Armenian-American Museum Advances • Rose McGowan, Ever Brave ®

APRIL 27 - MAY 3, 2018 / VOL. 40 / NO. 23 LAWEEKLY.COM

LIVINGAS BOYLE HEIGHTS THEATER COMPANY IN CASA 0101HOPE FIGHTS FOR ITS LIFE, FUNDING TO IMPROVE ARTISTIC DIVERSITY DWINDLES BY BILL RADEN

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www.laweekly.com // April 27 - May 3, 2018 // LA WEEKLY Arts FestivalArts Grand Park’s Voices: OurL.A. Spring tan area than this weekend’s inaugural is the Greater Los Angeles metropoli- salute to — the artistic wellspring that There is no greater confluence of — and Creativity IsintheAir ART/OUTDOORS fri In 2014, Laughing Matter COMEDY/CHARITY funnyman lavoices2018/. 972-8080, grandparkla.org/event/our- p.m.; Sun., April 29, 1-6 p.m.); free. (213) April 27, 6-10 p.m.; Sat., April 28, 1-10 Park, 200 N. Grand Ave., downtown; Fri., own art before your very eyes. and almost 30 artists creating their Self Help Graphics and DTLA Proud, a public marketplace in partnership with DJs Tendaji Lathan and Garth Trinidad, stories from the LGBTQIA+ community, theatrical and dance performances to of artistic expression, from outdoor the public at large, it features all forms general edification and enjoyment of guest hosting has been nominated for an Emmy for brain injuries. Since then, the comedian a coma for two weeks with traumatic truck struck his vehicle and left him in crash in New Jersey in which a Walmart A series ofon-stage conversations featuring writers, actors, musicians, humorists, artists, chefs, scientists andthought leaders inbusiness. I P. 6 GO» OF ARTS CELEBRATE SPRING WITHADAY

UPCOMING 30 Rock and FRI Tracy Morgan . An arts exhibition for the ING SNL, received a star on the —David Cotner RAND www.livetalksla.org Saturday Night Live P ARK survived a car Ad 1 of 2 — LEFT HAND PAGE TICKETS &INFO: 4/27 Grand

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SUN Ashley, Ruperto Vanderpool and Marc Morgan, along with Ardie Fuqua, Tracey still can’t beat their prices,” he said. even when he was in a wheelchair. “You joked that he still shopped at Walmart comedy special Morgan also appeared in the 2017 Netflix his own sitcom, TBS’ new Hollywood Walk of Fame and starred in A Night of Laughs: See Friday. See Laughs: of A Night Tracy Morgan hosts In Stitches: HAPES ANDS S PUPPET IZES Staying Alive, where he The Last O.G. P. 7 AT AT W HIC TINDER LIVE!? TUE H APR 30 Journey fromNaptown to Tinseltown Unsuccessful Thug: One Comedian’s discussing hisupcoming memoir, Mike Epps W LA AY AY

W ILL YOU S Moss Theatre, Santa Monica Theobald, hosts Laughs events&p=22417. 7000, hydroassoc.org/?post_type=dd_ 27, 8 p.m.; $79.95-$154.75. (213) 765- Olympic Blvd., downtown; Fri., April of fluid in the brain. find a cure for the excess accumulation Foundation, a nonprofit that works to WIPE WIPE benefiting the Hydrocephalus

In Stitches: A Night of ANightof In Stitches: —Siran Babayan Publication: The Novo, 800 W. Colors: Size: PHOTO BY PAUL MOBLEY 9.125” x 2.531” LA Weekly (Ad 1 of2) CMYK MAY 1 and How We Earn Shot: RethinkingInequality discussing hisbook,Fair CO-FOUNDER, FACEBOOK Chris Hughes osTete Sta.Monica Moss Theatre, in the world, L.A.’s diversity has periodi- Celebrated as one of the most diverse cities Mending OldWounds DANCE 745-0231, thelodge.la. lywood; Sat., April 28, 6-9 p.m.; free. (323) show show Williams in the low-key, fantastical group Batterton, Matthew Rosenquist and Senon latest exhibition features the work of Wall sculpture and everything in-between. Its gravitas across painting, photography, cheeky contemporary flair and art history eclectic programming that combines Indie art gallery the Lodge is known for Heady Questions ART sat The Lodge, 1024 N. Western Ave., East Hol- the same question all the time: What ifœ…œ? objects. All three seem to ask themselves the animistic personalities of everyday are dimensional and gestural odes to hybrid works of painting and sculpture tary in his ethereal images. Rosenquist’s text and evocative existential commen - folkloric quality, with axiomatic bits of and color wash drawings have an edgy is an accomplished visual artist. His ink of Dengue Fever as the band’s bassist, a bit unsettling. Williams, familiar to fans rays that are both surreal and funny — and techniques in poetic, adult fairy-tale ar pieces incorporate collage and other Art Director/Designer: “What If?” P. 9 FOR WHAT AILS WE’RE NODOCT Artwork Due: DAY Client: ⁄⁄ Batterton’s mixed-media APRIL 27- Live Talks Los Angeles 4/24/18 Mike Diehl (818) 552-4110 ORS I YOU YOU —Shana —Shana Nys Dambrot Week of MAY 3 S GOOD GOOD 4/28

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Angela Angela UPCOMING The Broad Stage, Stage, Broad The —Falling James —Falling Live Talks Los Angeles Los Live Talks 4/24/18 Mike Diehl (818) 552-4110 also will feature guest guest feature will also The Ocial Card of The . Ho˜mann of Tales The Client: Live Talks Los Angeles Los Talks Live engage in a recital of oper of recital a in engage www.livetalksla.org | and forceful Italian tenor tenor Italian forceful and Regent Theater, 448 S. Main Main S. 448 Theater, Regent Artwork Due: , creator creator , Brothers Venture The Y Tinder Live! Tinder Getting on With James Urbaniak James With on Getting Art Director/Designer: OMED James Urbaniak (Dr. Venture on Adult Adult on Venture (Dr. Urbaniak James Swim’s the of podcast). p.m.; 7 1, May Thu., downtown; Street, - space 284-5727, (323) $17.50-$22.50. landpresents.com/event/1674195-tinder- . live-lane-moore-los-angeles black-book-vol-v-hustle-flow-a-visual- . anthology-of-black-labor-work-and-life/ Dambrot Nys —Shana OPERA Powerhouses Vocal evening this us among walk gods Vocal soprano Romanian stirring when —Michele Raphael —Michele C Right Swipe lows and highs the all imagine you Can can, Moore Lane onstage? — Tinder of of night one for L.A. in back she’s and catch-your-breath-laughing-out-loud find I’ll point, some “At comedy. improv - roman super kind, super funny, super a took it ‘Jeez, like, be I’ll and partner, tic 40 like take then And enough!’ long you performer queer the now, for But naps.” never “I swiping. still and … single is I when happen to going what’s know audience the and stage, that onto walk happens what with do to much so has who choose they because show the on a like it’s so on, left or right swipe I many so in choose-your-own-adventure ways.” atic arias and duets. Making her return return her Making duets. and arias atic Gheorghiu hall, Westside cozy this to York’s New with regular longtime a is a possesses who Opera Metropolitan voice. crystalline romantic, beautifully with stage the commanded Grigòlo - theatrical hammy little a and swagger delightful Opera’s L.A. in year last ity of production classic alternate vocalists the Tonight, Gounod Charles by melodies operatic Broadway with Puccini Giacomo and - Rod and Bernstein Leonard by favorites Hammerstein. & gers May Tue., Monica; Santa St., 11th 1310 434-3412, (310) $150-$275. p.m.; 7:30 1, . thebroadstage.com torio Grigòlo Gheorghiu Moss Theatre, Santa Monica Theatre, Moss : $20–$95 Kareem Abdul-Jabbar Kareem Up Growing Kareem: Becoming On and Oƒ the Court 29 MAY 5/1 Rossoblu, Rossoblu, TICKETS LA Weekly (Ad 2 of 2) Weekly LA 9.125” x 2.531” CMYK Size: Colors: ings in a Bowl in a Bowl ings Publication: —Times so why not Billy Wilder Theater at at Theater Wilder Billy ? It’s a veritable Super Super veritable a It’s ? Wilshire Boulevard Boulevard Wilshire is the latest in an ongoing series series ongoing an in latest the is —David Cotner —David Temple, Los Angeles Los Temple, Ehud Barak Fighting My Life: My Country, Peace Searching for Israel, for 17 MAY of screenings, conversations, music and and music conversations, screenings, of culture black how analyzing literature without. and within from portrayed is with undertaken is deconstruction The that joyfulness and gravitas zesty a and complexities unique the celebrates - storytell black by studied paradoxes authors acclaimed of project joint A ers. the Hardy, Ernest and Bryant Tisa post–hip-hop a performs Book Black - televi cinema, literature, of sampling each describing media, other and sion events Past archive.” “living a as volume 1970s, the from movies featured have eras these of reflective ’90s, and ’80s that generations the on influential and present America’s making actively are DuVernay, Ava stuŒ the is this — culture Colson Gay, Roxane Coates, Ta-Nehisi Beyoncé Lamar, Kendrick Whitehead, watching, up grew all Beatty Paul and social their having and to out rocking the is Now by. engaged consciences the through re-examine to time perfect history. of lens Wilshire 10899 Museum, Hammer the p.m.; 8:30 1, May Tue., Westwood; Blvd., hammer. 443-7000, (310) RSVP. with free ucla.edu/programs-events/2018/05/the- Bowl of chefs who will helm the many many the helm will who chefs of Bowl the There’s here. gathered stations - Rosso Bologna-not-baloney-themed Samson; Steve chef by presented blu, traditional Japanese the Shibumi, and downtown; restaurant -style kappo currently that stand Cheese DTLA the plus — Market Central Grand the graces the night, the of end the At others. many the of Restaurant and Award Gold 2018 presented. be will Award Year Mon., downtown; St., Julian San 1124 749-1099, (213) $95. p.m.; 6:30 30, April lafoodbowl.com/bowl-events/launch- party/. Launch Party the El Segundo Segundo El the the by over bowled be tue CULTURE Folks Working A Hustle & Flow: V: e Black Book Vol. Work, Anthology Visual of Black Labor, and Life - . The mu- The . 4/30 Moss Theatre, Santa Monica Theatre, Moss ET FESTIVAL PUPPET KIRBALL Beyond Baroque, Baroque, Beyond —David Cotner —David Marcia Gay Harden Gay Marcia with in conversation Lisa Napoli Seasons of My Mother: The Family, A Memoir of Love, and Flowers 14 MAY : livetalksla.org/video : livetalksla.org/video PHOTO COURTESY S COURTESY PHOTO —Siran Babayan —Siran Skirball Cultural Center, Center, Cultural Skirball Skirball Puppet Festival Puppet Skirball VIDEOS mon FOOD Kickoff Gastronomical Food L.A. another for again yet time It’s at folks good the of courtesy — Bowl 681 Venice Blvd., Venice; Sun., April 29, 7 29, April Sun., Venice; Blvd., Venice 681 822-3006, (310) VIP. $20 general, $12 p.m.; . beyondbaroque.org Strings Pulling both as puppetry about learn and Watch seventh the at entertainment and art folk annual if it even stood for Society for Cutting Up Up Cutting for Society for stood even it if never that time in moment a it’s — Men its in here captured intrigue, to ceases premiere. Angeles Los PERFORMING ARTS seum partners with puppet theaters and theaters puppet with partners seum performances host to artists individual include year this which appearances, and - Natu Theater, Marionette Baker Bob the Guild Angeles Los Museum, History ral PuppetKabob Gray, K. Leslie Puppetry, of You’ll Conspiracy. Cracker Animal and from styles, and sizes all of puppets see elephant own museum’s the to gnomes per Skirball” the at Ark “Noah’s the from - simultane be will which exhibit, manent As puppeteers. four by controlled ously workshops promises also day the always, Paradigm the by led finale festival a and Band. Brass Sun., Brentwood; Blvd., Sepulveda N. 2701 seniors $9 $12, p.m.; a.m.-4 10 29, April 440-4500, (310) children. $7 students, & . skirball.org Moss Theatre, Santa Monica Theatre, Moss

