Kokugaku, Nature, and the Body In
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Great Thanksgiving Ceremony
PROVISIONAL TRANSLATION (December 2018) Only significant errors of English in the translation have been corrected––the content will be checked against the original Japanese for accuracy at a later date. The History of the Great Thanksgiving Ceremony NITTA Hitoshi1 The Daijōsai, or “Great Thanksgiving Ceremony,” originated as a ritual of rice farming, which is the root of Japanese culture, and the Daijōsai is part of the imperial enthronement ritual, which is the core of the structure of the state. Because of that, it is found that while sustaining the essential features of the ritual, the Daijōsai has changed in terms of the way it has been conducted. The history of the Daijōsai can be explained by dividing it into six stages. First, the first stage signifies the period before the Daijōsai was established as a system. During this period, Niinamesai, which became the matrix of the Daijōsai, was practiced, and from the Yayoi period to the reign of Emperor Tenchi. The second stage is the time of establishment and development. In terms of periodization, it is from the end of the Asuka period to the middle of the Heian period, and from the 40th emperor Tenmu to the 60th emperor Daigo. The third stage is the period of transformation from the middle from the Heian period to the middle of the Muromachi period (around the time of Ōnin War). It is from the 61st emperor Suzaku to the 103rd emperor Go-Tsuchimikado. The fourth stage is the period of interrupt from the middle of the Muromachi period (the Warring States period). -
HIRATA KOKUGAKU and the TSUGARU DISCIPLES by Gideon
SPIRITS AND IDENTITY IN NINETEENTH-CENTURY NORTHEASTERN JAPAN: HIRATA KOKUGAKU AND THE TSUGARU DISCIPLES by Gideon Fujiwara A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2013 © Gideon Fujiwara, 2013 ABSTRACT While previous research on kokugaku , or nativism, has explained how intellectuals imagined the singular community of Japan, this study sheds light on how posthumous disciples of Hirata Atsutane based in Tsugaru juxtaposed two “countries”—their native Tsugaru and Imperial Japan—as they transitioned from early modern to modern society in the nineteenth century. This new perspective recognizes the multiplicity of community in “Japan,” which encompasses the domain, multiple levels of statehood, and “nation,” as uncovered in recent scholarship. My analysis accentuates the shared concerns of Atsutane and the Tsugaru nativists toward spirits and the spiritual realm, ethnographic studies of commoners, identification with the north, and religious thought and worship. I chronicle the formation of this scholarly community through their correspondence with the head academy in Edo (later Tokyo), and identify their autonomous character. Hirao Rosen conducted ethnography of Tsugaru and the “world” through visiting the northern island of Ezo in 1855, and observing Americans, Europeans, and Qing Chinese stationed there. I show how Rosen engaged in self-orientation and utilized Hirata nativist theory to locate Tsugaru within the spiritual landscape of Imperial Japan. Through poetry and prose, leader Tsuruya Ariyo identified Mount Iwaki as a sacred pillar of Tsugaru, and insisted one could experience “enjoyment” from this life and beyond death in the realm of spirits. -
The Heian Court Poetry As World Literature from the Point of View of Early Italian Poetry the Heian Court Poetry As Poetry the Heian Court World Literature
FLORIENTALIA EDOARDO GERLINI GERLINI EDOARDO The Heian Court Poetry as World Literature From the Point of View of Early Italian Poetry The Heian Court Poetry as World Literature World The Heian Court Poetry as EDOARDO GERLINI FUP FIRENZE UNIVERSITY PRESS STRUMENTI PER LA DIDATTICA E LA RICERCA – 159 – FLORIENTALIA Asian Studies Series – University of Florence Scientific Committee Valentina Pedone, Coordinator, University of Florence Sagiyama Ikuko, Coordinator, University of Florence Alessandra Brezzi, University of Rome “La Sapienza” Marco Del Bene, University of Rome “La Sapienza” Paolo De Troia, University of Rome “La Sapienza” Fujiwara Katsumi, University of Tokyo Guo Xi, Jinan University Hyodo Hiromi, Gakushuin University Tokyo Federico Masini, University of Rome “La Sapienza” Nagashima Hiroaki, University of Tokyo Chiara