Mr. & Mrs. Gives a Fresh Take on Indian Marriages in a Realistic And

Total Page:16

File Type:pdf, Size:1020Kb

Mr. & Mrs. Gives a Fresh Take on Indian Marriages in a Realistic And Mr. & Mrs. Gives a fresh take on Indian marriages in a realistic and funny way By : Editor Published On : 5 Jan, 2020 05:30 AM IST INVC NEWS Mumbai , The countdown has begun as Girliyapa (from the house of The Viral Fever), India’s leading digital channel known for its unique and captivating content revolving around women, just dropped the trailer of its much- awaited show ‘Mr. & Mrs. season 2.’This highly anticipated series which garnered a lot of appreciation in its first and second season is sure to have viewers glued to their screens in its second instalment as well. Reprising their roles as Sanju and Madhu, TVF’s popular faces Biswapati Sarkar and Nidhi Bisht are all set to make the audience roar with laughter. The trailer gives a glimpse of the couple’s sweet and spicy antiques and them dealing with the usual perils of married life. Filled with refreshing and relatable instances, the show promises to create a buzz with its yet another hilarious take on the special bond and quirks that is shared by every married couple. Packed with incredible acting skills, the show features Biswapati Sarkar, Nidhi Bisht, Shrishti Srivastav, Gopalaji, Sharat Saxena, Shabnam Vadhera, Jassi and Khusbhoo Baid among others. Nidhi Bisht, who plays the role of Madhu, said, “I am extremely excited about the trailer launch. The new season will see the show’s lead protagonists Madhu and Sanju go through the usual trials of their sweet and spicy life. The show’s previous season received lots of praise from the audience and we are hopeful that we’ll continue to keep our fans engrossed with higher levels of madness and hilarious instances which are relatable to everyone.” Biswapati Sarkar, who plays the role of Sanju, said, “From the first season to the latest one, it has been an incredible experience altogether. Setting itself apart from the typical Indian couples portrayed in the mainstream television, Mr. & Mrs. Gives a fresh take on Indian marriages in a realistic and funny way. With season 2 our aim is to introduce more characters and explore the lively and amusing life of Sanju and Madhu.” With the launch of the latest season just around the corner Mr. & Mrs., fans can now watch their beloved characters captivating the audience with their witty dialogues and perfectly timed comic incidents. www.internationalnewsandviews.com Gear up to catch the outrageous incidents of Sanju and Madhu set to stream weekly starting 7thJanuary only on TVFPlay and Girliyapa’s Youtube Channel URL : https://www.internationalnewsandviews.com/mr/ 12th year of news and views excellency Committed to truth and impartiality Copyright © 2009 - 2019 International News and Views Corporation. All rights reserved. www.internationalnewsandviews.com www.internationalnewsandviews.com.
Recommended publications
  • Only a Special Brand of Humour Can Make a Daily Sitcom Tick on Merrily for 2,000 Episodes and After
    September 1-15, 2016 Volume 5, Issue 6 `100 TAARAK MEHTA KA OOLTAH CHASHMAH LAUGH LINES Only a special brand of humour can make a daily sitcom tick on merrily for 2,000 episodes and after. What else lies behind this success story? From left: Anooj Kapoor, Asit Kumarr Modi and N P Singh Subscriber copy not for resale Subscriber copy not 6 16 8 PLUS DOVE No Rhyme, Only Reason 12 TITAN Time Machine 14 IKEA NESCAFE MYNTRA CHING’S SECRET Big Move 17 New Cup of Resolve Breaking the Stereotype High Stakes Gameplan GUEST ARTICLE The coffee brand’s ad is back Ethnic wear brand Anouk A big budget ad film with 23 with a warm-up session. paints a new picture. some big names on board. Kopal Doshi editorial This fortnight... Volume 5, Issue 6 EDITOR f you are looking for persistence-leads-to-success stories, they don’t come better Sreekant Khandekar I than this. PUBLISHER September 1-15, 2016 Volume 5, Issue 6 `100 Prasanna Singh TAARAK MEHTA KA OOLTAH CHASHMAH Fourteen years ago, when he first set out visiting broadcasters with script in hand, EXECUTIVE EDITOR Ashwini Gangal LAUGH LINES Asit Kumarr Modi, head of production house Neela Telefilms, was laughed out of Only a special brand of humour can make a daily sitcom tick on merrily PRODUCTION EXECUTIVE for 2,000 episodes and after. What the studios. They wouldn’t touch a script - that did not have television’s staple diet else lies behind this success story? Andrias Kisku of family intrigue or tragedy - with a barge pole.