Shepard Fairey Shepard with in conversation Henry Rollins Supply and Demand, OBEY: Art of Shepard Fairey The 6 MAY — a play 4/29 Ad 2 of 2 — RIGHT HAND PAGE the Friendship Concert IIIthe Friendship : livetalksla.org/podcasts : livetalksla.org/podcasts Moss Theatre, Santa Monica Theatre, Moss —Ann Haskins —Ann Sally Kohn with in conversation Aslan Reza of Hate: Opposite The Repairing A Field Guide to Our Humanity 2 MAY

Skirball Skirball Puppet Festival PODCASTS downtown; Sat., April 28, 7:30 p.m.; $10. p.m.; 7:30 28, April Sat., downtown; Aratani Theatre, 244 S. San Pedro St., Pedro San S. 244 Theatre, Aratani art from these students will be on display. display. on be will students these from art than two decades ago. Poetry and visual visual and Poetry ago. decades two than tap.place. schools to reflect on the events of more of events the on reflect to schools Solanas Story e Valerie S.C.U.M: of a larger eŒort in junior and senior high senior and junior in eŒort larger a of a Radical Feminist Revisiting munity Empowerment), the concert is part is concert the Empowerment), munity THEATER - Com and (Faith F.A.C.E. and Platform) sun by community groups TAP (the Artists’ (the TAP groups community by Yatai Bayashi Kai Taiko Drum. Sponsored Sponsored Drum. Taiko Kai Bayashi Yatai joining Korean Five Drum Dance and L.A. and Dance Drum Five Korean joining finale with Paco and Yolanda Flamenco Flamenco Yolanda and Paco with finale Lula Washington Dance Company, and a and Company, Dance Washington Lula Mahkween, contemporary dance from dance contemporary Mahkween, fusion dance, African fusion from James James from fusion African dance, fusion include Juli Kim with classical Korean and Korean classical with Kim Juli include and song. Announced dance performers performers dance Announced song. and versity and love, love, and versity music dance, with spectrum cultural city’s anniversary with a theme of tolerance, di- tolerance, of theme a with anniversary this of sampling impressive an assembles known as the L.A. Riots. Marking the riots’ the Marking Riots. L.A. the as known of the city erupted in what now is generally generally is now what in erupted city the of cally come with friction; 26 years ago parts ago years 26 friction; with come cally meant to agitate for male genocide — or — genocide male for agitate to meant debate as to whether her manifesto really really manifesto her whether to as debate makes its eŒects known. While there’s there’s While known. eŒects its makes around his organs and still, even today, today, even still, and organs his around and shot him with a bullet that ricocheted ricocheted that bullet a with him shot and confronted Andy Warhol at the Factory Factory the at Warhol Andy confronted June 3, 1968, when author Valerie Solanas Solanas Valerie author when 1968, 3, June Peter Carlaftes — casts your mind back to back mind your casts — Carlaftes Peter written by Kat Georges and directed by by directed and Georges Kat by written

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R IN CHIEF & CREA ERTISING GRAPHIC DESIGN GRAPHIC ERTISING RAPHERS ACCO MULTIMEDIA WRI CALENDAR ACCO FILM & THEATER ADV Beige Luciano-Adams, Madison Margolin, Greg Mellen, Mellen, Greg Madison Margolin, Luciano-Adams, Beige / ADMINISTRATION EDITO LIVE MUSI Michael Cooper, Jessica Donath, Zoë Elaine, David Futch, Futch, David Elaine, Zoë Jessica Donath, Michael Cooper, Lily Moayeri, Libby Molyneaux, Tony Mostrom, Bill Raden, Bill Raden, Mostrom, Tony Molyneaux, Libby Moayeri, Lily

OTOG L CONTRIBUTING WRITERS ACCO MULTIMEDIA SENIOR Paul Rogers, Alan Scherstuhl, Jonny Whiteside, Chuck Wilson Chuck Alan Scherstuhl, Whiteside, Jonny Rogers, Paul Sarah Granger, Adam Gropman, Paul Hodgins, Susan Hodgins, Paul Hornik, Adam Gropman, Sarah Granger, Darralynn Hutson, Shirley Ju, Deborah Klugman, Nikki Kreuzer, Kreuzer, Nikki Klugman, Hutson, Shirley Ju, Deborah Darralynn PH Danny Liao, Shane Lopes, Timothy Norris, Ryan Orange, Ted Soqui, Ted Orange, Norris, Ryan Timothy Shane Lopes, Liao, Danny

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UCLAis conducting clinicala trial to examine the safety of a medication, pomaglumetad methionil (POMA), and methamphetmine. This researchprojectisfundedbytheNationalInstituteonDrugAbuse UCLA ProtocolID:IRB#l3-001749.PrincipalInvestigators:PaminaGorbach,DrPH&StevenShoptaw,PhD. www.theMstudy.org Free referralstotreatmentforsubstanceusers Free STD/HIVrisk-reductioncounseling,testing,andreferralstocare Up to$75pervisit WHAT YOUGET History ofsubstanceuse HIV status:negativeorunknown Ages 18-45 Men whohavesexwithothermen Black/African-American orLatino WHO’S ELIGIBLE mSTUDY Protocol ID:IRB#13-001749UCLAIRBApprovedApprovalDate:10/13/2017Through:8/21/2018Committee:SouthGeneral This researchprojectisfundedbytheNationalInstituteonDrugAbuse UCLA ProtocolID:IRB#l3-001749.PrincipalInvestigators:PaminaGorbach,DrPH&StevenShoptaw,PhD. www.theMstudy.org Free referralstotreatmentforsubstanceusers Free STD/HIVrisk-reductioncounseling,testing,andreferralstocare Up to$75pervisit WHAT YOUGET History ofsubstanceuse HIV status:negativeorunknown Ages 18-45 Men whohavesexwithothermen Black/African-American orLatino WHO’S ELIGIBLE mSTUDY UCLA IRB#16 UCLA Protocol ID:IRB#13-001749UCLAIRBApprovedApprovalDate:10/13/2017Through:8/21/2018Committee:SouthGeneral

m s a p p a Th t n r l h Call a e a e d i e y - ti s y n www.scrstudies.com Southern California Research, LLC 888-444-1104 To learn more, pleasecall Qualifi upto$750. ed participantsmaybecompensated visits,All study-related tests, nocost. anddrugswillbeprovidedat least6months priortothisstudy hadPTSDsymptomsforat • Have • Be18to65yearsofage To pre-qualifyforthisstudy, youmust: participate inthisresearchstudyofanInvestigationalPTSDdrug. If you’restrugglingwithPTSD, withorwithoutmedication, youcould 001857. This UCLA research study is being conducted by the UCLA Dept of Family Medicine (PI: Keith Heinzerling MD). (PI: Keith of Medicine by the Family Dept UCLA being is conducted research UCLA 001857. study This a t s i b n n a o n t m g g e 310 u t o s i c l d i n n t u

