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Great Thanksgiving Ceremony
PROVISIONAL TRANSLATION (December 2018) Only significant errors of English in the translation have been corrected––the content will be checked against the original Japanese for accuracy at a later date. The History of the Great Thanksgiving Ceremony NITTA Hitoshi1 The Daijōsai, or “Great Thanksgiving Ceremony,” originated as a ritual of rice farming, which is the root of Japanese culture, and the Daijōsai is part of the imperial enthronement ritual, which is the core of the structure of the state. Because of that, it is found that while sustaining the essential features of the ritual, the Daijōsai has changed in terms of the way it has been conducted. The history of the Daijōsai can be explained by dividing it into six stages. First, the first stage signifies the period before the Daijōsai was established as a system. During this period, Niinamesai, which became the matrix of the Daijōsai, was practiced, and from the Yayoi period to the reign of Emperor Tenchi. The second stage is the time of establishment and development. In terms of periodization, it is from the end of the Asuka period to the middle of the Heian period, and from the 40th emperor Tenmu to the 60th emperor Daigo. The third stage is the period of transformation from the middle from the Heian period to the middle of the Muromachi period (around the time of Ōnin War). It is from the 61st emperor Suzaku to the 103rd emperor Go-Tsuchimikado. The fourth stage is the period of interrupt from the middle of the Muromachi period (the Warring States period). -
The Heian Court Poetry As World Literature from the Point of View of Early Italian Poetry the Heian Court Poetry As Poetry the Heian Court World Literature
FLORIENTALIA EDOARDO GERLINI GERLINI EDOARDO The Heian Court Poetry as World Literature From the Point of View of Early Italian Poetry The Heian Court Poetry as World Literature World The Heian Court Poetry as EDOARDO GERLINI FUP FIRENZE UNIVERSITY PRESS STRUMENTI PER LA DIDATTICA E LA RICERCA – 159 – FLORIENTALIA Asian Studies Series – University of Florence Scientific Committee Valentina Pedone, Coordinator, University of Florence Sagiyama Ikuko, Coordinator, University of Florence Alessandra Brezzi, University of Rome “La Sapienza” Marco Del Bene, University of Rome “La Sapienza” Paolo De Troia, University of Rome “La Sapienza” Fujiwara Katsumi, University of Tokyo Guo Xi, Jinan University Hyodo Hiromi, Gakushuin University Tokyo Federico Masini, University of Rome “La Sapienza” Nagashima Hiroaki, University of Tokyo Chiara Romagnoli, Roma Tre University Bonaventura Ruperti, University of Venice “Ca’ Foscari” Luca Stirpe, University of Chieti-Pescara “Gabriele d’Annunzio” Tada Kazuomi, University of Tokyo Massimiliano Tomasi, Western Washington University Xu Daming, University of Macau Yan Xiaopeng, Wenzhou University Zhang Xiong, Peking University Zhou Yongming, University of Wisconsin-Madison Published Titles Valentina Pedone, A Journey to the West. Observations on the Chinese Migration to Italy Edoardo Gerlini, The Heian Court Poetry as World Literature. From the Point of View of Early Italian Poetry Ikuko Sagiyama, Valentina Pedone (edited by), Perspectives on East Asia Edoardo Gerlini The Heian Court Poetry as World Literature -
Buddhist Sculpture and the State: the Great Temples of Nara Samuel Morse, Amherst College November 22, 2013
Arts of Asia Lecture Series Fall 2013 The Culture and Arts of Korea and Early Japan Sponsored by The Society for Asian Art Buddhist Sculpture and the State: The Great Temples of Nara Samuel Morse, Amherst College November 22, 2013 Brief Chronology 694 Founding of the Fujiwara Capital 708 Decision to move the capital again is made 710 Founding of the Heijō (Nara) Capital 714 Kōfukuji is founded 716 Gangōji (Hōkōji) is moved to Heijō 717 Daianji (Daikandaiji) is moved to Heijō 718 Yakushiji is moved to Heijō 741 Shōmu orders the establishment of a national system of monasteries and nunneries 743 Shōmu vows to make a giant gilt-bronze statue of the Cosmic Buddha 747 Casting of the Great Buddha is begun 752 Dedication of the Great Buddha 768 Establishment of Kasuga Shrine 784 Heijō is abandoned; Nagaoka Capital is founded 794 Heian (Kyoto) is founded Yakushiji First established at the Fujiwara Capital in 680 by Emperor Tenmu on the occasion of the illness of his consort, Unonosarara, who later took the throne as Empress Jitō. Moved to Heijō in 718. Important extant eighth century works of art include: Three-storied Pagoda Main Image, a bronze triad of the Healing Buddha, ca. 725 Kōfukuji Tutelary temple of the Fujiwara clan, founded in 714. One of the most influential monastic centers in Japan throughout the temple's history. Original location of the statues of Bonten and Taishaku ten in the collection of the Asian Art Museum. Important extant eighth century works include: Statues of the Ten Great Disciples of the Buddha Statues of the Eight Classes of Divine Protectors of the Buddhist Faith Tōdaiji Temple established by the sovereign, Emperor Shōmu, and his consort, Empress Kōmyō as the central institution of a countrywide system of monasteries and nunneries. -