    [Show full text]
  • The Digital First Journey
    The ‘Digital First’ journey How OTT platforms can remain ‘on-demand ready’ October 2017 KPMG.com/in © 2016 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. Disclaimers: • All product names, logos, trademarks, service marks and brands are property of their respective owners • The information contained in this report is of a general nature and is not intended to address the circumstances of any particular individual or entity. No one should act on such information without appropriate professional advice after a thorough examination of the particular situation. • Although we have attempted to provide correct and timely information, there can be no guarantee that such information is correct as of the date it is received or that it will continue to be correct in the future. • The report contains information obtained from the public domain or external sources which have not been verified for authenticity, accuracy or completeness. • Use of companies’ names in the report is only to exemplify the trends in the industry. We maintain our independence from such entities and no bias is intended towards any of them in the report. • Our report may make reference to ‘KPMG in India’s analysis’; this merely indicates that we have (where specified) undertaken certain analytical activities on the underlying data to arrive at the information presented; we do not accept responsibility for the veracity of the underlying data. • In connection with the report or any part thereof, KPMG in India does not owe duty of care (whether in contract or in tort or under statute or otherwise) to any person / party to whom / which the report is circulated to and KPMG in India shall not be liable to any such person / party who / which uses or relies on this report.
    [Show full text]
  • “Conclave on Entrepreneurship” 19Th September, 2014, 9.00Am to 05.30 Pm Hotel Ashoka, Chanakyapuri, New Delhi
    “CONCLAVE ON ENTREPRENEURSHIP” 19TH SEPTEMBER, 2014, 9.00AM TO 05.30 PM HOTEL ASHOKA, CHANAKYAPURI, NEW DELHI PROGRAMME DETAILS Session Time Topic 9.00 – 10.00 AM BREAKFAST AND REGISTRATION INAUGURAL PROGRAMME Registration 10.00 – 10.30 AM and Inaugural Welcome and Program objectives – Prof S S Mantha, Chairman, Function AICTE Opening remarks by Guest of Honour – Shri Ashok Thakur, Secretary, Higher Education Department , MHRD Address by Chief Guest – Smt Smriti Zubin Irani – Hon’ble Union Minister for Human Resource Development, Govt of India I 10.30 – 11.30AM Session I: Government Policies, programs, subsidies and opportunities in different sectors. Mr Sunil Arora – Secretary, Skill & Entrepreneurship development Ministry, Govt of India Mr Thomas – CEO & Managing Director, Delhi Mumbai Industrial Corridor Development Corporation Limited Padma Shri Priam Singh – Director General, IMI , New Delhi Mr Ajay Kumar – Joint Secretary, Ministry of Information Technology, Govt. of India 11.30 – 11.45 AM - Tea break II 11.45- 12.45 PM Session II: Entrepreneurship education, training and Innovation – The speakers include Mr Manish Sabharwal – CEO, Teamlease Mr Ajay Chowdhry – Founder HCL India and Chairman, Board of Governors, IIT Patna. Mr Dilip Cherian – Founder and Consulting Partner, Perfect Relations, 12.45 – 01.30 PM Panel Discussions and Q/A session: The Panelists include Prof. Akshai Agarwal – Vice Chancellor, Gujarat Technical University, Ahmedabad Mr Rajesh Chharia – President Internet Service Provider Association Of India (ISPAI) Prof Anil Wali – MD, Innovation & Tech. Incubation Centre, IIT Delhi Mr Praveen Prakash - Joint Secretary, MHRD, Govt. of India 01.30 – 02.30PM - LUNCH BREAK III 02.30 – 03.30PM Session III: Entrepreneurial opportunities in other sector – The speakers include Mr Prakash Rane – MD, ABM Knowledgeware Ltd, Mumbai Mr Arunabh Kumar – Founder & CEO, The Viral Fever & TVF Media Labs.
