sign in sign up
<<
Home , Abhang, Chhayanat (raga), Imdad Khan, Mallikarjun Mansur, Mushtaq Ali Khan, Shivkumar Sharma

Roll No.

(Write Roll Number from left side exactly as in the Admit Card) Signature of Invigilator Question Booklet Series Y

PAPER–II Question Booklet No. (Identical with OMR Subject Code : 28 Answer Sheet Number)

MUSIC Time : 2 Hours Maximum Marks: 200

Instructions for the Candidates

1. Write your Roll Number in the space provided on the top of this page as well as on the OMR Sheet provided. 2. At the commencement of the examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and verify it: (i) To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. (ii) Faulty booklet, if detected, should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the Question Booklet will be replaced nor any extra time will be given. (iii) Verify whether the Question Booklet No. is identical with OMR Answer Sheet No.; if not, the full set is to be replaced. (iv) After this verification is over, the Question Booklet Series and Question Booklet Number should be entered on the OMR Sheet. 3. This paper consists of One hundred (100) multiple-choice type questions. All the questions are compulsory. Each question carries two marks. 4. Each Question has four alternative responses marked: A B C D . You have to darken the circle as indicated below on the correct response against each question.

Example: A B C D , whereC is the correct response. 5. Your responses to the questions are to be indicated correctly in the OMR Sheet. If you mark your response at any place other than in the circle in the OMR Sheet, it will not be evaluated. 6. Rough work is to be done at the end of this booklet. 7. If you write your Name, Roll Number, Phone Number or put any mark on any part of the OMR Sheet, except in the space allotted for the relevant entries, which may disclose your identity, or use abusive language or employ any other unfair means, such as change of response by scratching or using white fluid, you will render yourself liable to disqualification. 8. Do not tamper or fold the OMR Sheet in any way. If you do so, your OMR Sheet will not be evaluated. 9. You have to return the Original OMR Sheet to the invigilator at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. You are, however, allowed to carry question booklet and duplicate copy of OMR Sheet after completion of examination. 10. Use only Black Ball point pen. 11. Use of any calculator, mobile phone, electronic devices/gadgets etc. is strictly prohibited. 12. There is no negative marks for incorrect answer.

15804 [ Please Turn Over ]

Y–3 28–II

MUSIC

PAPER II 1. ‘Duare dao more rakhia’ song is composed in 6. ‘The History of Music’ is written by which tala? (A) Cecil Gray (A) Jhampak (B) Harold Osborn (B) Shasthi (C) T. S. Eliot (C) Ekadashi (D) Benedetto Croce (D) Nabatal

7. Which one of the following Re-Ni swara are 2. Who was the author of Bharata Bhashyam? Komal? (A) Kallinatha (A) Ahir Bharav (B) Ahobala (B) (C) Vidyaranya (C) (D) Nanyadeva (D)

8. Which one is not the part of research methodology? 3. Hamid Hussain Khan was associated with (A) Riaaj (A) (B) Theory (B) Flute (C) Bibliography (C) (D) Classification and Anylysis (D) Khayal

9. ‘Jhula’ is folk song of which state? 4. Pt. Rajabhiya Pochwale belongs to which ? (A) Madhya Pradesh (A) (B) Bihar (B) Kirana (C) Uttar Pradesh (C) Mevati (D) Gujarat (D) Gwalior

10. “Ogo tomar chokkhu diye” belongs to which 5. Which of the following instruments has one string? ‘Paryay’? (A) Ghosha Veena (A) Puja (B) Matta Kokila Veena (B) Prem (C) Kinnari Veena (C) Prakriti (D) Tritantri Veena (D) Anusthanik 28–II Y–4 11. Who is the author of ‘Bharat Ka Sangeet Siddhant’? 16. ‘Crescendo’is a term means (A) V. N. Bhatkhande (A) Gradually getting louder (B) Premlata Sharma (B) Singing (C) D. V. Paluskar (C) Loving (D) Acharya Brihaspati (D) Becoming very lively

17. The violinist who is equally popular in Karnataic 12. “Dheere bondhu go, dheere dheere” and Hindustani music — (A) Basanta (A) M. S. Gopalakrishnan (B) Arupratan (B) K. S. Gopalakrishnan (C) Falguni (C) (D) Raja (D) T. V. Gopalakrishnan

