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Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd. -
Famous Indian Classical Musicians and Vocalists Free Static GK E-Book
oliveboard FREE eBooks FAMOUS INDIAN CLASSICAL MUSICIANS & VOCALISTS For All Banking and Government Exams Famous Indian Classical Musicians and Vocalists Free static GK e-book Current Affairs and General Awareness section is one of the most important and high scoring sections of any competitive exam like SBI PO, SSC-CGL, IBPS Clerk, IBPS SO, etc. Therefore, we regularly provide you with Free Static GK and Current Affairs related E-books for your preparation. In this section, questions related to Famous Indian Classical Musicians and Vocalists have been asked. Hence it becomes very important for all the candidates to be aware about all the Famous Indian Classical Musicians and Vocalists. In all the Bank and Government exams, every mark counts and even 1 mark can be the difference between success and failure. Therefore, to help you get these important marks we have created a Free E-book on Famous Indian Classical Musicians and Vocalists. The list of all the Famous Indian Classical Musicians and Vocalists is given in the following pages of this Free E-book on Famous Indian Classical Musicians and Vocalists. Sample Questions - Q. Ustad Allah Rakha played which of the following Musical Instrument? (a) Sitar (b) Sarod (c) Surbahar (d) Tabla Answer: Option D – Tabla Q. L. Subramaniam is famous for playing _________. (a) Saxophone (b) Violin (c) Mridangam (d) Flute Answer: Option B – Violin Famous Indian Classical Musicians and Vocalists Free static GK e-book Famous Indian Classical Musicians and Vocalists. Name Instrument Music Style Hindustani -
Music) (Credit System)
Bharati Vidyapeeth Deemed University School of Performing Arts, Pune Semester Wise Detailed Chart of Syllabus of B.A. (Music) (Credit System) B.A. 1st Year (Music) Credits (Vocal / Instrumental / Percussion) Sem – 1st Two Language Papers 01 Credit each Theory Paper 02 Stage Performance 14 Viva 07 Sr. Subject Paper Syllabus no 1 Language (English) L11 Biography of Pt. Sapan Chaudhari, Padma Subramaniam, Pt. Shivkumar Sharma, Pt. Jasraj 2 Language (Marathi) L12 Biography Pt. Vishnu Digambar Paluskar 3 Theory (Music) (Vocal & T11 1. Notation System Instrumental) a) Concept of Notation and use (Notation System) b) History of Notation c) Bhatkhande and Paluskar Notation System 2. Concept and Definitions of Terms: Raga, That, Nad, Swara, Shruti, Awartan, Aroha, Awaroha, Swaralankar, Shuddha Swara, Komal Swara, Teewra Swara, That etc. 3. Old Concepts: Gram, Murchna etc. 4 Theory (Music) T12 1) Notation system (Taal Paddhatee) (Percussion) a) In North Indian Classical Style (Notation System) Bhatkhande and Paluskar styles of notation b) Karnataki system. 2) Writing of different taals 3) Notation writing of intricacies of developing Taal : like Kayda, Tukda, Paran, Tihai etc 4) Definition of terms: Taal, Matra, Khanda, Sam, Kaal, Theka 5 Viva (Music) (Vocal & V11 Information on Practical Syllabus Sem I Instrumental) Note – 1. Presentation of other Raga from syllabus.( Except the Raga sung / Played in stage performance) 2. Information of the Ragas mentioned in syllabus i.e. Aaroh – Avaroh, Swar, Varjya Swar, Vadi, Samvadi, Anuvadi, Vivadi, Jaati, Time of Singing Raga etc. 3. Names of the Raga similar to the Raga mentioned in syllabus. 4. Definition – Sangeet, Raag, Taal.. 5. Information of Taal Teentaal – i.e. -
School of Cultural Texts and Records, Jadavpur University)
4.2. SELF APPRAISAL REPORT ON DOCUMENTATION OF CULTURAL TEXTS (SCHOOL OF CULTURAL TEXTS AND RECORDS, JADAVPUR UNIVERSITY) 4.2.1 Contributing Faculty Members (PI/direct supervision of research projects) 1. PROFESSOR AMLAN DAS GUPTA, PROFESSOR OF ENGLISH Digitization of Cultural Material Digital Music Archiving Electronic Editing 2. DR ABHIJIT GUPTA, ASSOCIATE PROFESSOR OF ENGLISH Early Bengali Books Location Register Physical Culture in Bengal 3. SHRI RAJESWAR SINHA, ASST. PROFESSOR OF BENGALI Travel Literature in Bengal Database Advisory Faculty 1. PROFESSOR SUKANTA CHAUDHURI (PROFESSOR EMERITUS, JADAVPUR UNIVERSITY) 2. PROFESSOR SUPRIYA CHAUDHURI (PROFESSOR EMERITA, JADAVPUR UNIVERSITY) 3. PROFESSOR SWAPAN CHAKRAVORTY, PROFESSOR OF ENGLISH 