DOCSLIB.ORG

West Regional Service

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
West Regional Service 10 SUNDAY AsatlhaAsadlia 9, 9,June June 3030 dIANI,..0004.11~4,P#04. WEST REGIONALREGIONAL SERVICESERVICE BOMBAY AA Hours Hours HoursHour's *439143 9m m (1,230(1,230 kejs) kc;s) 0630—09000630-0900 hrs. hrs. 1850 YunusVenus Husain KhanKhan Usa dongapari 0845 WEATHER REPORTREPORT 41.44 mno (7,240 he|s) ke's) 0630-07450630— 0745 hrs.hrs. Khayal MarwaMarwa (Chokhamela)'Chokhamela) (I-Luei(Hindi andand IVIaiMarathi) a thi) 0800—0800-0900 0900 hrs. hrs. 19241920 REGIONAL NEWS 1310 As In BombayBombay AA 0847 ManishaManisha Khadakkar Khadakkar Hours (Gujarati) 1330 Bhavgeett Hindi songssongs 1930 AmirbaiAmirbai Karnataki Karnataki 1340 NEWSNEWS IN HINDIHINDI Man gal Prabhat:!: 0900 BAL VIHAR (Marathi)(Marathi) 0630* Mangal Prabhat: (Compositions ofof Jaydev 1350 SugamSugam Sangeet*Sangeet4 0945 Instrumental Music HARISH BHATT: Instrumental Music HARISH BHAVT: Sharma andand AsanAsan Lucknavi) Lucknavi) 1400 K. G.G. GindeGinde 1000 BALBAL SABHASABHA Bhajman bhavtarubhavtaru 1945 SuhasiniSuhasini RedijRedij Khayal Bhimpalasi (Traditional) Khayal Bhimpalasi (Children's programme inin tTraditional) Compositions of AvinashAvinash Vari veye gurnan:guman: Vilambit Hindi) HEMLATA MANJREKAR: HEMLATA MANJREKAR: Vyas Murat man 'jhavam:bhavarii: Drut Drut 1,045*1045 Close down.down. Nand nandan muralivaia muralivala 2000 NEWSNEWS ININ GUJARATIGUJARATI 1430 Karnatak Sangeet Sangeet *** •I Eknath) Eknath) 2015 Ramat GamatGamat ALAMELU MANGAL 1230* B. B. G.G. KanherkarKanherkar RAMRAMPYARI: PYARI: ALAMELU MANGAL WeekWeek-end -end sportssports reviewreview byby Vocal music Vocal music Gujare je (Balashankar) Vocal music Gujare je (Balashankar) NARBHERAM SADA- Violin accompanimentaccompaniment byby 1250 NEWSNEWS ININ MARATIUMARATHI BINOTA CHAKRAVARTY:CHAKRAVARTY: VRATI KAMALA SESHADRISESHADRI „ 1300 Chitrapat Sej- Set Prabhat zhalizhali mula mula (Mydeo) (Mydeo) 20262020 Suhasini RedijRadii Mridangam accompaniment accompaniment 1330 Saz Sangeet> 66500650 SwarSear aludrikatMudrik.tr Saz Sangeetl (Compositions ofof Jayant by K.K. V.V. SUBRAMANIAM SUBRAMANIAM 1340 NEWS IN HINDIHINDI 0710#710 PROGRAMMEPROGRAMME SUMMARY, SUMMARY, Pathak) 1500* CloseClose down.down. 13501330 BltaYgeettBhavgeetf AND WEATHERWEATHER 2030 As In DelhiDelhi ***• 1400* CloseClose down.down. FORECAST 2100 NEWSNEWS ININ ENGLISHENGLISH 545.5 mm (( 550 kels)kcS) 1730-23001730— 2300 hrs.hrs *+* 0715 Yunus Husain Khan Yunus Husain Khan 2115 Sugam Sangeet*Sangeet:j: 1800* LOCAL LOCAL ANNOUNCEMENTS Khayal Ramkali Khayal Ramkali Programme ofof songssongs 1730* Lefla Leila PP. Khadilkar AND WEATHER REPOfcZ ©745 Amirbai Karnataki AND WEATHER REPORT 0745Amirbai Karnataki (Gujarati) presentedpresented byby Kawsalyecha Ram Ram (English(English) i (Compositions ofof Meera andand LIGHT MUSICMUSIC UNITUNIT (G. D.D. Madgulkar)Madgulknr) 1805 