DOCSLIB.ORG

Artists on Institutional Critique

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Artists on Institutional Critique Art and Contemporary Critical Practice Reinventing Institutional Critique Gerald Raunig and Gene Ray (eds) may fly Art and Contemporary Critical Practice Gerald Raunig and Gene Ray (eds) ‘Institutional critique’ is best known through the critical practice that developed in the late 1960s and early 1970s by artists who pre- sented radical challenges to the museum and gallery system. Since then it has been pushed in new directions by new generations of artists registering and responding to the global transformations of contemporary life. The essays collected in this volume explore this legacy and develop the models of institutional critique in ways that go well beyond the fi eld of art. Interrogating the shifting relations between ‘institutions’ and ‘critique’, the contributors to this volume analyze the past and present of institutional critique and propose lines of future development. Engaging with the work of philoso- phers and political theorists such as Michel Foucault, Judith Butler, Gilles Deleuze, Antonio Negri, Paolo Virno and others, these es- says refl ect on the mutual enrichments between critical art practices and social movements and elaborate the conditions for politicized critical practice in the twenty-fi rst century. may fly www.mayfl ybooks.org Today, at one and the same time, scholarly publishing is drawn in two directions. On the one hand, this is a time of the most exciting theoretical, political and artistic projects that respond to and seek to move beyond global administered society. On the other hand, the publishing industries are vying for total control of the ever-lucrative arena of scholarly publication, creating a situation in which the means of distribution of books grounded in research and in radical interrogation of the present are increasingly restricted. In this context, MayFlyBooks has been established as an independent publishing house, publishing political, theoretical and aesthetic works on the question of organization. MayFlyBooks publications are published under Creative Commons license free online and in paperback. MayFlyBooks is a not- for-profit operation that publishes books that matter, not because they reinforce or reassure any existing market. 1. Herbert Marcuse, Negations: Essays in Critical Theory 2. Dag Aasland, Ethics and Economy: After Levinas 3. Gerald Raunig and Gene Ray (eds), Art and Contemporary Critical Practice: Reinventing Institutional Critique ART AND CONTEMPORARY CRITICAL PRACTICE Art and Contemporary Critical Practice: Reinventing Institutional Critique Gerald Raunig and Gene Ray (eds) First published by MayFlyBooks in paperback in London and free online at www.mayflybooks.org in 2009. CC: The editors & authors 2009 ISBN (Print) 978-1-906948-02-3 ISBN (PDF) 978-1-906948-03-0 This work has been published in conjunction with the European Institute for Progressive Cultural Policies (www.eipcp.net). The publication has been carried out within the framework of transform.eipcp.net and with the support of the Culture 2000 program of the European Union. It reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. This work is licensed under the Creative Commons Attribution- Noncommercial-No Derivative Works 3.0 Unported. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Contents Contributors vii Acknowledgments xi Preface xiii WHAT IS INSTITUTIONAL CRITIQUE? 1 Instituent Practices: Fleeing, Instituting, Transforming 3 Gerald Raunig 2 The Institution of Critique 13 Hito Steyerl 3 Anti-Canonization: The Differential Knowledge of Institutional Critique 21 Stefan Nowotny 4 Notes on Institutional Critique 29 Simon Sheikh 5 Criticism without Crisis: Crisis without Criticism 33 Boris Buden 6 Artistic Internationalism and Institutional Critique 43 Jens Kastner 7 Extradisciplinary Investigations: Towards a New Critique of Institutions 53 Brian Holmes 8 Louise Lawler’s Rude Museum 63 Rosalyn Deutsche 9 Toward a Critical Art Theory 79 Gene Ray INSTITUTIONS OF EXODUS 10 Anthropology and Theory of Institutions 95 Paolo Virno 11 What is Critique? Suspension and Re-Composition in Textual and Social Machines 113 Gerald Raunig 12 Attempt to Think the Plebeian: Exodus and Constituting as Critique 131 Isabell Lorey 13 Inside and Outside the