocular pain and combat postoperative infl ammation with the penetrating power of BromSite® formulated with DuraSite®1 • DuraSite® increases ocular surface retention time, resulting in increased bromfenac absorption2-5 • Provides 24-hour coverage with BID dosing1 • Available in 5 mL bottle Visit bromsite.com to fi nd out more. Formulated with DELIVERY SYSTEM Indications and Usage BromSite® (bromfenac ophthalmic solution) 0.075% is a for corneal health. Patients with complicated ocular surgeries, nonsteroidal anti-infl ammatory drug (NSAID) indicated for the corneal denervation, corneal epithelial defects, diabetes mellitus, treatment of postoperative infl ammation and prevention of ocular ocular surface diseases (e.g., dry eye syndrome), rheumatoid pain in patients undergoing cataract surgery.
    [Show full text]
  • Expert Assisted Exploration of Photographs Supporting Users in Exploring Visual Media Through Subjective Aesthetic Attributes and Crowd-Sourced Tags
    Expert assisted exploration of photographs Supporting Users in Exploring Visual Media through Subjective Aesthetic Attributes and Crowd-sourced Tags A dissertation submitted to the University of Dublin, in partial fulfillment of the requirements for the degree of Master of Science in Computer Science Meltem G¨urel 2009 Copyright by Meltem G¨urel 2009 Declaration I, the undersigned, declare that this work has not previously been submitted to this or any other University, and that unless otherwise stated, it is entirely my own work. Meltem G¨urel Dated: September 11, 2009 Permission to Lend and/or Copy I, the undersigned, agree that Trinity College Library may lend or copy this thesis upon request. Meltem G¨urel Dated: September 11, 2009 Acknowledgements I want to express my genuine gratitude to my supervisor, Dr. Owen Conlan, for all the time spent assisting me and for all the encouragement and guidance offered. I would also like to thank Cormac Hampson for all his work and useful feedback, and Dr. Vincent Wade for the valuable suggestions. To my family and friends, and especially my fellow NDS classmates, I would like to thank you for being there even at the last minute. Meltem G¨urel University of Dublin, Trinity College September 2009 iv Abstract While digital technology extinguished the obligatory use of the photographic film as well as the time consuming chemical photograph development techniques, the num- ber of taken photographs has rapidly increased. As the computer harddisks as well as the photography websites substituted the photo albums, finding photographs from digital archives became difficult. Conventional image retrieval systems that seek to bridge the semantic gap, optimize photograph discovery based on associated tags or their low-level features, which can define the information regarding the content of a photograph, however not the photographs' aesthetic value.
    [Show full text]