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NEW ENGLISH SCHOOL JUNIOR COLLEGE - VASAI Std
Barve Education Society's NEW ENGLISH SCHOOL JUNIOR COLLEGE - VASAI Std. 11th Admission Registration List Year: [2021-22] As on: 23/08/2021 till 08:00 PM This list is only your Std. 11th Admission Registration List, not final Admission list. ही फ啍त तुमची 11 ळीची प्रळेऴ नⴂदणी यादी आहे, अतं तम प्रळेऴ यादी नाही. 1st-Merit List will be displayed on 26/8/2021 at 5:00 pm on our website. पहहऱी गुणळ配ता यादी हदनांक 26/8/2021 रोजी सं鵍याकाली 5:00 ळाजता आम楍या ळेबसाइटळर प्रद셍ऴति के ऱी जाईऱ. S.N. ARTS COMMERCE SCIENCE 1 Aastkar Rushikesh Kishor Aadavde Ninad Santosh Agnel Philips Nazareth 2 Admane Payal Somnath Aarya Anju Suresh Ahire Komal Krishna 3 Ahire Pallavi Rajendra Abhang Ishwari Shankar Alam Mohd. Rizwan Mohd. Riyaz 4 Akerkar Prajwal Prabhakar Adak Amayeo Susanta Ali Fareen Musafir Khatoon 5 Ansari Rajina Ahmad Adit Aditi Sanjay Almeida Nash Norbert 6 Aptekar Piyusha Yogesh Adlikar Akshay Tulshidas Ambhore Swati Sunil 7 Avasarmol Savita Narayan Adsul Priyanka Daulat Andher Ankita Jethu 8 Bade Daksh Rupesh Agavane Chinmay Chandrashekhar Arote Samiksha Santosh 9 Bajya Vishal Ghanshyam Agrahari Rohan Sunil Ayush Kumar Dhananjay Kumar 10 Bankol Akshat Krushna Agre Suraj Sakharam Bagul Rushikesh Dhanraj 11 Bankol Harshad Prabhakar Ahir Dipesh Sanjay Bais Thakur Kajal Ratansingh 12 Baraf Bhumika Ahire Pankaj Vinayak Bamne Pranali Suryakant 13 Bhavar Neha Dinesh Ambavane Harsh Rahul Bangera Dhrithi Krishna 14 Bhoir Aachal Laxman Amberkar Vaidehi Ramchandra Baranwal Hariom Rakesh 15 Bhoir Jay Kishor Ansari Aarzooobano Shabbir Ahamad Baranwal Nancy -
The Sixth String of Vilayat Khan
Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration. -
DEFAULTER PART-A.Xlsx
The following lists of Dentists whose names have been removed from the Maharashtra State Dental Register under sub-section (2) of section 39 of the Dentists Act,1948, on 1st April 2017 for committing default payment of Retention fee before the due date are published in accordance with sub section (5) of section 41 of the Dentists Act, 1948. Part-A Sr. No. Name Reg.No. Remarks 1 VARIFDAR CAPTION NARIMAN RUSTAMJI A-2 2 MAZUMDAR MADHUSNDAN CHUNILAL A-3 3 MAEHANT HARIKRISHAN DHANAMDAS A-5 4 GINWALS MINO SORABJI NUSSAWANJEE A-9 5 VACHHA PHEROX BYRAMJI A-10 6 MADAN BALBIR SINGH A-12 7 NARIMAN HOSHANG JEHANGIV A-14 8 MASANI BEHRAM FRAMRORE A-19 9 JAWLE NARENDEA BHAWANRAO A-20 10 DINSHAW KAVINA ERAEH A-21 11 BHARUCHA COOVER PHIRORE A-22 12 AGARWAL VITHAL DEOLAL A-23 13 AURORA HARISH CHANDAR A-27 14 COLACO ISABEL FAUSTIN A-28 15 HALDIPWR VASANTRAO SHAMRAO A-33 16 EEKIEL RUTH JACOB A-39 17 DEODHAR ACHYUT SITARAM A-43 18 DESIAI BHAGWENTRAI GULABSHAWEAR A-44 19 CHAVHAN SADASHIV GOPAL A-48 20 MISTRI JEHANGIR DADABHAI A-50 21 MEHTA SUKHAL ABHECHAND A-52 22 DEODHAR PRABHA ACHYUT A-58 23 DHANBHOORA MANECK JEHANGIRSHA A-59 24 GINWALLA JEHMI MINO SORABJI A-61 25 SOONAWALA HOMI ARDESHIR A-63 26 SIGUEIRA CAPTION WALTER JOSEPH A-65 27 BHANICHA DHANJISHAH PHERIZWSHAW A-66 28 DESHMUKH VASANT RAMKRISHAN A-70 29 PATIL SONAL CHANDHAKNT A-72 30 JAGOS JASSI BYARANSHAW A-74 31 PAHLAJANI SUMATI MUKHAND A-76 32 FERANANDAS RUPHAEL PHILIP A-77 33 MATHIAS JOHNNY JOHN BAPTIST A-78 34 JOSHI PANDMANG WASUDEVAO A-82 35 DCOSTA HENNY SERTORIO A-86 36 JHAKUR ARVIND BHAKHANDRA -
NEW ENGLISH SCHOOL JUNIOR COLLEGE - VASAI Std
Barve Education Society's NEW ENGLISH SCHOOL JUNIOR COLLEGE - VASAI Std. 11th Admission Registration List Year: [2021-22] As on: 20/08/2021 till 09:00 PM This list is only your Std. 11th Admission Registration List, not final Admission list. ही फ啍त तुमची 11 ळीची प्रळेऴ नⴂदणी यादी आहे, अतं तम प्रळेऴ यादी नाही. We will display Merit List and time table for admissions shortly on our website. आ륍ही ऱळकरच आम楍या ळेबसाइटळर प्रळेऴासाठी गुणळ配ता यादी आणण ळेलापत्रक प्रदर्ऴति क셂. S.N. ARTS COMMERCE SCIENCE 1 Admane Payal Somnath Aadavde Ninad Santosh Agnel Philips Nazareth 2 Ahire Pallavi Rajendra Aarya Anju Suresh Ahire Komal Krishna 3 Akerkar Prajwal Prabhakar Abhang Ishwari Shankar Alam Mohd. Rizwan Mohd. Riyaz 4 Ansari Rajina Ahmad Adak Amayeo Susanta Ali Fareen Musafir Khatoon 5 Aptekar Piyusha Yogesh Adit Aditi Sanjay Almeida Nash Norbert 6 Avasarmol Savita Narayan Adlikar Akshay Tulshidas Ambhore Swati Sunil 7 Bade Daksh Rupesh agavane Chinmay Chandrashekhar Andher Ankita Jethu 8 Bajya Vishal Ghanshyam Agrahari Rohan Sunil Arote Samiksha Santosh 9 Bankol Akshat Krushna Agre Suraj Sakharam Ayush Kumar Dhananjay Kumar 10 Bankol Harshad Prabhakar Ahir Dipesh Sanjay Bagul Rushikesh Dhanraj 11 Bhavar Neha Dinesh Ahire Pankaj Vinayak Bais Thakur Kajal Ratansingh 12 Bhoir Jay Kishor AMBAVANE HARSH RAHUL Bangera Dhrithi Krishna 13 Bhoir Aachal Laxman Amberkar Vaidehi Ramchandra Baranwal Hariom Rakesh 14 Bhoir Kalpana Dipak Ansari Aarzooobano Shabbir Ahamad Baranwal Nancy Satish 15 Bhoir Kunal Krushna Ansari Gulam Kamar Reja Baraskar Sayali Ajit 16 -