Art Institution: Self-Valorization and Montage in Contemporary Art 141 Marcelo Expósito 14 The Rise and Fall of New Institutionalism: Perspectives on a Possible Future 155 Nina Möntmann 15 The Political Form of Coordination 161 Maurizio Lazzarato INSTITUENT PRACTICES AND MONSTER INSTITUTIONS 16 Instituent Practices, No. 2: Institutional Critique, Constituent Power, and the Persistence of Instituting 173 Gerald Raunig 17 Governmentality and Self-Precarization: On the Normalization of Cultural Producers 187 Isabell Lorey 18 To Embody Critique: Some Theses, Some Examples 203 Marina Garcés 19 The Double Meaning of Destitution 211 Stefan Nowotny 20 Towards New Political Creations: Movements, Institutions, New Militancy 223 Raúl Sánchez Cedillo 21 Mental Prototypes and Monster Institutions: Some Notes by Way of an Introduction 237 Universidad Nómada Bibliography 247 The Transform Project issues of transversal 261 Contributors Boris Buden is a philosopher living in Berlin. In the 1990s he was editor of the magazine Arkzin, Zagreb. Among his translations into Serbocroatian are two books of Sigmund Freud. Buden is the author of Barikade (Zagreb 1996/1997), Kaptolski Kolodvor (Beograd 2001), Der Schacht von Babel (Berlin 2004; Vavilonska jama, Beograd 2007) and, together with Stefan Nowotny, Übersetzung. Das Versprechen eines Begriffs (Turia + Kant 2008). Rosalyn Deutsche is a critic and art historian living in New York. She teaches modern and contemporary art, feminist theory and urban theory at Barnard College, Columbia University. Her publications include the influential book Evictions: Art and Spatial Politics (MIT Press, 1998). Marcelo Expósito is an artist mostly based in Barcelona. He was co- founder and co-editor of Brumaria magazine (2002-2006). He teaches video theory and history at Facultad de Bellas Artes, Universidad de Castilla-La Mancha (Cuenca), art theory at Universitat Pompeu Fabra (Barcelona), and art and politics at Independent Studies Programm (PEI) at Macba (Barcelona). Marina Garcés is professor for contemporary philosophy at the University Oberta de Catalunya and at the University of Zaragoza. She is author of the book In the prisons of the possible (Ediciones Bellaterra, Barcelona, 2002) and she collaborates with such magazines as Archipiélago, Zehar o Le passant ordinaire and with institutions such as Arteleku (San Sebastián) o Unia-Arte y pensamiento (Sevilla). Since vii Contributors 2003 she co-ordinates the activity of Espai en Blanc (http://www.espaienblanc.net). Brian Holmes is a culture critic who works directly with artist and activist groups. He publishes in Springerin, Brumaria and Multitudes, and is the author of the books Hieroglyphs of the Future (Arkzin/WHW, 2002) and Unleashing the Collective Phantoms (Autonomedia, 2008). Jens Kastner is a sociologist and art historian working at the Academy of Fine Arts in Vienna. He is editor of Bildpunkt: Zeitschrift der IG Bildende Kunst. His recent books are Transnationale Guerilla: Aktivismus, Kunst und die kommende Gemeinschaft (Unrast, 2007) and, together with Bettina Spörr, nicht alles tun (Unrast, 2008). Maurizio Lazzarato is a sociologist, philosopher and independent researcher specializing in studies of relationships of work, economy and society. He is a member of the editorial team of Multitudes. His latest publications include Les révolutions du capitalisme (Les empêcheurs de penser en rond, 2004) and, together with Antonella Corsani, Intermittents et Précaires (éditions Amsterdam, 2008). Isabell Lorey is a political scientist living in Berlin. From 2001 to 2007 she was assistant professor for Gender & Postcolonial Studies at the University of the Arts Berlin and lecturer at the Center for Transdisciplinary Gender Studies at the Humboldt University Berlin. She has published on feminist and political theory, with special focus on Michel Foucault, biopolitical governmentality and critical whiteness studies. She is currently working on a book about Roman struggles of order, concepts of community and immunization. Nina Möntmann is Professor and Head of the Department of Art Theory and the History of Ideas at the Royal University College of Fine Arts in Stockholm. From 2003 to 2006 she was Curator at the Nordic Institute for Contemporary Art (NIFCA) in Helsinki. Currently she is curatorial advisor for Manifesta 7, 2008. She is a correspondent