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Gregory Maqoma and Vuyani Dance Theatre i 13th JOMBA! Contemporary Dance Experience 31 August – 11 September 2011 VENUES The Festival sincerely acknowledges the support of funders and partners Elizabeth Sneddon Theatre (Tel: 031 – 260 2296) University of KwaZulu-Natal Principal Funder Howard College Campus Tickets: R45 (Students/Scholars/Pensioners: R30) Book at Computicket (or at venue one hour before) Tel: 083 915 8000 JOMBA! CITY 2 September @ 7pm Outside the Durban City Hall (Durban inner city cultural precinct) Tickets: R50 available at the gates only YOUTH FRINGE - Entrance Free! Dorothy Nyembe Hall Cato Manor/Umkhumbane Tel: 082 875 6065 WORKSHOP VENUE Dance Studio (Movement Room 2) University of KwaZulu-Natal Howard College Campus FOR FURTHER INFORMATION CONTACT: Centre for Creative Arts University of KwaZulu-Natal Tel: 031 – 260 2506/1816 E-mail: [email protected] www.cca.ukzn.ac.za 1 Introduction he University of KwaZulu-Natal’s Centre for Creative Arts and its celebrated annual contemporary often seen as an improvisation and ‘battle’ dance form, to the theatre stage. Carefully constructed solo dance platform, JOMBA!, invites you to explore this year’s 11 day festival spanning two weeks. works ask the audience to revel at two dancers whose bodies ooze strength, power and control. This year’s festival has dance off erings which encompass the very best of local and international It is also our great privilege to welcome fellow African dance maker Faustin Linyekula from the dancers and dance companies. Democratic Republic of the Congo. Faustin’s work takes a critical look at post-independence in Africa TNurturing local dance sees this year’s JOMBA! New Works programme off ering grants to both Mlu and embraces the anarchy and chaos of making art in a time of struggle and trauma. Zondi and S’fi so Magesh Ngcobo. Further afi eld, Johannesburg’s Gregory Maqoma brings his deeply A further highlight of this 2011, is our JOMBA! City – a site-specifi c dance and art-making encounter celebrated “Beautiful Me”; a dance work that has traveled the globe to critical acclaim. A fi rst forJOMBA! with the inner city of Durban. Curated by David Gouldie, this is sure to be the street party event of the this year, is its adventurous “Women’s Solo Project” which has gathered together four prominent local year! and international women choreographers who have created solo works. Hélène Cathala joins us from The festival also comes with the usual FRINGE and YOUTH FRINGE off ering valuable open platforms France, Durban’s Desiré Davids has made a short dance fi lm, Lliane Loots to new dance makers – young and old alike. These platforms always prove enlightening in fi nding out has created a politically charged work on FLATFOOT dancer TeeKay where new talent might emerge. Quvane, and Gauteng-based Dada Masilo comes to JOMBA! for the Look out for a series of free dance workshops with the festival’s participating dancers and fi rst time off ering her controversial and celebrated solo, “The Bitter choreographers but please note that these activities require you to book in advance. End of Rosemary”. We hope to see you during this exciting 11 days of performances, screenings and workshops. JOMBA! prides itself on its facilitation of dance collaborations within Africa, and this year is no exception. Durban’s much loved FLATFOOT DANCE COMPANY is collaborating with Nigeria’s LLIANE LOOTS IJODEE DANCE COMPANY. Lagos-based choreographer Artistic Director: JOMBA! Adedayo Liadi will be creating a new work on FLATFOOT. With the Yoruba title, “Aye Asan” PETER RORVIK meaning ‘vanity’, this work will also feature Director: Centre for Creative Arts Ijodee’s Frank Konwea alongside the fi ve resident dancers of FLATFOOT. On the international front, JOMBA! is delighted to host two of the world’s most prestigious B-Boyz – Junior and Stylistik. Hailing from France, these two world champion break- dancers have turned the contemporary dance world on its head, by shifting what is 2 3 PROGRAMME PROGRAMME (subject to change) (subject to change) WEDNESDAY 31 August – 19h30 (Elizabeth Sneddon Theatre) TUESDAY 6 September – 19h30 (Elizabeth Sneddon Theatre) Welcome: Lliane Loots “more ...more …more …future” - choreography by Faustin Linyekula [Democratic Republic of Congo] “Entre-Deux” (In Between) – choreographed and danced by Abdou N’Gom aka Sylistik [France] INTERVAL WEDNESDAY 7 September – 19h30 (Elizabeth Sneddon Theatre) “Buanattitude” – choreographed and danced by Junior (Wanted Posse) [France] “more ...more …more …future” - choreography by Faustin Linyekula [Democratic Republic of Congo] • JOMBA! Talks Dance: post-show discussion with choreographer hosted by Adrienne Sichel THURSDAY 1 September – 19h30 (Elizabeth Sneddon Theatre) “Entre-Deux” (In Between) – choreographed and danced by Abdou N’Gom aka Sylistik [France] THURSDAY 8 September – 19h30 (Elizabeth Sneddon Theatre) INTERVAL 1. “Similar Pathways” – choreography by S’fi so Magesh Ngcobo (JOMBA! New Works Grant) “Buanattitude” – choreographed and danced by Junior (Wanted Posse) [France] 2. “Devolva” – choreography by Mlu Zondi (JOMBA! New Works Grant) • JOMBA! Talks Dance: post show discussion with choreographers/dancers hosted by Adrienne Sichel INTERVAL 3. “Aye Asan” (vanity) – choreography by Adedayo Liadi [Nigeria] featuring FLATFOOT DANCE FRIDAY 2 September – 19h00 (outside city hall – Durban Inner City Cultural Precinct) COMPANY [South Africa] JOMBA! City (see details on page 8) FRIDAY 9 September – 19h30 (Elizabeth Sneddon Theatre) SATURDAY 3 September – 19h30 (Elizabeth Sneddon Theatre) “WOMEN’S SOLO PROJECT” Due to the explicit nature of some of the works this programme carries an over 16 age restriction 1. “Similar Pathways” – choreography by S’fi so Magesh Ngcobo JOMBA!