Rep Decks™ Created by Kenneth Amis 1883, Germany Wagner Copyright © 2020 by Amis Musical Circle ~ 1 ~

Total Page:16

File Type:pdf, Size:1020Kb

Rep Decks™ Created by Kenneth Amis 1883, Germany Wagner Copyright © 2020 by Amis Musical Circle ~ 1 ~ ™ ANSWER KEY Rodelinda, HWV 19 Italian Don Carlos French Italian Il Trovatore Act 1 “Dove sei, amato E major Act 4 (Act 3) “Elle ne D major E minor 7 Act 2 “Stride la vampa” bene?” Bertarido J m’aime pas!” Philippe II Azucena 2 { Nicola } Joseph Méry/ Giuseppe Verdi, 1813– Salvadore } Giuseppe Verdi, 1813– George Frideric Handel, Francesco Camille du 1901, Italy Cammarano 1901, Italy 1685–1759, Germany Haym/ Locle I Pagliacci Italian Antonio Salvi Tannhäuser German E minor 8 Act 1, Scene 4 “Vesti la Der fliegende Holländer, Act 3, Scene 2 “O du G major giubba” Canio { WWV 63 German Q mein holder Wolfram von Ruggero Leoncavallo, Ruggero C minor 3 Act 1 “Die Frist ist um, } Abendstern” Eschenbach 1857–1919, Italy Leoncavallo und abermals verstrichen The Dutchman Richard Wagner, 1813– Richard Don Giovanni, K.527 Italian } sind sieben Jahr” 1883, Germany Wagner D major 9 Act 2, Scene 3 “Deh Richard Wagner, 1813– Richard Italian Vieni Alla Finestra” Don Giovanni 1883, Germany Wagner Turandot { in transition Wolfgang Mozart, 1756– Lorenzo Da Italian Act 3, “Nessun Dorma” Mefistofele K Calaf 1791, Austria Ponte in transition 4 Act 1 “Son lo spirito” } Giuseppe Italian Mefistofele Giacomo Puccini, 1858– } Adami/ Manon Lescaut Bb major Arrigo Boito, 1842– 1924, Italy Arrigo Boito Renato Simoni Act 1 “Donna non vidi Chevalier 1918, Italy Semiramide Italian mai” Renato des French Act 1, Scene 5 “Ah! quel E major Grieux La Favorite C major A giorno ognor Arsace Luigi Illica/ 5 Act 3 “O mon Fernand” Léonor de } rammento” Giuseppe Guzman Gioachino Rossini, } Gaetano Rossi = Giacosa/ Alphonse 1792–1868, Italy Gaetano Donizetti, Marco Praga/ Royer/ { 1797–1848, Italy L’elisir d’amore Italian Domenico Gustave Vaëz Act 1, Scene 2 “Come F major Giacomo Puccini, 1858– Oliva/ Le nozze di Figaro, 1924, Italy Ruggero Italian 2 Paride vezzoso” Belcore K.492 { Felice Leoncavallo/ C major Gaetano Donizetti, 6 Act 1, Scene 8 “Non più Romani/ Giulio Figaro 1797–1848, Italy Ricordi/ } andrai” Eugène Scribe Giacomo Wolfgang Mozart, 1756– Lorenzo Da Der Freischutz, Op.77 German Puccini 1791, Austria Ponte Act 1, Scene 3 “Durch Eb major Rusalka, Op.114 Die lustige Witwe German 3 die Walder, Durch Die Czech Max Act 1 “Měsíčku na nebi Act 2 “Es lebt’ eine G major Auen” Gb major 7 { hlubokém” (Song to the Vilja” (Vilja-Lied) Hanna Glawari Carl Maria Von Weber, Rusalka } Friedrich Kind J Moon) Franz Lehár, 1870–1948, Viktor Léon/ 1786–1826, Germany { Antonín Dvořák, 1841– Hungary Leo Stein French 1904, Bohemia (Austrian Das Rheingold, WWV Jaroslav Kvapil German L’Africaine Gb Major Empire/Czech 86A C# minor 4 Act 4 “O Paradis!” Vasco de Republic) 8 Scene 4 “Weiche Wotan Gama Erda { Les Contes D’hoffmann French } weiche” Giacomo Meyerbeer, Eugène Scribe Act 3 “Scintille diamant” E major Richard Wagner, 1813– Richard 1791–1864, Germany Q (optional) Dapertutto 1883, Germany Wagner German { Der Rosenkavalier, Jacques Offenbach, L’italiana in Algeri Italian F# major Jules Barbier Op.59 1819–1880, Germany Act 1, Scene 4 “Cruda F major Count 9 5 Act 2 “Mir ist die Ehre Italian sorte! Amor tiranno!” Isabella Octavian La Cenerentola } widerfahren” E major Gioachino Rossini, { Rofrano K