13. Tagore’s ‘Balmiki Pratibha’ is a 18. Which raga of the following is not belonged to (A) Drama Thata? (B) Geetinatya (A) Chhayanat (C) Nrityanatya (B) (D) Rituranga (C) Gorakh Kalyan (D) Suddha Kalyan

14. In which raga of the following, the note ‘Dha’ is 19. Second Moorchana of Shadaj Gram is not used? (A) Rajani (A) Jaunpuri (B) Uttermandra (B) Bairagi (C) Shudha Shadaj (C) Gunkali (D) Ashvakranta (D) Jogia

20. Who of the following is a representative of Jaipur 15. ‘Daraspiya’is the nick name of Senia Gharana of Sitar? (A) Ata Hussain Khan (A) Abdul Halim Zafar Khan (B) Vilayat Hussain Khan (B) (C) Mehaboob Khan (C) (D) Yunus Hussain Khan (D) Shankar Y–5 28–II 21. ‘Sangeet Sudhakar’ is the comentry of 26. What is the first matra of ‘Taal’ known as? (A) Natyashastra (A) Khali (B) Sangeet Ratnakar (B) Laya (C) Brihaddeshi (C) Sam (D) Sangit Parijat (D) Theka

27. ‘Aha mori mori, Mahendranindito kanti’ song is 22. Which character did Rabindranath portray in the in Dance Drama — drama ‘Tapati’? (A) Chitrangada (A) Rameshwar (B) Chandalika (B) Debdutta (C) Shyama (C) Vikram (D) Natir Puja (D) Ratneswar

28. First women vidwan received “Raman 23. Which song is not composed in ‘’ style? Magasaysay” award in the field of music — (A) Maha viswe mahakashe (A) Kishori Amonker (B) Mandire momo ke (B) D. K. Pattammal (C) Prothomo adi tobo shakti (C) M. L. Vasanta Kumari (D) Jagote tumi raja (D) M. S. Subbalakshmi

29. ‘Viprakirna Prabandhas’ are in number — 24. Who is the author of the book ‘Tantrinaad’? (A) 8 (A) (B) 32 (B) K. C. D. Brihaspati (C) 36 (C) Lalmani Misra (D) 44 (D) Bimal Mukherjee

30. ‘Sangita Kalanidhi’ is the highest award in South 25. Who was the first to use frets on veena? giving by (A) Dattil (A) Ravindra Bharati (Hyderabad) (B) Sharang Dev (B) Music Academy (Madras) (C) Matang (C) Chitra Kala Mandir (Trivendrum) (D) Paluskar (D) Narada Gana Sabha (Chennai) 28–II Y–6 31. Bhaskar Bua Wakhle was the disciple of 36. Which Gharanar related to ‘Fard’? (A) Bade Gulam Ali and Rahmat Khan (A) Lucknow (B) Natthan Khan and (B) Banaras (C) Gulam Abbas and Abdul Karim Khan (C) Punjab (D) Abdul Wahid and Haider Khan (D) Farrukhbad

32. Mention the name of the Rabindrasangeet exponent. 37. ‘Hridayrama’ is a name of (A) Bhismadev Chattopadhyay (A) Tala (B) Malati Ghoshal (B) Alankar (C) Gouriprasanna (C) Mela (D) Dhiren Mitra (D) Jati

33. Which kind of instrument is? 38. Choose the odd one: (A) Ghan Vadya (A) Puja (B) Tat Vadya (B) Swadesh (C) Sushir Vadya (C) Manab (D) Avanadha Vadya (D) Bichitra

34. Signature tune of Akashvani is based on the Raga (A) Mega Ranjani 39. Suddha Saveri in Karnatic music corresponds to (B) Shiva Ranjani (A) Bhimplasi (C) Misra Ranjani (B) (D) Jana Ranjani (C) (D) Bhup

35. The combination of following notes is an example of which raga of the following? P D N S& , N D P, G M G 40. Who was the eldest among? (A) Gunkali (A) Rabindranath (B) Ramkali (B) Atulprosad Sen (C) Kalengra (C) Rajanikanta Sen (D) Ahir (D) Dilip Kr. Roy Y–7 28–II 41. ‘Abhinav Bharati’ is a commentry of 46. Bhavabhatta was court musician of (A) Natyasashtra (A) Vijay Raghav (B) Sangit Ratnakar (B) Md. Shah (C) Sangit Samaysar (C) Ahmad Shah (D) Sangit Raj (D) Anup Singh