SaptarangSaptarang Soordas) 2130 Biji Panch Varshiya Yojana Patit mimi 'aleale (Kanhopatra)'Kanhopatra' ®S*Ht NEWS IN ENGLISH Biji Panch Varshiya Yojans (Transcription Ser.vice Si. ice 0800 NEWS IN ENGLISH Nan Vividh Pasan 1745 Nila G. Samant Recordings) 08150S15 Chayanika Recordings) Chayanika (4>(4) Arthik SadhanoSadhano aneane Khayal PuryaPurya DhanashriDhanashri 1835 Instrumental Music Light -orchestral compositions Instrumental Music Light 'orchestral compositions videshi Madad: Talk in Par karo arajaraj suno suno 1850 FOR RURAL AREAS Suhasini Redij videshi Madad: Talk in 1850FOR RURAL AREAS 0830Suhasini Redij Gujarati by MURARJI 1800 LOCAL ANNOUNCEMENTSANNOUNCEMENTS iHindij(Hindi) Hunto soham man Gujarati by MURARJI Hunto soham man VAIDYA AND WEATHER REPORTREPORT 1920 REGIONAL NEWSNEWS tVenibhai(Venibhai Purohit)Purohit) 2145 Partners In Progress (Hindi) Partners In Progress IN MARATHI Gher to javado mane IN MARATHI Gher to javado mane (5) Cutch and Saurashtra: 1805 NEWSNEWS ININ HINDI (Relayed from Bombay) (Avinash Vyas) (5) Cutch and Saurashtra: (Relayed from Bombay) (Avinash Vyas) Talk in EnglishEnglish 1810 S.S. P MobileMohile 1930 FOR RURALRURAL AREASAREAS (Colaba pips pips atat 0845 hours) hours) 2200 Mainly Operatic)Operatic (Composition of of P.P. K. Atre)Atre) (Marathi) 08450*45 NEWSNEWS ININ GUJARATIGUJARATI The Jumping Frog of Lukas 1820 GAVKARI PHAD ©!t0©!* Close down. The Jumping Frog of Lukas 2000 NEWSNEWS ININ MARATHIMARATHI 0900* Close down. Foss; Calvaras County For thethe VillagesVillages (Marathi)(Marathi) 2015 NEWS IN HINDI *•* Foss; Calvaras County 2015 NEWS IN HINDI (A comiccomic opera based onon (Relayed fromfrom Poona) 20302O.J0 AsAs InIn Delhi Delhi 243.9 m m (1,230 kcs) ke)s) 1000—1000-1430 1430 hrs. the story by Mark Twain) 1920 REGIONAL NEWS 31.413141 m (9,550(9,550 ke!s)kcs) ” " the story by Mark Twain) 2100-2100 NEWS ININ ENGLISHENGLISH " " 23002300s* CloseClose dewn.down. (Marathi) .2115. 2115 A scene FromFrom Bhasa'sBhasa's (Relayed fromfrom Poona)Poona) Uttar Ram CharitamCharitam 1000* SCHOOL BROADCASTBROADCAST 1930 FOR INDUSTRIALINDUSTRIAL Weekly summary of SchoolSchool BOMBAY BB With introductionintroduction inin WORKERS Marathi Broadcast programmes:programmes: 2000 NEWSNEWS ININ MARATHIMARATHI Talk (Gujarati) 545545.5 5 m (( 550 kc|s)ke)s) 0630-10300630— 1030 hrs 2130 Nave Sahitya Talk (Gujarati) 2015 NEWSNEWS ININ HINDIHINDI 1020102.0 G. G. Kharadkar Book review in MarathiMarathi bydy G. G. Kharadkar 0630* AsAs Inin Bombay A 2030 Sandeshi Violin par Ahir Bhairav Dr M.M. GG DESHMUKHDESHMUKH 0800 S.S. P. MobileMobile (Replies to hateners'listeners’ letters)letters) 2145 B. G. Kanherkar 1030 FORFOR CHILDRENCHILDREN (Compositions of Honaji (Hindi/(Hindi) (Gujarati) (Compositions of Honaji Vocal classicalclassical music music (Gujarati/ Bala and Tukaram) 2045 PROGRAMMEPROGRAMME ININ 1100 Apki PasandtPasandf Bala and Tukaram) 2200 Shankarrao Kolhatkar