2016 Annual Report
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Starchitect:” Wright Finds His Voice After Being Fired
Athens Journal of Architecture - Volume 5, Issue 3– Pages 301-318 After the “Starchitect:” Wright Finds his Voice after Being Fired By Michael O'Brien * The term ―Starchitect‖ seems to have originated in the 1940’s to describe a ―film star who has designed a house‖ but of late has been understood as an architect who has risen to celebrity status in the general culture. Louis Sullivan, like Daniel Burnham, might have been considered a ―starchitect.‖ Starchitects are frequently associated with a unique style or approach to architecture and all who work for them, adopt this style as their own as a matter of employment. Frank Lloyd Wright was one of these architects, working under and in the idiom of Louis Sullivan for six years, learning to draw and develop motifs in the style of Louis Sullivan. Frank Lloyd Wright’s firing by Louis Sullivan in 1893 and his rapidly growing family set him on an urgent course to seek his own voice. The bootleg houses, designed outside the contract terms Wright had with Adler and Sullivan caused the separation, likely fueled by both Sullivan and Wright’s ego, which left Wright alone, separated from his ―Lieber Meister‖1 or ―Beloved Master.‖ These early houses by Wright were adaptations of various styles popular in the times, Neo-Colonial for Blossom, Victorian for Parker and Gale, each, as Wright explained were not ―radical‖ because ―I could not follow up on them.‖2 Wright, like many young architects, had not yet codified his ideas and strategies for activating space and form. How does one undertake the search for one’s language of these architectural essentials? Does one randomly pursue a course of trial and error casting about through images that capture one’s attention? Do we restrict our voice to that which has already been voiced in history? Wright’s agenda would have included the merging of space and enclosure with site and nature structured as he understood it from Sullivan’s Ornament. -
Guggenheim Musem, Ground Level Interior
landmarks Preservation Commission August 14, 1990; Designation List 226 LP-1775 GUGGENHEIM MUSEUM, GROUND LEVEL INTERIOR consisting of the entrance loggia (nCM the bookstore), the entrance vestibule, the main gallery space including the fountain, adrnissionjinfo:rma.tion desk, and telephone alcove, and the coat room foyer; AUDITORIUM LEVEL INTERIOR consisting of the staircase in the triangular stai:rhall leading from the auditorium level to the ground level, the elevator foyer, the auditorium, the auditorium mezzanine, the stairs and areas providing access to the auditorium mezzanine, and the stage/platform; the GROUND 1EVEL 'IHROUGH SIXTH LEVEL INTERIORS, up to and including the glass dome, consisting of the continuous rarrp; the space enclosed by the continuous rarrp; the adjacent gallery spaces, among them the grand gallery at the first and second levels, including the fixed planters at the bottom and top of the first level, at the top of the second level, and at the top of the third level, and the skylights; the elevator foyers; and the elevator cabs; the GROUND LEVEL THROUGH FaJRIH LEVEL INTERIORS consisting of the triangular stairhall and staircases which terminate at the top of the fourth level which is the beginning of the fifth level; the SEa:>ND LEVEL INTERIOR consisting of the Justin K. Thannhauser Wing; the SIXTH LEVEL INTERIOR consisting of the triangular gallery adjacent to the elevator shaft; and the fixtures and interior components of these spaces, included but not limited to, floor surfaces, wall surfaces, ceiling surfaces, doors, wind.CMS, brass railings, triangular light fixtures, trough light fixtures, signs, and metal museum seal, 1071 Fifth Avenue, Manhattan. -
Zimmerman House Materials—Final List Binder 1
