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Only a Special Brand of Humour Can Make a Daily Sitcom Tick on Merrily for 2,000 Episodes and After
September 1-15, 2016 Volume 5, Issue 6 `100 TAARAK MEHTA KA OOLTAH CHASHMAH LAUGH LINES Only a special brand of humour can make a daily sitcom tick on merrily for 2,000 episodes and after. What else lies behind this success story? From left: Anooj Kapoor, Asit Kumarr Modi and N P Singh Subscriber copy not for resale Subscriber copy not 6 16 8 PLUS DOVE No Rhyme, Only Reason 12 TITAN Time Machine 14 IKEA NESCAFE MYNTRA CHING’S SECRET Big Move 17 New Cup of Resolve Breaking the Stereotype High Stakes Gameplan GUEST ARTICLE The coffee brand’s ad is back Ethnic wear brand Anouk A big budget ad film with 23 with a warm-up session. paints a new picture. some big names on board. Kopal Doshi editorial This fortnight... Volume 5, Issue 6 EDITOR f you are looking for persistence-leads-to-success stories, they don’t come better Sreekant Khandekar I than this. PUBLISHER September 1-15, 2016 Volume 5, Issue 6 `100 Prasanna Singh TAARAK MEHTA KA OOLTAH CHASHMAH Fourteen years ago, when he first set out visiting broadcasters with script in hand, EXECUTIVE EDITOR Ashwini Gangal LAUGH LINES Asit Kumarr Modi, head of production house Neela Telefilms, was laughed out of Only a special brand of humour can make a daily sitcom tick on merrily PRODUCTION EXECUTIVE for 2,000 episodes and after. What the studios. They wouldn’t touch a script - that did not have television’s staple diet else lies behind this success story? Andrias Kisku of family intrigue or tragedy - with a barge pole. -
Uninhibited India Eyes Russian Kamov
Follow us on: facebook.com/dailypioneer RNI No.2016/1957, REGD NO. SSP/LW/NP-34/2016-18 @TheDailyPioneer instagram.com/dailypioneer/ Established 1864 OPINION 8 Published From WORLD 12 SPORT 15 DELHI LUCKNOW BHOPAL NO PLACE FOR KAVANAUGH SWORN IN AS ARSENAL THRASH BHUBANESWAR RANCHI RAIPUR MINORITIES IN PAKISTAN US SUPREME COURT JUSTICE FULHAM 5-1 IN PL CHANDIGARH DEHRADUN Late City Vol. 154 Issue 271 LUCKNOW, MONDAY OCTOBER 8, 2018; PAGES 16 `3 *Air Surcharge Extra if Applicable RHEA EXCITED ABOUT DEBUT OF} SARA KHAN} 14 VIVACITY www.dailypioneer.com Naxalism will be Uninhibited India eyes Russian Kamov wiped out in 2-3 Country has independent foreign policy, says Army chief in reaction to US sanction threat PNS n NEW DELHI “allies or partners.” questions. However, an indus- years: Rajnath * Russians are keen on “The (CAATSA presiden- try source said the law is n a clear indication that associating with Indian tial) waiver is narrow, intend- ambiguous about “when a India was not going to buck- defence forces: Rawat ed to wean countries off waiver is necessary so this can The Home Minister said he I PNS n le under the threat of US sanc- * Army chief had held talks with Russian equipment and allow be avoided for years”. LUCKNOW was confident that the speed tion over the S-400 missile deal Russian military officials on for things such as spare parts The National Defense and accuracy with which the with Russia, Army chief Gen enhancing bilateral for previously-purchased Authorization ACT (NDDA) iving credit to the Central CRPF was operating, the men- Bipin Rawat on Sunday said cooperation equipment,” a White House 2019 gives the president the GReserve Police Force ace of Naxalism would be the country has an indepen- National Security Council power to waive of the CAAT- (CRPF) for curbing terrorism wiped out within 2-3 years. -
Indian Stand-Up Comedians and Their Fight Against India's Anti
Universität Potsdam Institut für Anglistik und Amerikanistik Abschlussarbeit zur Erlangung des akademischen Grades Master of Education (M.Ed.) Erstgutachter: Prof. Dr. Dirk Wiemann Zweitgutachterin: Dr. Tania Meyer Comedy as Resistance: Indian Stand-Up Comedians and Their Fight Against India’s Anti-Democratic Tendencies Lea Sophie Nüske Master: Englisch und Französisch auf Lehramt Matrikelnr.: 765845 Selbstständigkeitserklärung Hiermit versichere ich, Lea Nüske, dass ich die Masterarbeit selbstständig und nur mit den angegebenen Quellen und Hilfsmitteln angefertigt habe. Alle Stellen der Arbeit, die ich aus diesen Quellen und Hilfsmitteln dem Wortlaut oder dem Sinne nach entnommen habe, sind kenntlich gemacht und im Literaturverzeichnis aufgeführt. Berlin, den 3. August 2018 Lea Nüske Zusammenfassung Die vorliegende Arbeit Comedy as Resistance – Indian Stand-Up Comedians and Their Fight Against India’s Anti-Democratic Tendencies beschäftigt sich mit der Frage, ob und inwiefern Stand-Up Comedy in Indien als Mittel zum sozio-politischen Widerstand genutzt wird und wie weitreichend dieser Widerstand einzuschätzen ist. Um diese Frage zu beantworten werden zunächst die Merkmale des Genres sowie ihre Funktionen untersucht, um herauszustellen, weshalb sich besonders Stand-Up Comedy dafür eignet, indirekten politischen Widerstand zu leisten. Auch die Geschichte des satirischen Widerstandes und des Genres Stand-Up Comedy im indischen Kontext sowie die soziale Spaltung der Gesellschaft, die durch verschiedene Konflikte zum Ausdruck gebracht wird -