Kolhatkat 0815 NEWSNEWS ININ HINDI KONKANI Programme of listeners’ Khayal Programme of listeners' 0830 NEWS IN MARATHI Bhurgueanlea Angnant:Angnant: requests based on AIR 0830 NEWS IN MARATHI 2230* CloseClose down.down. requests based on AIR (Colaba pips at 0?45 hours) Programme of. of interest in:erest to recordings (Colaba pips at 0(45 hours) recordings 0845 Sangeet Shiksba children: Children'sChildren’s 1130 Bambai Radio Vadya Vrinda Sangeet Shiksha Bambai Radio Vadya Vrinda Lessons on Hindustani Magazine: Contributions Contributions by br AHMEDABAD-BARODA Deskar aur Dhun Lessons on Hindustani Deskar our Dhun Sangeet Children; Sorg,Soi'g. QuizQuiz andand 352.9 mm (850(850 kcj*;)k61;) Composed and Conducted by Composed and Conducted by 0900 FOR CHILDREN Replies; NewsNews Talk D'AMELD’AMEL 0900 FOR CHILDREN 0700* PrabhatPrabhat MangaiaMangala (Marathi) 2130 Nave Sahitya 1145 Opera InIn Gujarati (Marathi) 0705 Vandana Gammat Jammat Book reviewreview (Marathi)(Marathi) (Relayed from Ahmedabad| Gammat Jammat 0715 Ratikumar Vyas (Relayed from Ahmedabad' Programme for children (Relayed fromfrom Nagpur)Nagpur) Ratikumar Vyas Baroda) Programme for children Bhajano Presented by SH1SHU 2145 R. V SohardSohani Bhajano 13003300 NEWSNEWS ININ GUJARATIGUJARATI Presented by SHISHU 0730 RUPREKHA NIKETAN Khayal MslkaunsMalkarms 0730 RUPREKHA 1310 R. V.V SohoniSohoni (Programme(Programme Summary) Khayal Desi 0930 FORFOR CHILDREN (Hindi) Kaise kavan kavan ghar ghar javu javu Khayal 'Desi 2200 Chitrapat Sangeet! 07320732 Afzal Hussain KhanKhan 133111330 NEWSNEWS ININ ENGLISHENGLISH Jantar MantarMantar Chitrapat Sangeett Hasya Lekh Pratiyogita 2230 K. G.G. GindeGinde Raga Bilaskhani IVil Todl 1340 Mlisicallisic While You RelaxtRelaxt Hasya Lckh Pratiyogita Nek chal chaiiye: 1000 SCHOOLSCHOOL BROADCASTBROADCAST Khayal JaijaivantlJaijaivanil Nek chat chaliye: Aaron Copland'sCopland’s LaraLnra mayi sajani:sajani: Vilnmbit Vilambit MadhyalayaMadhvalaya Trital Trital Music forfor- thethe MoviesMovies Weekly summary ofof School 0745 Thumri Broadcast programmes;programmes; Kithe Ram rahe;robe: DrutDrut ARTHUR wINOGROD:w in OGROD: Talk (Marathi) 2300* CloseClose downdown 0800 NEWS IN ENGLISHENGLISH Conducting THE M. G.G. M.M. Talk (Marathi) 0815 NEWSNEWS ININ HINDIHINDI CHAMBER ORCHESTRAORCHESTRA 1020 Sulochana Chavanj:Chavant. 0830 PrachinPrachin BhajanoBhajano 1430* CloseClose down.down. <Abhang)(Abhang) NAGPUR (Relayed fromfrom Rajkot) *** SUDHA MADGAVKAR:MADGAVKAR: 508.5 no m (590 kc;s) keS) 0845 NEWS IN GUJARATIGUJARATI 543.9243.9 m m (1,230(1.230 kC;S) kcs) 1730-23001730—2300 hrs. (Abhang)(Abhang) 31.41 mm (9,550(9,550 kc|s)1E00 1730—1'730-1930 1930 hrs, hrs 1030* Close Close down.down. 0700* ArehanaArchana 0900 VarshaneVarshane AvahanAvahan 41.44 mm (7(7 240 kc's)kels) 1945-23001945—2300 hrs.hrs. Manga)Mangal VadyaVadya Recitation olof poems . Prabhat Sangeett 1730* MadhurMadhur Sangeet$Sangeet:/ welcoming the monsoon:monsoon: 0715 PROGRAMMEPROGRAMME SUMMARYSUMMARY Artists featuring:featuring: BAL- (AIR TranscriptionTranscription 545.5 mm (( 556550 kc's)keys) 1100—15001100-1500 hrs (Hindi and Marathi) (Hindi and Marathi) KRISHNA GHODA and Service Records)Records) 0720 KRISHNA GHODA and 0720 Instrumental MusicMusic RANJANA RANADERANADE 1800 NEWS IN ENGLISHENGLISH 1100* SJiaradaSjrarada 0730 Shankarrao Kolhatkar Kolhatkar 1805 LOCAL ANNOUNCEMENTSANNOUNCEMENTS Stage playplay inin Marathi Khayal AND WEATHERWEATHER REPORTREPORT written byby G.G. B.B. DEVALDEVAL 0745 B. G. KanherkarKanlierbar 0915GangadharUangadhar Sant Sant JSlfl1810 G.G. G.G KharadkarKharadkar 1250 NEWSNEWS ININ MARATHIMARATHI Vocal classical Raga DesiDesi onon Violin Violin par Pilu 1300 Leela P. KhadilkarKhadilkar 0800 NEWS IN ENGLISHENGLISH "CO1930 RANGRANG RANGRANG VADALIYANVADALIYAN 1820 FOR THETHE VILLAGESVILLAGES GokulichaCokulicha rajaraja 0815 NEWSNEWS ININ HINDIHINDI For childrenchildren (Kannada) (G. D Madgulkar'Madgulkar' 0830 NEWS IN MARATHIMARATHI Special programme ofof songs, • Time Time SignalSignaJ * Gramophone recordsrecords 3X AIRAIR RecordingsRecordings.
Load more

Recommended publications
  • NEW ENGLISH SCHOOL JUNIOR COLLEGE - VASAI Std
    Barve Education Society's NEW ENGLISH SCHOOL JUNIOR COLLEGE - VASAI Std. 11th Admission Registration List Year: [2021-22] As on: 23/08/2021 till 08:00 PM This list is only your Std. 11th Admission Registration List, not final Admission list. ही फ啍त तुमची 11 ळीची प्रळेऴ नⴂदणी यादी आहे, अतं तम प्रळेऴ यादी नाही. 1st-Merit List will be displayed on 26/8/2021 at 5:00 pm on our website. पहहऱी गुणळ配ता यादी हदनांक 26/8/2021 रोजी सं鵍याकाली 5:00 ळाजता आम楍या ळेबसाइटळर प्रद셍ऴति के ऱी जाईऱ. S.N. ARTS COMMERCE SCIENCE 1 Aastkar Rushikesh Kishor Aadavde Ninad Santosh Agnel Philips Nazareth 2 Admane Payal Somnath Aarya Anju Suresh Ahire Komal Krishna 3 Ahire Pallavi Rajendra Abhang Ishwari Shankar Alam Mohd. Rizwan Mohd. Riyaz 4 Akerkar Prajwal Prabhakar Adak Amayeo Susanta Ali Fareen Musafir Khatoon 5 Ansari Rajina Ahmad Adit Aditi Sanjay Almeida Nash Norbert 6 Aptekar Piyusha Yogesh Adlikar Akshay Tulshidas Ambhore Swati Sunil 7 Avasarmol Savita Narayan Adsul Priyanka Daulat Andher Ankita Jethu 8 Bade Daksh Rupesh Agavane Chinmay Chandrashekhar Arote Samiksha Santosh 9 Bajya Vishal Ghanshyam Agrahari Rohan Sunil Ayush Kumar Dhananjay Kumar 10 Bankol Akshat Krushna Agre Suraj Sakharam Bagul Rushikesh Dhanraj 11 Bankol Harshad Prabhakar Ahir Dipesh Sanjay Bais Thakur Kajal Ratansingh 12 Baraf Bhumika Ahire Pankaj Vinayak Bamne Pranali Suryakant 13 Bhavar Neha Dinesh Ambavane Harsh Rahul Bangera Dhrithi Krishna 14 Bhoir Aachal Laxman Amberkar Vaidehi Ramchandra Baranwal Hariom Rakesh 15 Bhoir Jay Kishor Ansari Aarzooobano Shabbir Ahamad Baranwal Nancy
    [Show full text]
  • The Sixth String of Vilayat Khan
    Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration.