Zimmerman House Materials—Final List Binder 1—Labeled “Zimmerman House Through 1989” Photocopied articles from magazines and newspapers o Dates: from 1956-1989, bulk 1989 Binder 2—Labeled “Zimmerman House 1990” Photocopied and original articles from magazines and newspapers o Date: 1990 Binder 3—Labeled “Zimmerman House 1991” Photocopied and original articles from magazines and newspapers o Dates: 1991-1992, bulk 1991 Box 1—Labeled “Zimmerman House Archive—Deaccession? Files” Folder: Sotheby’s catalogue—Gagliano violin and sales slip Folder: Slides, photos, receipts, correspondence, appraisal for Gagliano violin and bow. o Date: 1989 Box 2—Labeled “Zimmerman House Archive—Vintage Publications on the Zimmerman House” “The Zimmerman House Historic Structure Report” (2 copies); also includes a press release (not attached) o Date: 1989 “A Classic Usonian: Frank Lloyd Wright’s 1950 House for Isadore J. and Lucille Zimmerman.” General information, labels. o Date: 1990 Folder: “Exhibition: A Classic Usonian: Label Copy.” Also an unattached article; label copy from exhibit appears to be the same as previous item. “Currier Grant Application for National Endowment for the Humanities for Training Zimmerman House Guides.” Also includes unattached correspondence, a docent bulletin, a memorandum, and a priorities evaluation. o Dates: 1990-1991, bulk 1990 Box 3—Labeled “Uncatalogued Materials” Newsclipping about Dr. Zimmerman o Date: undated 2 color photos of exterior of Zimmerman House with inscriptions from Zimmermans on back o Date: 1976 Black and white photo of exterior of Zimmerman House in winter o Date: undated 3 B & W photos of Lucille Zimmerman’s family o Date: undated Postcard with picture of S.C. -
Thompson Center, Thompson Center Name of Multiple Property Listing N/A (Enter "N/A" If Property Is Not Part of a Multiple Property Listing)
NPS Form 10900 OMB No. 10240018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional certification comments, entries, and narrative items on continuation sheets if needed (NPS Form 10-900a). 1. Name of Property historic name State of Illinois Center other names/site number James R. Thompson Center, Thompson Center Name of Multiple Property Listing N/A (Enter "N/A" if property is not part of a multiple property listing) 2. Location street & number 100 West Randolph Street not for publication city or town Chicago vicinity state Illinois county Cook zip code 60601 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this nomination request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property meets does not meet the National Register Criteria. I recommend that this property be considered significant at the following level(s) of significance: national statewide local Applicable National Register Criteria: A B C D Signature of certifying official/Title: Deputy State Historic Preservation Officer Date Illinois Department of Natural Resources - SHPO State or Federal agency/bureau or Tribal Government In my opinion, the property meets does not meet the National Register criteria. -
F.L. Wright: Precedent, Analysis & Transformation BROADACRE
F.L. Wright: Precedent, Analysis & Transformation Prof. Kai Gutschow CMU, Arch 48-441 (Project Course) Spring 2005, M/W/F 11:30-12:20, CFA 211 4/15/05 BROADACRE & SQUARE USONIANS Jacobs 1936 Broadacre City, 1935 Pope-Leihey, 1939 Typical Usonian Wall Section Rosenbaum, 1939 F.L. Wright: Precedent, Analysis & Transformation Prof. Kai Gutschow CMU, Arch 48-441 (Project Course) Spring 2005, M/W/F 11:30-12:20, CFA 211 4/15/05 USONIAN ANALYSIS Sergeant, John. FLW’s Usonian Houses McCarter, Robert. FLW. Ch. 9 Jacobs, Herbert. Building with FLW MacKenzie, Archie. “Rewriting the Natural House,” in Morton, Terry. The Pope-Keihey House McCarter, A Primer on Arch’l Principles P. & S. Hanna. FLW’s Hanna House Burns, John. “Usonian Houses,” in Yesterday’s Houses... De Long, David. Auldbrass. Handlin, David. The Modern Home Reisely, Roland Usonia, New York Wright, Gwendolyn. Building the Dream Rosenbaum, Alvin. Usonia. FLW’s Designs... FLW CHRONOLOGY 1932-1959 1932 FLW Autobiography published, 1st ed. (also 1943, 1977) FLW The Disappearing City published (decentralization advocated) May-Oct. "Modern Architecture" exhibit at MoMA, NY (H.R. Hitchcock & P. Johnson, Int’l Style) Malcolm Wiley Hse., Proj. #1, Minneapolis, MN (revised and built 1934) Oct. Taliesin Fellowship formed, 32 apprentices, additions to Taliesin Bldgs. 1933 Jan. Hitler comes to power in Germany, diaspora to America: Gropius (Harvard, 1937), Mies v.d. Rohe (IIT, 1939), Mendelsohn (Berkeley, 1941), A. Aalto (MIT, 1942) Mar. F.D. Roosevelt inaugurated, New Deal (1933-40) “One hundred days.” 25% unemployment. A.A.A., C.C.C. P.W.A., N.R.A., T.V.A., F.D.I.C. -