Act 2 “Non più mesta” Angelo Anelli Angelina 1792–1868, Italy Richard Strauss, 1864– Hugo von { Gioachino Rossini, La Gioconda Italian 1949, Germany Hofmannsthal Jacopo Ferretti 1792–1868, Italy Act 1 “Voce di donna o Eb major Tristan and Isolde, Italian = d’angelo” La Cieca WWV 90 German La Wally Act 1 “Ebben? Ne andrò E major } Arrigo Boito Act 3, Scene 3 “Mild in transition A Amilcare Ponchielli, 6 lontana” Wally (aka Tobia und leise wie er lächelt” Isolde { 1834–1886, Italy { Alfredo Catalani, 1854– Gorrio) (“Liebestod”) Luigi Illica Richard Wagner, 1813– Richard 1893, Italy Rep DeCks™ created by Kenneth Amis 1883, Germany Wagner www.AmisMusicalCircle.com Copyright © 2020 by Amis Musical Circle ~ 1 ~ Italian Евгений Онегин Samson et Dalila, Op.47 French Rigoletto B major (Eugene Onegin), Op.24 Act 2 “Mon coeur in transition Act 3 “La donna è Russian 7 2 Duke of Act 3 “Любви все S’ouvre à ta voix” Dalila mobile” Gb major Mantua возрасты покорны (All [ ] J Prince Gremin Camille Saint-Saëns, Ferdinand Giuseppe Verdi, 1813– Francesco men surrender to Love’s 1835–1921, France Lemaire ] 1901, Italy Maria Piave power)” Martha German Pyotr Ilyich German Pyotr Ilyich Act 3 “Ach! so fromm F major Die Zauberflöte, K.620 Tchaikovsky, 1840– 8 D minor Tchaikovsky (M‘appari tutt’amor)” Lyonel Act 2, 14. “Der Hölle 1893, Russia [ 3 The Queen of Friedrich Von Flotow, Friedrich Rache” Sapho French ] the Night 1812–1883, Germany Wilhelm Riese Act 3 “O ma lyre Bb minor Wolfgang Mozart, 1756– Emanuel Q Rinaldo, HWV 7a Italian 1791, Austria Schikaneder immortelle” Sapho ] Act 2 “Lascia ch’io in transition Italian Charles Gounod, 1818– 9 Gianni Schicchi Émile Augier pianga” Almirena Ab major 1893, France [ 4 “O mio babbino caro” George Frideric Handel, Giacomo Rossi Lauretta Dido and Aeneas, Z.626 English 1685–1759, Germany / Aaron Hill ] Giacomo Puccini, 1858– Giovacchino Act 3 “When I am laid in in transition La fille du régiment K French 1924, Italy Forzano earth” Dido (Elissa) Act 1 “Ah! mes amis, ] Eb major Italian Henry Purcell, 1659– quel jour de fête!” Norma Tonio G minor Nahum Tate (“Pour mon âme”) 5 Act 1 “Casta Diva” 1695, English = Norma ] Italian Jules-Henri Vincenzo Bellini, 1801– Serse (Xerxes), HWV 40 [ Vernoy de Felice Romani F major Gaetano Donizetti, 1835, Italy Act 1 “Ombra Mai Fu” Saint-Georges/ A Serse (Xerxes) 1797–1848, Italy English Jean-François The Pirates of Penzance ] Silvio Eb major George Frideric Handel, Bayard Act 1 “Modern Major- Stampiglia / Major-General 1685–1759, Germany Die Walküre, WWV 86B German 6 General’s Song” Nicolò Minato Stanley French Act 3 “Leb wohl du in transition ] Manon J William D major kühnes herrliches” Wotan Arthur Sullivan, 1842– Act 2 “En fermant les [ Schwenck Le Chevalier Richard Wagner, 1813– Richard 1900, England 2 yeux” (Dream Song) Gilbert des Grieux 1883, Germany Wagner [ Il barbiere di Siviglia Italian Henri Meilhac Così fan Tutte, K.588 Italian Jules Massenet, 1842– Act 1 “Largo al D major / Philippe Act 1, Scene 2 “Un’aura A major 7 1912, France Q Factotum” Figaro Gille amorosa” Ferrando ] [ Gioachino Rossini, German Wolfgang Mozart, 1756– Lorenzo Da Cesare Sterbini Die Fledermaus 1792–1868, Italy Db major 1791, Austria Ponte Act 2 “Chacun à son Carmen 3 Prince Un ballo In maschera Italian French goût” Act 1 “L’amour est un Act 1 “Re dell’abisso C minor D major [ Orlofsky K oiseau rebelle” affrettati” Ulrica 8 Carmen Johann Strauss Jr., 