4. PROFESSOR MOINAK BISWAS, PROFESSOR OF FILM STUDIES 5. PROFESSOR SAMANTAK DAS, ASSOCIATE PROFESSOR OF COMPARATIVE LITERATURE 6. DR RIMI B CHATTERJEE, ASSOCIATE PROFESSOR OF ENGLISH Project Staff under UPE 2 as on 1 January 2014 1. Sri Subrata Sinha, Research Fellow 2. Dr Spandana Bhowmik, Research Fellow 3. Dr Debapriya Basu, Research Fellow 4. Dr Sudeshna Datta Chaudhuri Basu, Project Fellow 5. Ms Purbasha Auddy, Project Fellow 6. Dr Deeptanil Roy, Project Fellow 7. Sri Nikhilesh Bhattacharya, Project Fellow 8. Ms Moumita Haldar, Project Fellow 9. Ms Asmita Chaudhuri, Project Fellow 4.2.2 Relevant Projects in Last 10 years including the Ongoing Projects (MAJOR PROJECTS ONLY) Project Title Sponsoring Members Grant Value Duration Agency (Rs in Lakh) DOCUMENTATION OF UGC ‐ UPE 1 SUKANTA CHAUDHURI, -
DREAMWORLD INDIA Product Description - 2014
DREAMWORLD INDIA Product Description - 2014 About DREAMWORLD INDIA DWI is India’s fastest growing multilayered marketing firm demonstrating deep experience & expertise spanning over a decade. The gradual progression has been challenging & exciting with DWI’s multilayered marketing divisions such as “Direct to consumer, Exhibition sales, Magazine subscription, Institutional sales, Wise Buyers Club & Dream Niketana (Shop)”. Over the years DWI has expanded its distribution nationwide & would shortly go overseas. DWI’s strong sales force has created a direct selling network that has a reach beyond expectations. Our products are sourced from Living Media India Ltd which includes brands like “India Today, Music Today, Business Today, Good house Keeping, Harper Collins, Leopard, Britannica and also branded households, Electronics & several different highly popular magazines of international repute. DWI unceasingly keeps pace with the dynamic market environment to innovate remarkable strategies understanding customer’s needs ensuring unique, branded & exclusive products at an incredible price without any compromise in quality. DWI aims to become a “One-Stop Shop” i.e., our goal is to bring every branded product you need to your door step keeping in mind “Branded products at incredible prices” to help save your hard earned money. Our confidence in our work & product is at the highest level which is why you receive the product or gifts first & then pay. COMPLETE HISTORY OF THE WORLD This is one of the great works of historical reference in the English language .If you were allowed only one history book in the whole of your life. The Complete History of the world would be hard to beat because it conveys a sense not only of time, but also of place. -
Lessons in Perseverance
Articles by Prince Rama Varma Lessons in Perseverance We all know that India is a land of surprises. One may come across such treasures as original Raja Ravi Varma paintings hidden away in the lofts of ancient family homes in Kerala or Stradivarius violins made in the 1790s lying in an antique shop somewhere. One meets all kinds of amazing and unexpected people too. Many such treasures, be they people, places or things, sadly cannot be always shared with the public. However, there are some treasures which fortunately can be shared and here is one that I'd like to share with you. One of the most pristine, unspoilt and serene parts of India is North Karnataka or North Canara... places like Hubli and Dharwad. Rich tradition Despite being in South India, this belt has had a very rich tradition of North Indian classical music for several years and has produced some of the greatest maestros that our country has seen, like the Late Pandit Mallikarjun Mansur, Gangubai Hangal and others. One of the treasures hidden away in this part of the country is a little village called Hasanagi. To reach Hasanagi, one first has to take an overnight train to Hubli from Bengalooru [Bangalore]. Then an hour's journey by car would bring one to a little town called Yellapura.And Hasanagi is a short drive away from Yellapura. What makes Hasanagi, a little village that's hidden away in the hills and forests of North Karnataka, so special? This is where a miracle worker named Pandit Ganapathi Bhatt lives and works his miracles. -
University of Mauritius Mahatma Gandhi Institute