Wisconsin Magazine * of History
f"*"'J' I' \ Wisconsin t Magazine * of History TKe La Follette Committee ani, the C.l.O. JEROLD S. AUERBACH Tke Grand OU Regiment STEPHEN Z. STARR Frank Lloyd Wright in Wisconsin RICHARD W. E. PERRIN William Howard Taft and Cannonism STANLEY D. SOLVICK Proceedings of the One Hundred and Eigkteenth Annual Meeting Published by the State Historical Society oj Wisconsin / Vol. XLVIII, No. 1 / Autumn, 1964 THE STATE HISTORICAL SOCIETY OF WISCONSIN LESLIE H. FISHEL, JR., Director Officers SCOTT M. CUTLIP, President HERBERT V. KOHLER, Honorary Vice-President JOHN C. GEILFUSS, First Vice-President E. E. HOMSTAD, Treasurer CLIFFORD D. SWANSON, Second Vice-President LESLIE H. FISHEL, JR., Secretary Board of Curators Ex-Officio JOHN W. REYNOLDS, Governor of the State MRS. DENA A. SMITH, State Treasurer ROBERT C. ZIMMERMAN, Secretary of State FRED H. HARRINGTON, President of the University ANGUS B. ROTHWELL, Superintendent of Public Instruction MRS. JOSEPH C. GAMROTH, President of the Women's Auxiliary Term Expires, 1965 GEORGE BANTA, JR. PHILIP F. LA FOLLETTE WILLIAM F. STARK CEDRIC A. VIG Menasha Madison Pewaukee Rhinelander KENNETH W. HAAGENSEN ROBERT B. L. MURPHY MILO K. SWANTON CLARK WILKINSON Oconomowoc Madison Madison Baraboo GEORGE HAMPEL, JR. FOSTER B. PORTER FREDERICK N. TROWBRIDGE ANTHONY WISE Des Moines Bloomington Green Bay Hayward Term Expires, 1966 E. DAVID CRONON W. NORMAN FITZGERALD JOHN C. GEILFUSS JAMES A. RILEY Madison Milwaukee Milwaukee Eau Claire SCOTT M. CUTLIP EDWARD FROMM MRS. HOWARD T. GREENE CLIFFORD D. SWANSON Madison Hamburg Genesee Depot Stevens Point MRS. ROBERT E. FRIEND ROBERT A. GEHRKE ROBERT L. PIERCE Hartland Ripon Menomonie Term Expires, 1967 THOMAS H. -
Frank Lloyd Wright - Wikipedia, the Free Encyclopedia
Frank Lloyd Wright - Wikipedia, the free encyclopedia http://en.wikipedia.org/w/index.php?title=Frank_... Frank Lloyd Wright From Wikipedia, the free encyclopedia Frank Lloyd Wright (born Frank Lincoln Wright, June 8, 1867 – April 9, Frank Lloyd Wright 1959) was an American architect, interior designer, writer and educator, who designed more than 1000 structures and completed 532 works. Wright believed in designing structures which were in harmony with humanity and its environment, a philosophy he called organic architecture. This philosophy was best exemplified by his design for Fallingwater (1935), which has been called "the best all-time work of American architecture".[1] Wright was a leader of the Prairie School movement of architecture and developed the concept of the Usonian home, his unique vision for urban planning in the United States. His work includes original and innovative examples of many different building types, including offices, churches, schools, Born Frank Lincoln Wright skyscrapers, hotels, and museums. Wright June 8, 1867 also designed many of the interior Richland Center, Wisconsin elements of his buildings, such as the furniture and stained glass. Wright Died April 9, 1959 (aged 91) authored 20 books and many articles and Phoenix, Arizona was a popular lecturer in the United Nationality American States and in Europe. His colorful Alma mater University of Wisconsin- personal life often made headlines, most Madison notably for the 1914 fire and murders at his Taliesin studio. Already well known Buildings Fallingwater during his lifetime, Wright was recognized Solomon R. Guggenheim in 1991 by the American Institute of Museum Architects as "the greatest American Johnson Wax Headquarters [1] architect of all time." Taliesin Taliesin West Robie House Contents Imperial Hotel, Tokyo Darwin D. -
Frank Lloyd Wright and the Use of Non-Rectilinear Geometry in His Later Works