Romagnoli, Roma Tre University Bonaventura Ruperti, University of Venice “Ca’ Foscari” Luca Stirpe, University of Chieti-Pescara “Gabriele d’Annunzio” Tada Kazuomi, University of Tokyo Massimiliano Tomasi, Western Washington University Xu Daming, University of Macau Yan Xiaopeng, Wenzhou University Zhang Xiong, Peking University Zhou Yongming, University of Wisconsin-Madison Published Titles Valentina Pedone, A Journey to the West. Observations on the Chinese Migration to Italy Edoardo Gerlini, The Heian Court Poetry as World Literature. From the Point of View of Early Italian Poetry Ikuko Sagiyama, Valentina Pedone (edited by), Perspectives on East Asia Edoardo Gerlini The Heian Court Poetry as World Literature -
Visualizing the Classics: Intellectual Networks and Cultural Nostalgia
Cover Page The handle http://hdl.handle.net/1887/58771 holds various files of this Leiden University dissertation Author: Kok, D.P. Title: Visualizing the classics : reading surimono and ky ka books as social and cultural history Issue Date: 2017-10-10 ō Chapter 5: Visualizing the classics: Intellectual networks and cultural nostalgia 5.1 Introduction This chapter investigates how kyōka poets acquired their knowledge of classical literature, discusses the way in which poets and illustrators visualized literature in their projects, and reflects on what their motivations were for referring to specific elements in cultural history. Shunman’s kokugaku connections have been elucidated by Tanaka, and kokugaku influences in two surimono series that Shunman designed in the first half of the 1810s have been researched by Carpenter.302 My investigation continues on their approach by tracing how other major kyōka poets and surimono designers were connected to intellectual networks of their time; in particular to scholars of the classical texts that inspired literary surimono series. Moreover, textual information in the surimono is matched to contemporaneous scholarship. Did knowledge of classical literature enter kyōka society via printed exegetical texts in commercial editions, or are ties to scholars generally so close that surimono creators had access to such knowledge already before the general public did? How did kyōka poets relate to the ideological underpinnings of the kokugaku movement? And is there any relation between birth class and the influx of cultural knowledge detectable in kyōka society? Answering these questions will clarify where surimono creators gained their understanding of the classical texts they visualized, and what role each of these creators played. -
Of the Former the Families
The HistoricalSocietyHistorical Society of Japan The post of imperial chamberlain of the Former Han Dynasty: An examination of relations between the imperial house and the families of the aristocracty by T,4TllMI Satoshi The Former Han Dynasty adopted a system of territorial admin- istration that blended an earlier system of commanderies and coun- ties with feudalistic institutions, as the administration of regions lying east of HanguwtISPass was completely entrusted to mar- quises and princes affiliated with the imperial family. However, it is generally understood that following the revolt of the seven king- doms, including WuS. and Chunc, during the first year of the reign of sixth emperor Jingdikifi5, those marquises and princes were deprived of their power and became no more than nominal rulers. But was this really the case? In this article, the author ex- amines from various perspectives the post of chamberlain for the imperial clan (zongzhengfi[iE), who oversaw the imperial house- hold, and thereby probe the reasoning behind the continuing en- feoffment of marquises and princes even after the reign of Wudi iFl M. The investigation yields the following conclusions. First, the main duty of the zouggheng was to be abreast of all in- formation related to the imperial family by preparing and main- taining a genealogy. Secondly, a member of the Liuesgimperial family was invaria- bly appointed gongzheng, because his duty was to act as intermedi- ary between the imperial household and the families of its mar- mp!-",III]l.FL.1 quises and princes, who could at anytime turn against the emper- or. Consequently, great importance was attached to the back- grounds of potential gongzheng during selection, while various pol- iticians sought to exercise their influence in appointing to the post a blood relation of those marquises and princes who were ca- pable of interceding between them and the imperial household. -