for Artforum, and contributes to Le Monde Diplomatique, Parachute, metropolis m, Frieze and others. Her recent publications include Kunst als sozialer Raum, Köln (Walther König, 2002); Art and its Institutions (Black Dog Publishing, 2006). viii Contributors Stefan Nowotny is a philosopher living in Vienna. He works at the eipcp and has published various essays on philosophical and political topics, co-edited several anthologies, and translated texts from both French and English into German. His recent books include: Instituierende Praxen. Bruchlinien der Institutionskritik (together with Gerald Raunig, Turia + Kant 2008); Übersetzung. Das Versprechen eines Begriffs (together with Boris Buden, Turia + Kant
Load more

Recommended publications
  • 27/Die 68Er/Kommune 1
    Gesellschaft Die 68er (V): Sie tranken Jasmintee, diskutierten nonstop und hielten Sex vor allem für ein Problem – die Mitglieder der Kommune 1 wurden zu Popstars der Studentenrevolte und veränderten den deutschen Alltag. Von Thomas Hüetlin Die Tage der Kommune atürlich gibt es Erfindungen, die sel schuld sei, weshalb über den „Trans- prall gefüllten Fleischtheken zwischen 25 braucht kein Mensch, wie zum missionsriemen“ Dritte Welt die „Revolu- Sorten Wurst wählen zu können oder NBeispiel fertiggemixten Whiskey- tion“ in die Erste Welt getragen werden Weihnachtsbäume an die GIs in Vietnam Cola in der Dose, UV-durchlässige Bade- sollte, und alles würde gut werden. zu schicken, wo in einem makaberen Krieg anzüge oder Duftbäume am Autorück- Tolles Programm, aber natürlich hatten angeblich die Freiheit West-Berlins vertei- spiegel – aber gibt es wirklich Leute, die 16 Leute, die im Sommer 1966 in einer digt wurde. die den Sinn von Toilettentüren bezwei- Großbürgervilla am Kochelsee ein paar Ta- Und diese Leute trafen sich nicht wie feln? ge herumsaßen, sich vom Hausmeisterehe- heute in Cafés, Diskotheken und im Inter- Gab es – die Leute von der K 1 und spä- paar Schweinebraten auftischen ließen, auf net, sondern sie hatten das Gefühl, daß ter in den Siebzigern viele junge Men- den vor der Tür aufragenden Bergen her- sich in der Gesellschaft etwas ganz Großes schen, die wie ihre Helden Kommunar- umkletterten und Fußballweltmeisterschaft ändern müsse und gingen in den Soziali- den wurden und die Toilettentüren ein- schauten, noch keine Ahnung, daß ein paar stischen Deutschen Studentenbund (SDS). traten, zersägten oder einfach aushängten von ihnen damit später zu den Popstars der Auch dort waren sie bald unzufrieden.
    [Show full text]
  • UC Berkeley Electronic Theses and Dissertations
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title The Ambivalence of Resistance: West German Antiauthoritarian Performance after the Age of Affluence Permalink https://escholarship.org/uc/item/2c73n9k4 Author Boyle, Michael Shane Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California The Ambivalence of Resistance West German Antiauthoritarian Performance after the Age of Affluence By Michael Shane Boyle A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Shannon Jackson, Chair Professor Anton Kaes Professor Shannon Steen Fall 2012 The Ambivalence of Resistance West German Antiauthoritarian Performance after the Age of Affluence © Michael Shane Boyle All Rights Reserved, 2012 Abstract The Ambivalence of Resistance West German Antiauthoritarian Performance After the Age of Affluence by Michael Shane Boyle Doctor of Philosophy in Performance Studies University of California, Berkeley Professor Shannon Jackson, Chair While much humanities scholarship focuses on the consequence of late capitalism’s cultural logic for artistic production and cultural consumption, this dissertation asks us to consider how the restructuring of capital accumulation in the postwar period similarly shaped activist practices in West Germany. From within the fields of theater and performance studies, “The Ambivalence of Resistance: West German Antiauthoritarian Performance after the Age of Affluence” approaches this question historically. It surveys the types of performance that decolonization and New Left movements in 1960s West Germany used to engage reconfigurations in the global labor process and the emergence of anti-imperialist struggles internationally, from documentary drama and happenings to direct action tactics like street blockades and building occupations.