Issues of Authority in Japanese Architecture
Issues of Authority in Japanese Architecture Karen M. Gerhart Japanese architecture has often been discussed in terms of its decorative appeal, inspired by its beauty of form, its technically proficient construction, and its agreeable materials. While the focus on the aesthetic qualities of buildings reflects our own contemporary enthusiasms, it unfortunately obscures some of the very different original purposes of Japanese architecture. In pre-modern Japan, architecture was the privilege of the elite and power-seekers and was generally undertaken for reasons other than aesthetics; building signified power and authority. As in Europe and elsewhere, the building of grand structures signaled control over architects and craftsmen, sufficient wealth, and the ability to command others to provide material and labor. Building was also about establishing control and legitimacy. Indeed, the first act new rulers generally undertook was to construct buildings to represent the ideals of their rule. For example, regional leaders founded important shrines like Ise and Izumo as visual symbols of the efficacy of their clan deities, the Japanese emperor sponsored monumental temples, exemplified by Tōdaiji, to show the vigorous support of continental Buddhas for the royal family and the nation, and the warrior elite constructed immense castles, such as Azuchi Castle, in support of its own quest for legitimacy. These varied purposes were expressed in many ways—through elevation, sheer size, by limiting access, through innovative technology, and through beauty in the form of fine materials and intricate decorations. I will discuss here a number of buildings in pre-modern Japan that were designed to exemplify the power and authority of their makers. -
Clan Influence in Asuka Japan: Asukadera and the Soga Clan
CLAN INFLUENCE IN ASUKA JAPAN: ASUKADERA AND THE SOGA CLAN by Ian Michael Watts Submitted to the Faculty of The Archaeological Studies Program Department of Sociology and Archaeology in partial fulfillment of the requirements for the degree of Bachelor of Science University of Wisconsin - La Crosse 2012 Copyright © 2012 by Ian Watts All rights reserved ii CLAN INFLUENCE IN ASUKA JAPAN: ASUKADERA AND THE SOGA CLAN Ian Watts, B.S. University of Wisconsin - La Crosse, 2012 The Asuka Period of Japan is characterized by the introduction of Buddhism from Korea and a consolidation of power by the central government. The interplay between the Imperial Clan and the Soga Clan was integral in shaping everyday life in Asuka as the introduction of Buddhism brought the creation of permanent architecture in the shape of temples. These temples, primarily constructed by the Imperial Line and the Soga Clan, required the employment of local populations as a labor force for the construction of the various buildings within each temple complex. An examination of the assemblage of round eave-end roof tiles at the first Buddhist temple in Japan, Asukadera, examines the implications of this labor procurement. Furthermore, spatial analysis between Asukadera, Tōyuradera, and Okuyamakumedera provides data for future research. iii Acknowledgements Much of this study could not have been completed without the help of the following individuals and institution. Large portions of Japanese text were translated by native Japanese and Taiwanese speakers in conjunction with my direction. I was extremely fortunate to have been given a portion of the Asukadera Excavation Report directly by the Nara National Research Institute for Cultural Properties. -
Removal of the Ban on Meat
The End of a 1,200-year-old Ban on the Eating of Meat Removal of the Ban on Meat Introduction Zenjiro Watanabe Mr. Watanabe was born in Tokyo in 1932 and In March 1854, the Tokugawa Shogunate concluded The graduated from Waseda University in 1956. In 1961, he received his Ph.D in commerce from Treaty of Peace and Amity between the United States and the same university and began working at the the Empire of Japan followed shortly by peace treaties National Diet Library. Mr. Watanabe worked there as manager of the with various Western countries such as England, The department that researches the law as it th applies to agriculture. He then worked as Netherlands, and Russia. 2004 marks the 150 anniversary manager of the department that researches foreign affairs, and finally he devoted himself to of this opening of Japan’s borders to other nations. research at the Library. Mr. Watanabe retired in 1991 and is now head of a history laboratory researching various The opening of Japan’s borders, along with the restoration aspects of cities, farms and villages. Mr. Watanabe’s major works include Toshi to of political power to the Imperial court, was seen as an Noson no Aida—Toshikinko Nogyo Shiron, 1983, Ronsosha; Kikigaki •Tokyo no Shokuji, opportunity to aggressively integrate Western customs into edited 1987, Nobunkyo; Kyodai Toshi Edo ga Japanese culture. In terms of diet, removal of the long- Washoku wo Tsukutta, 1988, Nobunkyo; Nou no Aru Machizukuri, edited 1989, Gakuyo- standing social taboo against the eating of meat became a shobo; Tokyo ni Nochi ga Atte Naze Warui, collaboration 1991, Gakuyoshobo; Kindai symbol of this integration. -