    [Show full text]
  • Digital Media: Rise of On-Demand Content 2 Contents
    Digital Media: Rise of On-demand Content www.deloitte.com/in 2 Contents Foreword 04 Global Trends: Transition to On-Demand Content 05 Digital Media Landscape in India 08 On-demand Ecosystem in India 13 Prevalent On-Demand Content Monetization Models 15 On-Demand Content: Music Streaming 20 On-Demand Content: Video Streaming 28 Conclusion 34 Acknowledgements 35 References 36 3 Foreword Welcome to the Deloitte’s point of view about the rise key industry trends and developments in key sub-sectors. of On-demand Content consumption through digital In some cases, we seek to identify the drivers behind platforms in India. major inflection points and milestones while in others Deloitte’s aim with this point of view is to catalyze our intent is to explain fundamental challenges and discussions around significant developments that may roadblocks that might need due consideration. We also require companies or governments to respond. Deloitte aim to cover the different monetization methods that provides a view on what may happen, what could likely the players are experimenting with in the evolving Indian occur as a consequence, and the likely implications for digital content market in order to come up with the various types of ecosystem players. most optimal operating model. This publication is inspired by the huge opportunity Arguably, the bigger challenge in identification of the Hemant Joshi presented by on-demand content, especially digital future milestones about this evolving industry and audio and video in India. Our objective with this report ecosystem is not about forecasting what technologies is to analyze the key market trends in past, and expected or services will emerge or be enhanced, but in how they developments in the near to long-term future which will be adopted.
    [Show full text]
  • Amazon Prime Video Set to Take You Through the Quirky Journey of an Urban Boy As He Navigates Across Rural Hinterlands in Their Upcoming Show Panchayat
    Amazon Prime Video set to take you through the quirky journey of an urban boy as he navigates across rural hinterlands in their upcoming show Panchayat March 31, 2020 The Neena Gupta, Raghubir Yadav and Jitendra Kumar starrer marks the second collaboration between Amazon Prime Video and The Viral Fever (TVF) Prime members across 200 countries and territories can binge-watch the 8-part series starting April 3, 2020 Prime offers incredible value with unlimited streaming of the latest and exclusive movies, TV shows, stand-up comedy, Amazon Original series, ad-free music listening through Amazon Prime Music, free fast delivery on India’s largest selection of products, early access to top deals, unlimited reading with Prime Reading, all available only for ₹129 a month. MUMBAI, India, 30 March 2020 – Amazon Prime Video today released the trailer and poster for its upcoming series, Panchayat. The series is the second collaboration between Prime Video and The Viral Fever (TVF) after the success of Amazon Original Series, Hostel Daze, and will be available to stream globally from 3 April 2020. The eight-part comedy-drama is a classic fish out of the water story featuring a talented cast, including Jitendra Kumar (Shubh Mangal Zyaada Savdhan) as the lead protagonist and Neena Gupta (Badhaai Ho), Raghubir Yadav (Massey Sahib) and Biswapati Sarkar as the warm yet quirky characters working at a local panchayat office. Panchayat will be available exclusively on Prime Video in 200 countries and territories worldwide. The series will follow an urban boy’s journey far away from his comfort zone as he picks up a government job in rural heartlands.