1825– Karl Haffner / [ (Habanera) 1899, Austria Richard Genée Giuseppe Verdi, 1813– Antonio ] Henri Meilhac 1901, Italy Somma Georges Bizet, 1838– La traviata Italian / Ludovic 1875, France Act 2 “Di Provenza il Db major La sonnambula Italian Halévy Act 1 “Vi ravviso, o Ab major 4 mar, il suol chi dal cor ti Giorgio A La bohème Italian cancellò?” Germont luoghi ameni” Rodolfo [ [ Act 2 “Quando me’n E major Giuseppe Verdi, 1813– Francesco Vincenzo Bellini, 1801– Felice Romani 9 vo’” (Musetta’s Waltz) Musetta 1901, Italy Maria Piave 1835, Italy ] Luigi Illica / Giacomo Puccini, 1858– Italian Tosca Italian Giuseppe 1924, Italy Madama Butterfly Gb major J Act 1, Scene 9 Te Deum Eb major Giacosa Act 2 “Un Bel Di Cio-Cio-san o (“Va, Tosca!”) Baron Scarpia Italian 5 Vedremo” (Madama B Luigi Illica / Fedora L Giacomo Puccini, 1858– in transition Butterfly) Giuseppe Act 2 “Amor ti vieta di [ K 1924, Italy = Count Loris Luigi Illica / Giacosa non amar” Giacomo Puccini, 1858– ] Ipanov Giuseppe 1924, Italy J Otello Italian Umberto Giordano, Giacosa Arturo Colautti o Act 4, Scene 2 “Ave Ab major 1867–1948, Italy Italian Orfeo Ed Euridice R Maria” Desdemona Act 3 “Che Faro Senza C major Giuseppe Verdi, 1813– E Arrigo Boito 6 Euridice” Orfeo D 1901, Italy [ Christoph Willibald von Ranieri de’ Gluck, 1714–1787, Calzabigi Germany/Bohemia Don’t forget to download the free Rep DeCks™ Games Manual for over a dozen fun games you can play with Rep DeCks™. www.AmisMusicalCircle.com ~ 2 ~ .
Recommended publications
  • Vahdah Olcott-Bickford Collection, 1800-2008
    http://oac.cdlib.org/findaid/ark:/13030/c8zp4c79 No online items Guide to the Vahdah Olcott-Bickford Collection, 1800-2008 Special Collections & Archives Oviatt Library California State University, Northridge 18111 Nordhoff St. Northridge, CA, 91330 URL: http://library.csun.edu/SCA Email: [email protected] Phone: (818) 677-2832 Fax: (818) 677-2589 © Copyright 2012 Special Collections & Archives. All rights reserved. Guide to the Vahdah IGRA/VOB 1 Olcott-Bickford Collection, 1800-2008 Overview of the Collection Collection Title: Vahdah Olcott-Bickford Collection Dates: 1800-2008 Bulk Dates: 1923-1979 Identification: IGRA/VOB Creator: Olcott-Bickford, Vahdah, 1885-1980 Physical Description: 88.71 linear feet Language of Materials: English French German Spanish; Castilian Italian Portuguese Repository: International Guitar Research Archives (IGRA) Abstract: Vahdah Olcott-Bickford, née Ethel Lucretia Olcott, was an professional teacher of the Guitar, most well known for her influential Guitar Method, Op. 25, and the Advanced Course, Op. 116. She also wrote numerous articles about the guitar, and corresponded with other musicians and enthusiasts about the instrument throughout her long career. The Vahdah Olcott-Bickford Collection documents Olcott-Bickford’s professional life as a classical guitarist, an avid member of various organizations in the United States, her work with guitarists around the world, and her personal life. The collection includes scores, letters, photographs, newspaper clippings, receipts, articles, lecture notes, and guest books, and dates from 1874-1980. Biographical Information: Ethel Lucretia Olcott was born on October 17, 1885 in Norwalk, Ohio. She was three years old when she and her parents moved to Los Angeles, California. At the age of eight she started guitar lessons with George Lindsay, a well-known classic guitarist.