Frank Lloyd Wright and the Use of Non-Rectilinear Geometry in His Later Works "I believe in God, only I spell it Nature.” “Organic architecture is an architecture from within outward, in which entity is an ideal… Organic means intrinsic – in the philosophic sense, entity – wherever the whole is to the part as the part is to the whole and where the nature of the materials, the nature of the purpose, the nature of the entire performance, becomes clear as a necessity.” Shea Gibson 10121372 Dr. Graham Livesey ARCH 457.02: History of Architecture and Human Settlements II - 1750 to Present April 2, 2015 Introduction Frank Lloyd Wright once said, "the maple wood blocks… are in my fingers to this day."1 Wright acknowledged that his early exposure to the Froebel blocks (called "Gifts" and “Occupations”), had a considerable lasting influence on his work.2 These wooden blocks were designed to help children learn about different geometric forms, mathematics, and creative design. A Young Frank Lloyd Wright was fascinated by them and credited that much of his architectural designs were influenced by the geometric shapes he experimented with as a child, which consisted of a series of geometric forms, including spheres, cubes, triangles and cylinders.3 As an architect, Wright developed a system of rotating series of geometric forms that became one of his principal methods of design. He believed that geometry had a deep cosmic meaning and can be the means of ordering design to connect man to the cosmos.4 In this idealistic and romantic view, architecture could provide a means of harmony between the individual, society, and the universe.5 As time progressed, Wright began to expand and differentiate the geometry of his architecture to better represent nature and organic architecture in his buildings by moving away from rectilinear to non-rectilinear geometry. -
Donald Langmead
FRANK LLOYD WRIGHT: A Bio-Bibliography Donald Langmead PRAEGER FRANK LLOYD WRIGHT Recent Titles in Bio-Bibliographies in Art and Architecture Paul Gauguin: A Bio-Bibliography Russell T. Clement Henri Matisse: A Bio-Bibliography Russell T. Clement Georges Braque: A Bio-Bibliography Russell T. Clement Willem Marinus Dudok, A Dutch Modernist: A Bio-Bibliography Donald Langmead J.J.P Oud and the International Style: A Bio-Bibliography Donald Langmead FRANK LLOYD WRIGHT A Bio-Bibliography Donald Langmead Bio-Bibliographies in Art and Architecture, Number 6 Westport, Connecticut London Library of Congress Cataloging-in-Publication Data Langmead, Donald. Frank Lloyd Wright : a bio-bibliography / Donald Langmead. p. cm.—(Bio-bibliographies in art and architecture, ISSN 1055-6826 ; no. 6) Includes bibliographical references and indexes. ISBN 0–313–31993–6 (alk. paper) 1. Wright, Frank Lloyd, 1867–1959—Bibliography. I. Title. II. Series. Z8986.3.L36 2003 [NA737.W7] 016.72'092—dc21 2003052890 British Library Cataloguing in Publication Data is available. Copyright © 2003 by Donald Langmead All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2003052890 ISBN: 0–313–31993–6 ISSN: 1055–6826 First published in 2003 Praeger Publishers, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.praeger.com Printed in the United States of America The paper used in this book complies with the -
Mechanic Street Historic District
Figure 6.2-2. High Style Italianate, 306 North Van Buren Street Figure 6.2-3. Italianate House, 1201 Center Avenue Figure 6.2-4. Italianate House, 615 North Grant Street Figure 6.2-5. Italianate House, 901 Fifth Street Figure 6.2-6. Italianate House, 1415 Fifth Street Figure 6.2-7. High Style Queen Anne House, 1817 Center Avenue Figure 6.2-8. High Style Queen Anne House, 1315 McKinley Avenue featuring an irregular roof form and slightly off-center two-story tower with conical roof on the front elevation. The single-story porch has an off-center entry accented with a shallow pediment. Eastlake details like spindles, a turned balustrade, and turned posts adorn the porch, which extends across the full front elevation and wraps around one corner. The house at 1315 