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| 11 | LA WEEKLY // April 27 - May 3, 2018 // www.laweekly.com - To Karapetian, who lost family to the to family lost who Karapetian, To - re Day Memorial Genocide Armenian is it years, eight ensuing the Over - extermi systematic the consider Many of House States United the 1975, In is purpose museum’s the Although people most although said Najarian aŸecting of absence the in However, museum, the on information more For - Derde To genocide. the in rooted are diocese such largest the leads who rian, 1 than more with Armenia of outside never can that something is that million, his in ever-present is and forgotten be there aware, not are we “If congregation. souls.” our and history on dust be will - ines is experience shared the genocide, said. he diŸerently,” it feel “You capable. you you telling you inside something “It’s bully harshest the against fight to have exists.” that ing Red called also 1915, in date the members and leaders 200 than more when Sunday, community Armenian the in intellectuals were Constantinople) (then Istanbul in camps. detention to sent and up rounded million 1.5 to million 1 that estimated Empire Ottoman the in living Armenians were countries nearby in refugees and wholesale slaughtered were Men killed. or conscripted into forced labor. Women, Women, labor. forced into conscripted or often deported, were elderly and children the through marches death forced via desert. Syrian — genocide modern first the be to nation - histori by coined was genocide word the event. the describe to Lemkin Raphael an Turkey of governments the day, this To acknowledge to refuse Azerbaijan and of 48 Although genocide. Armenian the o¢cially States United the in states 50 29 with along genocide, the recognize ethnic religious, countless and countries has States United the groups, social and the recognizing o¢cially from away shied genocide. as events resolution a passed Representatives Day National a as 24 April designating - Inhuman Man’s of Remembrance of of victims commemorating Man, to ity but Armenians, particularly genocide, U.S. the pass to failed resolution the 1997, Since Committee. Judiciary Senate a as 24 April recognized has California Armenian the for Remembrance of Day vic- the for and 1915-1923, of Genocide and 1988 of Pogroms Sumgait the of tims 1990. of Riots Baku government o¢cial for advocate to not - ex mere its genocide, the of recognition day one hope “We helpful. be may istence doesn’t it realizes government U.S. the Turkey,” to comes it when in cave to have said. Karapetian the think “I fact, as genocide the accept the at slowly very but moving is needle lob- of lot a still is There level. executive Turks.” the by bying fight will museum the politics, global simple its with genocide modern against education an be will “This message. should genocide that teach can we where have “We said. Derderian happen,” never our share and together live to learn to ourselves distance to talents God-given another.” one love and hatred from to ArmenianAmericanMuseum.org. go - RCOOSI ARCHITECTS RCOOSI atrium gallery atrium N & MA A rendering of the JIA planned Armenian- planned American Museum’s Museum’s American AJA RENDERING COURTESY AL RENDERING COURTESY For that reason, leaders say, they will they say, leaders reason, that For send will museum the said Derderian hiccup-free, been not has process The joins museum the location, new its At be can land public on building While begin to is goal the said Karapetian vistas, new creating of talk the all For the life of our community. 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Park Central the on Center ation will museum the although says Najarian square 50,000 to 40,000 about up take actually will city the land, park of feet parking converting by space green gain park existing the Of land. open into lots in used wasn’t “It said, Najarian space, a it make will This way. e¢cient very a area.” usable more much has there says Najarian controversial, mu- the to opposition no virtually been thing natural a much pretty was “It seum. was committee The forward. move to us.” for easy it made and dedicated and 2019 of summer the in construction mu- the for funding The 2022. in open private from coming primarily is seum $4 a provided state the but donations, grant. million museum the that deny don’t organizers experience Armenian-American and - Los Angeles County is home to the to home is County Angeles Los for discussions been have there While formed was committee a until wasn’t It that project a was on landed we “What primate Derderian, Hovnan Archbishop ing arts theater, demonstration kitchen, kitchen, demonstration theater, arts ing store. museum and cafe archives, the in community Armenian largest the in largest second and States United Al- Russia. Armenian of outside world 166,000 estimate figures census though many L.A., in live descent Armenian of that feel community Armenian the in that. times three or two be could number the put estimates some where — Glendale 40 to percent 30 at population Armenian Ar numerous with hub, its is — percent religious, educational, menian-American organizations. professional and cultural to something creating about decades Armenian-American the commemorate genocide, the remember and experience Armenian the since years 50 been has it Bicknell in Monument Martyrs Genocide erected. was Montebello in Park - Geno the of centennial the celebrate to the for plan the that Day Memorial cide - Ac traction. gained museum Glendale chairs who Karapetian, Berdj to cording museum, the for committee executive the mulled initially committee centennial the before water or lighting with memorials museum. the with big go to deciding says. Karapetian legacy,” a leave would all help to way a as more this at look “We have populations immigrant diŸerent collaboration and appreciation better a other.” each with Armenian the of Diocese Western the of was it said America, North of Church forward- be museum the that important perspective “My inclusive. and looking anniversary 100th the with one day from in chapter new a create to was committee -

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News News In just three years since a museum museum a since years three just In This year, however, as Armenians Armenians as however, year, This “Everyone has a story,” Najarian said of said Najarian story,” a has “Everyone Ara Najarian, a city councilman from from councilman city a Najarian, Ara

BY GRE | - perform a exhibits, traveling and manent educational and cultural center with per with center cultural and educational Glendale’s Central Park Paseo, will be an be will Paseo, Park Central Glendale’s The museum, on the southwest corner of corner southwest the on museum, The 59,800-square-foot, three-story facility. facility. three-story 59,800-square-foot, open for the creation of a $30 million, $30 a of creation the for open Museum in downtown Glendale. downtown in Museum is path the created, was committee the building of an Armenian-American Armenian-American an of building the was reached, according to Najarian, for for Najarian, to according reached, was lease of up to 95 years, a “tipping point” “tipping a years, 95 to up of lease cil’s April 17 approval of site plans and a and plans site of approval 17 April cil’s - Coun City Glendale the With back. as they will be able to look forward as well as forward look to able be will they niversary of the onset of the genocide, genocide, the of onset the of niversary ment of Turkey still denies occurred. denies still Turkey of ment an- 103rd the commemorate to gather - govern the which genocide, the after pora beheadings. - dias Armenian-American the of members orphaned by the atrocities and witnessed witnessed and atrocities the by orphaned heritage. His other grandfather also was was also grandfather other His heritage. ily before he discovered his Armenian Armenian his discovered he before ily an orphan raised by a Muslim Arab fam- Arab Muslim a by raised orphan an diers. His grandfather survived but was was but survived grandfather His diers. - sol by raped and assaulted be than rather drowned herself in the Euphrates River River Euphrates the in herself drowned Glendale, said his great-grandmother great-grandmother his said Glendale, killed an estimated 1.5 million Armenians. million 1.5 estimated an killed Ottoman Empire, modern-day Turkey, that Turkey, modern-day Empire, Ottoman of the campaign of extermination in the in extermination of campaign the of

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www.laweekly.com // April 27 - May 3, 2018 // LA WEEKLY | | 13 LA WEEKLY // April 27 - May 3, 2018 // www.laweekly.com IT’S TIME! inventory. FARM FRESH FARM HARVEST Stop in and see our PHOTO COURTESY THE STATION COURTESY PHOTO Hanging in front of the mural is an open is an open mural the of in front Hanging Beach locals, a family Long Hailing from of people where station a train “I created in black totally is almost mural The original police the alongside e mural,  assignment, the rst received fi Early When Station the a medical is strictly now, For than no regu- better is always “Regulation new old world meets e Station is where  us, what it means is a new beginning, “For “We fi nally narrowed it down to the idea of of idea the it down to nally narrowed fi “We jailbird.” the freeing the that release, symbolize to cage, bird openly buy medical in cannabis to freedom that cage, the of e image “ California. legal see it to but I wanted original idea, the was says. Early go a bit further,” a histori- also have to mural the wanted Early it. to cal feel go to a train board to waiting free, are faux windows at says. With he wherever,” bird open as the same the context in top, the ying fl bird freed the of idea the there’s cage, those windows. through come light of rays but rainbow and white, a direct windows, providing the through behind freedom e whole idea contrast. “ mari- nally medical and adult-use [is] that fi has of kind mural] But [the legal. juana are the says. “It’s it, to an irony a twist,” Early that retro but you have prohibition, end of cers police o the have I still why at’s  feel. on guard.” in it that look harmless, however im- convey is meant to benches, station customers to mediately that “this once was of wave and that this is the a police station, says. he future,” the can- the include to want didn’t knew he he colors Rasta or anything else too nabis leaf, it to take to “I wanted mural. in the obvious a have says. “It doesn’t he level,” erent a di cannabis, but when of idea do with the to lot it has everything do to you look at it deeper, very subtle.” with it. It’s Beach but once Long cannabis dispensary, own- the permitting, adult-use for allows ers license apply for an adult-use plan to to be brought to issue is set The as well. city council in June, says Chotiswatdi, the passed council a 180-day that the noting that is up in June. in November moratorium manager lation,” says Adam Hijazi, general city go see the to want Station. the of “We city will hope that the adult use. We into weeks.” coming issue in the up the bring speak, so to eras, of world, a crossroads California. and post-prohibition pre- between and now possibilities prohibition end of the community through whether future, in the or cannabis in enforcement law relations, we’re an industry, Hijazi says. “As general,” what and that’s , everything is new, o taking trying for.” stand to we’re The Rollup

former police station in Long Beach Beach in Long former police station is now a medical marijuana dispen- sary Station. named the aptly Hav- by Madison Margolin by

“It’s like a crossroads for the end of prohi- end of for the a crossroads like “It’s Station the used In its original iteration, construc- site’s the during and Before location — at 1957 Pacific the Getting dispensary, the of room In waiting the neighborhood10 the to moved Early When Station, the name of the I thought “With David Early’s mural at the Station dispensary POT DISPENSARY IN FORMER DISPENSARY POT COP SHOP IS A SYMBOL OF LEGAL CALIFORNIA

ing o cially opened month, the earlier this o ing building’s the of theme the Station o plays former purpose. that,” highlight to says wanted bition, so we health dispensary’s the Chotiswatdi, Pam you can get a place where “It’s educator. how about think also but medication your at legally.” we’re where got we cells for those and holding house booking to location of the While been arrested. who’d oor,” “bud fl cells has now become the the since been re- have cells themselves and the Chotiswatdi creepy,” of kind (“It was moved dispensary for admits), the has retained, benches original police station the instance, in. etched with tagging dispensarytion, the owners, as part the of Association, invited Beach Collectives Long tours for meetings and community the enforce- with law presentations and held department,ment, fire the neighborhood city officials, associations and various says. Chotiswatdi a dispensary into — transformed wasn’t Ave. difficultoutright a com- but it did involve munity effort. the one of during “It was neighborhood tours community that the community be done by to a mural suggested e says.  Chotiswatdi Early,” member David LBCA, city on cannabis which works with the com- and education, encourages regulation munity involvement, says. she wait- the to a similar feel have to intended mural, is Early’s station, at a cop room ing themes. inherent location’s on the playing loca- the remembers says he years he ago, which oper- police station, tion as an active 2010s. the ’90s through late the from ated in- focus on being to positive, the bring to says. Early released,” and being carcerated A