    [Show full text]
  • Friedrich Von Flotow Martha
    Nürnberger Theater Friedrich von Flotow Martha 0v'l~-&~ ~ 'Theater' - Eduardo Arroyo malt ein Bild für Nürnberg (26) www.terzakis.com Samstag, 18. April 1987 19.30 Uhr Premierenplatzmiete Neuinszenierung Martha oder Der Markt zu Richmond Romantisch-komjsche Oper in vier Akten (fünfBildern) Libretto von W. Friedrich (teilweise nach einem Plan von Saint-Georges) Musik von Friedrich von Flotow Musikalische Leitung Reinhard Seifried Inszenierung Götz Fischer Bühnenbild und Kostüme Dorothea Jaumann Chor Martin Pickard Das Pllilharmomsche Orchester der Stadt Nürnberg Der Chor des Musiktheaters Abendspielleitung und Regieassistenz Beate Schneider Bühneninspizienz Lothar Braun Souffieuse Heike Vlad Technische Leitung Max Grünwald Bühnentechnik Franz Heigemeier Beleuchtung RudolfTischer Tontechnik Werner Lautner Maske und Perücken Hans Tegelbekkers Ausführung der Kostüme Hilde GoldschmidtiPaul Klein Ausführung der Dekorationen Horst Kernstock/Sepp Schick Requisite Petar Maslarevski www.terzakis.com Personen Lady Harriet Durham Gudrun Ebel Nancy, ihre Vertraute. ....................... .. Anne Salvan Lord Tristan Mickleford Andreas Camillo Agrelli Plumkett, ein Pächter. ....................... .. Nandor Tomory LyoneI, sein Pt1egebruder . .. Zachos Terzakis Ein Richter Albert Vogler Erste Magd Carole Walters Zweite Magd Heidemarie Bode-Rindler Dritte Magd Gabriele Neumann Erster Pächter Gerhard Unterbäumer Zweiter Pächter : Gerhard Schlacht Erster Diener Bernhard Wild Zweiter Diener Benno Rausch Dritter Diener Richard Müller Ein Tanzmeister Lothar Braun Ein Faun Hofdamen, Pächter, Pächterinnen, Mägde, Knechte, Kinder Pause nach dem zweiten Akt (Drittes Bild) www.terzakis.com Ach so fromm, ach so traut Hat mein Auge sie erschaut. Ach so mild und so rein Drang ihr Bild ins Herz mir ein. * 26. April 1812 aufdem Rittergut Teutendorf(Mecklenburg) t 24. Januar 1883 in Darmstadt Friedrich von Flotow Biographisches: Erster Musikunterrichtbei seinerMutterund Orgartisten in Nachbarorten mit ersten Kompositionsversuchen.
    [Show full text]
  • Guild Gmbh Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - E-Mail: [email protected] CD-No
    Guild GmbH Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Composer/Track Artists GHCD 2201 Parsifal Act 2 Richard Wagner The Metropolitan Opera 1938 - Flagstad, Melchior, Gabor, Leinsdorf GHCD 2202 Toscanini - Concert 14.10.1939 FRANZ SCHUBERT (1797-1828) Symphony No.8 in B minor, "Unfinished", D.759 NBC Symphony, Arturo Toscanini RICHARD STRAUSS (1864-1949) Don Juan - Tone Poem after Lenau, op. 20 FRANZ JOSEPH HAYDN (1732-1809) Symphony Concertante in B flat Major, op. 84 JOHANN SEBASTIAN BACH (1685-1750) Passacaglia and Fugue in C minor (Orchestrated by O. Respighi) GHCD Le Nozze di Figaro Mozart The Metropolitan Opera - Breisach with Pinza, Sayão, Baccaloni, Steber, Novotna 2203/4/5 GHCD 2206 Boris Godounov, Selections Moussorgsky Royal Opera, Covent Garden 1928 - Chaliapin, Bada, Borgioli GHCD Siegfried Richard Wagner The Metropolitan Opera 1937 - Melchior, Schorr, Thorborg, Flagstad, Habich, 2207/8/9 Laufkoetter, Bodanzky GHCD 2210 Mahler: Symphony No.2 Gustav Mahler - Symphony No.2 in C Minor „The Resurrection“ Concertgebouw Orchestra, Otto Klemperer - Conductor, Kathleen Ferrier, Jo Vincent, Amsterdam Toonkunstchoir - 1951 GHCD Toscanini - Concert 1938 & RALPH VAUGHAN WILLIAMS (1872-1958) Fantasia on a Theme by Thomas Tallis NBC Symphony, Arturo Toscanini 2211/12 1942 JOHANNES BRAHMS (1833-1897) Symphony No. 3 in F Major, op. 90 GUISEPPE MARTUCCI (1856-1909) Notturno, Novelletta; PETER IILYICH TCHAIKOVSKY (1840- 1893) Romeo and Juliet