Bhakti Movement
TELLINGS AND TEXTS Tellings and Texts Music, Literature and Performance in North India Edited by Francesca Orsini and Katherine Butler Schofield http://www.openbookpublishers.com © Francesca Orsini and Katherine Butler Schofield. Copyright of individual chapters is maintained by the chapters’ authors. This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the author (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Orsini, Francesca and Butler Schofield, Katherine (eds.), Tellings and Texts: Music, Literature and Performance in North India. Cambridge, UK: Open Book Publishers, 2015. http://dx.doi.org/10.11647/OBP.0062 Further details about CC BY licenses are available at http://creativecommons.org/ licenses/by/4.0/ In order to access detailed and updated information on the license, please visit: http://www.openbookpublishers.com/isbn/9781783741021#copyright All external links were active on 22/09/2015 and archived via the Internet Archive Wayback Machine: https://archive.org/web/ Digital material and resources associated with this volume are available at http:// www.openbookpublishers.com/isbn/9781783741021#resources ISBN Paperback: 978-1-78374-102-1 ISBN Hardback: 978-1-78374-103-8 ISBN Digital (PDF): 978-1-78374-104-5 ISBN Digital ebook (epub): 978-1-78374-105-2 ISBN Digital ebook (mobi): 9978-1-78374-106-9 DOI: 10.11647/OBP.0062 King’s College London has generously contributed to the publication of this volume. -
Declaration by the Candidate
DECLARATION BY THE CANDIDATE I hereby declare that the dissertation entitled “Objectification and commodification of women in the visual media: A critical study” submitted at National Law University, Delhi is the outcome of my own work carried out under the supervision of Dr. Sushila, Assistant Professor (Law), National Law University, Delhi. I further declare that to the best of my knowledge, the dissertation does not contain any part of my work, which has been submitted for the award of any degree either in this University or in any other institution without proper citation. Vighnesh Balaji 27/ LLM /18 Place: New Delhi National Law University, Delhi Date: 23.05.19 I CERTIFICATE OF SUPERVISOR This is to certify that the work reported in the LL.M. dissertation titled “Objectification and Commodification of Women in the Visual Media: A Critical Study” submitted by Vighnesh Balaji at National Law University, Delhi is a bona fide record of his original work carried out under my supervision. Dr. Sushila Assistant Professor (Law) Place: New Delhi National Law University, Delhi Date: 23.05.19 II ACKNOWLEDGMENT First, and foremost I would like to thank my wonderful supervisor Dr. Sushila who has always believed in me and has provided me insightful suggestions and has been a constant pillar of support throughout the dissertation period. My father, for always trying to balance me, My sisters, for holding my back, my friends, to whom I owe the world, NLU-Delhi for teaching me much more than the prescribed syllabus. Last but never the least; I thank Lord Shiva with all my heart for my unconditional mother, Suseela Ravichandran who has always firmly believed that the odds have to favour me. -
Ragamala World Music 2017 Program Book