    [Show full text]
  • Year 2017-18
    Rayat Shikshan Sanstha's Radhabai Kale Mahila Mahavidyalaya, Ahmednagar Admission List for Reserved Category 2017-18 List of S.C. Students F.Y.B.Sc. A Sr.No. Roll No. Name Of The Student Caste Category 1 4001 Abhang Rutuja Mahendra Chambhar SC 2 4039 Gaikwad Nilesha Madhukar Mahar SC 3 4047 Jadhav Asha Bhau` Mahar SC 4 4048 Jadhav Janki Dattu Mang SC 5 4055 Khamkar Snehal Ramdas Chambhar SC 6 4084 Pawar Akanksha Rajendra Mang SC 7 4110 Shirsath Sonal Prakash Mahar SC 8 4112 Sonawane Sapana Sampat Mahar SC F.Y.B.Sc. B 9 5001 Bhadakwad Madhuri Sukhdev Mahar SC 10 5006 Jogdanda Pooja Ashok Mahar SC 11 5030 Pawar Ashwini Satish Mang SC F.Y.B.Com. 12 3001 Alhat Pratiksha Anil Mahar SC 13 3002 Alhat Reshma Subhash Mahar SC 14 3008 Bachate Pallavi Babasaheb Mahar SC 15 3028 Dethe Jyoshna Kacharu Mahar SC 16 3032 Dusange Rupali Eknath Chambhar SC 17 3036 Gaikwad Kalyani Sudhakar Mahar SC 18 3040 Gaikwad Shakuntala Kamalakar Mahar SC 19 3041 Gaikwad Vaishali Anil Mahar SC 20 3079 Pagare Mansi Vilas Mahar SC 21 3096 Sabale Sonali Barku Mahar SC 22 3098 Sakat Pooja Sunil Mang SC 23 3105 Saude Muskan Raju Mehetar SC 24 3116 Sunore Pooja Dhansing Chambhar SC 25 3126 Walmik Simran Ramesh Bhangi SC F.Y.B.A 26 1002 Alhat Prajakta Rohidas Mahar SC 27 1010 Bansode Arti Hariman Mahar SC 28 1020 Bundele Ragini Chinnulal Mochi SC 29 1021 Chandane Kajal Babasaheb Mang SC 30 1022 Chandane Tejashwini Mang SC 31 1023 Chandele Kajal Ranjit Bhangi SC 32 1024 Chavan Nikita Sham Balmiki SC 33 1025 Chavare Sonali Sudesh Bhangi SC 34 1026 Chhajalane Ashwini Pravin
    [Show full text]
  • NEW ENGLISH SCHOOL JUNIOR COLLEGE - VASAI Std
    Barve Education Society's NEW ENGLISH SCHOOL JUNIOR COLLEGE - VASAI Std. 11th Admission Registration List Year: [2021-22] As on: 20/08/2021 till 09:00 PM This list is only your Std. 11th Admission Registration List, not final Admission list. ही फ啍त तुमची 11 ळीची प्रळेऴ नⴂदणी यादी आहे, अतं तम प्रळेऴ यादी नाही. We will display Merit List and time table for admissions shortly on our website. आ륍ही ऱळकरच आम楍या ळेबसाइटळर प्रळेऴासाठी गुणळ配ता यादी आणण ळेलापत्रक प्रदर्ऴति क셂. S.N. ARTS COMMERCE SCIENCE 1 Admane Payal Somnath Aadavde Ninad Santosh Agnel Philips Nazareth 2 Ahire Pallavi Rajendra Aarya Anju Suresh Ahire Komal Krishna 3 Akerkar Prajwal Prabhakar Abhang Ishwari Shankar Alam Mohd. Rizwan Mohd. Riyaz 4 Ansari Rajina Ahmad Adak Amayeo Susanta Ali Fareen Musafir Khatoon 5 Aptekar Piyusha Yogesh Adit Aditi Sanjay Almeida Nash Norbert 6 Avasarmol Savita Narayan Adlikar Akshay Tulshidas Ambhore Swati Sunil 7 Bade Daksh Rupesh agavane Chinmay Chandrashekhar Andher Ankita Jethu 8 Bajya Vishal Ghanshyam Agrahari Rohan Sunil Arote Samiksha Santosh 9 Bankol Akshat Krushna Agre Suraj Sakharam Ayush Kumar Dhananjay Kumar 10 Bankol Harshad Prabhakar Ahir Dipesh Sanjay Bagul Rushikesh Dhanraj 11 Bhavar Neha Dinesh Ahire Pankaj Vinayak Bais Thakur Kajal Ratansingh 12 Bhoir Jay Kishor AMBAVANE HARSH RAHUL Bangera Dhrithi Krishna 13 Bhoir Aachal Laxman Amberkar Vaidehi Ramchandra Baranwal Hariom Rakesh 14 Bhoir Kalpana Dipak Ansari Aarzooobano Shabbir Ahamad Baranwal Nancy Satish 15 Bhoir Kunal Krushna Ansari Gulam Kamar Reja Baraskar Sayali Ajit 16
    [Show full text]