    [Show full text]
  • The Commune Movement During the 1960S and the 1970S in Britain, Denmark and The
    The Commune Movement during the 1960s and the 1970s in Britain, Denmark and the United States Sangdon Lee Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of History September 2016 i The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement ⓒ 2016 The University of Leeds and Sangdon Lee The right of Sangdon Lee to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 ii Abstract The communal revival that began in the mid-1960s developed into a new mode of activism, ‘communal activism’ or the ‘commune movement’, forming its own politics, lifestyle and ideology. Communal activism spread and flourished until the mid-1970s in many parts of the world. To analyse this global phenomenon, this thesis explores the similarities and differences between the commune movements of Denmark, UK and the US. By examining the motivations for the communal revival, links with 1960s radicalism, communes’ praxis and outward-facing activities, and the crisis within the commune movement and responses to it, this thesis places communal activism within the context of wider social movements for social change. Challenging existing interpretations which have understood the communal revival as an alternative living experiment to the nuclear family, or as a smaller part of the counter-culture, this thesis argues that the commune participants created varied and new experiments for a total revolution against the prevailing social order and its dominant values and institutions, including the patriarchal family and capitalism.
    [Show full text]
  • Barefoot Into Cyberspace Adventures in Search of Techno-Utopia
    Barefoot into Cyberspace Adventures in search of techno-Utopia By Becky Hogge July 2011 http://www,barefootintocyberspace.com Barefoot into Cyberspace Becky Hogge Read This First This text is distributed by Barefoot Publishing Limited under a Creative Commons Attribution-ShareAlike 2.0 UK: England & Wales Licence. That means: You are free to copy, distribute, display, and perform the work to make derivative works to make commercial use of the work Under the following conditions Attribution. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). Share Alike. If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar licence to this one. For any reuse or distribution, you must make clear to others the licence terms of this work. The best way to do this is with a link to http://barefootintocyberspace.com/book/hypertext Any of these conditions may be waived by seeking permission from Barefoot Publishing Limited. To contact Barefoot Publishing Limited, email barefootpublishing [AT] gmail [DOT] com. More information available at http://creativecommons.org/licenses/by- sa/2.0/uk/. See the end of this file for complete legalese 2 Barefoot into Cyberspace Becky Hogge Contents Prologue: Fierce Dancing ...................................................................................................................................... 5 Chapter 1: Digging the command line ............................................................................................................
    [Show full text]
  • La Décennie Rouge
    Extrait distribué par Christian Bourgois Extrait de la publication Extrait distribué par Christian Bourgois LA DÉCENNIE ROUGE Extrait de la publication du même auteur Théâtre L’E NTRAÎNEMENT DU CHAMPION AVANT LA COURSE, suivi de RUINES, Stock, 1975 LE CHANTEUR suivi de L’AMOUR DU THÉÂTRE, Christian Bourgois, 1979 TEL UN ENFANT À L’ÉCART suivi de PARTAGE, Christian Bourgois, 1982 EL SISISI, Christian Bourgois, 1986 THERMIDOR, Christian Bourgois, 1986 SIT VENIA VERBO, en collaboration avec Philippe Lacoue- Labarthe, Christian Bourgois, 1988 FÉROÉ, LA NUIT..., Christian Bourgois, 1989 IMPRÉCATION DANS L’ABATTOIR, COUPS DE FOUDRES, L’Arche, 1991 L’E MPIRE, L’Arche, 1991 LE SOUFFLEUR D’HAMLET, L’Arche, 1993 DIMANCHE en collaboration avec Dominique Muller, suivi de LA BONNE VIE, CONVOI, L’Arche, 1994 LA NÉGRESSE BONHEUR, L’Arche, 1995 JOHN LEAR, L’Arche, 1996 IMPRÉCATION 36, DIOTIMA, L’Arche, 1999 SKINNER, L’Arche, 2002 Poésie INDES, Seghers, 1980 ÉTUDES DE CIEL AVEC TURBULENCES, Christian Bourgois, 1981 DU FONDEMENT DE LA ZOOLOGIE, La Pionnière, 1996 MÉTÉOROLOGIQUES, Christian Bourgois, 2002 Essais INVENTAIRE APRÈS LIQUIDATION, L’Arche, 1990 L’A LSACE DANS LE DÉSORDRE, BF, 1993 LE THÉÂTRE ET L’AIR DU TEMPS, L’Arche, 1999 ALSACE, TERRE ÉTRANGÈRE, La Nuée Bleue, 2003 Récit PARHÉLIE, Christian Bourgois, 1988 Extrait de la publication Extrait de la publication MICHEL DEUTSCH LA DÉCENNIE ROUGE UNE HISTOIRE ALLEMANDE CHRISTIAN BOURGOIS ÉDITEUR Extrait de la publication © Michel Deutsch, 2007 © Christian Bourgois éditeur, 2007 ISBN 978-2-267-01917-9 Extrait de la publication Extrait distribué par Christian Bourgois « ...Diuersa exsilia et desertas quae- rere terras auguriis agimur diuum..