The Digital First Journey
The ‘Digital First’ journey How OTT platforms can remain ‘on-demand ready’ October 2017 KPMG.com/in © 2016 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. Disclaimers: • All product names, logos, trademarks, service marks and brands are property of their respective owners • The information contained in this report is of a general nature and is not intended to address the circumstances of any particular individual or entity. No one should act on such information without appropriate professional advice after a thorough examination of the particular situation. • Although we have attempted to provide correct and timely information, there can be no guarantee that such information is correct as of the date it is received or that it will continue to be correct in the future. • The report contains information obtained from the public domain or external sources which have not been verified for authenticity, accuracy or completeness. • Use of companies’ names in the report is only to exemplify the trends in the industry. We maintain our independence from such entities and no bias is intended towards any of them in the report. • Our report may make reference to ‘KPMG in India’s analysis’; this merely indicates that we have (where specified) undertaken certain analytical activities on the underlying data to arrive at the information presented; we do not accept responsibility for the veracity of the underlying data. • In connection with the report or any part thereof, KPMG in India does not owe duty of care (whether in contract or in tort or under statute or otherwise) to any person / party to whom / which the report is circulated to and KPMG in India shall not be liable to any such person / party who / which uses or relies on this report. -
Laughter Effect
caty borum chattoo center for media & social impact school of communication american university may 2017 the laughter effect: the [serious] role of comedy in social change about the The Laughter Effect: The [Serious] Role of Comedy in Social Change is the second in a three-part inves- project tigation about comedy and social influence. All were directed and written by Caty Borum Chattoo, produced under the auspices of the Center for Media & Social Impact at American University’s School of Communication. All three projects were funded by the Bill & Melinda Gates Foundation. The first project, Entertainment, Storytelling & Social Change in Global Poverty, an experimental design study that examined the persuasive impact of the comedic documentary film, Stand Up Planet, was published in February 2015; it was funded under the auspices of Learning for Action, LLC. Borum Chattoo was also the executive producer and producer of the documentary, which premiered in 2014 in the United States and India. Lauren Feldman, PhD, Associate Professor in the School of Communication and Information at Rut- gers University, served as peer reviewer for The Laughter Effect. For the Center for Media & Social Impact, graduate student fellows Jessica Henry Mariona, Diya Basu and Hannah Sedgwick provided research support; all were students at the American University School of Communication graduate Strategic Communication program. The reports are available at www.cmsimpact.org. about the Caty Borum Chattoo is Director of the Center for Media & Social Impact and Executive in Residence project at the American University School of Communication in Washington, D.C. She works at the intersec- director tion of social-change communication/media, media effects research, and documentary production. -
“Conclave on Entrepreneurship” 19Th September, 2014, 9.00Am to 05.30 Pm Hotel Ashoka, Chanakyapuri, New Delhi
“CONCLAVE ON ENTREPRENEURSHIP” 19TH SEPTEMBER, 2014, 9.00AM TO 05.30 PM HOTEL ASHOKA, CHANAKYAPURI, NEW DELHI PROGRAMME DETAILS Session Time Topic 9.00 – 10.00 AM BREAKFAST AND REGISTRATION INAUGURAL PROGRAMME Registration 10.00 – 10.30 AM and Inaugural Welcome and Program objectives – Prof S S Mantha, Chairman, Function AICTE Opening remarks by Guest of Honour – Shri Ashok Thakur, Secretary, Higher Education Department , MHRD Address by Chief Guest – Smt Smriti Zubin Irani – Hon’ble Union Minister for Human Resource Development, Govt of India I 10.30 – 11.30AM Session I: Government Policies, programs, subsidies and opportunities in different sectors. Mr Sunil Arora – Secretary, Skill & Entrepreneurship development Ministry, Govt of India Mr Thomas – CEO & Managing Director, Delhi Mumbai Industrial Corridor Development Corporation Limited Padma Shri Priam Singh – Director General, IMI , New Delhi Mr Ajay Kumar – Joint Secretary, Ministry of Information Technology, Govt. of India 11.30 – 11.45 