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NOTYOURPARENTSGYM.COMNOTYOURPARENTSGYM.COMNOTYOURPARENTSGYM.COM Sick ofthatsameold, sameold? Follow us @notyourparentsgym | | 15 LA WEEKLY // April 27 - May 3, 2018 // www.laweekly.com » 16 ( López went López on to cite what for all of Los Angeles’ director executive 0101’s Casa Deleage, Emmanuel Now in its sixth year, the popular showcase for local local for showcase popular the year, sixth its in Now director artistic founding 0101 Casa statement, a In new new source of revenue could be found to stabilize nancial support,” she nances. need “We your fi its fi please doing, are we what in believe you “If pleaded. now.” us support intimate, 99-seat-and-under stage community has de- the past an become all-too-familiar over refrain rent.” our pay can’t “We cade: the announced simultaneously husband, López’s and launch of #CASA350, a 120-day fundraising sprint per $25 at subscribers new 350 up sign to seeks that only however, 19, April of As June. by month Latina playwrights shows no sign of slowing (like past past (like slowing of sign no shows playwrights Latina That out). sell eventually will run year’s this editions, success a Chisme y Cholas Chicanas, makes only not story unto itself, it also adds a layer of bitter irony of to the that 29 the possibility announcement Jan. 2019. in back be will theater the nor show the neither na López startled Los Angeles’ Josefi Latinx stage com- 18-year-old the that announcing by community a unless June by doors its close to have would pany

— writer — Cycles

“Finally, somebody listened and didn’t “Finally, sexually sexually traumatized rmation. granddaughter, nal aˆ es in fi the playlet’s testifi “I’m taking parenting classes and I’m in t’s a Saturday night in Boyle Heights, and and Heights, Boyle in night Saturday a t’s Cholas Chicanas, of weekend second the La- annual Theater’s 0101 Casa Chisme, y room standing is festival, playwrights tina only. Onstage, actors Ana Diana Tapia, harrow- a out act Salinas Raquel and Cruz ing catalog of familial dysfunction that teen and molestation child rape, includes pregnancy. family’s the character, Tapia’s me,” blame As if on cue, a telltale chorus of sniŠ out out breaks breaks es es sniŠ sniŠ of of chorus chorus telltale telltale a a cue, cue, on on if if As As

therapy now.” therapytherapynow.” now.” audi- audi- nearby nearby a a me,” me,” got got “It “It house. house. darkened darkened the the across across friend friend her her to to whispering whispering overheard overheard is is member member ence ence tissue. tissue. a a with with tears tears away away wipes wipes she she as as Suzanne Suzanne Linares’ Linares’ raw raw parable parable about about how how secrecy, secrecy, and and sexual sexual trauma trauma allowed allowed and and have have silence silence shame shame abuse abuse to to be be transmitted transmitted across across generations generations of of low-low- Mexican-American conservative culturally income, chord. deep a struck has — families immigrant II DWINDLES DWINDLES CASA 0101 0101 CASA TO IMPROVE IMPROVE TO LIFE, FUNDING FUNDING LIFE, FIGHTS FOR ITS FIGHTS FOR ITS BY BILL RADEN BILL BY AS BOYLE HEIGHTS HEIGHTS AS BOYLE THEATER COMPANY COMPANY THEATER

ARTISTIC DIVERSITY DIVERSITY ARTISTIC

HOPE HOPE

ININ

LIVING LIVING LIVING

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» own stories.” place where they can be the heroes of their López likes to describe as “giving Latinos a based, social justice–infused mission that community- a of model a is company,it local writers. With its inclusive, 28-person is 80 percent to 90 percent new works by said Deleage what of slate annual 0101’s eight main-stage shows that make up Casa not the size of who the theater serves.” as it exists, is about the size of the theater, theater. “The [funding] formula currently, gels, the venerable Los Angeles diversity An- of Company of director artistic lina, is particularly heinous,” says Armando Mo a mere 8 percent. to amountedgroups”“culturally specific for funding population,L.A.’s of percent 72 represent color of Angelenos Though statistic: single a in up summed be can sented communities of color. How unequal ities had only gotten worse for underrepre- published last year, concluded the inequal- demographics. A follow-up Helicon report, ing inequalities in arts funding relative to group Helicon Collaborative found shock - groundbreaking 2011 study, arts research a In Angeles. Los in here foundright are is a larger dysfunction in the nonprofit arts. makers and Latino theater makers alike say self in fiscal straits underscores what grant to better-paying film and TV work. developing the craft that is a prerequisite for actorevery to essentialare that roles lead — Latina/oactors to available roles stage the of amount disproportionate a represents Casa artists. theater Latinx L.A.’s to catastrophe Richter-scaled a be be incalculable to its audience, but it would lar seasons of plays in Los Angeles, might three all-Latino stages that produce regu - only of one Casa0101, of loss Latino,the they do their morning cup of coee. theater and its mission at least as much as Heights residents and others who value the Boyle of more 160 of — hearts the and — 15 Chicanas, Cholas y Chisme is among is Chisme y Cholas Chicanas, “[We] are under-resourced in a way that Some of the system’s starkest disparities But the very fact that Casa 0101 finds it- percent 48 than more is that city Fora That leaves the theater’s fate in the hands Josefina López and Emmanuel Deleage of Casa 0101 Casa of Deleage Emmanuel and López Josefina ) 190 had signed on. - spiration looks like, it’s like, looks spiration lives by telling their own story.” confidence, acting and at least value their to go into the arts or at least to learn self- the middle path, where we inspire people with a laugh. “It’s almost like we want to says gangs,”López be of out stay to group Christian extreme an join you or gang a cause in this community, it’s either you join move. the inspired that acting and playwriting ing teach - for passionevangelizing López’s Broadway musicals to its programming. pany to add family-pleasing, $35-per-ticket expansive 99-seat theater allowed the com - by District 14 councilman José Huizar. An facilitated grant city $50,000 a included came in 2011 after a capital campaign that gym boxing former 5,400-square-foot St. Casa in a small storefront at 2009 E. First founded had López after year the 2001, in forces joined Deleage and She 2002). in film a as adapted was (which Curves known for the 1987 play who was born in Mexico, is probably best not the victims in somebody else’s story.” they really are and understand that we’re that people powerful the as themselves power my students, my community, to see em- to wanted I … psyche.your on takes working-class, you don’t realize the toll it you’re whenMexican-American, you’re whenundocumented, up growyou when “because phone, the over reflects López —L “CASA 0101IS AN OBJEC AND SEEINGHOW THEY SURVIVE.” THAT’S LOOKING AT EA EVERYFOR THEATER If there’s a poster child for what that in- “My thing is that I teach playwriting, be But it was the space’s new classroom and a into street the across move A López, a lifelong Boyle Heights resident “I tell people that theater saved my life,” UIS UIS V ALDEZ, TEATRO TEATRO ALDEZ, Real Women Have American Crime American PHOTOS BY T ED S OQUI -

In addition, the theater found itself black- ment taxes (the ruling is being appealed). three years’ worth of back pay and employ and added to the payroll, and that Casa pay employeessalaried considered be teers volun- theater that insisted (EDD) ment fornia Employment Development Depart- tech upgrades were poorly timed. Necessary turnouts. small drew tations Several high-profile shows with big expec- economics of funding inequality. knife’s-edge the under fatal be can but institution arts nonprofit small any with include the kind of vagaries that are typical cumstances behind Casa 0101’s fiscal crash tion, and it is all thanks to Casa.” films coming out and two others in produc- haveyearI threeThis … me.forperience time it was a moment of life-changing ex - he said by phone. “And I remember at that ingactingto like fourin TV,” on minutes magnitude of the corner he had just turned. first time, however, that he understood the the for TV on himselfsaw broadcastand was 17. It was only when he turned on the gritty copL.A. drama landed his first professional TV gig on the Padilla (also Casa’s board president), Ortiz acting program. startedclasses theat theater’s free youth juvenile facility when, at the age of 15, he high-security a at months 24 served had and stabbed and shot been already had mestic violence and extreme poverty, Ortiz do- by racked home a from gangbanger Park Highland A Ortiz. Johnny star TV Untimely sanctions hit hard. The Cali- The hard. hit sanctions Untimely Multiple grants expired at the same time. According to Deleage, the immediate cir “I basically transitioned from gangbang- Edwardteacher of guidance the With C Casa 0101 in Boyle Heights Boyle in 0101 Casa AMPESINO C OMPANY C H OTHER T LESSON when he Southland he when - - the“pronounced lack diversityof among county’s population. thecompared percentroughlyof 27 with organizations’boardmembers are white, mission found that 68 percent of local arts Com- Arts County L.A. the by launched InitiativeInclusion and EquityCultural Philanthropy.Big andyear, LastArts the complexions of the board members of Big in arts funding begins with looking at the couple from fundraising. enue source for the theater, distracted the eventually,and,cation additionalrevan gentrifi- against hedge a both as López by created restaurant Mexican Heights Boyle year,the CasaFinalast of opening play ing union actors on its anti-gentrification itself back into Equity’s good graces by us- uity Association, and was forced to spend listed by the stage actors union, Actors’ Eq- budget and have a formal audit to even be dations, you must have at least a $500,000 dryly adds. Johnson Ben director arts performing many grantees.” as twicehave we and 2000s, early the in basically,did we than funding less have and our grant portfolio has doubled. So we levels1990 at we’refact,still forfunding, of matter a “As(DCA). Aairs Cultural of Department L.A. the of manager eral gen Brazell, Danielle years,”says many cultural institutions with their hands out. years. What’s changed is the explosion of the over flat dispiritinglyhaveremained ously low levels of public art support that nia has long been a blue state with scandal- bivalence of state political leaders. Califor wealth. philanthropic the of percent 60 nearly reaporganizations arts the of percent 2 staggeringly familiar statistic: The richest ing disparities, which Helicon pegged to a members” directly exacerbated grantmak - arts foundation executive sta and board That mirrored Helicon’s finding that finding Helicon’s mirrored That losers and winners the Understanding the that acknowledged also Deleage But Brazell adds a caveat: For most foun - “This is not a city of philanthropy,” DCA in increased not has funding “[Arts] Against that backdrop is the historic am- Enemy of the Pueblo. - - - | | 17 LA WEEKLY // April 27 - May 3, 2018 // www.laweekly.com