McKinley Avenue also displays a wraparound porch, spindle detailing, steep roof, fish scale wall shingles, and cut-away bay on the front elevation. An umbrage porch on the second floor and multi-level gables on the primary façade add to the asymmetrical character of the house. More typical examples of Queen Anne houses in the district display a variety of these stylistic features. Examples of more common Queen Anne residences in Bay City include 1214 Fifth Street, 600 North Monroe Street, and 1516 Sixth Street (Figures 6.2-9, 6.2-10, and 6.2-11). In general, these buildings have irregular footprints and roof forms. Hipped roofs with cross-gabled bays are common, as are hip-on-gable or jerkinhead details. Porch styles vary but typically extend across the full or partial length of the front elevation and wrap around the building corner. -
ITEM 3 - Old Business HISTORIC and ENVIRONMENTAL PRESERVATION BOARD STAFF REPORT
ITEM 3 - Old Business HISTORIC AND ENVIRONMENTAL PRESERVATION BOARD STAFF REPORT NAME Spring Garden Historic District ADDRESS 1001 NW North River Drive PROJECT DESCRIPTION Alterations to a contributing home completed without Building Permits or a Certificate of Appropriateness. and other Code Violations. ANALYSIS This home was built in 1958 and is a contributing home in the Spring Garden Historic District. The owner and his contractor have been con tacted to stop work prior to construction. This site was originally cited for painting witho ut a COA and has since been cited for illegal work without a permit and illega! units. The Building Department has issued two slop work orders or · red tags· and Code Enforcement has sent the owner notification of pending Gode Violations, At this time no Building Permits, Certificate of Appropri ateness or a Certificate to Dig have bee n applied obtained Following the City of Miami Capital Improvements Program's (CIP) streetscape work in Spring Garden , CIP completed some repairs to private driveways and walkways to reconnect them to the new roadway and sidewalk elevations. however it was confirmed by the Preservalion Officer and CIP that the property owner at 1001 NW North River Drive went beyond the scope of the CIP roadway ag reement, doubling the width of the existing driveway, adding new entry steps and a landing to the front of the house, adding a new front walkway, and removing the gara ge door and blocking in the opening. The applicant has submitted an after-the-fact application for a Certificate of Appropriateness for alterations. -
2013 Annual Report
ANNUAL REPORT January 1 - December 31, 2013 flwright.org PAGE 1 Letter from the Chairman of the Board | Board of Directors ... 3 Report of the President & CEO ........................................... 4 Staff ............................................................................ 12 Internship Program ......................................................... 13 Recognizing Our Volunteers ............................................ 14 The Guest Experience ..................................................... 15 Foundation and Business Contributors ............................... 16 In Partnership with the Community .................................... 17 Donors .......................................................................... 18 Society Level Members .................................................... 21 Volunteers ..................................................................... 24 Financial Statements ....................................................... 28 The mission of the Frank Lloyd Wright Trust is to engage, educate and inspire the public through architecture, design and the legacy of Frank Lloyd Wright, and to preserve the Trust’s historic sites and collections. TABLE OF CONTENTS PAGE 2 BOARD OF DIRECTORS 2013 GRAHAM J. RARITY, CHAIRMAN JOHN M. RAFKIN, VICE CHAIR AND CHAIR, EXECUTIVE COMMITTEE DEAR MEMBERS AND FRIENDS ROBERT MILLER, VICE CHAIR NICHOLE MARKLEY LINHARDT, VICE CHAIR 2013 has been a year of expansion for the With the expansion of our sites this year, the STEVEN E. BRADY, TREASURER AND CHAIR,