Gregg Allman
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Living in Hope
Armenian-American Museum Advances • Rose McGowan, Ever Brave ® APRIL 27 - MAY 3, 2018 / VOL. 40 / NO. 23 LAWEEKLY.COM LIVINGAS BOYLE HEIGHTS THEATER COMPANY IN CASA 0101HOPE FIGHTS FOR ITS LIFE, FUNDING TO IMPROVE ARTISTIC DIVERSITY DWINDLES BY BILL RADEN | 2 | WEEKLY JACOBY&MEYERS LA INJURY LAWYERS AUTO & TRUCK ACCIDENTS • MOTORCYCLE ACCIDENTS • PERSONAL INJURY America’s Most Trusted Law Firm For over 40 years, Jacoby & Meyers has been “ protecting injury victims and their families. “ Call us today for a free confidential consultation. www.laweekly.com www.laweekly.com 3, 2018 // // April 27 - May - LEONARD JACOBY Founding Attorney OVER ONE BILLION DOLLARS IN VERDICTS & SETTLEMENTS Our experienced team of lawyers is here to help you if you’ve been injured and it’s not your fault. 98.7% Win Rate 100% Free Consultation Not your average law firm. Clients hire us because Get a free no-obligation consultation to find we’re committed, relentless, and we win. out how we can help you if you have a case. No Fees Unless We Win Immediate Response 24/7 We work on a contingency basis, which means we Our staff is always available for you when you don’t charge a penny unless we win your case. need to get in touch with us. Award Winning Attorneys Over $1 Billion+ Recovered Our team consists of some of the the nation’s top We have a 40+ year track record of winning attorneys, retired judges and former prosecutors. and helping our clients get to a better place. INJURED? CALL FOR FREE CONSULTATION 1-800-992-2222 www.JacobyandMeyers.com © 2018 Jacoby & Meyers - All rights reserved. -
Discovery Marche.Pdf
the MARCHE region Discovering VADEMECUM FOR THE TOURIST OF THE THIRD MILLENNIUM Discovering THE MARCHE REGION MARCHE Italy’s Land of Infinite Discovery the MARCHE region “...For me the Marche is the East, the Orient, the sun that comes at dawn, the light in Urbino in Summer...” Discovering Mario Luzi (Poet, 1914-2005) Overlooking the Adriatic Sea in the centre of Italy, with slightly more than a million and a half inhabitants spread among its five provinces of Ancona, the regional seat, Pesaro and Urbino, Macerata, Fermo and Ascoli Piceno, with just one in four of its municipalities containing more than five thousand residents, the Marche, which has always been Italyʼs “Gateway to the East”, is the countryʼs only region with a plural name. Featuring the mountains of the Apennine chain, which gently slope towards the sea along parallel val- leys, the region is set apart by its rare beauty and noteworthy figures such as Giacomo Leopardi, Raphael, Giovan Battista Pergolesi, Gioachino Rossini, Gaspare Spontini, Father Matteo Ricci and Frederick II, all of whom were born here. This guidebook is meant to acquaint tourists of the third millennium with the most important features of our terri- tory, convincing them to come and visit Marche. Discovering the Marche means taking a path in search of beauty; discovering the Marche means getting to know a land of excellence, close at hand and just waiting to be enjoyed. Discovering the Marche means discovering a region where both culture and the environment are very much a part of the Made in Marche brand. 3 GEOGRAPHY On one side the Apen nines, THE CLIMATE od for beach tourism is July on the other the Adriatic The regionʼs climate is as and August. -
John Zorn Artax David Cross Gourds + More J Discorder
John zorn artax david cross gourds + more J DiSCORDER Arrax by Natalie Vermeer p. 13 David Cross by Chris Eng p. 14 Gourds by Val Cormier p.l 5 John Zorn by Nou Dadoun p. 16 Hip Hop Migration by Shawn Condon p. 19 Parallela Tuesdays by Steve DiPo p.20 Colin the Mole by Tobias V p.21 Music Sucks p& Over My Shoulder p.7 Riff Raff p.8 RadioFree Press p.9 Road Worn and Weary p.9 Bucking Fullshit p.10 Panarticon p.10 Under Review p^2 Real Live Action p24 Charts pJ27 On the Dial p.28 Kickaround p.29 Datebook p!30 Yeah, it's pink. Pink and blue.You got a problem with that? Andrea Nunes made it and she drew it all pretty, so if you have a problem with that then you just come on over and we'll show you some more of her artwork until you agree that it kicks ass, sucka. © "DiSCORDER" 2002 by the Student Radio Society of the Un versify of British Columbia. All rights reserved. Circulation 17,500. Subscriptions, payable in advance to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN ilsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money ordei payable to DiSCORDER Magazine, DEADLINES: Copy deadline for the December issue is Noven ber 13th. Ad space is available until November 27th and can be booked by calling Steve at 604.822 3017 ext. 3. Our rates are available upon request. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Dead Master's Beat Label & Distro October 2012 RELEASES
Dead Master's Beat Label & Distro October 2012 RELEASES: STAHLPLANET – Leviamaag Boxset || CD-R + DVD BOX // 14,90 € DMB001 | Origin: Germany | Time: 71:32 | Release: 2008 Dark and weird One-man-project from Thüringen. Ambient sounds from the world Leviamaag. Black box including: CD-R (74min) in metal-package, DVD incl. two clips, a hand-made booklet on transparent paper, poster, sticker and a button. Limited to 98 units! STURMKIND – W.i.i.L. || CD-R // 9,90 € DMB002 | Origin: Germany | Time: 44:40 | Release: 2009 W.i.i.L. is the shortcut for "Wilkommen im inneren Lichterland". CD-R in fantastic handmade gatefold cover. This version is limited to 98 copies. Re-release of the fifth album appeared in 2003. Originally published in a portfolio in an edition of 42 copies. In contrast to the previous work with BNV this album is calmer and more guitar-heavy. In comparing like with "Die Erinnerung wird lebendig begraben". Almost hypnotic Dark Folk / Neofolk. KNŒD – Mère Ravine Entelecheion || CD // 8,90 € DMB003 | Origin: Germany | Time: 74:00 | Release: 2009 A release of utmost polarity: Sudden extreme changes of sound and volume (and thus, in mood) meet pensive sonic mindscapes. The sounds of strings, reeds and membranes meet the harshness and/or ambience of electronic sounds. Music as harsh as pensive, as narrative as disrupt. If music is a vehicle for creating one's own world, here's a very versatile one! Ambient, Noise, Experimental, Chill Out. CATHAIN – Demo 2003 || CD-R // 3,90 € DMB004 | Origin: Germany | Time: 21:33 | Release: 2008 Since 2001 CATHAIN are visiting medieval markets, live roleplaying events, roleplaying conventions, historic events and private celebrations, spreading their “Enchanting Fantasy-Folk from worlds far away”. -
Musiques Du Diable Et Autres Bruits Bénéfiques , Avec
MUSIQUES DU DIABLE ET AUTRES BRUITS BÉNÉFIQUES ALEXANDRE VINCENT FONTAINE ROUSSEAU GIARD sélection et textes dessins MUSIQUES DU DIABLE ET AUTRES BRUITS BÉNÉFIQUES sélection musicale 2010 — 2015 LES ÉDITIONS DE TA MÈRE attention : Ce livre contient au moins 23 tounu·e·s, Pour mon voisin préféré 23 têtes de mort (dont 3 avec du feu) et un nombre incalculable de coches pétées. Pour mon voisin préféré Direction littéraire : Révision : Maxime Raymond Maude Nepveu-Villeneuve Direction artistique : Maquette et composition : Benoit Tardif Vincent Giard © Éditions de Ta Mère, 2017 © Alexandre Fontaine Rousseau, 2017 © Vincent Giard, 2015 — 2017 Bibliothèque et Archives nationales du Québec, 2017 Bibliothèque et Archives du Canada, 2017 isbn : 978-2-924670-13-2 www.tamere.org Nous remercions de son soutien financier le Conseil des Arts du Canada. L’an dernier, le Conseil a investi 153 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays. Nous remercions de leur soutien moral Cathon et Sophie Bédard, qui ont chacune commis un dessin dans ce livre. Saurez-vous les trouver ? plus sérieusement : Ce livre est un hommage aux treize numéros du défunt zine Tout va bien, publiés entre 2009 et 2013. Son existence est aussi intimement liée à celle des États altérés, diffusés depuis janvier 2009 sur les ondes de cism. Les auteurs tiennent à remercier celles et ceux qui ont contribué, de près ou de loin, à ce que ces deux entités existent. Ils désirent aussi profiter de cette occasion pour rassurer le lecteur quant à leur santé physique et mentale, leur hygiène personnelle ainsi que leur alimentation (liquide ou non). -
Giovanni Allevi: Undefined & Unfettered. One Night….One Place
news release Italian Cultural Institute 686 Park Avenue, New York, NY 10012 Tel. 212.879.4242 Fax 212.861.4018 email: [email protected] New York, April 21, 2006 Giovanni Allevi: Undefined & Unfettered. One Night….One Place The Blue Note—Monday, May 15, 2006, 8:00 pm & 10:30 pm In his first New York performance since two sold out shows at The Blue Note in March 2005, Italian composer/pianist Giovanni Allevi returns to the city that was the inspiration for his latest CD, No Concept (Sony BMG). Written over the course of a steamy New York summer, No Concept is as much the embodiment of a musical journey and philosophy as it is a visceral ode to the melting pot of culture, style and sound that we call New York. In the thirteen original compositions which make up No Concept, Allevi challenges himself and the listener to embrace tradition but not to be encumbered by it. The past is a base coat in the quest for a contemporary interpretation of our common human experience. As an artist, Allevi’s palette is rich and audible in the sounds and rhythms of classical, avant-garde, jazz, pop and rock traditions, but the canvas is set on end with every touch of the key. Claudia Di Meo of ANSA wrote, “his music strikes your heart, a witchcraft which leads the listener to a borderline, over a precipice made of accents….complicated metrics without ever being presumptuous….sometimes it is only a sweet caress which touches your body like the red velvet of a theatre.” Allevi’s musical journey began by stealing time, literally, at the piano. -
“We're Gonna Be Really Bad at Song Titles Unless It's
“WE’RE GONNA BE REALLY BAD AT SONG TITLES UNLESS IT’S JUDAS PRIEST” make things too easy with something off of ‘Witchcult counterparts, so this track should be easy Today’ or ‘Come My Fanatics’, so we chose something peasy for these two. from the first album… Brett: “Now, this is probably Cathedral…” Brett: “I don’t know this song…” What the fuck?! Joe: “Wait for the vocals!” Brett: “I wish it was Cathedral.” Brett: “No, I don’t know it.” Joe: “It’s Clutch, but I don’t know the Joe: “Shit, no, I don’t either…” name. I couldn’t tell you the name even if it Brett: “Is it Cathedral?” was the song of my favourite band. “ Joe: “No, how could this be Lee Dorrian?!” It’s ‘Devil’s Bride’ by Electric Wizard. ELDER Brett: “Is that on ‘We Live’?” ‘Dead Roots No, the first album. Stirring’ FROM Brett: “I don’t know that album, but I guess I need ‘Dead Roots to.” Stirring’ (METEORCITY, ISIS 2011) ‘Grinning Mouths’ FROM hese dudes played Roadburn 2013 ‘Panopticon’ Ttogether, so this should be familiar, (IPECAC, 2004) however, the intro to this particular track is oe claims to be a big fan ridiculously long, so watching Brett and Joe Jof Isis, so let’s put this love try to figure it out is going to be hilarious. to the test. ‘Panopticon’ is one of Isis’ better known Brett: “I don’t know this one.” Joe: “What is this from? It’s really hard to tell.” records, so we have made this a little too easy, but the Joe: “You have to wait!” ‘Primitive And Deadly’. -
Singer Songwriter Musician Entrepreneur
enya K K Singer Songwriter Musician Entrepreneur WWW.KENYAMJMUSIC.COM Kenya's BIOGRAPHY Singer/songwriter Kenya delivers smooth, soulful vocals with a jazz influence that creates a contemporary groove. Kenya's music has charted in the US Top 30 Billboard Urban Adult Contemporary charts, Top 50 Smooth Jazz independent charts and top 10 on the independent UK Soul Chart in which her previous album My Own Skin (2015) reached the #1 spot for four consecutive weeks. Similarly, she reached the #1 spot in Chicago's R&B/Soul ReverbNation chart (August 2018) and was the 2014 recipient of the Black Women in Jazz "Best Black Female 'Rising Star' Jazz Artist" award. Opening for such recording artists as Lalah Hathaway, Rachelle Ferrell, Raul Midon, Mint Condition's Stokley Williams and Algebra Blessett, Kenya delights diverse crowds with her melodic tone and engaging stage presence. A graduate of Howard University and former member of the university's Howard Gospel Choir, Kenya is now based in Chicago and has performed internationally at noteworthy venues and festivals including Essence Festival, Capital Jazz Super Cruise, Magic CIty Smooth Jazz in the Park Series in Alabama, Washington D.C.'s Blues Alley, Denver's Dazzle Jazz Club, The Biltmore in LA, Groove NYC, Atlanta's St. James Live, The Promontory in Chicago in addition to a variety of other Chicago area venues and showcases, London's Jazz Cafe, Manchester, UK's Band on the Wall and a variety of other international settings. Kenya's most recent collaboration with legendary smooth jazz saxophonist, Gerald Albright is a rearrangement of the classic song "My Favorite Things" and is a stellar example of her progressive musical ideas and talent. -
San Miguel Primavera Sound
SAN MIGUEL PRIMAVERA SOUND CARTELL 2012 PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA san MIGUEL PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TIQUETS I PUNTS DE VENDA CRONOGRAMA D’activitats PLÀNOL parc DEL fòrum adreces recintes CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA ANNEX: Biografies D’artistes CONTACTE SAN MIGUEL PRIMAVERA SOUND Des dels seus inicis el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva trajectòria amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young,Sonic Youth, Portishead, Pet Shop Boys, Pavement, Yo la tengo, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Public Enemy, Grinderman, Television, Devo, Enrique Morente, The White Stripes, Wil- co, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Melvins, The National, Psychic TV o Spiritualized, entre molts d’altres. REPERCUSSIÓ D’EDICIONS ANTERIORS Any rere any, el festival San Miguel Primavera Sound ha anat incrementant tant l’assistència de públic com la re- percussió als principals mitjans de premsa, ràdio i televisió. Si la primera edició va tancar amb una assistència de 8.000 persones, la del 2002 va arribar a 18.000 i la de 2003 va reunir entre els seus espais a més de 24.000 persones, l’assistència de 40.000 persones a l’any 2004 va significar un punt i apart i el festival va abandonar el Poble Espanyol. -
Anti-Blues Music, Dub and Racial Identity
Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk Article (Accepted Version) Haddon, Mimi (2017) Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk. Popular Music, 36 (2). pp. 283-301. ISSN 0261-1430 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/67704/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk 1 Mimi Haddon 29.01.2016 ‘Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk’ Abstract This article examines the complex racial and national politics that surrounded British post-punk musicians’ incorporation of and identification with dub-reggae in the late 1970s. -
PARTAMDAILY Espartandaily.Com 10.30.01 %Cm 117, No
San Jose State University Since 1934 SServing TUESDAY PARTAMDAILY www.t espartandaily.com 10.30.01 %cm_ 117, No. 43 SJSU grad, police officer killed in line of duty By Cohn Atagi DeShawn Campbell as the main couldn't believe what happened. While attending SJSU, he DARN SIAII WKIIIK suspect and that he should be con- "Whenever I hear something worked for the San Francisco sidered armed and extremely happening with San Jose PD, in 49ers' front office, she said. WEATHER A San Jose State University dangerous. particular, or any department He had an internship with the graduate was killed Sunday Campbell is also wanted for here, I try to think it's one of my SJPD as a part of the Community RAIN morning in the line of duty for the two felony charges. guys (she taught) in a good way," Policing Program, she said. San Jose Police Department. Some students, staff and facul- she said. "When I heard it was a Fontana was the recipient ot High :66 According to a SJPD press ty members of SJSU said they are younger officer, I was hoping it the Daniel Lomio memorial Schol- Low: 52 release, Officer Jeffrey Fontana, upset about Fontana's death. wasn't someone I knew. When I arship in 1999, Hagemann said. 24, was performing a routine traf- Sgt. John Laws of the Universi- heard it was Jeff Fontana, my Loma) was also killed in the line fic stop when he was shot around ty Police Department said it's heart just sank." of duty. 4:30 a.m.