    [Show full text]
  • Business Profile
    Zeal Z Entertainment Services Pvt. Ltd. - PROFILE Zeal Z Entertainment Services Pvt. Ltd. (ZZE) is a leading Film, Television & Entertainment (FTVE) solution outfit based in Bhopal covering Madhya Pradesh, Gujarat and other parts of Central India, in operation since July 2008. We Have line produced over 150+ Feature Films, TV shows, Commercials, Documentaries, etc. to date, Like PRAKASH JHA’s RAAJNEETI, AARAKSHAN, CHAKARVYUH, SATYAGRAHA, JAI GANGAAJAL, LIPSTICK UNDER MY BURKHA, ANIL SHARMA’s SINGH SAHAB THE GREAT, ASHUTOSH GOVARIKAR’s MOHANJO-DARO, NEERAJ PANDEY’s TOILET-Ek Prem Katha, RAJKUMAR HIRANI’s SANJU, DINESH VIJAN’s STREE, and most recently ZEE STUDIO’s MANIKARNIKA – THE QUEEN OF JHASI, KARAN JOHAR’S KALANK, FOX STAR STAR STUDIO’S PANGA AND ANURAG BASU’s LUDO. Film & Television Line Production Services is the heart and soul of Zeal Z Entertainment services Pvt. Ltd., we handle a range of production from multi-million projects to small single camera interviews. We know where the incentives are and how to manage them in various states giving the maximum value for any filmmaker. Our database of the locations allows us to instantly offer our clients choices that best suit their needs. We have the skill to put together the right crew for the job and our professionalism ensures that the film makers are able to complete their project within the budget, on time, hassle free. COMPANY EXECUTIVES ZULFIQAR ALI, Ace Ghazal Singer & Music Director Zulfiquar Ali is the Executive Director of Zeal Z Entertainment services Pvt. Ltd. He was trained under Ustad Zia fariduddin Dagar sahab and has been performing as a Ghazal Artist since 1973.
    [Show full text]
  • Paper Teplate
    © 2019 JETIR June 2019, Volume 6, Issue 6 www.jetir.org (ISSN-2349-5162) Storytelling: Challenges and Opportunities *1Chavan Dharmendra ABSTRACT India has the largest entertainment industry in the world. Being the second largest population of the world, the consumption of the content produced by the entertainment industry is high. However, India has diversified market in terms of languages, culture and it has its own pros and cons. In recent years, OTT platform is the became new horizon for the entertainment industry and has also became a threat for the television industry. Primarily its target audience is in the range of fifteen to thirty five year age group. With the growth of the mobile industry and development of internet speed OTT platform will reach to the audience, which was till now untapped, it also created new business opportunities. This has attracted foreign investors and business tycoons. As every business has its own opportunities and challenges, story telling OTT platform has its own. Cinema, Television industry is linear when its comes to release the programs, movies, TV serials. However, OTT platform is nonlinear platform. It has generated content and served to the audience at the same time. In last few years web series has played key role in the success of OTT platforms. Content generation and storytelling for web series has its own challenges as there is no scope for the improvement after its release. Today, Netflix, Amazon, Hot Star, Voot, ALT Balaji are the key payer in the market. This research paper will focus on the key areas of storytelling challenges and opportunities for the OTT platform.