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- - - which was supposed to help support Casa 0101 Josefina López at her restaurant, CasaFina, As As theater makers reeled, funders Other major diversity arts funders, such such funders, arts diversity major Other Although Although Casa 0101 had been - techni “We have a tendency to be poor organiza poor be to tendency a have “We If that wasn’t enough, all of L.A.’s Latinx Latinx L.A.’s of all enough, wasn’t that If equity statements in their grantwriting. In grantwriting. their in statements equity the the game by punching up their cultural competitive competitive with the foundations still in on individual giving or to become more be right or wrong but never maybe. never but wrong or right be urged minority companies to rely more for math and English, where answers can can answers where English, and math for during the 1990s and 2000s, when educa when 2000s, and 1990s the during testing achievement high-stakes of favor art and the humanities in public education education public in humanities the and art tion reformers gutted arts education in The shift echoed a similar abandonment of abandonment similar a echoed shift The soon soon followed Irvine to varying degrees. as as California Community Foundation, staŸ to consider. to staŸ too time-consuming for the theater’s small small theater’s the for time-consuming too process had been onerously complex and and complex onerously been had process Poverty Department, says the application application the says Department, Poverty cial-justice theater company Los Angeles Angeles Los company theater cial-justice while while working with John Malpede’s so who had learned grantwriting on Skid Row Row Skid on grantwriting learned had who in favor of poverty programs. programs. poverty of favor in Deleage, funding, Irvine for eligible cally ing traditional play producing companies companies producing play traditional ing - fund cease would Irvine that notice gave data management engineering to the job, job, the to engineering management data in 2014, an and who inbrought expertise Don Howard, who took the reins at Irvine Irvine at reins the took who Howard, Don maker maker for smaller theaters of CEO color. - grant mainstay a been had which dation, fen Playhouse. fen - Foun Irvine James billion $2.3 the by ties - Gef the and Playhouse West East Theater), priori- funding in shift tectonic a by 2016 Mark Taper Forum and and the Kirk Douglas Forum Mark Taper and diversity stages were blindsided in Group (encompassing the Ahmanson, the the Ahmanson, the (encompassing Group knows.” who somebody pay are the regional giants — Center Theater Theater giants — Center the are regional cannot we [And] contracts. learned never ary clout and the grantwriting prowess We accounting. learned never We tration. - budget requisite the both with stages only - adminis learned never we But artists. are eligible for grants. And in Los Angeles, the Angeles, Los in And grants. for eligible “We Amavizca-Murúa. Rúben director tic - artis Theater Kahlo Frida laments writer,” tions that cannot hire a professional grant grant professional a hire cannot that tions

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Chefs to Talks Andrew There are details of the intense rela intense the of details are There women. for time tough a was it And Sue Mary with who Feniger, Susan to chauvinism describe would “People looks future culinary the says Friedman endlessly and chefs by Beloved Patrick Terrail over everything from from everything over Terrail Patrick in renovations kitchen to patterns china spot celebrity hottest the of days early the two The the ’80s. in Melrose on town in years for speak didn’t and ways parted Terrail since hatchet the buried have but cancer. with diagnosed was ambitious his and Puck between tionship her it made who Lazaro›, Barbara wife, culinary the into him catapult to mission stratosphere. brand successful the launched later Milliken and restaurants of brand Grill Border working mouth to hand lived trucks, food in Maison Ma at Puck under shifts lunch restaurants Angeles Los when the ’80s, up pick to starting just were chefs and steam. a “As says. 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It will restart in the end of that par bars of map and list and restaurants greenbardistillery.com/burritos/. go to ticipate, Project will solve America’s hunger challenge. challenge. hunger America’s will solve Project causes root the addressing not know we’re “We hand someone a you But when problem. the of at that moment. them helping you’re burrito, good.” pretty And it feels how many each person can take. “If someone “If someone each personhow many can take. to tend People two. them give we two, wants friends.” their on to pass them at a church near the area where the burritos will will burritos the where area near the at a church about two hours It takes that day. be distributed volunteers a batch. By 9:30, and heat make to - who to out burritos giving street, on the are at night,” do it late hand. “We holds out a ever try time it so that those to said.Mathews “We and are night found a place for the that haven’t some food.” in need get most to 1,000 burritos per session, no meat is used. per session, no meat is used. burritos 1,000 to said. last “ey Mathew vegetarian,” all “ey’re temperature.” at room longer —Paul Hodgins —Paul - . “It was a time time a was “It . Weekly L.A. I think the average person imagined imagined person average the think I the transform to on went Marder rebellious Marder’s credits Friedman went that battles the recounts Friedman It was an appropriate spirit for the project, spirit project, for the an appropriate It was came about naturally. said idea Mathew the and persuade dicult to restaurants It wasn’t Making the people’s burrito is inexpensive, is inexpensive, burrito people’s the Making and all the stories are completely varied,” varied,” completely are stories the all and - screen a as out started who Friedman, tells writer, Thomas and Waxman Jonathan where still were chefs But peers. be could Keller cooks. considered just shoveling just of equivalent the them book, this in people the of “Most coal. as self-discovery of moments initial their - contin Friedman isolation,” in was cooks they parents their tell would “They ues. parents’ the and chefs become to wanted basically was It explode. would heads out.” coming of version their - combin Angeles, Los in scene dining the opened he when art and food ing Venice in Café Beach West super-hip Capo elegant and rustic the and 1978 in company, His 1999. in Monica Santa in also Group, Restaurant West FoodCo the and Shop Co›ee Cora’s Marvin, owns Rooster Red (The Bakery. Rooster Red specialties grilled featuring Restaurant, a as well as fireplace custom the from Bistro historic the over taken has bakery, this open will and space Monica Santa of summer.) success, his for philosophy fearless and knowledge growing public’s the as well as experience. culinary the in interest and do to lot a had stage a as kitchens Open stories juicy of plenty are There it. with parties cocaine-fueled about book the in Puck’s Wolfgang there’s Then hours. after contemplate him made which start, rocky Puck wishes, father’s his Despite suicide. - apprentice an for 14 age at home left Austria, Villach, in Post Hotel the at ship be- and failures of years o› kicked which chef. a as it make never would he told ing succeed to desire and cooking of love His him brought and though, going, him kept America. to owner Maison Ma and Puck between on and spirits maker at Greenbar Distillery, who who Distillery, at Greenbar and spirits maker husband and part business with her runs the Khosrovian. Melkon ner, our love by said.Mathew “is gin is inspired as about people L.A. the scene. It was food of geography.” opposed to in downtown Arts in the here District “We’re less than a mile away we’re L.A. In our area not homeless people. It’s hungry, of a lot from has been she Lately, can ignore.” we something where in places homeless people even seeing — Glendale, before them noticed never she South Pasadena. bars to come on board, Mathew said. “We knew knew said. Mathew “We bars come on board, to with our partners. that this would resonate And a them gave we them, it to proposed we when spirits.” on the special pricing assembly-line ap- the to simple and conducive the about love we said. Mathew “What proach, money goes into is that all the Project Burrito - administra no overhead, no ere’s food. the local by food is donated the of Most costs. tive together, volunteers A bunch of get restaurants. burritos.” do is make and all they - - istillery. D PHOTO BY EVAN SUNG EVAN BY PHOTO Volunteers make burritos at Greenbar

CT PROJE THE BURRITO COURTESY Greenbar, L.A.’s best-known cra distillery, distillery, cra best-known L.A.’s Greenbar, - provid to Distillery on its way is well Greenbar Detailing the stories of Wolfgang Puck, Wolfgang of stories the Detailing time, evolved less a about is book “This has teamed up with restaurants and bars and bars up with restaurants has teamed counties to and Orange Angeles Los throughout participat the of homeless. Each the feed help ing establishments is oering a brand-new cock a brand-new is oering establishments ing Greenbar’s that includes its own making tail of a burrito time that drink is ordered, gin. Every hungry. the help to is donated “We spring. end of the by burritos 10,000 ing with our year started the of beginning this at the co-founder Mathew, says Litty Gin,” City Bright Susan Feniger, Alice Waters and other and Waters Alice Feniger, Susan book his begins Friedman icons, culinary with 1972 in Morocco of beaches the on - trip who’s Marder, Bruce dropout college what out figure to trying and LSD on ping of discovery Marder’s life. his with do to spices and cilantro as such herbs wild brought tagine a from wafting curry like van hippie the Take epiphany: his to him chef. a become and Europe to

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C 7 7 » —Michele Stueven cheese if desired. Serves four. ingredients together and top with goat Add olive oil to fennel mixture. Toss all peel and segment the remaining orange. least a half hour. and vinegar. Cover and refrigerate for at one orange and add to the fennel with salt mandoline) into a bowl. Zest and juice it’s pure perfection.” citrus, bright crisp fennel and salty olives, tells me. “I love the combination of sweet Moroccan olives and I’m in heaven,” she salad is one of my favorites; mix it with regular, is a huge fan. “Orange and fennel Bar beverage director and Arnett Farms gives the salad yet another dimension. to include some peppery arugula, which can use any greens you like, but be sure as a bed for grilled fish or chicken. You salty, tart and crunchy and works solo or of my favorite dishes. It combines sweet, fennel salad with olives and apples is one riage — I like it raw. Blood orange and

20 OCKTAILS When ready to serve, dice apple and Core the fennel bulb and finely slice (or ¾ tsp. salt ¼ cup olive oil 1 tsp. apple cider vinegar 6 oz. goat cheese (optional) 10 oz. mixed arugula and romaine ¼ cup Kalamata olives 1 apple 2 blood oranges (or any sweet citrus) 1 fennel bulb Here’s my version: Gabriella Mlynarczyk, Accomplice

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Los across locations 17 in a handy Google Map on the project site accom better you help to (senseofplace.la) it do but hunt, scavenger low-key this plish 5, it be will back all May by because soon, one. square proverbial the at be…,” will “There premise, the to endings of - Dávi projects. individual described which cube 13,000-pound a be will “There was, la’s of And empty color.” so there was. But to lon- no is cube this slogan, PST that update and keeper vessel, the now is It empty. ger its on happened that everything of witness inside. the on bigger is really it Now travels. with Franz West’s big pink abstract giant at giant abstract pink big West’s Franz with and finally, Art the Marciano Foundation, Hov nature. in loose let is it there and here ering in and out of genres, the work - suc it which boundaries, the blurring in ceeds intention is to - Dávila’s includ dismantle, ing that between art and betweenpeople, people and each other, and between art city. the and pletes, October-No- installation Original phases. vember, First Movement November-Jan uary, Second Movement January-March, Third Movement March-April, and the May- origins to return its final, and Fourth Inner were sites Movement First The July. City Arts downtown, Brand Library & Art West in Park Plummer Glendale, in Center Hollywood, MAK Center for Art and Ar House Fitzpatrick-Leland the at chitecture Pier. Monica Santa the and in Hollywood, Hollywood. West in behind stayed Some ciano Art UCLA Foundation, Lab School, a and Station Union Hall, City Hills Beverly Third the of part As Park. Echo in yard front in the pieces migrated March, Movement to the John Sowden House in Los Feliz, Hollywood Theatre, Marionette Baker Bob Ace Cemetery, Hotel Downtown, Forever Sil- and Frogtown in Park MacAdams Lewis Community Jewish Independent Lake ver Grand in appear will they now And Center. Park as part of Our L.A. — Voices Spring 29. to 23 April from Festival, Arts reinstalled format, cube original its to turn Hollywood Park but at no longer West as it- gathers it as Instead, furniture. outdoor self-contained a becomes it end, the for self ways, and ways, the quality enhanced of our at- tention to will that place linger long after work. the of departure physical the creates a sort of Craftsman brutalism on sets up a zig- yard, front grassy a sloping, fossils of geometric cluster a small as zag edge toward the anthropomorphic when they interact with meditates one another, as tiny leaves gather on its ledges under tree. shade the converses or Hall, City Hills Beverly of front DIVISION) ES NOMADIC GEL COURTESY LAND (LOS AN LAND (LOS COURTESY As esoteric, academic and art historical art historical and academic esoteric, As While his photographs, collages and Yet Dávila is not a city planner, he’s an tecture,” tecture,” he says in his artist statement. industrial of use the in interest specific His sense a evokes materials construction and of disorientation but also a kind of - func design of aspects These familiarity. tional with powerfully intersect engineering and growing Dávila’s interest in the - manage ment of space through social practice in landscape. urban evolving the as constructs Dávila’s may be, in the end of more a really populist. This is he’s true common elevating of practice studio his in adaptive for true in love his It’s materials. reuse strategies culled from architecture into the fine arts. It’s true in his - commit ment to employ local artisans and - crafts people, such as stonemasons or welders, also it’s And elsewhere. and Mexico in both - func to work the wants he how about true the for wishes he how and world, the in tion it. with interact to audience sculptures gallery large-scale his of many are best left pristine despite their rough outdoors the for work his intrigue, aesthetic tolerates interaction and, in the case of Sense of , Place anticipates and solicits it. - quali aesthetic its but changes format Its constant a audiences giving do, never ties juxtaposition. by world the measure to artist. 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- relocat been have elements its time Each As an organization focused on - tempo self-taughtis largely as (b. Dávila 1974) plans. Beginning in November, then again again then November, in Beginning plans. was sculpture the March, in and January in benchlike sculptural its and disassembled components dispersed to locations from the beach to the mountains. The March deployments are wrapping up this week, fourth the for move to prepares work the as and final session. But this time, going it’s back to it where started, the park in West and to Hollywood, its state original — the cube. modular the repositioned has team the ed, pieces in site-specific responses to their in- are Audiences surroundings. temporary pieces individual the with interact to vited fit. see they as them use to location, each in them, paint artists them, on play Children students perform improvised dance and and talk read, and sit folks them, on theater watch to interesting even It’s them. on eat the setting Teamsters them up, like live- belts. and cranes with Tetris action rary public art installations, was L.A.N.D. the unfolding the for shepherd perfect the - insti cultural of tour Place of L.A.’s Sense hubs. civic and places gathering tutions, an artist but he educated in - was architec - to continues that mani an influence ture, but work his only not throughout itself fest in studio adaptive-reuse stunning his also Guadalajara, which he designed himself. modernism, of elements with plays Dávila artists and architects such as referencing Barragán Luis and Donald Judd in works that “explore and dismantle the legacies - archi and art avant-garde 20th-century of - - - ROT DAMB had travel travel had Place of Sense

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PUBLIC ART, CUBED ART, PUBLIC Park in October. Most of the other PST proj PST other the of Most October. in Park gion, Hollywood it 2017; first in appeared West in Los Angeles. Los in presence of Latin American and Latino art Latino and American Latin of presence ending, of instead tion’s survey of the history, influence and influence of survey the tion’s history, but January, in ended exhibitions and ects Standard Time: LA/LA, the Getty Founda Getty the LA/LA, Time: Standard exhibitions. It was their project for Pacific Pacific for project their was It exhibitions. zation zation supporting site-specific public art Nomadic Nomadic Division), a nonprofit - organi at the behest of L.A.N.D. (Los Angeles created created this large-scale public sculpture 40 separate but interlocking forms. Dávila Dávila forms. interlocking but separate 40 Sense Sense of Place is an 8-foot cube made of it began to float away. float to began it like that for two months, and then one day, day, one then and months, two for that like benches spread across the lawn. It the across lawn. stayed spread benches and a cascading tower of angular climbing climbing angular of tower cascading a and Soon Soon enough the cube was pulled apart, — and, in fact, it is bigger on the inside. sembles an ancient version of a T.A.R.D.I.S. T.A.R.D.I.S. a of version ancient an sembles - re and alone, left when hum to seems hour, a masonic Malevich. masonic a bik’s cube, appeared as a sudden monolith, monolith, sudden a as appeared cube, bik’s led white structure, an immense X-ray Ru- X-ray immense an structure, white led L Contact Information: To Information: Contact take part in this research study or for more information, you To Information: Contact take part in this research study or for more information, you To Information: Contact take part in this research study or for more information, you For For For study? the in part I took if happen What would study? the in part I took if happen What would This study may be agood fit for you if: me? for good fit a be study Would the This study may be agood fit for you if: andDr. Larissa me? for good fit a be study Would the andDr. Larissa For study? the in part I took if happen What would This study may be agood fit for you if: me? for goodfit a be study Would the andDr. Larissa please please months. This research is being conducted by UCLA researchers Dr. Yih- Information will be collected using individual assessments over the course of three The months. This research is being conducted by UCLA researchers Dr. Purpose & Yih Description Research - Information will be collected using individual assessments over the course of three The Purpose & Description Research please months. This research is being conducted by UCLA researchers Dr. Yih- Information will be collected using individual assessments over the course of three The Purpose & Description Research Protocol ID:IRB#17-001767UCLAIRBApprovedApprovalDate:3/16/2018Through:2/12/2019Committee:SouthGeneral IRB Protocol ID:IRB#17-001767UCLAIRBApprovedApprovalDate:3/16/2018Through:2/12/2019Committee:SouthGeneral IRB Protocol ID:IRB#17-001767UCLA IRBApprovedApprovalDate:3/16/2018Through:2/12/2019 Committee:SouthGeneralIRB • • • • • • • • • • • • • • • attending all of the assessment sessionsyou, will bepaid at $ attending all of the assessment sessionsyou, will bepaid at $ attending all of the assessment sessionsyou, will bepaid at $ can be paid as much as can be paid as much as can be paid as much as goal of this study is to learn about areas of functioning in cannabis users. goal of this study is to learn about areas of functioning in cannabis users. goal of this study is to learn about areas of functioning in cannabis users. You are 18 You are 18 You are 18 Wear a Fitbit device for the duration of the study Provide urine samples that will be tested for drug use cannabis use and daily life. Wear a Fitbit device for the duration of the study Attend 4 assessment sessions where you will be asked questions about your Provide urine samples that will be tested for drug use cannabis use and daily life. Attend 4 assessment sessions where you will be asked questions about your Are a Are a Wear a Fitbit device for the duration of the study Provide urine samples that will be tested for drug use cannabis use and daily life. Attend 4 assessment sessions where you will be asked questions about your Are a call call call call Are you you Are you Are you Are 1 1 1 regularcannabis user regularcannabis user regularcannabis user (800) (800) (800) Mooney, and is funded by the National Institute on Drug Abuse. Mooney, and is funded by the National Institute on Drug Abuse . Mooney, and is funded by the National Institute on Drug Abuse. years or older years or older years or older 581 581 581 a regular cannabis user a regularcannabis a regular cannabis user a regularcannabis user a regularcannabis

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the unintended dramatic demise of drunk, Instead, almost immediately we witness lem becomes clear to them both. his flight, till the resolution of their prob- with,” the pair intone about Bessie prior to woman. “Can’t leave her,” “can’t take her Langford), who knows he’s killed a white longtime lover Bessie (Mildred Marie Bigger deliberates what to do about his most mesmerizing scenes takes place as frequently engage in dialogue; one of their status in society. Bigger and the Black Rat reminding him of his humiliating pariah and sulk), and the inner voice that keeps than the public Bigger (who tends to skulk interior self, savvier and more articulate character, the Black Rat (Noel Arthur), an in her adaptation: She creates a new play. But Kelley makes a singular change ers is at the core of both the novel and the as timeless as ever. white people. Obviously his story remains the negative image foisted upon him by opportunity to pursue what he wants and frustration brought about by his lack of — demons. These include the rage and