AM - Tea break II 11.45- 12.45 PM Session II: Entrepreneurship education, training and Innovation – The speakers include Mr Manish Sabharwal – CEO, Teamlease Mr Ajay Chowdhry – Founder HCL India and Chairman, Board of Governors, IIT Patna. Mr Dilip Cherian – Founder and Consulting Partner, Perfect Relations, 12.45 – 01.30 PM Panel Discussions and Q/A session: The Panelists include Prof. Akshai Agarwal – Vice Chancellor, Gujarat Technical University, Ahmedabad Mr Rajesh Chharia – President Internet Service Provider Association Of India (ISPAI) Prof Anil Wali – MD, Innovation & Tech. Incubation Centre, IIT Delhi Mr Praveen Prakash - Joint Secretary, MHRD, Govt. of India 01.30 – 02.30PM - LUNCH BREAK III 02.30 – 03.30PM Session III: Entrepreneurial opportunities in other sector – The speakers include Mr Prakash Rane – MD, ABM Knowledgeware Ltd, Mumbai Mr Arunabh Kumar – Founder & CEO, The Viral Fever & TVF Media Labs. -
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Digital Media: Rise of On-Demand Content 2 Contents
Digital Media: Rise of On-demand Content www.deloitte.com/in 2 Contents Foreword 04 Global Trends: Transition to On-Demand Content 05 Digital Media Landscape in India 08 On-demand Ecosystem in India 13 Prevalent On-Demand Content Monetization Models 15 On-Demand Content: Music Streaming 20 On-Demand Content: Video Streaming 28 Conclusion 34 Acknowledgements 35 References 36 3 Foreword Welcome to the Deloitte’s point of view about the rise key industry trends and developments in key sub-sectors. of On-demand Content consumption through digital In some cases, we seek to identify the drivers behind platforms in India. major inflection points and milestones while in others Deloitte’s aim with this point of view is to catalyze our intent is to explain fundamental challenges and discussions around significant developments that may roadblocks that might need due consideration. We also require companies or governments to respond. Deloitte aim to cover the different monetization methods that provides a view on what may happen, what could likely the players are experimenting with in the evolving Indian occur as a consequence, and the likely implications for digital content market in order to come up with the various types of ecosystem players. most optimal operating model. This publication is inspired by the huge opportunity Arguably, the bigger challenge in identification of the Hemant Joshi presented by on-demand content, especially digital future milestones about this evolving industry and audio and video in India. Our objective with this report ecosystem is not about forecasting what technologies is to analyze the key market trends in past, and expected or services will emerge or be enhanced, but in how they developments in the near to long-term future which will be adopted. -
Amazon Prime Video Set to Take You Through the Quirky Journey of an Urban Boy As He Navigates Across Rural Hinterlands in Their Upcoming Show Panchayat
Amazon Prime Video set to take you through the quirky journey of an urban boy as he navigates across rural hinterlands in their upcoming show Panchayat March 31, 2020 The Neena Gupta, Raghubir Yadav and Jitendra Kumar starrer marks the second collaboration between Amazon Prime Video and The Viral Fever (TVF) Prime members across 200 countries and territories can binge-watch the 8-part series starting April 3, 2020 Prime offers incredible value with unlimited streaming of the latest and exclusive movies, TV shows, stand-up comedy, Amazon Original series, ad-free music listening through Amazon Prime Music, free fast delivery on India’s largest selection of products, early access to top deals, unlimited reading with Prime Reading, all available only for ₹129 a month. MUMBAI, India, 30 March 2020 – Amazon Prime Video today released the trailer and poster for its upcoming series, Panchayat. The series is the second collaboration between Prime Video and The Viral Fever (TVF) after the success of Amazon Original Series, Hostel Daze, and will be available to stream globally from 3 April 2020. The eight-part comedy-drama is a classic fish out of the water story featuring a talented cast, including Jitendra Kumar (Shubh Mangal Zyaada Savdhan) as the lead protagonist and Neena Gupta (Badhaai Ho), Raghubir Yadav (Massey Sahib) and Biswapati Sarkar as the warm yet quirky characters working at a local panchayat office. Panchayat will be available exclusively on Prime Video in 200 countries and territories worldwide. The series will follow an urban boy’s journey far away from his comfort zone as he picks up a government job in rural heartlands. -
Mr. & Mrs. Gives a Fresh Take on Indian Marriages in a Realistic And