  • Bhakti Movement
    TELLINGS AND TEXTS Tellings and Texts Music, Literature and Performance in North India Edited by Francesca Orsini and Katherine Butler Schofield http://www.openbookpublishers.com © Francesca Orsini and Katherine Butler Schofield. Copyright of individual chapters is maintained by the chapters’ authors. This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the author (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Orsini, Francesca and Butler Schofield, Katherine (eds.), Tellings and Texts: Music, Literature and Performance in North India. Cambridge, UK: Open Book Publishers, 2015. http://dx.doi.org/10.11647/OBP.0062 Further details about CC BY licenses are available at http://creativecommons.org/ licenses/by/4.0/ In order to access detailed and updated information on the license, please visit: http://www.openbookpublishers.com/isbn/9781783741021#copyright All external links were active on 22/09/2015 and archived via the Internet Archive Wayback Machine: https://archive.org/web/ Digital material and resources associated with this volume are available at http:// www.openbookpublishers.com/isbn/9781783741021#resources ISBN Paperback: 978-1-78374-102-1 ISBN Hardback: 978-1-78374-103-8 ISBN Digital (PDF): 978-1-78374-104-5 ISBN Digital ebook (epub): 978-1-78374-105-2 ISBN Digital ebook (mobi): 9978-1-78374-106-9 DOI: 10.11647/OBP.0062 King’s College London has generously contributed to the publication of this volume.
    [Show full text]
  • Ragamala World Music 2017 Program Book
    RAGAMALA 2017: WELCOME SCHEDULE Ragamala 2017 A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE For the 5th year, spanning 15 hours and featuring dozens of performers, Ragamala offers a FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts jaw-dropping assortment of Indian classical music from some of its greatest and emerging Ragamala: A Celebration of Indian Classical Music + Dance A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE practitioners. Ragamala functions as the perfect, immersive introduction to the classical music Chicago Cultural Center, Preston Bradley Hall FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 of India. Not only are both the music of the north (Hindustani) and the south (Carnatic) + Millennium Park, Great Lawn FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 - 6:30PM-10AM Chicago Cultural Center represented, but listeners will also get the rare chance to hear ragas performed at the time of 78 E. Washington Street, 3rd Floor Preston Bradley Hall, 3rd Floor day they were originally composed for—a facet of the tradition lost in the west. 6:30pm-10am 78 E Washington Street Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts 6:30pm-6:30am The word “raga” has a Sanskrit origin, meaning "coloring or dyeing". The term also connotes an Evolution of Songs from Indian Films: 1930-2017 emotional state referring to a "feeling, affection, desire, interest, joy or delight", particularly 6:30-7:30pm SATURDAY, SEPTEMBER 9 related to passion, love, or sympathy for a subject or something. In the context of ancient Anjali Ray, vocals with Rishi Thakkar, tabla and Anis Chandnani, harmonium Yoga + Gong Meditation Indian music it is often devotional and used as a prayer.