47. Who was mentioned as the ‘Bhandari’ of his 42. Which one is the correct Bols of Masit Khani Gat? songs by Tagore? (A) Dir Da Dir Da Ra Da Da Ra (A) Abanindranath (B) Dir Dir Da –Ra Da –Ra Dir (B) Dwijendranath (C) Da Dir Da Ra Da Dir Da Ra (C) Dinendranath (D) Da Ra Dir Da Ra Dir Da Ra (D) Sourindranath

43. Which style is sung in music? 48. Tagore wrote ‘O amar desher mati’ at the age of (A) Khayal (A) 35 (B) Dhrupad (B) 75 (C) (C) 45 (D) Kriti (D) 15

49. Which song was written by Tagore after the death 44. The term ‘Behelawa’ is related with of Raja Rammohan Roy? (A) Dhrupad (A) Sharbo khorbo tare dohe (B) Kirtan (B) Ke jay amrito dham jatri (C) Khayal (C) Porobashi chole esho ghare (D) (D) Keno re ei duartuku

45. Which raga of the following is equivalent to 50. Name the song written by Tagore on the death of Minor Scale? Dinendranath Tagore. (A) Asawari (A) O Bhai, Kanai, kare janai (B) (B) Hay, hay, hay, din chole jay (C) Bhairav (C) Moron-sagor pare tomra omar (D) (D) Jibone joto puja 28–II Y–8 51. What is the meaning of the term ‘Dhari’? 56. Indian classical music is based on (A) Type of Geeti (A) Harmony (B) Type of Tala (B) Disonance (C) Type of Sangeet Sampraday (C) Chord (D) Type of Bol of Pakhawaj (D) Melody

57. The equivalent term for ‘Raga’ in Greek music is 52. Who is the author of ‘Rag Tatvavibodha’? (A) Abhang (A) Pt. Shrinivas (B) Modes (B) Pt. Sharang Dev (C) Jazz (C) Pt. Ahobal (D) Chords (D) Pt. Pundarik Vithal

58. Number of Ashtapadis in Gitagovindam are (A) 12 (B) 40 3 53. Laykari is known as (C) 24 2 (D) 56 (A) Biyad (B) Aad (C) Kuad (D) Dugun 59. Ratio of Simple Duple Time is 2 (A) 4

3 (B) 54. Choose the odd one of the following: 4 (A) Dhamar 4 (B) Ada Choutal (C) 4 (C) Jhumra (D) Pancham Sawari 6 (D) 8

55. Sudha Saveri is similar to 60. Which sign represents ‘Triput Taalam’? (A) Durga (A) 100 (B) Vibhas (B) 1100 (C) Jogia (C) 101 (D) Jog (D) 1011 Y–9 28–II 61. belongs to which gharana of 66. Who among the following was a renowned the following? player? (A) Agra (A) Ustad (B) Jaipur Atrouli (B) Pt. (C) Patiala (C) Pt. (D) Sahaswan (D) Pt.

67. The scale ‘A’ major has sharps — 62. Which swar have two sruties? (A) 3 (A) Rishab (B) 4 (B) Madhyam (C) 5 (C) Pancham (D) 6 (D) Gandhar

68. Who among the following was the court musician 63. How many frets are there in Achal Sitar? of Rampur Darbar? (A) 25 (A) Nirmal Shah (B) 17 (B) (C) 24 (C) Bande Ali Khan (D) 18 (D) Wazir Khan

69. Which of the following Tagore songs is based on 64. Which of the following is not a Jati of Shruti? “Dhrupad”? (A) Deepta (A) Bipulo tarango re (B) Ayata (B) Kanna hashir doldolano (C) Karuna (C) Ogo amar chiro ochena porodeshi (D) Kalopanata (D) Nishitho sayone bhebe rakhi mone

65. The 35 Talas of Karnatic music known as 70. ‘Aesthetics and Criticism’ is written by (A) Shadangs (A) Harold Osborn (B) Shod Shang (B) Plato (C) Sapta Sooladi talas (C) Aristotle (D) Dhruv talas (D) Herbert Spensor 28–II Y–10 71. The first Kriti of Muthuswami Dikshidhar — 76. Which Gharana is famous for Astang-Gayaki? (A) Sangaraparanam (A) Jaipur (B) (B) Kirana (C) (C) Gwalior (D) Maya Malava Gowlai (D)