    [Show full text]
  • Key of F Minor, German Designation)
    F dur C F Dur C EFF DOOR C (key of F major, German designation) F moll C f Moll C EFF MAWL C (key of f minor, German designation) Fa bemol majeur C fa bémol majeur C fah bay-mawl mah-zhör C (key of F flat major, French designation) Fa bemol mayor C FAH bay-MAWL mah-YAWR C (key of F flat major, Spanish designation) Fa bemol menor C FAH bay-MAWL may-NAWR C (key of f flat minor, Spanish designation) Fa bemol mineur C fa bémol mineur C fah bay-mawl mee-nör C (key of f flat minor, French designation) Fa bemolle maggiore C fa bemolle maggiore C FAH bay-MOHL-lay mahd-JO-ray C (key of F flat major, Italian designation) Fa bemolle minore C fa bemolle minore C FAH bay-MOHL-lay mee-NO-ray C (key of f flat minor, Italian designation) Fa diese majeur C fa dièse majeur C fah deeezz mah-zhör C (key of F sharp major, French designation) Fa diese mineur C fa dièse mineur C fah deeezz mee-nör C (key of f sharp minor, French designation) Fa diesis maggiore C fa diesis maggiore C FAH deeAY-zeess mahd-JO-ray C (key of F sharp major, Italian designation) Fa diesis minore C fa diesis minore C FAH deeAY-zeess mee-NO-ray C (key of f sharp minor, Italian designation) Fa maggiore C fa maggiore C FAH mahd-JO-ray C (key of F major, Italian designation) Fa majeur C fa majeur C fah mah-zhör C (key of F major, French designation) Fa mayor C FAH mah-YAWR C (key of F major, Spanish designation) Fa menor C FAH may-NAWR C (key of f minor, Spanish designation) Fa mineur C fa mineur C fah mee-nör C (key of f minor, French designation) Fa minore C fa minore C FAH mee-NO-ray
    [Show full text]
  • View Program
    Program Giuseppe Verdi (1813-1901) INTERMISSION “Qual voluttà trascorrere” from I Lombardi (15 minutes) (Ms. Clark, Mr. Guerrero, and Mr. Brownlee) Ludwig van Beethoven (1770-1827) Verdi Rondo in C Major “Infelice, e tu credevi” from Ernani (Mr. Allen) (Mr. Brownlee) Frédéric Chopin (1810-1849) Georges Bizet (1838-1875) Valse in C-sharp Minor “Quand la flamme de l’amour” from La jolie fille de Perth (Mr. Allen) (Mr. Brownlee) Wolfgang Amadeus Mozart (1756-1791) Verdi Farewell Scene from Die Zauberflöte “Parigi, o cara” from La traviata (Ms. Clark, Mr. Guerrero, and Mr. Brownlee) (Ms. Clark and Mr. Guerrero) Verdi Giacomo Puccini (1858-1924) “La donna è mobile” from Rigoletto “In quelle trine morbide” from Manon Lescaut (Mr. Guerero) (Ms. Clark) Franz Lehár (1870-1948) Charles Gounod (1818-1893) “Nobody Could Love You More” from Paganini “Jewel Song” from Faust (Ms. Clark and Mr. Guerrero) (Ms. Clark) Puccini Gaetano Donizetti (1797-1848) “Quando m’en vo’” (Musetta’s Waltz) from La bohème “Ecco il magico liquore” from L’elisir d’amore (Ms. Clark) (Mr. Guerrero and Mr. Brownlee) Gioachino Rossini (1792-1868) Puccini “La calunnia” from Il barbiere di Siviglia “E lucevan le stelle” from Tosca (Mr. Brownlee) (Mr. Guerrero) Gounod Friedrich von Flotow (1812-1883) Prison Scene —Trio from Faust “M’appari” from Martha (Ms. Clark, Mr. Guerrero, and Mr. Brownlee) (Mr. Guerrero) Ambroise Thomas (1811-1896) “Légères hirondelles” from Mignon (Ms. Clark and Mr. Brownlee) Verdi Program and personnel subject to change. “Perdon, perdon, Amelia” from Simon Boccanegra As a courtesy to the artists, please remain seated until they have left the hall.