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148 | Japanese Language and Literature Reynolds in fact explicates Abe Kōbō’s The Box Man, in terms of its urban space/visuality nexus, which is a subject of Prichard’s chapter 4. Thus, more extensive engagement with Reynolds’s work would be desirable. On a more technical note, Japanese titles/terms are often not represented, even when there is no existing translation or established English equivalent; instead, only their approximate English translation is provided in the main body, the notes, or the index. Readers would benefit from being able to look further into such sources with the citation of original titles and terms, at least in their first appearance in the volume. It would also be highly desirable to correlate reprinted images with applicable passages in which they are closely and insightfully explicated (as, for example, on pages 168 and 186), so that readers could collate the two mediums point by point, verifying the author’s argument. There should also be a list of illustrations and a list of copyright owners (only the cover photo is credited in full, on the back cover). Residual Futures addresses timely critical issues that many of us share and has succeeded in creating a network of considerations across premeditated disciplines. With its examinations of documentary film, which is by default multimedia, and of visually oriented authors such as Abe and textually prolific artists such as Nakahira, this book will command attention from a wide range of scholars and other critically minded readers to urgent consideration of these registers, as well as of the urban space they formed and transformed. -
ICPR Fax: 0522-2392636 Phone No
Gram : ICPR Fax: 0522-2392636 Phone No. 0522-2392636 E-Mail : [email protected] Central Library Accession Register 3/9,Vipul Khand,Gomti Nagar Lucknow - 226010 U.P Acc. No. Title Author Publisher Year 0001 The Critic As Leavis,F R Chatto & Windus,London 1982 Anti-philosopher 2 Philosophy, Literature Nasir,S H Jeddah, Hodder & Stoughton,- 1982 And Fine Arts 3 Charector of Mind Mcginn,Colin Oxford Uni Press,- 1982 4 Claim of Reason Cavell,Stanley Oxford Uni Press,- 1979 0004 The Claim of Reason Cavell,Stanley Oxford Uni Press , Delhi,, 1979 5 ISLAM THE IDEA DIGWY,EL;Y,S Oxford & IBH Pub,N.Delhi 1982 RELIGION 6 Selfless Persons Collins,Steven Cambridge University Press,- 1982 7 Thought And Action Hampshire,Stuart Chatto & Windus,London 1982 8 Pluto's Republic Medawar,Perer Oxford Uni Press,- 1982 9 Acomparative Study Tambyah,T I Indian Book Gallery,Delhi 1983 Of hinduism, Budhism 10 The Moral Prism Emmet,Dorothy Macmillan,London 1979 11 Dictionary Of Islam Hughes,T P Cosmo Publication,New Delhi 1982 12 The Mythology Of Bailey,Grey Oxford Uni Press,- 1983 Brahma 13 Identity And Essence Brody,Baruch A Princeton University Press,Princeton And Oxford 1980 14 The Greeks On Taylor,C C.w.;Gosling,J C.b. Clarendon Press,Oxford 1982 Pleasure 15 The Varieties of Gareth,Evans Oxford U Press,London 1982 Reference 16 Concept of Indentity Hirsch,Eli Oxford University Press,New York 1982 17 Essays On Bentham Hart,H L.a. Clarendon Press,Oxford 1982 18 Marxism And Law Collins,Hugh Clarendon Press,Oxford 1982 19 Montaigne : Essays Maclean,Ian;Mefarlane,I D Clarendon Press,Oxford 1982 On Memory of Richard Sayce 20 Legal Right And Maccormick,Neil Clarendon Press,Oxford 1982 Social Democracy:Essays In Legal And Political Philosophy 21 Mar'x Social Theory Carver,Tarrell Oxford Uni Press,- 1982 22 The Marxist Hudson,Wayne Macmillan,London 1982 Philosophy Of Ernst Bloch 23 Basic Problems of Heidegger,Martin Indiana University Press,Bloomington 1982 Phenomenology 24 In Search of The Erasmus,Charles J The Free Press,London 1977 Common Good:Utopian Experiments Past And Future Acc. -
Kokugaku in Meiji-Period Japan: the Modern Transformation of ‘National Learning’ and the Formation of Scholarly Societies, by Michael Wachutka