77. ‘Sangeet Raja’ is written by 72. Which pair of Taal has equal number of Matras? (A) Rana Kumbha (A) Ada Chotal-Sultal (B) Somnath (B) Roopak- (C) Ahobal (C) -Teevra (D) Ramamatya (D) Trital-Punjabi Tal

78. Which place of the following is associated with 73. What is the meaning of the term ‘Krintan’? Purbi style of ? (A) One note with one stroke (A) Lucknow (B) More than one note with one stroke (B) Delhi (C) Type of Gat (C) Jaipur (D) Type of Taal (D) Banaras

79. Dr. A. P. J. Abdul Kalam used to play the 74. Karnatic equivalent of raga ‘Bhimplasi’ is instrument — (A) Todi (A) Sitar (B) Kalyani (B) Sarangi (C) Averi (C) Guitar (D) Vasantha (D) Veena

75. Who is famous for ‘Gaj’ paran? 80. ‘Tyagaraja Aradhana’ festival held at (A) Ayodya Singh (A) Tiruvayyar (B) Bhavani Singh (B) Tiruvarur (C) Kudau Singh (C) Tiruvottiyur (D) Pagal Das (D) Tiruttani Y–11 28–II 81. ‘Soot’ Alankara is related to 86. How many Khalis are there in ‘Adachartal’? (A) Vocal (A) 2 (B) Dance (B) 3 (C) Instrument (C) 4 (D) Drama (D) 1

82. In which chapter of ‘Sangit Ratnakara’, Sharanga 87. Who popularised the Raganga System of raga Dev described about the instrument? classification? (A) 5 (A) Bhatkhanda (B) 4 (B) V. D. Paluskar (C) 7 (C) Narayan Moreswar Khare (D) 6 (D) Narayan Rao Joshi

83. How many Matras are there in Tappa Tal? 88. was a great (A) 15 (A) Vainika (Veena player) (B) 16 (B) Mridanga player (C) 17 (C) Flutist (D) 18 (D) Violinist

84. ‘Vadya Tryam’ in Vedic period denotes 89. Who is not a player of the following? (A) Veena, Flute and (A) (B) Violin, Nagasvaram and Tabla (B) Dabir Khan (C) Veena, Venu and Mridangam (C) (D) Violin, Flute and Mridangam (D) Buddhadev Dasgupta

85. Which scale has no sharp? 90. ‘Allegro’ means (A) C major (A) Quick (B) C# major (B) Agitated (C) B major (C) Hurrying (D) D major (D) Tenderly 28–II Y–12 91. Bharata Muni mentioned Rasas 96. Which one is the Sandhiprakash raga of the (A) 7 following? (B) 8 (A) Kalyan (C) 9 (B) Sohini (D) 10 (C) Purbi (D)

97. “Nakha Vaayuja Charmaani Loha Saareera Jaastathaa” is a statement of 92. ‘The philosophy of music’ is written by (A) Narada (A) William Pole (B) Bharata (B) G. Revesz (C) Lochanakavi (C) Ebenzer Prout (D) Sarangadeva (D) I. A. Richards

98. The instrument commonly used in South — (A) Sitar 93. ‘The Beautiful in Music’ is written by (B) Guitar (A) Edward Hanslick (C) Pampai (B) James Jeans (D) Harmonium (C) Benjamin Jowett (D) Louis Harp 99. Narada Muni has written (A) Siksha (B) Ragamalika (C) Abhinava Raga Manjari 94. Which raga of the following is not belonged to Bhairavi thaat? (D) Raga Tarangini (A) Bhairavi (B) Malkauns 100. Western musical term compound Triple time (C) means (D) Jogia 3 (A) 8

6 (B) 8 95. Sarangdev mentioned no. of Deshi Talas 9 (A) 120 (C) 8 (B) 130 (C) 140 12 (D) (D) 150 8 Y–13 28–II

ROUGH WORK 28–II Y–14

ROUGH WORK Y–15 28–II

ROUGH WORK 28–II Y–16

ROUGH WORK