    [Show full text]
  • Death, by Aria Sponsored by Toby Hollenberg & Dr
    Death, By Aria Sponsored by Toby Hollenberg & Dr. Harvey Lebos Tuesday, August 11 at 7:00 p.m. Eastern Replay on Wednesday, August 12 at 11:00 a.m. Eastern Meine Lippen from Giuditta by Franz Lehár Liz Lang, soprano Jorge Parodi, piano Video edited by Maria Zouves Chacun le sait from La Fille du Régiment by Gaetano Donizetti Kathleen Buccleugh, soprano Christy Vest, piano Video edited by Patrick Joel Martin Salut! Demeure chaste et pure from Faust by Charles Gounod Lawrence Barasa Kiharangwa, tenor Nathalie Fortin, piano Video provided by artist La donna è mobile from Rigoletto by Giuseppe Verdi Peter Lake, tenor Jorge Parodi, piano Video edited by Maria Zouves Lonely House from Street Scene by Kurt Weill Zachary Sebek, tenor Video edited by Maria Zouves Live and Let Live from A Royal Feast by Michael Ching – World Premiere Cloe SanAntonio, mezzo-soprano Michael Ching, piano Chad Sonka, segment director Video edited by Maria Zouves Inside the VOICE Studio William Desbiens, baritone | Milnes VOICE Studio Artist Video edited by Maria Zouves Largo al factotum from Il barbiere di Siviglia by Gioachino Rossini William Desbiens, baritone Howard Watkins, piano Video edited by Patrick Joel Martin Nimmermehr wird mein Herze sich grämen from Martha by Friedrich von Flotow Natalie Rumer, mezzo-soprano Video edited by Maria Zouves Welcome to My World I Want Magic from A Streetcar Named Desire by André Previn Mariah Muehler, soprano Photos provided by artist | Video edited by Theophilos Z. Milnes Letter to a Young Artist by Patrick Vu - World Premiere Jonathan Walker-VanKuren, tenor Patrick Vu, piano Video provided by artist Wash Your Hands! Quando m’en vo from La Bohème by Giacomo Puccini Maria Zouves Video edited by Maria Zouves Quando m’en vo from La Bohème by Giacomo Puccini Evelyn Saavedra, soprano Jessica Ann Best, mezzo-soprano Jorge Parodi, piano Video edited by Maria Zouves and Theophilos Z.
    [Show full text]
  • Martha Oder Der Markt Zu Richmond Romantisch-Komische Oper in Vier Akten Text Von Friedrich W
    Friedrich von Flotow (1812 – 1883) Martha oder der Markt zu Richmond Romantisch-komische Oper in vier Akten Text von Friedrich W. Riese nach einem Ballett von Jules-Henri Vernoy de Saint-Georges Uraufführung am 25. November 1847, Kärntnertor-Theater, Wien Live-Aufnahme der Premierenserie, Oktober 2016 Oper Frankfurt Recording System Recording Producer: Teresa Kunz Oper Frankfurt Bernd Loebe, Intendant Sebastian Weigle, Generalmusikdirektor Besetzung | Cast Lady Harriet Durham Maria Bengtsson Nancy, Harriets Vertraute Katharina Magiera Lord Tristan Mickleford, Harriets Vetter Barnaby Rea Lyonel AJ Glueckert Plumkett Björn Bürger Der Richter von Richmond Franz Mayer Drei Mägde Nicolai Klawa, Julia Heße, Svea Verfürth Zwei Pächter Gerhard Singer, Michaela Schaudel Drei Diener Johannes Lehner, Thomas Charrois, Cheol Kang Ein Schlagzeuger Georg Hromadka Frankfurter Opern- und Museumsorchester Chor und Extrachor der Oper Frankfurt Dirigent / conductor Sebastian Weigle Inszenierung / director Katharina Thoma Bühnenbild / stage design Etienne Pluss Kostüme / costume design Irina Bartels Licht / light design Olav Winter Choreografie / choreography Michael Schmieder Chor / choir Tilman Michael Dramaturgie / dramaturgy Konrad Kuhn 2 Maria Bengtsson – Lady Harriet Katharina Magiera – Nancy CD 1 ERSTER AKT [07] Nr. 5 Duett: Wie das schnattert 04:53 (Plumkett, Lyonel) [01] Ouvertüre 07:59 [08] Nr. 6 Finale: Der Markt beginnt 05:05 [02] Nr. 1 Chor: Darf mit nächtig düstren (Chor, Richter, 3 Mägde, 2 Pächter) Träumen 03:31 (Chor der Dienerinnen, Nancy, Lady [09] Vorwärts, Bob 02:12 Harriet) (Lady Harriet, Nancy, Tristan, Plumkett, Lyonel, Chor der Mägde) [03] Nr. 2 Rezitativ und Duett: Teure Lady! 05:04 [10] Quartett: Sieh nur, wie sie uns (Nancy, Lady Harriet) betrachten 06:12 (Lady Harriet, Nancy, Plumkett, Lyonel, [04] Nr.