    [Show full text]
  • THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’, Mumbai ------ISSN 0971-7942 Volume - Annual: TRN 2007 ------S.I.R.C
    THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’, Mumbai ------------------------------------------------------------------------ ISSN 0971-7942 Volume - Annual: TRN 2007 ------------------------------------------------------------------------------------------------------------ S.I.R.C. Branches: Mumbai, Pune, Solapur, Nanded, Tuljapur, Baroda, Amravati ============================================================= Feature Article in this Issue: Gramophone Celebrities-II Other articles : Teheran Records, O. P. Nayyar. 1 ‘The Record News’ – Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members --------------------------- V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of journal subscription] Annual Membership Rs. 1,000 Overseas US $ 100 Life Membership Rs. 10,000 Overseas US$ 1,000 Annual term: July to June Members joining anytime during the year [July-June] pay the full membership fee and get a copy
    [Show full text]
  • Raga (Melodic Mode) Raga This Article Is About Melodic Modes in Indian Music
    FREE SAMPLES FREE VST RESOURCES EFFECTS BLOG VIRTUAL INSTRUMENTS Raga (Melodic Mode) Raga This article is about melodic modes in Indian music. For subgenre of reggae music, see Ragga. For similar terms, see Ragini (actress), Raga (disambiguation), and Ragam (disambiguation). A Raga performance at Collège des Bernardins, France Indian classical music Carnatic music · Hindustani music · Concepts Shruti · Svara · Alankara · Raga · Rasa · Tala · A Raga (IAST: rāga), Raag or Ragam, literally means "coloring, tingeing, dyeing".[1][2] The term also refers to a concept close to melodic mode in Indian classical music.[3] Raga is a remarkable and central feature of classical Indian music tradition, but has no direct translation to concepts in the classical European music tradition.[4][5] Each raga is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "color the mind" and affect the emotions of the audience.[1][2][5] A raga consists of at least five notes, and each raga provides the musician with a musical framework.[3][6][7] The specific notes within a raga can be reordered and improvised by the musician, but a specific raga is either ascending or descending. Each raga has an emotional significance and symbolic associations such as with season, time and mood.[3] The raga is considered a means in Indian musical tradition to evoke certain feelings in an audience. Hundreds of raga are recognized in the classical Indian tradition, of which about 30 are common.[3][7] Each raga, state Dorothea
    [Show full text]
  • MUSIC Subject Code : 28
    Roll No. (Write Roll Number from left side exactly as in the Admit Card) Signature of Invigilator Question Booklet Series Y PAPER–II Question Booklet No. (Identical with OMR Subject Code : 28 Answer Sheet Number) MUSIC Time : 2 Hours Maximum Marks: 200 Instructions for the Candidates 1. Write your Roll Number in the space provided on the top of this page as well as on the OMR Sheet provided. 2. At the commencement of the examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and verify it: (i) To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. (ii) Faulty booklet, if detected, should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the Question Booklet will be replaced nor any extra time will be given. (iii) Verify whether the Question Booklet No. is identical with OMR Answer Sheet No.; if not, the full set is to be replaced. (iv) After this verification is over, the Question Booklet Series and Question Booklet Number should be entered on the OMR Sheet. 3. This paper consists of One hundred (100) multiple-choice type questions. All the questions are compulsory. Each question carries two marks. 4. Each Question has four alternative responses marked: A B C D . You have to darken the circle as indicated below on the correct response against each question. Example: A B C D , whereC is the correct response.