Encyclopedia of Shinto Chronological Supplement
Encyclopedia of Shinto Chronological Supplement 『神道事典』巻末年表、英語版 Institute for Japanese Culture and Classics Kokugakuin University 2016 Preface This book is a translation of the chronology that appended Shinto jiten, which was compiled and edited by the Institute for Japanese Culture and Classics, Kokugakuin University. That volume was first published in 1994, with a revised compact edition published in 1999. The main text of Shinto jiten is translated into English and publicly available in its entirety at the Kokugakuin University website as "The Encyclopedia of Shinto" (EOS). This English edition of the chronology is based on the one that appeared in the revised version of the Jiten. It is already available online, but it is also being published in book form in hopes of facilitating its use. The original Japanese-language chronology was produced by Inoue Nobutaka and Namiki Kazuko. The English translation was prepared by Carl Freire, with assistance from Kobori Keiko. Translation and publication of the chronology was carried out as part of the "Digital Museum Operation and Development for Educational Purposes" project of the Institute for Japanese Culture and Classics, Organization for the Advancement of Research and Development, Kokugakuin University. I hope it helps to advance the pursuit of Shinto research throughout the world. Inoue Nobutaka Project Director January 2016 ***** Translated from the Japanese original Shinto jiten, shukusatsuban. (General Editor: Inoue Nobutaka; Tokyo: Kōbundō, 1999) English Version Copyright (c) 2016 Institute for Japanese Culture and Classics, Kokugakuin University. All rights reserved. Published by the Institute for Japanese Culture and Classics, Kokugakuin University, 4-10-28 Higashi, Shibuya-ku, Tokyo, Japan. -
Bodies of Evidence Imperial Funeral Rites and the Meiji Restoration
Japanese Journal of Religious Studies 2000 27/3-4 Bodies of Evidence Imperial Funeral Rites and the Meiji Restoration Edmund T. G ilday Prior to the Meiji period (1868-1912) imperial funerals and memorial rites in Japan had been conducted as Buddhist ceremonies for over a mil lennium. It is said that the emperor M eiji’s father, Komei, was buried according to Buddhist protocols; it was not until memorial rites in 1869 marking the third anniversary of Komei's death that all vestiges of Bud dhist liturgy were ostensibly proscribed as part of a wider attempt to purify the nation of the evil of Buddhism. But these observations tend to obscure what is actually known about the imperial mortuary tradition, especially at critical moments in its modern metamorphosis. This essay questions the historical judgment that Kdmei’s mortuary rites mark a clean break with tradition, suggesting instead that the twentieth-century conventions of imperial mortuary practice did not in fact get established until after the Meiji period had come to an end. Keywords: Komei — Meiji —— soso girei — shinsdsai — sanryo — taisd(-gi) — shinbutsu bunri — Japanese emperor The study of the modern Japanese emperor system in English lan guage scholarship has made remarkable strides in the past fifteen years, with new and valuable attention paid to the ritual dimensions of the Meiji revolution (see Gluck 1985; H ardacre 1989; Ketelaar 1990; Fujitani 1996). One area that has not received the attention it deserves, however, is the matter of imperial death. In an effort to stimulate fur ther discussion of this important topic, I want to begin with some questions. -
Email Newsletter from Mayor of Okayama (92) October 26, 2017 Issue 【My New Theory on the Legend of Momotaro】 Hello, I'm Ma
Email Newsletter from Mayor of Okayama (92) October 26, 2017 Issue 【My New Theory on the Legend of Momotaro 】 Hello, I’m Masao Omori, Mayor of Okayama. When talking about Okayama, Momotaro is what we never skip. It is the very famous folktale of Momotaro, the boy born from a peach. Accompanied by a dog, a monkey and a pheasant, he went on a journey to subdue the group of ogres who terrorized the people. A model of Momotaro legend is thought to be Kibitsuhiko-no-mikoto’s story of subduing Ura. Kibitushiko no mikoto is the man who appeared in Nihonshoki (Chronicles of Japan) and Kojiki (Record of Ancient Matters) written in the Nara Period. He was sent by the Yamato Imperial Court to suppress the War of Kibi. The story of Ura is in the ancient book which has been handed down in the national treasure Kibitsu Shrine. The book is supposed to have been compiled in the Muromachi Period, but there is no doubt that the stories are of ancient times. Ura, mentioned as an ogre in the story, was an immigrant from Baekje Kingdom in the Korean Peninsula. The Baekje people escaped to Wakoku (ancient Japan) after losing the Battle of Baekgang (663) against Tang and Silla Kingdom. The people of Baekje are said to have got along well with their neighbors and have brought prosperity to the region by constructing ancient mountain castles such as Kinojyo Castle and imparting steel manufacturing technique to the people of Wakoku. This can be learnt from the fact that Kibitsuhiko-no-mikoto and Ura are worshiped together as the guardian god of the community. -