    [Show full text]
  • Missing in Action Maggi’S Comeback Campaign Was Aww-Inspiring
    Product: ETNEWMumbaiBS PubDate: 23-09-2015 Zone: BrandEquity Edition: 1 Page: BEFP User: kailashk0106 Time: 09-17-2015 01:40 Color: CMYK THE ECONOMIC TIMES SEPTEMBER 23-29, 2015 WHEN IS AN SUV NOT A ROADHOG? Sub-4 metre SUVs are getting both Indian consumers and auto manufacturers to think small LIJEE PHILIP ANIRBAN BORA The battlelines are getting drawn in yet another segment of the auto market. The Mini or the sub 4 metre SUVs (sports utility vehicle) is getting on to the want list of an increasing number of Indian auto consum- ers and enthusiasts. Every major car maker has announced plans to enter this highly competitive space by 2016. This segment, technically kickstarted by the Ford EcoSport and now MINI SUV with the recent launch of SALES the Mahindra TUV300, also FORECAST #Epic #Epic has Honda, Maruti Suzuki, VW, Renault and others 2014 Sales T firming up launch plans. answer to meet urban mobility 55500 units OR By 2016 there could be as challenges such as congestion, many as 8 mini SUVs on parking. Since its introduction two 2018 Forecast T sale in the `6- `9 lakh price years back, the core value-for-mon- range, say experts. 06600 units ey proposition of Ford EcoSport To sweeten the deal for continues to be strong for custom- Sale Day Fail Day 2022 Forecast T consumers many of these ers looking for a quality product vehicles come with fea- 374000 units starting `6 lakh. Recently, Ford What can India’s big etailers learn from previous ‘sale’ disasters? And how do they tures that consumers may India celebrated the 200,000 sales have had to pay a lot more 2025 Forecast T milestone for the car.
    [Show full text]
  • TVF's Arunabh Kumar (Left) Won the Vdonxt Person of the Year Award
    January 16-31, 2017 Volume 5, Issue 15 `100 13 DIGITAL VIDEO MASTERS TVF’s Arunabh Kumar (left) won the vdonxt Person of the Year Award - New Media while All India Bakchod (Gursimran Khamba, centre, and Tanmay Bhat) won the vdonxt Person of the Year - Content Creator award at India’s largest convention on the rapidly growing digital video space. Subscriber copy not for resale editorial This fortnight... Volume 5, Issue 15 his publication recently decided to revive an old section called ‘Who’s That’, EDITOR Sreekant Khandekar T a section in which we used to profile the rising stars, on and off screen, in the PUBLISHER January 16-31, 2017 Volume 5, Issue 15 `100 advertising and media industry. A few days back, we made a list of people we could Prasanna Singh kick-start ‘Who’s That - 2.0’ with, and I was amazed to see that eight out of the top EXECUTIVE EDITOR ten names were from the online video business. Actors, scriptwriters, content creators, Ashwini Gangal platform heads… what have you. Evidently, the online video space is where all the ASSOCIATE EDITOR Sunit Roy action lies. PRODUCTION EXECUTIVE Andrias Kisku Over the past 14 months, we’ve published some memorable cover stories around 13 ADVERTISING ENQUIRIES professionals from this promising industry, including a detailed piece on All India Shubham Garg DIGITAL VIDEO MASTERS 81301 66777 (M) TVF’s Arunabh Kumar (left) won the vdonxt Person of the Year Award - New Bakchod, and an in-depth interview with The Viral Fever’s Arunabh Kumar. Also Media while All India Bakchod (Gursimran Khamba, centre, and Tanmay Bhat) won the vdonxt Person of the Year - Content Creator award at India’s Apoorv Kulshrestha largest convention on the rapidly growing digital video space.
    [Show full text]
  • Stand-Up Comedy and Caste in India
    IAFOR Journal of Media, Communication & Film Volume 7 – Issue 1 – Summer 2020 Humour and the Margins: Stand-Up Comedy and Caste in India Madhavi Shivaprasad, Tata Institute of Social Sciences, Mumbai, India Abstract Stand-up comedy as an art form has been known as one of the most powerful forms of expression to speak truth to power. In India, political satire as stand-up is highly popular. However, there is a serious gap in recognising and critiquing social hierarchies, particularly the Indian caste system. Most comedians, including the women who are known as strong critics of patriarchal structures within Indian society and the comedy industry in India, do not see the lack of representation of a Dalit voice in the industry as a structural problem. When caste is specifically named in the routines performed by them, all of them incidentally are a reference to their upper-caste identities in a non-ironical manner. Through critical discourse analysis, the article analyses stand-up comedy videos by these comedians online videos, as well as other non-humorous critiques they have offered on other platforms such as social media in order to understand the implications of these references. The article argues that these narratives reflect the general dominant caste discourse that the upper-caste comedians are a part of and also reconstitute the same by reiterating their own locations within the caste system. Finally it reflects on the significance of humour and particularly stand-up comedy to effect change. Recognising that humour and laughter are social activities also means to acknowledge that they hold potential to break existing stereotypes.