    [Show full text]
  • Chokhamela and Eknath
    Chokhamela and Eknath: Two Bhakti Modes of Legitimacy for Modern Change ELEANOR ZELLIOT Carleton College, Northfield, U.S.A. C HOKHAMELA, a thirteenth to fourteenth century Maharashtrian santl in the bhakti tradition, and Eknath, a sixteenth century sant, are both revered figures in the Warkari sampradaya, 2 the tradition of pilgrimage to Pan- dharpur which marks the important bhakti movement in the Marathi-speaking area. The lives of both are known by legend; their songs are sung by devotees on the pilgrimage and in bhajan sessions. Chokhamela was a Mahar, the only important bhakti figure in Maharashtra from an Untouchable caste. Eknath was a Brahman from the holy city of Paithan who wrote about Chokhamela, ate with Mahars, allowed Untouchables into his bhajans, and wrote poems in the persona of a Mahar who was wiser in spiritual matters than the Brahmans. Both, then, offer models for contemporary change in regard to Un- touchability : even though an Untouchable, Chokhamela achieved sanctity and a place among the bhakti pantheon of sants; Eknath, even though a Brahman from a distinguished scholarly family, showed by his actions that there was equality among the true bhaktas. This paper will explore the thought and the actions of each bhakti figure in an attempt to determine their basic social and religious ideas, and then note the contemporary attempts to legitimize change through reference to these earlier religious figures. Chokhamela was born in the second half of the thirteenth century, prob- ably about the time that Dnyaneshwar, who is considered the founder of the bhakti sect in Maharashtra, was born.
    [Show full text]
  • The Journal of the Music Academy Devoted to the Advancement of the Science and Art of Music
    THE JOURNAL OF THE MUSIC ACADEMY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC VOL. LXIX 1998 jus swift I f^ h Itftif $1 v ii i "I dwell not in Vaikuntha, nor in the hearts o f Yogins nor in the Sun; (but) where my bhaktas sing, there be I, Narada!" Edited by T.S. PARTHASARATHY The Music Academy, Madras 306, T.T.K. Road, Madras - 600 014. Annual Subscription - Inland Rs. 50/- Foreign $ 3-00 ....................... .............. .... OURSELVES This journal is published as an Annual. All correspondence relating to the journal should be ad­ dressed and all books etc., intended for it should be sent to the Editor, The Journal of the Music Academy, 306, T.T.K. Road, Chennai - 600 014. Articles on music and dance are accepted for publication on the understanding that they are contributed solely to the Journal of the Music Academy. Manuscripts should be legibly written or, preferably, type­ written (double-spaced and on one side of the paper only) and should be signed by the writer (giving.his or her address in full) The Editor of the Journal is not responsible for the views expressed by contributors in their articles. i —. -.— — CONTENTS No. Page 1. The 71 st Madras Music Conference........................... » Official Report 2. Advisory Committee Meetings.......................................... 13 3. The Sadas........................................................................... 47 4. Problems in editing the Krti-s of Muddusvami Dikshita........................................................ 57 N. Ramanathan......................................................... 5. Kamalamba Navavarana Kritis of Muthusvami Dikshita.........................................................97 T.S. Parthasarathy 5. Abhinavagupta on Cha. ia Vritta and Dhruva.............. 10^ Subhadra Chaudhary 6. The Contribution of the Travancore royal family to performing arts..............................................................
    [Show full text]
  • Copyright by Jeffrey Michael Grimes 2008
    Copyright by Jeffrey Michael Grimes 2008 The Dissertation Committee for Jeffrey Michael Grimes certifies that this is the approved version of the following dissertation: The Geography of Hindustani Music: The Influence of Region and Regionalism on The North Indian Classical Tradition Committee: ____________________________________ Stephen M. Slawek, Supervisor ____________________________________ Veit Erlmann ____________________________________ Ward Keeler ____________________________________ Robin Moore ____________________________________ Shanti Kumar The Geography of Hindustani Music: The Influence of Region and Regionalism on The North Indian Classical Tradition by Jeffrey Michael Grimes, M.M., B.M. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2008 Acknowledgements I would like to briefly thank a few individuals for making this project possible. The first are my parents, Tom and Kay Grimes, who have supported me emotionally and, as necessary, financially through the dissertation writing process (and earlier, as well). Next, I would like to thank my mentor and dissertation supervisor Dr. Stephen M. Slawek. All that I know of Indian music (even the things he didn’t teach me directly) is due to him, both as my academic adviser and as my long-time sitar Guru. Especially crucial for the current project, though, has been his unwavering moral and intellectual support. Dr. Slawek encouraged me from day one to pursue the work I wanted to pursue, and I cannot be more grateful for this. All of his advisees that he has shepherded through the process of writing a report or dissertation, I am sure, would say the same.
    [Show full text]