    [Show full text]
  • Familiäre Wohngemeinschaften
    Familiäre Wohngemeinschaften Anmerkungen zur Sozialstruktur und Dynamik der Patchwork - Familie 1 von Detlef Klöckner Dieser Aufsatz widmet sich einem aufstrebenden Familienmodell, der sogenannten Patch- work – Familie. Überhaupt von einem Modell zu sprechen, - wo es sich doch nur um die „Undichte Wiederaufbereitungsanlage einer abgebrannten Familienruine“ handelt (anony- mes Graffiti), – ist ebenso fragwürdig wie unumgänglich, so lange sich Elternpaare in großer Zahl trennen und zu Zweitfamilien zusammenschließen. Der Autor beleuchtet die besondere Atmosphäre einer zusammengestückelten Familie. Welche Fragen stellen sich der Patchwork – Familie und welche Antworten stehen ihr zur Verfügung, welche eher nicht? Was unter- scheidet Patchwork – Familien von Primärfamilien im Umgang miteinander und im Hand- lungsspielraum? Die „second hand“ - Familie erinnert in manchem an Wohngemeinschaften und sie vereint in ihren Räumen in verkleinertem Maßstab, was die komplexe soziale Situati- on unserer Gesellschaft im Großen ausmacht: das widersprüchlich und unklar aufeinander Bezogene. Der Autor beruft sich auf Untersuchungen zum Thema und nutzt die Erfahrungen aus seiner Beratungspraxis. Familienberatung ist bis heute ein vernachlässigtes Arbeitsfeld der Gestalttherapie. Das liegt nicht an der Konzeption, sonder begründet sich aus der Entwicklungsgeschichte der gestalt- therapeutischen Praxis. Als psychologische Anwendung der Feld- bzw. Systemtheorie ist die Gestalttherapie prinzipiell offen für Arbeitskontexte, die sich mit sozialen Beziehungen
    [Show full text]
  • Team 10 Meeting, Bonnieux, France, 1977. from Team 10: in Search of a Utopia of the Present
    Reinier de Graaf From CIAM to Cyberspace : Architecture and the Community “The community” might be the most frequently off-center. The intentionally domestic setting used term in architectural and urban discourse of their meetings is as much a manifesto as any over the last fifty years. For decades, rhetoric outcome of the meetings, written or otherwise. invoking “the community” has endowed even The wives invariably attend— either that, or a the most mediocre designs with an aura of vast reservoir of female architects have failed to good intentions and thus implicitly condemned make it into the history books. designers who decline use of the word. The It is never quite clear to what extent the community has served as a legitimization for meetings are meant to be an exchange of views, anything from Team X to New Urbanism, from or whether they are essentially just a form of Pendrecht to Celebration, from Aldo van Eyck bonding. Team X’s most articulate mantra, “by to Larry Beasley. But what is “the community”? us, for us,” a phrase encapsulated in a drawing Despite its prolific appearance, the frequency by Aldo van Eyck,4 is equally ambiguous. The with which “community” is used seems in- most common interpretation suggests a certain versely proportional to the extent to which it is naiveté associated with the period or an almost truly understood. tautological profession of good intentions, which imply that people should be their own archi- DE GRAAF tects. Yet, studying the picture more closely, * * * observing the eerie, almost tribal consensus that exists between members of the group, one In July 1953, an international group of archi- is also left with the impression of a strange tects breaks away from CIAM, until then the hubris, a sense of self-inflated significance of prevailing movement of modern architects.1 the architectural profession and those practic- Critical of what they see as CIAM’s overly ing it.