    [Show full text]
  • Un Exilé Lyrique Achille De Lauzières Alexander Weatherson
    Un exilé lyrique Achille de Lauzières Alexander Weatherson On the momentous day of 8 February 1457 the young Dieudonné de Lauzières set foot in the Quercynois village of Espédaillac for the first time in his life to receive his serment de fidélité. He had inherited his fief from his uncle Raymond de Cardaillac who had died without an heir. He stood – a little unsteadily - where cars are now parked and lavender bushes perch on the edge of the plateau in front of the church with his kinsman Guillaume de Thémines at his elbow for moral support. The donjon behind him and a row of expectant faces before him. Four centuries on, on the equally momentous day of 19 January 1839 the young Achille de Lauzières, his direct descendant sat - a little unsteadily – for the first time in his life in an official capacity among the rowdy spectators in the teeming Teatro Nuovo of Naples with a cohort of critics behind him and row upon row of expectant faces before him. It was his baptism as a librettist, in this instance for the première of an operatic romp by the current favorite, Vincenzo Fioravanti, for which he had supplied the text. This maestro had made a tremendous reputation with his Il ritorno di Pulcinella da Padova on that same stage two years earlier i - a perfectly hysterical offering that would prove irresistible in Naples for years and years with its gags, transvestite spoofs and xenophobic fervour. Now, scarcely beyond adolescence, the trembling poet had been given the task of supplying a sequel: La larva ovvero Gli spaventi di Pulcinella, three-acts of disreputable comedy to enliven the carnival of 1839.
    [Show full text]
  • Checklist for Pathé Cylinder Transfer Serial Numbers: INTER (Salon Size, 9 Cm Diameter)
    Checklist for Pathé Cylinder Transfer Serial Numbers: INTER (Salon size, 9 cm diameter) This is a checklist of all transfer-serial numbers for moulded INTER (Salon size) cylinders that have been identified so far for the Pathé Label Discography, and for which discographical details are known. Please report full details of all moulded Pathé cylinders (also related labels like AICC, Atlas, Bonne Presse, Dansk Fonograf, Dutreih, Paradiso and others) that are NOT already in the list below, or that are at odds with the details given in the present checklist. Typed or written lists are just as welcome as clearly legible scans or photos, or database excerpts in any unambiguous format. All correspondence should be addressed to: [email protected] , or snailmail to: Christian Zwarg, Raschdorffstr. 15, 13409 Berlin, Germany NOTE: This is NOT a catalogue of available recordings and NOT a sale or auction list. Most of the records listed here are not in my collection and available not in public archives. Transfer-Serial Nr. Master-Cylinder Nr. Title (abridged, for identification only) Diameter 8 2321 Boit-sans-soif et Bec-salé : Duo comique (Emile Duhem) C09 51 160 MARTHA (Friedrich von Flotow / Wilhelm Friedrich Friedrich Wilhelm Ri C09 98 395 LAKMÉ (Léo Delibes / Edmond Gondinet; Philippe Gille) @ • I.4. Air {Gér C09 106 429 LA MULE DE PEDRO (Victor Massé / Dumanoir Philippe-François Pinel C09 109 344 LES DRAGONS DE VILLARS (Louis Aimé Maillart / Lockroy Joseph-Phil C09 121 52 FAUST (Charles Gounod / Jules Barbier; Michel Carré) @ • I.1. Scène et C09 131, early edge 342 LES DRAGONS DE VILLARS (Louis Aimé Maillart / Lockroy Joseph-Phil C09 158 2874 TANNHÄUSER UND DER SÄNGERKRIEG AUF WARTBURG (Richard W C09 159 2874 TANNHÄUSER UND DER SÄNGERKRIEG AUF WARTBURG (Richard W C09 161 2987 Amour d'automne • Mélodie (Cécile Chaminade, W.276 / Armand Silvestr C09 162 2986 Plaisir d'amour • Mélodie (Johann Paul Aegidius Martini / Jean-Pierre Clari C09 181 3541 FAUST (Charles Gounod / Jules Barbier; Michel Carré) @ • IV.15.