University of Mauritius Mahatma Gandhi Institute Regulations And Programme of Studies B. A (Hons) Performing Arts (Vocal Hindustani) (Review) - 1 - UNIVERSITY OF MAURITIUS MAHATMA GANDHI INSTITUTE PART I General Regulations for B.A (Hons) Performing Arts (Vocal Hindustani) 1. Programme title: B.A (Hons) Performing Arts (Vocal Hindustani) 2. Objectives To equip the student with further knowledge and skills in Vocal Hindustani Music and proficiency in the teaching of the subject. 3. General Entry Requirements In accordance with the University General Entry Requirements for admission to undergraduate degree programmes. 4. Programme Requirement A post A-Level MGI Diploma in Performing Arts (Vocal Hindustani) or an alternative qualification acceptable to the University of Mauritius. 5. Programme Duration Normal Maximum Degree (P/T): 2 years 4 years (4 semesters) (8 semesters) 6. Credit System 6.1 Introduction 6.1.1 The B.A (Hons) Performing Arts (Vocal Hindustani) programme is built up on a 3- year part time Diploma, which accounts for 60 credits. 6.1.2 The Programme is structured on the credit system and is run on a semester basis. 6.1.3 A semester is of a duration of 15 weeks (excluding examination period). - 2 - 6.1.4 A credit is a unit of measure, and the Programme is based on the following guidelines: 15 hours of lectures and / or tutorials: 1 credit 6.2 Programme Structure The B.A Programme is made up of a number of modules carrying 3 credits each, except the Dissertation which carries 9 credits. 6.3 Minimum Credits Required for the Award of the Degree: 6.3.1 The MGI Diploma already accounts for 60 credits. -
Dynamics of Melodic Discourse in Indian Music: Budhaditya Mukherjee’S Ālāp in Rāg Pūriyā-Kalyān
Dynamics of melodic discourse in Indian music: Budhaditya Mukherjee’s ālāp in rāg Pūriyā-Kalyān Richard Widdess 1. Introduction This chapter presents an analysis of a performance of ālāp, with reference to the compositional principles that it demonstrates. Following a long succession of ethnomusicological and musicological studies, including Nettl (1974), Lortat-Jacob (1987), Nettl and Russell (1998), Treitler (1974, 2003), Nooshin (2003) and many other contributions, it is clear that compositional principles are no less important in music that is unwritten and “improvised” than in music that is written and “composed”; and that indeed, one can no longer speak of “improvisation” and “composition” in any oppositional sense. It also seems clear that the importance of compositional principles in unwritten music, such as ālāp, is related both to the performer’s need to recall memorised material and invent new material that is grammatical, and at the same time to the listener’s need to engage with, comprehend, and be stimulated by an auditory experience that, for him, happens in real time, whether a written score exists or not, and whether he is listening to a live performance or a recording. In this essay I will consider primarily the listener’s perspective; how far the cognitive processes involved in performing and listening to ālāp are equivalent remains an open question, but that they are closely related seems likely. 1.1. Ālāp and rāga The Sanskrit word ālāpa signifies speaking to, addressing, hence speech, conversation, or communication (Monier-Williams 1899: 153); it overlaps in meaning with the English word discourse. Ālāp in Indian classical music is a process rather than a genre, but it typically occurs in the form of a non-metrical “improvised” prelude, often quite extended, preceding a composed metrical piece. -
85425 LCMS Newsletter
Members’ Voices rarely miss.” My great-uncle’s reply hasn’t trip to Red Lion Square, a random selection of LCMS Strategy Planning survived, but it’s very likely that he did attend the miniature scores of well-known works in the back concerts during his years as editor of the Jewish of the car. The interior of Conway Hall would not I have been a trustee of LCMS for a Three Generations Chronicle in the early 1930s. In his very modest have changed very much since the late 1950s, and year. When I joined the Board I was childhood home in Stoke-on-Trent at the turn of in my adolescent mind its earnest, secular, 1920s asked to look strategically at how we the century music would only have come from the aesthetic became indissoluble from the experience photo: © John Sturrock photo: © John are set up and how we operate. I have wireless and occasional concerts, so it isn’t difficult of listening to chamber music – the distinctive CHAMBER MUSIC NOTES helped others in a similar exercise in to imagine the influence of the Sunday concerts in wood-panelling, the fringed lamp casting a circle of the past, and my way of doing this is the formation of a lifelong music-lover. light on the performers, and the large inscription of to take time, talk to as many people This makes me the third generation of my ‘To Thine Own Self Be True’ forming a constant as I can, and try to understand the family for whom the concerts have been part of our backdrop. -