RAGAMALA 2017: WELCOME SCHEDULE Ragamala 2017 A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE For the 5th year, spanning 15 hours and featuring dozens of performers, Ragamala offers a FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts jaw-dropping assortment of Indian classical music from some of its greatest and emerging Ragamala: A Celebration of Indian Classical Music + Dance A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE practitioners. Ragamala functions as the perfect, immersive introduction to the classical music Chicago Cultural Center, Preston Bradley Hall FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 of India. Not only are both the music of the north (Hindustani) and the south (Carnatic) + Millennium Park, Great Lawn FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 - 6:30PM-10AM Chicago Cultural Center represented, but listeners will also get the rare chance to hear ragas performed at the time of 78 E. Washington Street, 3rd Floor Preston Bradley Hall, 3rd Floor day they were originally composed for—a facet of the tradition lost in the west. 6:30pm-10am 78 E Washington Street Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts 6:30pm-6:30am The word “raga” has a Sanskrit origin, meaning "coloring or dyeing". The term also connotes an Evolution of Songs from Indian Films: 1930-2017 emotional state referring to a "feeling, affection, desire, interest, joy or delight", particularly 6:30-7:30pm SATURDAY, SEPTEMBER 9 related to passion, love, or sympathy for a subject or something. In the context of ancient Anjali Ray, vocals with Rishi Thakkar, tabla and Anis Chandnani, harmonium Yoga + Gong Meditation Indian music it is often devotional and used as a prayer. -
THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’, Mumbai ------ISSN 0971-7942 Volume - Annual: TRN 2007 ------S.I.R.C
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’, Mumbai ------------------------------------------------------------------------ ISSN 0971-7942 Volume - Annual: TRN 2007 ------------------------------------------------------------------------------------------------------------ S.I.R.C. Branches: Mumbai, Pune, Solapur, Nanded, Tuljapur, Baroda, Amravati ============================================================= Feature Article in this Issue: Gramophone Celebrities-II Other articles : Teheran Records, O. P. Nayyar. 1 ‘The Record News’ – Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members --------------------------- V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of journal subscription] Annual Membership Rs. 1,000 Overseas US $ 100 Life Membership Rs. 10,000 Overseas US$ 1,000 Annual term: July to June Members joining anytime during the year [July-June] pay the full membership fee and get a copy -
Raga (Melodic Mode) Raga This Article Is About Melodic Modes in Indian Music
FREE SAMPLES FREE VST RESOURCES EFFECTS BLOG VIRTUAL INSTRUMENTS Raga (Melodic Mode) Raga This article is about melodic modes in Indian music. For subgenre of reggae music, see Ragga. For similar terms, see Ragini (actress), Raga (disambiguation), and Ragam (disambiguation). A Raga performance at Collège des Bernardins, France Indian classical music Carnatic music · Hindustani music · Concepts Shruti · Svara · Alankara · Raga · Rasa · Tala · A Raga (IAST: rāga), Raag or Ragam, literally means "coloring, tingeing, dyeing".[1][2] The term also refers to a concept close to melodic mode in Indian classical music.[3] Raga is a remarkable and central feature of classical Indian music tradition, but has no direct translation to concepts in the classical European music tradition.[4][5] Each raga is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "color the mind" and affect the emotions of the audience.[1][2][5] A raga consists of at least five notes, and each raga provides the musician with a musical framework.[3][6][7] The specific notes within a raga can be reordered and improvised by the musician, but a specific raga is either ascending or descending. Each raga has an emotional significance and symbolic associations such as with season, time and mood.[3] The raga is considered a means in Indian musical tradition to evoke certain feelings in an audience. Hundreds of raga are recognized in the classical Indian tradition, of which about 30 are common.[3][7] Each raga, state Dorothea -
Festival Catalogue 2015