    [Show full text]
  • Downloadable PDF
    To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/437 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Verdi in Victorian London Massimo Zicari https://www.openbookpublishers.com © 2016 Massimo Zicari This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author (but not in any way that suggests that he endorses you or your use of the work). Attribution should include the following information: Massimo Zicari, Verdi in Victorian London. Cambridge, UK: Open Book Publishers, 2016. http://dx.doi.org/10.11647/OBP.0090 In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/isbn/9781783742134#copyright Further details about CC BY licenses are available at https://creativecommons.org/ licenses/by/4.0/ All external links were active on 28/6/2016 unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https://www.openbookpublishers.com/isbn/9781783742134#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher.
    [Show full text]
  • Music Box Operatic Arias (Revised 2/28/10) Tunes Listed on the Underside of the Music Box Lid
    Abraham Lincoln Presidential Library Lincoln Collection Bibliography Series Mary Lincoln’s Music Box Operatic Arias (Revised 2/28/10) Tunes Listed on the Underside of the Music Box Lid Among the many Lincoln-related artifacts in the possession of the Abraham Lincoln Presidential Library & Museum is a circa 1870s music box made in Geneva, Switzerland (Inventory #LR 207). It is a rectangle rosewood box (12”x 24”x10”) containing a brass cylinder. Mary Lincoln’s sister, Frances Todd Wallace, gave the music box to Mary in November 1876. Mrs. Wallace’s granddaughter, Florence J. Patteson, donated it to the Presidential Library’s predecessor institution, the Illinois State Historical Library. The music box plays ten operatic airs which are listed on a label on the underside of the music box lid. The list is as follows: Title of Opera Title of song 1. Faust 1 Chorus 2. Corn flower2 Valse 3. L’ Africaine3 Oui Fallut Il 4. Undine4 Finale 5. Cavalier 5 Mazurka 6. The last rose of summer6 7. Lucrezia Borgia7 Maffio Orsini 8. Oui et Non8 Quadrille 9. Don Pasquale 9 Un foco insolito 10. Les Huguenots10 Marche (Research by Tom Schwartz, James Cornelius—2007/2008) 1 Charles Gounod’s opera Faust premiered on March 19, 1859, based upon Goethe’s drama. 2 Charles Coote’s song ‘Corn Flower Valse’, comp. and first pub. late 1850s. 3 Giacomo Meyerbeer’s opera L’Africaine premiered in Paris, April 28, 1865; in New York, Dec. 1, 1865 4 Opera by E. T. A. Hoffmann; or by Albert Lortzing, 1845? 5 Need more information.
    [Show full text]
  • Musical Institutions and Czech Identity in Nineteenth
    Reclaiming a Golden Past: Musical Institutions and Czech Identity in Nineteenth-Century Prague By © 2019 Amelia Davidson PhD, Musicology, 2019 M.M., Missouri State University, 2008 B.M.E., Missouri State University, 2006 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Ketty Wong Roberta Freund Schwartz Paul Laird Alan Street Svetlana Vassileva-Karagyozova Date Defended: April 8, 2019 ii The dissertation committee for Amelia Davidson certifies that this is the approved version of the following dissertation: Reclaiming a Golden Past: Musical Institutions and Czech Identity in Nineteenth-Century Prague Chair: Ketty Wong Date Approved: iii Abstract This dissertation explores the relationship between nineteenth-century musical activity in the Czech lands and Czech identity. The objectives of this study are to examine the history of significant musical institutions and organizations established during the nineteenth century, to analyze performance repertories for these entities, and to explore how the activities of these institutions are related to other components of Czech identity. I begin by investigating significant Czech identity markers that existed prior to the nineteenth century. These include a sense of cosmopolitanism established during the reigns of the Holy Roman Emperors Charles I and Rudolf II, a priority on religious reform and tolerance linked to the Hussite period, and a sense of cultural deprivation stemming from the conclusion of the Thirty Years’ War and the Counter- Reformation period. These foundational elements of Czech cultural identity provided the framework for the national revival of the late eighteenth and early nineteenth century, which was based in Enlightenment ideals, and for the nationalist movement of the mid-nineteenth century.
    [Show full text]