Brevard Indian Classical Music Society Presents Sitar, Santoor & Tabla
brEVard iNdiaN ClaSSiCal MUSiC SoCiEty PrESENtS Sitar, SaNtoor & tabla Sponsored by BIMDA Event Chair: Subhash Rege, Mahesh Soni, Gladwyn Kurian SaNtoor Sitar tabla Nandkishor Muley Dr. Kanada Narahari Shankh Lahiri VENUE Brevard Hindu Mandir 1517 Avenida del Rio Melbourne, FL 32901 Date: Saturday, April 10th Program Starts: 4:30 pm Dinner: 7:45 pm MANDATORY Covid-19 Vaccination required to attend ... FREE to all Members PLEASE RSVP > BIMDA Email Invitation Brevard IndIan ClassICal MusIC soCIety Presents Nandkishor Muley SaNtoor Santur (Santoor) maestro Nandkishor Muley is considered the leading performer of this ancient, delicate instrument from the vibrant land of India. Nandkishor comes from a long lineage of musicians. Educated early in vocals and Tabla from his father Dattatraya and uncle Shrikant Muley. He is holding Masters degree in Indian music and Kathak dance from M.S. University of Baroda. Nandkishor had already received acclaim in India before entering study on the Santur with Pundit Shivkumar Sharma, which led to his current high esteem as a principal figure in Indian music. Nandkishor has been accredited with German Grammy Award, the famous ìSurmaniî award, the Excellence Art and Cultural Educator award from United Arts of Florida (USA), just to name a few. Nandkishor is widely travels different parts of world for his musical performances. His lectures and workshops on Indian Vocal & Instrumental classical music are highly educative to enrich learners & artists. He is an adjunct professor of Indian music and dance at Stetson University and University Of Central Florida (UCF) in Orlando. Florida. Brevard IndIan ClassICal MusIC soCIety Presents Dr. Kanada Narahari Sitar Dr Kanada Narahari (Kanada Raghava) was born in Manchikeri, a small village in western ghats, Karnataka, India to his illustrious parents, Vidvan Narahari Keshava Bhat and Sumangala Bhat. -
NEW ENGLISH SCHOOL JUNIOR COLLEGE - VASAI Std
Barve Education Society's NEW ENGLISH SCHOOL JUNIOR COLLEGE - VASAI Std. 11th Admission Registration List Year: [2021-22] As on: 23/08/2021 till 08:00 PM This list is only your Std. 11th Admission Registration List, not final Admission list. ही फ啍त तुमची 11 ळीची प्रळेऴ नⴂदणी यादी आहे, अतं तम प्रळेऴ यादी नाही. 1st-Merit List will be displayed on 26/8/2021 at 5:00 pm on our website. पहहऱी गुणळ配ता यादी हदनांक 26/8/2021 रोजी सं鵍याकाली 5:00 ळाजता आम楍या ळेबसाइटळर प्रद셍ऴति के ऱी जाईऱ. S.N. ARTS COMMERCE SCIENCE 1 Aastkar Rushikesh Kishor Aadavde Ninad Santosh Agnel Philips Nazareth 2 Admane Payal Somnath Aarya Anju Suresh Ahire Komal Krishna 3 Ahire Pallavi Rajendra Abhang Ishwari Shankar Alam Mohd. Rizwan Mohd. Riyaz 4 Akerkar Prajwal Prabhakar Adak Amayeo Susanta Ali Fareen Musafir Khatoon 5 Ansari Rajina Ahmad Adit Aditi Sanjay Almeida Nash Norbert 6 Aptekar Piyusha Yogesh Adlikar Akshay Tulshidas Ambhore Swati Sunil 7 Avasarmol Savita Narayan Adsul Priyanka Daulat Andher Ankita Jethu 8 Bade Daksh Rupesh Agavane Chinmay Chandrashekhar Arote Samiksha Santosh 9 Bajya Vishal Ghanshyam Agrahari Rohan Sunil Ayush Kumar Dhananjay Kumar 10 Bankol Akshat Krushna Agre Suraj Sakharam Bagul Rushikesh Dhanraj 11 Bankol Harshad Prabhakar Ahir Dipesh Sanjay Bais Thakur Kajal Ratansingh 12 Baraf Bhumika Ahire Pankaj Vinayak Bamne Pranali Suryakant 13 Bhavar Neha Dinesh Ambavane Harsh Rahul Bangera Dhrithi Krishna 14 Bhoir Aachal Laxman Amberkar Vaidehi Ramchandra Baranwal Hariom Rakesh 15 Bhoir Jay Kishor Ansari Aarzooobano Shabbir Ahamad Baranwal Nancy -
The Sixth String of Vilayat Khan
Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration.