Native American Heritage Guide
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Songhees Pictorial
Songhees Pictorial A History ofthe Songhees People as seen by Outsiders, 1790 - 1912 by Grant Keddie Royal British Columbia Museum, Victoria, 2003. 175pp., illus., maps, bib., index. $39.95. ISBN 0-7726-4964-2. I remember making an appointment with Dan Savard in or der to view the Sali sh division ofthe provincial museum's photo collections. After some security precautions, I was ushered into a vast room ofcabi nets in which were the ethnological photographs. One corner was the Salish division- fairly small compared with the larger room and yet what a goldmine of images. [ spent my day thumbing through pictures and writing down the numbers name Songhees appeared. Given the similarity of the sounds of of cool photos I wished to purchase. It didn't take too long to some of these names to Sami sh and Saanich, l would be more cau see that I could never personally afford even the numbers I had tious as to whom is being referred. The oldest journal reference written down at that point. [ was struck by the number of quite indicating tribal territory in this area is the Galiano expedi tion excellent photos in the collection, which had not been published (Wagner 1933). From June 5th to June 9th 1792, contact was to my knowledge. I compared this with the few photos that seem maintained with Tetacus, a Makah tyee who accompanied the to be published again and again. Well, Grant Keddie has had expedi tion to his "seed gathering" village at Esquimalt Harbour. access to this intriguing collection, with modern high-resolution At this time, Victoria may have been in Makah territory or at least scanning equipment, and has prepared this edited collecti on fo r high-ranking marriage alliances gave them access to the camus our v1ewmg. -
The Coast Salish: Connecting Art, Environment and Traditions
THE COAST SALISH: CONNECTING ART, ENVIRONMENT AND TRADITIONS Welcome to 21st Century Learning – Links to Our Collection. This online module and supplemental education guide was developed to allow access to hundreds of digitized images and lesson plans from Glenbow Museum’s collections. Our hope is to extend our vision of ‘More people, interacting with art, culture and ideas more often.’ Please visit and enjoy 21st Century Learning – The Coast Salish: Connecting Art, Environment and Traditions. 1 This educator’s package presents the traditional way of life of the Coast Salish people. The information encourages students to examine artifacts from the Glenbow Museum’s collection and connects them to other cultures, communities and environments from within Canada. Included in this guide are: Information on the Coast Salish people including high-resolution photographs artifacts, archival photographs and essays. Lesson plans including discussions for looking at primary sources, curriculum connections and lesson plans for a variety of ages and abilities. Detailed listing of vocabulary and concepts. Suggested sources for further research and other information. 2 HISTORY OF GLENBOW MUSEUM Glenbow Museum began with the remarkable vision of petroleum entrepreneur and lawyer Eric Lafferty Harvie. Mr. Harvie came into his fortune when oil was discovered in 1949 on land near Leduc and Redwater, for which he held the mineral rights. With this prosperity, he decided to pursue his favourite passion — collecting — and simultaneously return some of his good fortune back to the region that had been so generous to him. Mr. Harvie's goal was to collect the objects representing the history and culture of Western Canada as well as from around the world. -
520 History.Org
LIVING AND WORKING ON THE LAke – Pre-1850 thrOUGH 1916 520 HISTORY.ORG ELEMENTARY ESSAY #3 The Puget Sound region was home to the First Peoples for thou- Near where the Roanoke Park neighborhood is now located, there sands of years before non-Native groups arrived. The First Peoples was an open prairie. There the Natives gathered berries, roots, lived here because of the mild climate and because it had every- and other important foods that were needed for a healthy diet. thing that they needed to thrive and survive. When explorers, The Lakes Duwamish who lived in the Madison Park neighborhood pioneers, and immigrant groups discovered the promise of this land called that area “Where One Chops.” and its many natural resources, they too decided to call it home. In a Lakes Duwamish village, families of 20 or more lived in ce- Each new group brought new ideas, new traditions, and new ways dar-plank longhouses during the winter months. At one time, to appreciate the region, build homes, establish communities, and according to old records, there were five longhouses and a fishing develop industries. It is important to understand that each unique weir near Ravenna Creek. A large village called hikw’al’al – or “big group that has called the Puget Sound region their home has con- house” – was located on the southern shore of Lake Union. One of tributed to its development. They have each had a lasting influence these settlements was located south of Seward Park and was called on neighborhoods, business districts, and the natural environment. -
An Examination of Nuu-Chah-Nulth Culture History
SINCE KWATYAT LIVED ON EARTH: AN EXAMINATION OF NUU-CHAH-NULTH CULTURE HISTORY Alan D. McMillan B.A., University of Saskatchewan M.A., University of British Columbia THESIS SUBMI'ITED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department of Archaeology O Alan D. McMillan SIMON FRASER UNIVERSITY January 1996 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL Name: Alan D. McMillan Degree Doctor of Philosophy Title of Thesis Since Kwatyat Lived on Earth: An Examination of Nuu-chah-nulth Culture History Examining Committe: Chair: J. Nance Roy L. Carlson Senior Supervisor Philip M. Hobler David V. Burley Internal External Examiner Madonna L. Moss Department of Anthropology, University of Oregon External Examiner Date Approved: krb,,,) 1s lwb PARTIAL COPYRIGHT LICENSE I hereby grant to Simon Fraser University the right to lend my thesis, project or extended essay (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this work for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this work for financial gain shall not be allowed without my written permission. -
Seismic Stability of the Duwamish River Delta, Seattle, Washington
Seismic Stability of the Duwamish River Delta, Seattle, Washington Professional Paper 1661-E U.S. Department of the Interior U.S. Geological Survey Other than this note, this page left intentionally blank. Earthquake Hazards of the Pacific Northwest Coastal and Marine Regions Robert Kayen, Editor Seismic Stability of the Duwamish River Delta, Seattle, Washington By Robert E. Kayen and Walter A. Barnhardt The delta front of the Duwamish River valley near Elliott Bay and Harbor Island is founded on young Holocene deposits shaped by sea-level rise, episodic volcanism, and seismicity. These river-mouth deposits are highly susceptible to seismic soil liquefac- tion and are potentially prone to submarine landsliding and disintegrative flow failure. Professional Paper 1661-E U.S. Department of the Interior U.S. Geological Survey ii U.S. Department of the Interior DIRK KEMPTHORNE, Secretary U.S. Geological Survey Mark D. Myers, Director U.S. Geological Survey, Reston, Virginia: 2007 This report and any updates to it are available at: http://pubs.usgs.gov/pp/pp1661e/ For product and ordering information: World Wide Web: http://www.usgs.gov/pubprod Telephone: 1-888-ASK-USGS For more information on the USGS — the Federal source for science about the Earth, its natural and living resources, natural hazards, and the environment: World Wide Web: http://www.usgs.gov Telephone: 1-888-ASK-USGS Manuscript approved for publication, May 29, 2007 Text edited by Peter Stauffer Layout by David R. Jones Suggested citation: Kayen, R.E., and Barnhardt, W.A., 2007, Seismic stability of the Duwamish River delta, Seattle, Washington: U.S. -
Chief Seattle's Speech Historylink.Org Essay 1427
Chief Seattle's Speech HistoryLink.org Essay 1427 By Walt Crowley, June 28, 1999 In addition to his namesake city, Chief Seattle (178?-1866) is best remembered for a speech given, according to pioneer Dr. Henry Smith, on the occasion of an 1854 visit to Seattle of Isaac Stevens (1818-1862). Stevens was governor and Commissioner of Indian Affairs of Washington Territory. He visited in January and again in March 1854. Chief Seattle's speech went unnoted in the written record until October 29, 1887, when the Seattle Sunday Starpublished a text reconstructed from admittedly incomplete notes by Dr. Smith. Smith rendered his memory of Chief Seattle's speech in the rather ornate (to modern ears) English of Victorian oratory. Chief Seattle would have given the speech in the Lushootseed language, which then would have been translated into Chinook Indian trade language, and then into English. Smith's text is a necessarily filtered version of the speech and was certainly embellished by him. Smith's reconstruction lacks corroboration in the written record, but it is far from implausible. Seattle was well respected among his own people and settlers as a powerful and eloquent orator in his native tongue. It is likely that he was present to meet Governor Stevens in January 1854. Stevens' assistant George Gibbs noted his presence during the March 11, 1854 meeting. Also, there are several accounts in pioneer records of Chief Seattle giving speeches to large crowds. Frederick James Grant included Smith's text in his 1891 History of Seattle, Washington and Clarence B. Bagley reprinted a slightly altered version in his 1929 History of King County, Washington(Vol. -
Physical, Chemical, and Biological Aspects of the Duwamish River Estuary Jking County, Washington 1963-67
Physical, Chemical, and Biological Aspects of the Duwamish River Estuary JKing County, Washington 1963-67 (GEOLOGICAL SURVEY WATER-SUPPLY PAPER 1873-c {Prepared in cooperation with the \Municipality of Metropolitan Seattle Physical, Chemical, and Biological Aspects of the Duwamish River Estuary King County, Washington 1963-67 By J. F. SANTOS and J. D. STONER ENVIRONMENTAL QUALITY GEOLOGICAL SURVEY WATER-SUPPLY PAPER 1873-C Prepared in cooperation with the Municipality of Metropolitan Seattle UNITED STATES GOVERNMENT PRINTING OFFICE, WASHINGTON : 1972 UNITED STATES DEPARTMENT OF THE INTERIOR ROGERS C. B. MORTON, Secretary GEOLOGICAL SURVEY W. A. Radlinski, Acting Director Library of Congress catalog-card No. 78-182395 For sale by the Superintendent of Documents, U.S. Government Printing Office Washington, D.C. 20402 - Price 40 cents (paper cover) Stock Number 2401-1207 CONTENTS Page Abstract _____________________________________ Cl Introduction __________ ___ ___ _ _________ C2 Purpose and scope of the investigation _________________ C5 Methods and equipment _ _ ____ _ _ C6 Sampling and field measurements _________________ C6 Special equipment ___ _ _ C7 Analysis _______ __ _ ___ _____ _ ___ C7 Acknowledgments ____________________________ C7 Previous investigations _________________________ C8 Hydrography ______________________________ _ C9 The Duwamish River basin C9 Precipitation __________ _ _____ _ C13 Tides ____________________________________ C14 Volume of the estuary _________________________ C15 Estuary mechanics _______________________________ -
Welcome to the 44Th Annual Seattle International Film Festival!
BETH BARRETT SARAH WILKE Artistic Director Executive Director DEAR MEMBERS OF THE PRESS: Welcome to the 44th annual Seattle International Film Festival! We are so happy to have you join this year as a partner at the Festival. It's your work that helps bring filmmakers and audiences together around the powerful stories of film. We could never have become the SIFF we are today without the knowledge, skill, and passion you bring to your work. Our 2018 Media Guide is filled with all the pertinent information you'll need to navigate the next 25 days: media guidelines and contacts, film listings, forums, and events. Many of you are already familiar with SIFF's extensive Festival offerings. For those of you who are attending for the first time, we are here to help you discover the depth and range of our programming. The greater press community has always been an integral part of the Festival and we look forward to sharing with you all that SIFF has to offer over the Festival. Sincerely, SIFF.NET · 206.464.5830 · PRESS OFFICE 206.315.0690 · [email protected] 1 TABLE OF CONTENTS 3 . PRESS INFORMATION 5 . SIFF STAFF 10 . BOARD OF DIRECTORS 11 . ABOUT SIFF 12 . SIFF BY THE NUMBERS 13 . SIFF FACT SHEET 14 . EVENT SCHEDULE 18 . MEDIA GUIDELINES 19 . HOLD REVIEWS 23 . VENUES 24 . TICKETING 27 . FEATURE FILMS BY MOOD 39 . FEATURES BY COUNTRY/REGION 44 . TOPICS OF INTEREST 57 . AWARDS & COMPETITIONS 64 . 360/VR STORYTELLING 65 . EDUCATION 67 . SPECIAL GUESTS 69 . SPOTLIGHT PRESENTATIONS 70 . 2017 RECAP 73 . FESTIVAL 2017 HIGHLIGHTS 74 . -
About Humanity, Not Ethnicity? Transculturalism, Materiality, and the Politics of Performing Aboriginally on the Northwest Coast
ABOUT HUMANITY, NOT ETHNICITY? TRANSCULTURALISM, MATERIALITY, AND THE POLITICS OF PERFORMING ABORIGINALLY ON THE NORTHWEST COAST by ALICE MARIE CAMPBELL B.A. (hons), The University of British Columbia, 2001 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of Anthropology and Sociology) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA August 2004 ©Alice Marie Campbell, 2004 THE UNIVERSITY OF BRITISH COLUMBIA FACULTY OF GRADUATE STUDIES Library Authorization In presenting this thesis in partial fulfillment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Alice Marie Campbell 23/08/04 Name of Author (please print) Date (dd/mm/yyyy) Title of Thesis: About Humanity, Not Ethnicity?: Transculturalism, Materiality, and the Politics of Performing Aboriginality on the Northwest Coast Degree: Master of Arts Year: 2004 Department of Anthropology and Sociology The University of British Columbia Vancouver, BC Canada grad.ubc.ca/forms/?formlD=THS page 1 of 1 last updated: 23-Aug-04 Abstract In this multi-sited thesis based on ethnographic fieldwork conducted from 2002-2004, I examine how the transcultural production of Northwest Coast material culture subverts the hegemonic, discursive, and traditionalist constructions of 'Aboriginality' that have isolated Northwest Coast artists from the contemporary art world (Duffek 2004). -
Indigenous History in Burnaby Resource Guide
Tsleil-Waututh community members paddling Burrard Inlet, June 18, 2014. Copyright Tsleil-Waututh Nation, Photograph by Blake Evans, 2014. Indigenous History in Burnaby Resource Guide 6501 Deer Lake Ave, Burnaby, BC V5G 3T6 | 604-297-4565 | burnabyvillagemuseum.ca 2019-06-03 The Burnaby School District is thankful to work, play and learn on the traditional territories of the hən̓q̓əmin̓əm̓ and Sḵwxwú7mesẖ speaking people. As we inquire into learning more about the history of these lands, we are grateful to Burnaby Village Museum for working with our host First Nation communities. The knowledge being shared in this resource guide through our local communities supports the teaching and learning happening in our classrooms. It deepens our understanding of the history of our community and will increase our collective knowledge of our host First Nations communities’ history in Burnaby. In our schools, this guide will assist in creating place-based learning opportunities that will build pride for our Indigenous learners through the sharing of this local knowledge, but also increase understanding for our non-Indigenous learners. Through this guide, we can move closer to the Truth and Reconciliation’s Call to Action 63 (i and iii): 63. We call upon the Council of Ministers of Education, Canada to maintain an annual commitment to Indigenous education issues, including: i. Developing and implementing Kindergarten to Grade Twelve curriculum and learning resources on Indigenous peoples in Canadian history, and the history and legacy of residential schools. iii. Building student capacity for intercultural understanding, empathy, and mutual respect. We would like extend thanks to Burnaby Village Museum staff for their time and efforts in creating this resource guide. -
The Artists' View of Seattle
WHERE DOES SEATTLE’S CREATIVE COMMUNITY GO FOR INSPIRATION? Allow us to introduce some of our city’s resident artists, who share with you, in their own words, some of their favorite places and why they choose to make Seattle their home. Known as one of the nation’s cultural centers, Seattle has more arts-related businesses and organizations per capita than any other metropolitan area in the United States, according to a recent study by Americans for the Arts. Our city pulses with the creative energies of thousands of artists who call this their home. In this guide, twenty-four painters, sculptors, writers, poets, dancers, photographers, glass artists, musicians, filmmakers, actors and more tell you about their favorite places and experiences. James Turrell’s Light Reign, Henry Art Gallery ©Lara Swimmer 2 3 BYRON AU YONG Composer WOULD YOU SHARE SOME SPECIAL CHILDHOOD MEMORIES ABOUT WHAT BROUGHT YOU TO SEATTLE? GROWING UP IN SEATTLE? I moved into my particular building because it’s across the street from Uptown I performed in musical theater as a kid at a venue in the Seattle Center. I was Espresso. One of the real draws of Seattle for me was the quality of the coffee, I nine years old, and I got paid! I did all kinds of shows, and I also performed with must say. the Civic Light Opera. I was also in the Northwest Boy Choir and we sang this Northwest Medley, and there was a song to Ivar’s restaurant in it. When I was HOW DOES BEING A NON-DRIVER IMPACT YOUR VIEW OF THE CITY? growing up, Ivar’s had spokespeople who were dressed up in clam costumes with My favorite part about walking is that you come across things that you would pass black leggings. -
National Register of Historic Places Multiple Property Documentation Form
NPS Form 10-900-b OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Multiple Property Documentation Form This form is used for documenting property groups relating to one or several historic contexts. See instructions in National Register Bulletin How to Complete the Multiple Property Documentation Form (formerly 16B). Complete each item by entering the requested information. ___X___ New Submission ________ Amended Submission A. Name of Multiple Property Listing Seattle’s Olmsted Parks and Boulevards (1903–68) B. Associated Historic Contexts None C. Form Prepared by: name/title: Chrisanne Beckner, MS, and Natalie K. Perrin, MS organization: Historical Research Associates, Inc. (HRA) street & number: 1904 Third Ave., Suite 240 city/state/zip: Seattle, WA 98101 e-mail: [email protected]; [email protected] telephone: (503) 247-1319 date: December 15, 2016 D. Certification As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this documentation form meets the National Register documentation standards and sets forth requirements for the listing of related properties consistent with the National Register criteria. This submission meets the procedural and professional requirements set forth in 36 CFR 60 and the Secretary of the Interior’s Standards and Guidelines for Archeology and Historic Preservation. _______________________________ ______________________ _________________________ Signature of certifying official Title Date _____________________________________ State or Federal Agency or Tribal government I hereby certify that this multiple property documentation form has been approved by the National Register as a basis for evaluating related properties for listing in the National Register.