Jio MAMI 17th MUMBAI FILM FESTIVAL with 29 OCTOBER–5 NOVEMBER 2015 1 2 3 4 5 12 October 2015 MESSAGE I am pleased to know that the 17th Jio MAMI Mumbai Film Festival is being organised by the Mumbai Academy of Moving Image (MAMI) in Mumbai from 29th October to 5th November 2015. Mumbai is the undisputed capital of Indian cinema. This festival celebrates Mumbai’s long and fruitful relationship with cinema. For the past sixteen years, the festival has continued promoting cultural and MRXIPPIGXYEP I\GLERKI FIX[IIR ½PQ MRHYWXV]QIHME TVSJIWWMSREPW ERH GMRIQE IRXLYWMEWXW%W E QYGL awaited annual culktural event, this festival directs international focus to Mumbai and its continued success highlights the prominence of the city as a global cultural capital. I am also happy to note that the 5th Mumbai Film Mart will also be held as part of the 17th Mumbai Film Festival, ensuring wider distribution for our cinema. I congratulate the Mumbai Academy of Moving Image for its continued good work and renewed vision and wish the 17th Jio MAMI Mumbai Film Festival and Mumbai Film Mart grand success. (CH Vidyasagar Rao) 6 MESSAGE Mumbai, with its legacy, vibrancy and cultural milieu, is globally recognised as a Financial, Commercial and Cultural hub. Driven by spirited Mumbaikars with an indomitable spirit and great affection for the city, it has always promoted inclusion and progress whilst maintaining its social fabric. ,SQIXSXLI,MRHMERH1EVEXLM½PQMRHYWXV]1YQFEMMWXLIYRHMWTYXIH*MPQ'ETMXEPSJXLIGSYRXV] +MZIRXLEX&SPP][SSHMWXLIQSWXTVSPM½GMRHYWXV]MRXLI[SVPHMXMWSRP]FI½XXMRKXLEXE*MPQ*IWXMZEP that celebrates world cinema in its various genres is hosted in Mumbai. -
MUSIC Subject Code : 28
Roll No. (Write Roll Number from left side exactly as in the Admit Card) Signature of Invigilator Question Booklet Series Y PAPER–II Question Booklet No. (Identical with OMR Subject Code : 28 Answer Sheet Number) MUSIC Time : 2 Hours Maximum Marks: 200 Instructions for the Candidates 1. Write your Roll Number in the space provided on the top of this page as well as on the OMR Sheet provided. 2. At the commencement of the examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and verify it: (i) To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. (ii) Faulty booklet, if detected, should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the Question Booklet will be replaced nor any extra time will be given. (iii) Verify whether the Question Booklet No. is identical with OMR Answer Sheet No.; if not, the full set is to be replaced. (iv) After this verification is over, the Question Booklet Series and Question Booklet Number should be entered on the OMR Sheet. 3. This paper consists of One hundred (100) multiple-choice type questions. All the questions are compulsory. Each question carries two marks. 4. Each Question has four alternative responses marked: A B C D . You have to darken the circle as indicated below on the correct response against each question. Example: A B C D , whereC is the correct response. -
Chokhamela and Eknath
Chokhamela and Eknath: Two Bhakti Modes of Legitimacy for Modern Change ELEANOR ZELLIOT Carleton College, Northfield, U.S.A. C HOKHAMELA, a thirteenth to fourteenth century Maharashtrian santl in the bhakti tradition, and Eknath, a sixteenth century sant, are both revered figures in the Warkari sampradaya, 2 the tradition of pilgrimage to Pan- dharpur which marks the important bhakti movement in the Marathi-speaking area. The lives of both are known by legend; their songs are sung by devotees on the pilgrimage and in bhajan sessions. Chokhamela was a Mahar, the only important bhakti figure in Maharashtra from an Untouchable caste. Eknath was a Brahman from the holy city of Paithan who wrote about Chokhamela, ate with Mahars, allowed Untouchables into his bhajans, and wrote poems in the persona of a Mahar who was wiser in spiritual matters than the Brahmans. Both, then, offer models for contemporary change in regard to Un- touchability : even though an Untouchable, Chokhamela achieved sanctity and a place among the bhakti pantheon of sants; Eknath, even though a Brahman from a distinguished scholarly family, showed by his actions that there was equality among the true bhaktas. This paper will explore the thought and the actions of each bhakti figure in an attempt to determine their basic social and religious ideas, and then note the contemporary attempts to legitimize change through reference to these earlier religious figures. Chokhamela was born in the second half of the thirteenth century, prob- ably about the time that Dnyaneshwar, who is considered the founder of the bhakti sect in Maharashtra, was born.