Kokugaku in Meiji-period Japan: The Modern Transformation of ‘National Learning’ and the Formation of Scholarly Societies, by Michael Wachutka. 著者 HANSEN Wilburn journal or Japan review : Journal of the International publication title Research Center for Japanese Studies volume 27 page range 248-249 year 2014-11-27 URL http://doi.org/10.15055/00007159 BOOK REVIEWS BOOK REVIEW Kokugaku in Meiji-period Japan: The Modern Transformation of ‘National Learning’ and the Formation of Scholarly Societies Michael Wachutka Global Oriental, 2013 xv + 307 pages. ISBN13 9789004235304; E-ISBN 9789004236332 Michael Wachutka’s monograph is the first in English dedicated to tracking and explaining the development of the kokugaku movement during the Meiji period. As Dr. Wachutka states, more often than not in Western academics the story of kokugaku ends just as modernity is said to begin, until new kokugaku arises in the writings of influential twentieth century scholars such as Yanagita Kunio and Orikuchi Shinobu. It is clearly important and necessary to explain this failure by omission of the academic community. Dr. Wachutka makes a case for the importance of his study based not only on the historical significance but also on the contemporary social relevance his results display. He makes another case for the importance of his work by highlighting his choice of the prosopographical method. He expresses the hope that a study based on collective biography can create the grounds for sound and meaningful generalization, while also preserving appreciation for the unique characteristics of the particular individuals for whom greater historical information is now readily available in English. -
A Re-Examination of Restoration Shinto”
PROVISIONAL TRANSLATION (December 2018) Only significant errors of English in the translation have been corrected––the content will be checked against the original Japanese for accuracy at a later date. Supplemental Chapter: “A Re-examination of Restoration Shinto” MATSU’URA MITSUNOBU HE first of the three chapters in this monograph examined the relationship between Takamasa and Atsutane; the second one discussed Takamasa’s view on kokugaku shitaijin T (the four highly esteemed scholars in the Edo period who specialized in Japanese nativistic learning); and the third one considered Takamasa’s thoughts on the Shinto religion. Through a thorough examination in the three chapters, it questioned Takamasa’s thoughts on the four scholars of nativistic learning, and argued that, although his views on them are acknowledged as one of several interpretations on the history of nativistic learning, it was only one “narrative.” Was his narrative objectively correct? If not, what would a new narrative look like? This essay covers the author’s response to these questions. Hirata Atsutane considered Kada no Azumamaro to be the founder of nativistic learning, even though he had little knowledge of him at the time. According to research on nativistic learning that was conducted before World War II, Azumamaro’s theory on Shinto was clearly understood as Confucianism. His theory on Shinto is similar to so-called Juka Shinto (Confucian Shinto). Although Kamo no Mabuchi was Azumamaro’s disciple, he was critical of Azumamaro’s theory. Furthermore, Mabuchi did not build his theory upon Azumamaro’s. It was Keichū who influenced Mabuchi academically, and it is widely known that Keichū’s “theory on Japanese classical literature” opened Norinaga’s eyes to Shinto. -
Keichū, Motoori Norinaga, and Kokugaku in Early Modern Japan
UNIVERSITY OF CALIFORNIA Los Angeles The Jeweled Broom and the Dust of the World: Keichū, Motoori Norinaga, and Kokugaku in Early Modern Japan A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Emi Joanne Foulk 2016 © Copyright by Emi Joanne Foulk 2016 ABSTRACT OF THE DISSERTATION The Jeweled Broom and the Dust of the World: Keichū, Motoori Norinaga, and Kokugaku in Early Modern Japan by Emi Joanne Foulk Doctor of Philosophy in History University of California, Los Angeles, 2016 Professor Herman Ooms, Chair This dissertation seeks to reconsider the eighteenth-century kokugaku scholar Motoori Norinaga’s (1730-1801) conceptions of language, and in doing so also reformulate the manner in which we understand early modern kokugaku and its role in Japanese history. Previous studies have interpreted kokugaku as a linguistically constituted communitarian movement that paved the way for the makings of Japanese national identity. My analysis demonstrates, however, that Norinaga¾by far the most well-known kokugaku thinker¾was more interested in pulling a fundamental ontology out from language than tying a politics