Mr. & Mrs. Gives a fresh take on Indian marriages in a realistic and funny way By : Editor Published On : 5 Jan, 2020 05:30 AM IST INVC NEWS Mumbai , The countdown has begun as Girliyapa (from the house of The Viral Fever), India’s leading digital channel known for its unique and captivating content revolving around women, just dropped the trailer of its much- awaited show ‘Mr. & Mrs. season 2.’This highly anticipated series which garnered a lot of appreciation in its first and second season is sure to have viewers glued to their screens in its second instalment as well. Reprising their roles as Sanju and Madhu, TVF’s popular faces Biswapati Sarkar and Nidhi Bisht are all set to make the audience roar with laughter. The trailer gives a glimpse of the couple’s sweet and spicy antiques and them dealing with the usual perils of married life. Filled with refreshing and relatable instances, the show promises to create a buzz with its yet another hilarious take on the special bond and quirks that is shared by every married couple. Packed with incredible acting skills, the show features Biswapati Sarkar, Nidhi Bisht, Shrishti Srivastav, Gopalaji, Sharat Saxena, Shabnam Vadhera, Jassi and Khusbhoo Baid among others. Nidhi Bisht, who plays the role of Madhu, said, “I am extremely excited about the trailer launch. The new season will see the show’s lead protagonists Madhu and Sanju go through the usual trials of their sweet and spicy life. The show’s previous season received lots of praise from the audience and we are hopeful that we’ll continue to keep our fans engrossed with higher levels of madness and hilarious instances which are relatable to everyone.” Biswapati Sarkar, who plays the role of Sanju, said, “From the first season to the latest one, it has been an incredible experience altogether. -
Business Profile
Zeal Z Entertainment Services Pvt. Ltd. - PROFILE Zeal Z Entertainment Services Pvt. Ltd. (ZZE) is a leading Film, Television & Entertainment (FTVE) solution outfit based in Bhopal covering Madhya Pradesh, Gujarat and other parts of Central India, in operation since July 2008. We Have line produced over 150+ Feature Films, TV shows, Commercials, Documentaries, etc. to date, Like PRAKASH JHA’s RAAJNEETI, AARAKSHAN, CHAKARVYUH, SATYAGRAHA, JAI GANGAAJAL, LIPSTICK UNDER MY BURKHA, ANIL SHARMA’s SINGH SAHAB THE GREAT, ASHUTOSH GOVARIKAR’s MOHANJO-DARO, NEERAJ PANDEY’s TOILET-Ek Prem Katha, RAJKUMAR HIRANI’s SANJU, DINESH VIJAN’s STREE, and most recently ZEE STUDIO’s MANIKARNIKA – THE QUEEN OF JHASI, KARAN JOHAR’S KALANK, FOX STAR STAR STUDIO’S PANGA AND ANURAG BASU’s LUDO. Film & Television Line Production Services is the heart and soul of Zeal Z Entertainment services Pvt. Ltd., we handle a range of production from multi-million projects to small single camera interviews. We know where the incentives are and how to manage them in various states giving the maximum value for any filmmaker. Our database of the locations allows us to instantly offer our clients choices that best suit their needs. We have the skill to put together the right crew for the job and our professionalism ensures that the film makers are able to complete their project within the budget, on time, hassle free. COMPANY EXECUTIVES ZULFIQAR ALI, Ace Ghazal Singer & Music Director Zulfiquar Ali is the Executive Director of Zeal Z Entertainment services Pvt. Ltd. He was trained under Ustad Zia fariduddin Dagar sahab and has been performing as a Ghazal Artist since 1973. -
Paper Teplate
© 2019 JETIR June 2019, Volume 6, Issue 6 www.jetir.org (ISSN-2349-5162) Storytelling: Challenges and Opportunities *1Chavan Dharmendra ABSTRACT India has the largest entertainment industry in the world. Being the second largest population of the world, the consumption of the content produced by the entertainment industry is high. However, India has diversified market in terms of languages, culture and it has its own pros and cons. In recent years, OTT platform is the became new horizon for the entertainment industry and has also became a threat for the television industry. Primarily its target audience is in the range of fifteen to thirty five year age group. With the growth of the mobile industry and development of internet speed OTT platform will reach to the audience, which was till now untapped, it also created new business opportunities. This has attracted foreign investors and business tycoons. As every business has its own opportunities and challenges, story telling OTT platform has its own. Cinema, Television industry is linear when its comes to release the programs, movies, TV serials. However, OTT platform is nonlinear platform. It has generated content and served to the audience at the same time. In last few years web series has played key role in the success of OTT platforms. Content generation and storytelling for web series has its own challenges as there is no scope for the improvement after its release. Today, Netflix, Amazon, Hot Star, Voot, ALT Balaji are the key payer in the market. This research paper will focus on the key areas of storytelling challenges and opportunities for the OTT platform.