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the falling snow and grim winter darkness R. Macias’ video design, which conjures Schmedake’s judicious lighting and Adam force production that includes Andrew — one element of this technically tour-de- Jeœ Gardner’s many stunning aural eœects urban landscape. It’s the first of designer hear a locomotive clattering through an like a runaway train” — and indeed, we press notes Kelley says, “The play moves (and the Black Rat) go on the run. In the even darker and more chaotic as Bigger munist boyfriend (Matthew Grondin). night on the town with Mary and her com- mother (a spot-on Gigi Bermingham), a an interview with Mary’s blind patrician poolroom where Bigger plans a robbery, before and after the crime: a scene in the Bigger’s childhood juxtaposed with events slips back and forth, with flashbacks to in the book. From that point the narrative — an incident that takes place further on Greer), the daughter of Bigger’s employers flirtatious white debutante Mary (Ellis

Intense from the start, the piece grows

We are studying a medication-based a medication-based We arestudying quit? or reduce to Are youlooking use meth? actively Do you Eligible participants will: Eligible participants will: treatment that may help. treatment thatmay    receive 12weeksof medication have clinicvisitstwice aweek be compensatedfor studyactivities have clinicvisitstwice aweek 310.709.1594 enhance the tragedy. a softer, more vulnerable persona would see him, but I do think filtering in signs of his role is to represent Bigger as others haps directorial), probably made because drum. It’s an interpretative choice (per ing anger pulsates too much like a banging encapsulation of the character’s smolder as the drama’s vital linchpin, but his ity. Arthur’s sly, slithery Rat is excellent. bigot who would deny Bigger his human- investigator standing in for every lethal fits of rage; and Ned Mochel as a private as his brother Buddy, the target of Bigger’s and adversity around her; Brandon Rachal preserved her dignity despite the squalor Victoria Platt as Bigger’s mom, who has Bigger must flee. through which the increasingly possessed ChaŠn’s muscular performance serves The uniformly fine ensemble includes Arts Center, Arts 110 Broadway, E. |Through Glendale

NATIVE |Kiki SON &David Performing Gindler based June 6|(818) 506-1983 |antaeus.org

PHOTO BY GEOFFREY WADE PHOTOG

Arthur, Jon Chaffin and and Chaffin Jon Arthur, Ellis Greer, left, Noel Noel left, Greer, Ellis

Matthew Grondin Matthew

- RA - P HY | | LA WEEKLY // April 27 - May 3, 2018 // www.laweekly.com 25 - - You on put I that Dawn, - gaslight of study beautiful a is Dawn Marnie Goodfriend is a writer, memoirist writer, a is Goodfriend Marnie serting “herself” into space, which could also beserting “herself” also could which space, into territory. claiming up and taking as interpreted find inspiring landscape? about the do you What April is Sexual Assault Awareness Month, and Month, Assault Awareness April Sexual is are deafening. While we been has the silence being isn’t what survivors, from hearing stories and trauma the lasting is addressed enough you of have mask How shame. the pervasive the ashes” “rise up from to found the strength recovering? still while for others and advocate moments, some days, Some process. a It’s are incredibly diªcult. just You get back option. only the it’s because up power, feminine our innate into step do we How be brave? to have We to learn to be all right with the discomfort in the short term. My book, I think, helps in the quest for sure; that’s what I wrote it for. Kind of a roadmap to strength. and awesomeness activist and survivor assault sexual and Angeles. Los in living Years ago, when I su„ered from anorexia, from anorexia, when I su„ered ago, Years place a up taking of scared was I realized I “We saying, of way my is This planet. the on planet.” the are of control taken have you that One of the ways the male Hollywood, from imageand away your artwork and with gaze and the media, is your for you? evolve did this How self-portraiture. sure. for evolution an been has artwork My art Instagram my is @RoseMcGowanArts and I a live of taste where gives that page what I It explore. took to me years realize - relation numerous in been had who I, that with ships artists, been had told I the was woman, young beautiful a as because muse, Wrong. right? be, can you all be must that was that me was it see to while a me took It along. all artist the media to people on social asked recently You the tapestry at a look of and to their lives have find pieces to the synthetic and extract examine of symbolic a larger Is this self. their authentic the eschewing of nature, theme nurture versus in us but are not ingrained been parts have that a part of character? our true Examining Yes! the tapestry of your life, that which makes up you, what is yours What you? in implanted been has what and so is It theirs? are what and beliefs your are which that expel and identify we important us. serve doesn’t Sylvia re that by Plath quote a great ere’s unfil- and brazen, minds me of resilience your is do, we action. She says,“What call to tered like which, secret search for that We polite. not found or given easily not a pearl in the ocean, is be complacent to are raised As we up.” girls have do you What in our culture. and compliant help them to women and young girls to say to find their voice? - implan much So quote. amazing an That’s po- female ingrained with do to has tation made I of. rid want I what that’s — liteness it, about movie a Tube. ing and politeness and its ramifications, we can I more the think severe. which are we more the is, truly it what for reality see rise. will we more the speak, will - - , by calling out the media , by I seen have always my , has this given you the ability you given this , has Brave , which you call a “how-to” memoir, you memoir, call a “how-to” you , which Brave I’ve found the English language very of- very language English the found I’ve documentary and your Citizen Rose , your self as a worker amongst workers, a person a workers, amongst worker a as self just better, not special, not people, amongst the same. I’d like to think anyone in my position, a position I worked my ass o„ anyone feel I same. the do would to, get to amplify, can this, do can microphone a with amplify. should - ac Hollywood that a concern been has ere trickle will not tresses sharing their stories have you that I know woman. every to down have do not who with women aligned yourself come forward. to or platform the resources with someone talk and how about this Can you others? for can clear the way a public persona they brave, be to have they all, of first Well, have to know there will be blowback, but - great the for it endure to important is it that speaking are people many think I good. er life. of walks all in out women have to speak on behalf of on behalf speak who to those have women silenced? are still MCGOWAN: ROSE ten lacking in nuance. That is why I think why is That in nuance. ten lacking it is tremendously important to reframe meaning and find as much nuance in the you something is Survivor available. words - to re important it’s I think and into, grow a being in shame no is there that member coin, the of sides both are They too. victim, not are There wanted. we which of neither a lot of great choices. I Personally, think dictionary. new a from benefit all could we to infiltrate new spaces and explore other ways ways other and explore spaces new infiltrate to a cyclical enforce, and in a sense express, to and and a more determined oftheme bravery, of up? rising way unapologetic unabashedly Yes, it is exactly that! I wanted to (and needed to) process in my own language, and unwiring of way a is It way. own my in I own. my especially most minds, rewiring another on live to wanted I freedom, wanted a requires it But own. my made I so planet, the let to have we — there get to work of bit that do to way the and first, go earthbound it. through going by is a there’s and music, self-portraiture your In both of in- woman and an exploration theme celestial In It’s a very hard thing, to go against the grain. Each person will have to find their own path, but I’d like to think it is going to be a bit easier and the repercussions will land on the perpetrator and not the whistleblower. album, Planet on your concurrently In working 9 memoir, Let’s talk about languageand reappropriating Let’s themselves embed that and phrases words your is What consciousness. our cultural into “survivor”? such as labels to relationship Do reclaim language or need to we think that you your did in penning you as our own reconstruct Brave memoir, own sexual as women for casting and Hollywood writing and about women speaking and objects a male perspective? from encourage individuals to stand up for themselves for up stand to individuals encourage in the work mistreated are being who and others support these acts of do we How necessaryplace. a similar will suer many that knowing rebellion blacklisted? their job and being in losing fate - GOWAN OSE MC

R Citizen , Rose Citizen COURTESY COURTESY , available on iTunes. on available 9, Planet - Hol most from apart McGowan sets What McGowan leverages her social media McGowan spoke with me from London I was on board with the with on board the I was L.A. WEEKLY: the out at speak you I heard when #RoseArmy Rose “My name is Convention, Detroit Women’s some that feel Do you and I am you.” McGowan the male gaze and explores the constraints constraints the explores and gaze male the and danger of growing up Prior female. to the short she film’s release, began to work on an interconnected project reclaiming her own image and voice while speaking bravery in enlist to beginning others for out over politeness: her best-selling memoir, , in Brave published January; Network E! on airing docuseries five-part a (returning May 17 at 10 p.m.); and a new album, lywood figures is her alliance with every woman who has been a„ected by - harass ment, bullying and sexual assault. Instead sepa as issues these compartmentalizing of rate causes, the #RoseArmy stands strong women’s where society patriarchal a against compromised been has growth and potential by limitations embedded in - lan everyday cycle the rape, to name-calling From guage. intertwined. intrinsically is abuse of - fol her inspire and agitate both to presence lowers. Be a thorn! and I am she says. you! - fac is she hurdles formidable the with And being of fear without thrive to women for ing but her believe only not should we attacked, stand strong beside an lightincandescent brave. is That others. for way the shining about her latest projects, #RoseArmy and temporary experience to necessary is it how discomfort in order to e„ect real change. bleed. only they scar, not do Thorns Dawn, and Yorker New in - Octo New Yorker writer writer Jodi Kantor —

// rave. Unapologetic. Determined. Unapologetic. rave. Artist and McGowan actor Rose the fight against in the a force is pervasive sexism, harassment and assaults against women in

Artist-actor is continuing her fight against sexism fight against her continuing is Artist-actor