Yoshino and the Politics of Cultural Topography in Early Japan
Yoshino and the Politics of Cultural Topography in Early Japan Torquil Duthie oshino 吉野 is portrayed in early Japanese texts as a place full of power, beauty, and magic. In the Nihon shoki 日本書紀 (c. 720), Kojiki 古事記 (c. 712), Man’yōshū 万葉集 (c. eighth century), and Kaifūsō 懐風藻 (c. 751), it appears as Ya symbolic center of imperial authority, as a poetic landscape of manifold mountains and clear rivers, and as a mysterious site associated with immortal beings (shinsen 神仙). Although much work has been done on these various aspects of Yoshino from different disciplinary perspectives—historical, literary, and religious—little attention has been paid to the specific contexts in which Yoshino appears in each of these early texts, or to the relationship between Yoshino as a political symbol, as a numinous site, and as a literary topos. In this article I examine the portrayal of Yoshino in its various contexts in order to clarify the process through which it came to be repre- sented as a significant place in the historical narratives and poetry anthologies of the eighth-century Japanese state.1 Today the name “Yoshino” is primarily associated with Mt. Yoshino, well known as the most spectacular cherry-blossom-viewing area in Japan, and with the north- ern edge of the World Heritage Site that stretches from Mt. Yoshino to Ōmine 大峰, through the modern district of Yoshino, which occupies the southern two-thirds of Nara prefecture, and down to the Kumano 熊野 shrines in Wakayama.2 Mt. Yoshino and its cherry blossoms have been famous since at least the mid-Heian period, and the temples and shrines in the area have multiple historical associations.3 In the Asuka and Nara periods, however, the region known as Yoshino was mostly limited The author is associate professor of Japanese literature at the University of California, Los Ange- les. -
An Ancient Star Cult? ______
The Imperial Shrines of Ise: An Ancient Star Cult? _______________________________________________________________ Mark Teeuwen Abstract Japan’s ancient imperial cult has consistently been understood to revolve around the figure of the sun-goddess and imperial ancestor Amaterasu. The symbolism of Amaterasu’s shrine in Ise has been interpreted on the basis of this same premise. There is, however, one dissenting voice: the work of Yoshino Hiroko, who argues that behind the solar façade, imperial worship of Ise reflected an ancient star cult of Chinese origin. This paper finds arguments both for and against this daring hypothesis. Introduction Wherever they are in the world, few ancient monuments escape the fate of being interpreted as sites of secret star cults. The pyramids in Egypt, the temples of the Aztecs, and the stones of Stonehenge spring to mind as typical examples. The evidence that is adduced to support such interpretations usually refers to the orientations of buildings and rituals, and relates these to the angles of the sun, the moon and certain stars or constellations at certain times of the year, or even at specific points in a cycle of years. Star cult theorists see the monuments that they interpret as models of the cosmos, and they argue that these monuments served to confer cosmic meaning on the activities of the people or the elites who built and used them. The sheer grandness of their theories makes them fascinating and extremely exciting; yet, at the same time, the evidence often remains circumstantial and difficult to judge. We would love to be convinced, but at the same time we are exasperated at having to make a leap of faith. -
Q&A the Origins of Shinto Shrines
CULTURE The sun rises over the summit of sacred Mt. Miwa. The otorii in the foreground is the gateway to Omiwa Jinja in Sakurai City, Nara Prefecture, one of the oldest extant Shinto shrines. (PHOTO: Courtesy of Omiwa Jinja) Q&A The Origins of Shinto Shrines Okada Shoji, Professor, Kokugakuin University with editorial staff, Geijutsu Shincho Geijutsu Shincho : How and when did the history of Shinto shrines begin? Okada Shoji: Apart from the clay figures used during rituals in the Jomon period and the bronze bells used in rituals during the Yayoi period, the first definite evidence we have for rituals (kami worship) linked to present day Shrine Shinto is from the latter half of the fourth century, i.e. from the mid Kofun period on. Although we have found various traces of rituals, essentially there is nothing like a sacred building (shrine building). It is thought that there was a long period during which the kami were worshipped at iwakura (sacred rocks) and himorogi (branches set up temporarily to receive the kami). The location for these rituals was the boundary between mountain and village, which was also the boundary between the world of kami and the world Okada Shoji, Professor, Kokugakuin University of men. People brought the best food they had to these places as offerings to the kami. Even today offerings of food (shinsen ) to the kami are the core of Shinto rituals, and this is the origin. However, we know very little about the exact process by which this developed into our modern image of a shrine.