( New Works Grant) 1. “La jeune fi lle que la rivière n’a pas gardée” (The Young Woman The River Didn’t Keep) – 2. “Devolva” – choreography by Mlu Zondi (JOMBA! New Works Grant) choreography by Hélène Cathala [France] INTERVAL 2. “Skin” – choreography by Lliane Loots [South Africa] 3. “Aye Asan” (vanity) – choreography by Adedayo Liadi [Nigeria] featuring FLATFOOT DANCE INTERVAL COMPANY [South Africa] 3. “WHO IS THIS?...Beneath My Skin – Layer 2” – choreography by Desiré Davids [South Africa] • JOMBA! Talks Dance: post-show discussion with choreographers hosted by Adrienne Sichel 4. “The Bitter End of Rosemary” – choreography by Dada Masilo [South Africa] • JOMBA! Talks Dance: post-show discussion with choreographers hosted by Adrienne Sichel SATURDAY 10 September – 14h00 (Dorothy Nyembe hall – cato Manor/Umkhumbane) JOMBA! YOUTH FRINGE (see details on page 19) SUNDAY 4 September – 19h30 (Elizabeth Sneddon Theatre) “WOMEN’S SOLO PROJECT” Due to the explicit nature of some of the works this programme carries an over 16 age restriction SATURDAY 10 September – 19h30 (Elizabeth Sneddon Theatre) 1. “La jeune fi lle que la rivière n’a pas gardée” (The Young Woman The River Didn’t Keep) – choreography by Hélène Cathala [France] “Beautiful Me” – choreography by Gregory Maqoma [South Africa] with artistic contributions from 2. “Skin” – choreography by Lliane Loots [South Africa] Akram Khan [India/United Kingdom], Faustin Linyekula [DRC] and Vincent Mantsoe [South Africa] INTERVAL • JOMBA! Talks Dance: post show discussion with choreographer hosted by Adrienne Sichel 3. “WHO IS THIS?...Beneath My Skin – Layer 2” – choreography by Desiré Davids [South Africa] 4. “The Bitter End of Rosemary” – choreography by Dada Masilo [South Africa] SUNDAY 11 September – 19h30 (Elizabeth Sneddon Theatre) • Presentation of the ERIC SHABALALA DANCE CHAMPION AWARD MONDAY 5 September – 19h30 (Elizabeth Sneddon Theatre) “Beautiful Me” – choreography by Gregory Maqoma [South Africa] with artistic contributions from JOMBA! FRINGE (see details on page 18) Akram Khan [India/United Kingdom], Faustin Linyekula [DRC] and Vincent Mantsoe [South Africa] 4 5 Abdou n’Gom (aka) Stylistik’s B-Boy Junior’s “Entre Deux” (In between) “Buanattitude” Choreography: Clarisse Veaux and Abdou N’gom Choreography: Junior Bosila Banya Performer: Abdou N’gom Artistic direction: Olivier Lefrancois and Junior Bosila Banya Lighting artists: Christophe Mangilli and Dorothée Tournour Text: Olivier Lefrancois and Junior Bosila Banya Lighting control: Lise Poyol Music: Manuel Wandji Visual artist: Claire Rolland Light creation: Patrick Clitus Music arrangements: Damien Traversaz On his arms, on his elbows, in a push-up position without touching the ground with his feet, in a “ninety- Created in 2010 by Clarisse Veaux and Abdou N’gom from Compagnie Stylistik, the solo Entre deux nine” position with strength and ease, B-Boy Junior (also known as Buana) is an outlandish break-dancer. explores, through urban street dance, how you can build identity when you belong to various cultures. Yet, even if he is considered one of the ten best breakers in the world, even if he has known for a long This choreographic work deals with being “in-between two cultures” – often perceived as a foreigner time where he is heading, it is vital for him today to know where he comes from. “My diff erence; I have by both sides. This dance work touches anybody who has felt in between two ages, two groups or two accepted it for better and for worse. The worst part is when people want me to believe that I should be systems. It calls for tolerance and acceptance of one’s diff erences, whether it be in our appearance or like everyone else.” background. It is in a way the personal experience of the performer and choreographer, Abdou N’gom, for whom “it is not necessary to come from another country to feel rejected. The unknown scares, Choreographed and performed by B-Boy Junior, Buanattitude is his fi rst creation which looks at his roots diff erences disturb. So on which feet shall we dance?” in Zaire and its history, and accesses the artistic collaboration of Olivier Le François. This complex solo is a journey which confronts our conceptions of a fantasised Africa and its multiple realities, faced during COMPAGNIE STYLISTIK was founded in 2006 in Lyon, France, by two hip hop dancers, Clarisse Veaux Junior’s artistic residency in Kinshasa.
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