    [Show full text]
  • Tion of Don Delillo
    ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Delirious USA: the representation of capital in the fic- tion of Don DeLillo https://eprints.bbk.ac.uk/id/eprint/40479/ Version: Full Version Citation: Travers, Thomas William Lynn (2020) Delirious USA: the repre- sentation of capital in the fiction of Don DeLillo. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Birkbeck, University of London Delirious USA: The Representation of Capital in the Fiction of Don DeLillo Thomas William Lynn Travers Submitted for the degree of Doctor of Philosophy 2019 1 Declaration I, Thomas William Lynn Travers, declare that this thesis is my own work. Where I have drawn upon the work of other researchers, this has been fully acknowledged. 2 Abstract In this thesis I offer a new reading of Don DeLillo’s fiction through an engagement with contemporary Marxist literary theory and political economy. Beginning in the 1960s, the thesis traces the launch, expansion, and shattering of DeLillo’s narrative apparatus as it recomposes itself across the genres of the short story, the conspiratorial thriller, the historical novel, and the novel of time. Developing on theories of the novel as a capitalist epic, the thesis takes the insistent appearance of surplus populations in DeLillo’s work as an opportunity to reflect on, but also to revise and reconceptualise, Marxist accounts of the novel and its philosophy of history.
    [Show full text]
  • Krautrock and the West German Counterculture
    “Macht das Ohr auf” Krautrock and the West German Counterculture Ryan Iseppi A thesis submitted in partial fulfillment of the requirements for the degree of BACHELOR OF ARTS WITH HONORS DEPARTMENT OF GERMANIC LANGUAGES & LITERATURES UNIVERSITY OF MICHIGAN April 17, 2012 Advised by Professor Vanessa Agnew 2 Contents I. Introduction 5 Electric Junk: Krautrock’s Identity Crisis II. Chapter 1 23 Future Days: Krautrock Roots and Synthesis III. Chapter 2 33 The Collaborative Ethos and the Spirit of ‘68 IV: Chapter 3 47 Macht kaputt, was euch kaputt macht: Krautrock in Opposition V: Chapter 4 61 Ethnological Forgeries and Agit-Rock VI: Chapter 5 73 The Man-Machines: Krautrock and Electronic Music VII: Conclusion 85 Ultima Thule: Krautrock and the Modern World VIII: Bibliography 95 IX: Discography 103 3 4 I. Introduction Electric Junk: Krautrock’s Identity Crisis If there is any musical subculture to which this modern age of online music consumption has been particularly kind, it is certainly the obscure, groundbreaking, and oft misunderstood German pop music phenomenon known as “krautrock”. That krautrock’s appeal to new generations of musicians and fans both in Germany and abroad continues to grow with each passing year is a testament to the implicitly iconoclastic nature of the style; krautrock still sounds odd, eccentric, and even confrontational approximately twenty-five years after the movement is generally considered to have ended.1 In fact, it is difficult nowadays to even page through a recent issue of major periodicals like Rolling Stone or Spin without chancing upon some kind of passing reference to the genre.
    [Show full text]
  • Humorous Political Stunts: Nonviolent Public Challenges to Power
    University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 2014 Humorous Political Stunts: Nonviolent Public Challenges to Power Majken Jul Sorensen University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Sorensen, Majken Jul, Humorous Political Stunts: Nonviolent Public Challenges to Power, Doctor of Philosophy thesis, School of Humanities and Social Inquiry, University of Wollongong, 2014.