    [Show full text]
  • INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, More Entertaining Content
    INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, more Entertaining Content INDIAN TRENDS 2018-19 Relevant Statistics & Insights from an Indian Perspective. Prologue Digital technology has steered the third industrial revolution and influenced human civilization as a whole. A number of industries such as Media, Telecom, Retail and Technology have witnessed unprecedented disruptions and continue to evolve their existing infrastructure to meet the challenge. The telecom explosion in India has percolated to every corner of the country resulting in easy access to data, with Over-The-Top (OTT) media services changing how people watch television. The Digital Media revolution has globalized the world with 50% of the world’s population going online and around two-thirds possessing a mobile phone. Social media has penetrated into our day-to-day life with nearly three billion people accessing it in some form. India has the world’s second highest number of internet users after China and is fully digitally connected with the world. There is a constant engagement and formation of like-minded digital communities. Limited and focused content is the key for engaging with the audience, thereby tapping into the opportunities present, leading to volumes of content creation and bigger budgets. MICA, The School of Ideas, is a premier Management Institute that integrates Marketing, Branding, Design, Digital, Innovation and Creative Communication. MICA offers specializations in Digital Communication Management as well as Media & Entertainment Management as a part of its Two Year Post Graduate Diploma in Management. In addition to this, MICA offers an online Post-Graduate Certificate Programme in Digital Marketing and Communication.
    [Show full text]
  • How Two People Built up a New Age Media Network and a Commanding Digital Presence
    July 1-15, 2017 Volume 6, Issue 2 `100 SAMEER VENKAT PITALWALLA PRASAD 16 “WE HAVE A WARSHIP” How two people built up a new age media network and a commanding digital presence Subscriber copy not for resale Subscriber copy not 4 6 13 PLUS POINTS OF VIEW Can Nokia do it? 8 MOVEMENTS Who’s Where? 26 CAMPAIGN TRAIL Ads of the Fortnight 24 SAB TV RELIANCE FRESH MYNTRA Tenali Rama Returns Celebrating Eid Look East Policy BY INVITATION Here comes a fresh rendition A child’s eye view of The fashion brand trains its Ayan Banik 12 of DD’s hit show. marking the occasion. eyes on the north east. editorial This fortnight... Volume 6, Issue 2 ate. Serendipity. Luck. Watch or read any interview of Sameer and Venkat, the EDITOR Sreekant Khandekar F founders of Culture Machine, in which they recall the chain of events that, about PUBLISHER July 1-15, 2017 Volume 6, Issue 2 `100 four years back, put them on the path that eventually led them to their now successful Prasanna Singh SAMEER VENKAT PITALWALLA PRASAD digital venture, and you’ll hear at least two words that allude to a higher power. You’ll EXECUTIVE EDITOR also spot many metaphors; they fleetingly called their venture a digital raft-turned- Ashwini Gangal canoe-turned-warship during this interview! ASSOCIATE EDITOR 16 Sunit Roy PRODUCTION EXECUTIVE They describe themselves as a ‘digital media company for the internet generation’. Andrias Kisku Investors, we hear, call them the ‘web equivalent of a television network like Star’. ADVERTISING ENQUIRIES Culture Machine has two main revenue streams – media and tech; that, in a way, is Shubham Garg “WE HAVE A WARSHIP” reflected in their name.
    [Show full text]