of identity into it: grammatical codes, prosodic rhythms, and sounds and their attendant sensations were taken not as tools for interpersonal communication but as themselves visible and/or audible threads in the fabric of the cosmos. Norinaga’s work was thus undergirded by a positive understanding ii of language as ontologically grounded within the cosmos, a framework he borrowed implicitly from the seventeenth-century Shingon monk Keichū (1640-1701) and esoteric Buddhist (mikkyō) theories of language. Through philological investigation into ancient texts, both Norinaga and Keichū believed, the profane dust that clouded (sacred, cosmic) truth could be swept away, as if by a jeweled broom. -
Buddhist Sculpture and the State: the Great Temples of Nara Samuel Morse, Amherst College November 22, 2013
Arts of Asia Lecture Series Fall 2013 The Culture and Arts of Korea and Early Japan Sponsored by The Society for Asian Art Buddhist Sculpture and the State: The Great Temples of Nara Samuel Morse, Amherst College November 22, 2013 Brief Chronology 694 Founding of the Fujiwara Capital 708 Decision to move the capital again is made 710 Founding of the Heijō (Nara) Capital 714 Kōfukuji is founded 716 Gangōji (Hōkōji) is moved to Heijō 717 Daianji (Daikandaiji) is moved to Heijō 718 Yakushiji is moved to Heijō 741 Shōmu orders the establishment of a national system of monasteries and nunneries 743 Shōmu vows to make a giant gilt-bronze statue of the Cosmic Buddha 747 Casting of the Great Buddha is begun 752 Dedication of the Great Buddha 768 Establishment of Kasuga Shrine 784 Heijō is abandoned; Nagaoka Capital is founded 794 Heian (Kyoto) is founded Yakushiji First established at the Fujiwara Capital in 680 by Emperor Tenmu on the occasion of the illness of his consort, Unonosarara, who later took the throne as Empress Jitō. Moved to Heijō in 718. Important extant eighth century works of art include: Three-storied Pagoda Main Image, a bronze triad of the Healing Buddha, ca. 725 Kōfukuji Tutelary temple of the Fujiwara clan, founded in 714. One of the most influential monastic centers in Japan throughout the temple's history. Original location of the statues of Bonten and Taishaku ten in the collection of the Asian Art Museum. Important extant eighth century works include: Statues of the Ten Great Disciples of the Buddha Statues of the Eight Classes of Divine Protectors of the Buddhist Faith Tōdaiji Temple established by the sovereign, Emperor Shōmu, and his consort, Empress Kōmyō as the central institution of a countrywide system of monasteries and nunneries. -
Issues of Authority in Japanese Architecture
Issues of Authority in Japanese Architecture Karen M. Gerhart Japanese architecture has often been discussed in terms of its decorative appeal, inspired by its beauty of form, its technically proficient construction, and its agreeable materials. While the focus on the aesthetic qualities of buildings reflects our own contemporary enthusiasms, it unfortunately obscures some of the very different original purposes of Japanese architecture. In pre-modern Japan, architecture was the privilege of the elite and power-seekers and was generally undertaken for reasons other than aesthetics; building signified power and authority. As in Europe and elsewhere, the building of grand structures signaled control over architects and craftsmen, sufficient wealth, and the ability to command others to provide material and labor. Building was also about establishing control and legitimacy. Indeed, the first act new rulers generally undertook was to construct buildings to represent the ideals of their rule. For example, regional leaders founded important shrines like Ise and Izumo as visual symbols of the efficacy of their clan deities, the Japanese emperor sponsored monumental temples, exemplified by Tōdaiji, to show the vigorous support of continental Buddhas for the royal family and the nation, and the warrior elite constructed immense castles, such as Azuchi Castle, in support of its own quest for legitimacy. These varied purposes were expressed in many ways—through elevation, sheer size, by limiting access, through innovative technology, and through beauty in the form of fine materials and intricate decorations. I will discuss here a number of buildings in pre-modern Japan that were designed to exemplify the power and authority of their makers.