    [Show full text]
  • Vol. 34, Núm. 1 Revista De La Asociación Española De Estudios
    Revista de la Asociación Española de Estudios Anglo-Norteamericanos Vol. 34, núm. 1 Junio 2012 34.1 (June 2012) 34.1 (Junio 2012) EDITORS Dirección General Editor: Isabel Carrera Suárez Universidad de Oviedo Managing Editor: Esther Álvarez López Universidad de Oviedo Book Reviews Editor Book Reviews Editor (Literature and Cultural Studies) (Linguistics) Belén Martín Lucas Ignacio M. Palacios Martínez Universidad de Vigo Universidad de Santiago de Compostela Copy Editor: Carla Rodríguez González Universidad de Oviedo EDITORIAL BOARD Consejo de Redacción board of advisors Consejo Asesor Andrew Blake Heinz Ickstadt University of Winchester Freie Universität Berlin Martin Bygate J. Hillis Miller Lancaster University University of California at Irvine Angela Downing Susheila M. Nasta Universidad Complutense de Madrid Open University Teresa Fanego Francisco J. Ruiz de Mendoza Universidad de Santiago de Compostela Universidad de La Rioja Fernando Galván Luzmila Urbanová Universidad de Alcalá de Henares University of Brno board of referees Consejo Científico y Evaluador Joan C. Beal Marcella Bertuccelli Papi Anita Biressi University of Sheffield Università di Pisa Roehampton University Jesús Benito Sánchez Nilufer E. Bharucha Maggie Ann Bowers Universidad de Valladolid University of Mumbai University of Portsmouth Kris van den Branden José Francisco Fernández Zoltán Kövecses Katholieke Universiteit Leuven Universidad de Almería Eötvös Loránd University Mario Brdar Charles Forceville Manfred Krug Josip Juraj Strossmayer University University of Amsterdam Otto-Friedrich-Universität Bamberg Laurel J. Brinton Javier Franco Aixelá Merja Kytö University of British Columbia Universidad de Alicante Uppsala University Manuel Broncano Jean-Michel Ganteau Alberto Lázaro Texas A&M International University Université Montpellier 3 Universidad de Alcalá de Henares Jorge Luis Bueno María del Pilar García Mayo Ursula Lenker Universidad de Vigo Universidad del País Vasco Ludwig-Maximilians-Universität München Graham D.
    [Show full text]
  • Rodrigo De Andrade TORQUATO NETO: UMA POÉTICA
    UNIVERSIDADE DE PASSO FUNDO Instituto de Filosofia e Ciências Humanas PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS – MESTRADO EM LETRAS Campus I – Prédio B3, sala 106 – Bairro São José – Cep. 99001-970 - Passo Fundo/RS Fone (54) 316-8341 – Fax (54) 316-8125 – E-mail: [email protected] Rodrigo de Andrade TORQUATO NETO: UMA POÉTICA DA CONTRACULTURA Passo Fundo, abril de 2008. Rodrigo de Andrade TORQUATO NETO: UMA POÉTICA DA CONTRACULTURA Dissertação apresentada ao Programa de Pós-Graduação em Letras, do Instituto de Filosofia e Ciências Humanas da Universidade de Passo Fundo, como requisito para obtenção do grau de mestre em Letras, sob a orientação do Prof. Dr. Paulo Becker. Passo Fundo 2008 2 Esse trabalho é dedicado aos quatro rapazes (sem os quais nada disso teria sido possível), ao judeu safado e à princesa dos hobbits. 3 Agradecimentos Agradeço aos meus pais pelo apoio, pelas mensalidades e pelos livros. Também à Maíra pela paciência e pelo carinho. A meu orientador pelos esclarecimentos e pelas indicações precisas e preciosas. Ao Maicon e ao Dr. Pacheco por toda a mão. E todos os amigos que sempre quebram galhos, me agüentam e enriquecem com discussões sobre literatura e arte: Daniel, Seka, Demian, Renato e Jú, Bocajão, Morto, Nassif, PH, Betão, Rodriguez, Arthur, Moyza, Faby, Gabriel, Xará, Lucas, Mara, Michele e Bandidão, Odolir, todo o Clã do Sapo Morra e até o Cauê. 4 Resumo O presente estudo dedica-se a multiforme obra de Torquato Neto. Poeta, jornalista, letrista de música popular, figura fundamental no surgimento da Tropicália, enfim, um artista multimídia que sempre optou por traçar caminhos plurais e experimentar diversas linguagens, recorrendo a uma constante metamorfose estilística.
    [Show full text]