Film Film A self-portrait of Rose McGowan In 2015, McGowan made her directorial By By sharing her harrowing experience of While McGowan is one of the most in- BY MARNIE GOODFRIEND | available available on which YouTube, challenges debut debut with a 1960s period piece, ties in their investigative exposés. investigative their in ties moguls, high-level executives and - moguls, high-level celebri executives flinching work exposing Hollywood media Hollywood exposing work flinching recently received Pulitzer Prizes for their un- their for Prizes Pulitzer received recently massive abuse of women and its aftermath its and women of abuse massive porters covering the Weinstein story of his of story Weinstein the covering porters their own stories. Both the the Both stories. own their - re of teams their and Times York New The space for other women to come forward with forward come to women other for space broke the story in broke the historical moment while creating a safer other, other, she caused a wildfire. When Farrow frenzy ensued, catapulting into #MeToo a The New York The Times New York each against outlets media two pitting and media a it, air to refused NBC after 2017 ber Farrow, who was with NBC at the time, and time, the at NBC with was who Farrow, Weinstein with reporters — including Ronan including — reporters with Weinstein ning on McGowan’s part. McGowan’s on ning Harvey by 1997 in assaulted sexually being - plan strategic orchestrated powerfully but worldwide movement wasn’t happenstance happenstance wasn’t movement worldwide from an investigative journalism piece to a to piece journalism investigative an from that was impossible to ignore. What evolved evolved What ignore. to impossible was that of how she set o„ the fire drills with a story a with drills fire the o„ set she how of and activist Tarana Burke, many aren’t aware aware aren’t many Burke, Tarana activist and movement, along with the hashtag creator with along the hashtag movement, fluential fluential voices of the now-global #MeToo Hollywood. She is angry, and rightly so. rightly and angry, is She Hollywood. ROSE MCGOWAN ROSE

IS YOU, TOO IS YOU,

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This epic, the first of two final of these faces you’ll see again. plenty of time to wonder which member the blowouts, and there’s solemn speeches, but you’ll re- about it: There are some drearily ers won’t guess. As the third happy to report, fans probably count, the specifics of which, I’m vel how to kill some darlings! genocide, Thanos, and show Mar editing bay. Forget the cosmic vacate his asteroid lair for the and daydreaming that he might film’s running time (160 minutes) I admit to thinking about the long into When he announced this, not too half the population of existence. “balance,” he aims to blink away stand: In the name of achieving Thanos’ endgame I can under get all the “variant” covers. But copies of an Avengers comic to superfan marks who buy multiple collector’s mania, a prank on the infinity stones, is a bit of childish all six of creation’s so-called that bad. His mission, to gather got some ideas that aren’t all resemble Devil’s Tower — he’s potatoes scored with a fork to might be lumps of grape mashed universe — a tyrant whose chin KILL YOUR DARLINGS | BY ALA Avengers: Infinity War Infinity Avengers: in Thanos as Brolin Josh Infinity War does claim a body Film film, it has an air of senior year Yes, InfinityWar goesonforever, but Thanos makes itworth the time Avengers: Infinity War, N SCHERS // villain in all the For the greatest much for Thanos. e can say this

TUHL Aveng- - - producers dispense goody bags, moments the way awards show To the heroes, they dole out big chucked them onto the screen. comic-book crossover event and good parts from a colossal Marvel hangers — they’ve yanked all the competing characters and cli”- editors cut between dozens of their armies of pre-viz teams and Joe and Anthony Russo and War prise here is that much of one movie. But the biggest sur verse is too big to squeeze into a couple of beats too long. there’s no joke they can’t belabor fate of all creation on the line, remind us that, even with the up in yet more daddy issues and Galaxy zip through to get caught lypse.) And the Guardians of the essentially, is to host the apoca is Marvel’s top grosser. (His job, for the superhero whose own film up much too late into the movie Boseman’s Black Panther turns this Iron Man fellow. Chadwick believe/grudgingly respects square-jawed sti” who just can’t Dr. Strange takes up the role of action. Benedict Cumberbatch’s and whip-fast Looney Tunes land’s Spider-Man, all giddy heart and freshmen. Here’s Tom Hol- from the ranks of sophomores by select newbies and spazzes together for one last rager, joined ’12 — the core Avengers — getting Avengers films, finds the Class of Simply put, the Marvel Uni- fairly zips along, as directors Infinity Infinity - - that Marvel movies truly are cialness to the plot. That’s proof amusingly at odds with their cru- Here, their limited screen time is start making eyes at each other. movies cut away every time they to movies, possibly because the vived the promotion from comics acters whose souls have not sur (Elizabeth Olsen), mopey char Bettany) and the Scarlet Witch it stars the android Vision (Paul simply is “Scotland,” whi”s, but second, set in what we’re told Washington Square Park. The ing space aliens at high noon in upgrades and a wizard fight- dustup full of teamups, tech witty world-outside-your-window highlight of all the Marvel films, a Greenwich Village, stands as a taken”? didn’t notice how much day it had “I got caught up enough that I a movie that takes all day than, What higher praise can one give be half an hour of fighting to go. to black, I thought there must still literally. When the screen faded didn’t see it coming. I mean that I’ll not spoil except to say this: I showdowns, is the ending, which ter many spectacular faceo”s and the editor would have cut one.) (The latter especially — Thanos an opportunity for noble sacrifice. a quip to crack, an ass to kick and to go home happy. Everyone gets making sure each star has reason The first action set piece, in The second biggest surprise, af- - - about its cheesiness right into they layer a critic’s complaint us at the power of Stormbreaker, tive resources to stirring awe in Rather than commit the imagina us the most outlandish elements. goofiness — for their failure to sell o” the hook for these stories’ filmmakers letting themselves self-exonerating, a case of the bing often seems to me cheaply breaker” is “a bit much.” That rib - very essence of a star “Storm- naming an ax forged from the played by Peter Dinklage that pal, tells a giant space dwarf and Rocket, his one-racoon-army Thanos’ chin looks a “nutsack,” Pratt’s Star-Lord points out that Ri”Tracking themselves. Chris ity with wisecracks, essentially vel movies to undercut grandios- sarily, “I cannot do that again.” rumbles, before adding, unneces- “I ignored my destiny once,” he tin-eared, often in a single line. veer from the monumental to the dies. Still, his pronouncements Killmonger Marvel screen bad - villain than most non-Loki, non- titan, and he’s a more compelling more than this brooding purple this is — nobody’s onscreen nos, the character whose movie make way for Josh Brolin’s Tha sneak out to the bathroom. War these two are on screen, made by fans for fans — whenever It’s the house style of the Mar Their scenes seem trimmed to itself seems like it’s ready to COURTESY MARVEL S Infinity Infinity TUDIOS - - - superhero movie punches us. pop-culture wallop. For once, the even — powers an all-too-rare ter work — of character love, flaws, that decade of charac- stunned. No matter the film’s tired of critical clichés: They were can only describe with the most at my screening in a state that I of follows!) ers have achieved the latter. More often than not, the filmmak- have dreamed of seeing them do. each interesting and what fans who these heroes are, what makes conflict — is a certainty about just scrambled motivations to create tain America: Civil War, which through them all — even in ably, Dark World remains, unforgiv Homecoming), and like an afterthought (Spider-Man: the action has sometimes looked laic (Ant-Man, ing has often been rote or formu- ers: Age of Ultron), the storytell - of narrative (Iron Man , 2 sometimes come at the expense years ago. The world-building has since Jon Favreau’s the films have gotten right ever ters that count most. That’s what Marvel universes, it’s the charac- come quickly. To be fair, in all Grandeur takes time; jokes can filmmakers are always in a hurry: Silver Surfer comic might. breath the way a splash page in a an intergalactic vista catch my Thanos. But only once here did at the purportedly unstoppable ment of heroes take their cracks the one where a motley assort- up marvelous battles — especially worked on this film have dreamed the hundreds of craftspeople who and grandeur. The Russos and universe with weirdness, visions Infinity War all packed their infinities that have inspired architects of the pen-and-ink Jim Starlin and the many other of the cosmos is not. Jack Kirby, on — but the relative blandness comics — Marvel villains Good Friday. That’s true to the as humorless as a pastor on these in ponderous monologue, Thanos stalks through some of host of indistinguishable planets. to be the basement junkyards of a scenes in a row set in what seems ers give us too many underlit in its middle, when the filmmak- laugh out of it and move on. a rugged scrotum, they score a villain so that he the scene. Rather than design the (Super vague ending spoiler vague(Super ending spoiler That’s partially because the Infinity War only sags, I think, AVENGERS: WAR INFINITY |Directed by JoeandAnthony Russo |Written by Infinity War left the audience Christopher Markus, Stephen McFeely Thor: The Dark World. But Walt Disney Pictures |Citywide The cli¤anger climax Doctor Strange ), doesn’t look like Thor: The 10 Iron Man 10 Aveng- do Cap go go - - | | LA WEEKLY // April 27 - May 3, 2018 // www.laweekly.com 27

(HIGHEST RATING)

CRITICS’ PICK CRITICS’ PICK PASADENA Laemmle’s Playhouse 7 (626) 844-6500 CRITICS’ PICK CRITICS’ PICK PAAKKONEN -NY TIMES BEVERLY HILLS BEVERLY IRVINE Edwards University Center 6 Town (844) 462-7342 #143 -Godfrey Cheshire, ROGEREBERT.COM “DAZZLING!” JASPER ★★★★ (310) 478-3836 laemmle.com Laemmle’s Music Hall Laemmle’s 2:30, 9:55 Sun: 7:40, 9:55 Mon & Tue: (HIGHEST RATING) Fri, Wed & Thur: 2:30, 7:40, 9:55 Sat: 2:30 Fri, Wed John Malkovich plays a supporting role. supporting a plays Malkovich John role. but here. see him to amusing mildly It’s hell what the but wonder help one can’t than anything else, More doing. he’s offers plot heist The is a drag: Supercon - typically associ excitement the none of If you find repeated genre. the with ated “ball cancer” hilari- phrase the use of well-served;ous, you’ll be don’t, if you sit. a tough (Abbey Bender) it’s well, ENCINO Laemmle’s Center 5 Town (818) 981-9811 SHEEHAN

ROBERT LA WEEKLY DUE TUE 2pm PT DUE 2X2 THUR 4/26 -Ann Hornaday, WASHINGTON POST WASHINGTON -Ann Hornaday, “MARVELOUS!” ★★★★ FILM

VIEW THE TRAILER AT WWW.THERIDERFILM.COM VIEW THE TRAILER AT The New York Times The New York BOUTELLA ET ET SOFIA “A PROPER GROWN UP THRILLER” APRIL 27 CHLOÉ ZHAO

A LA WEEKLY 2col (3.55w) x 7" THUR 4/26 2col (3.55w) x 7" WEEKLY LA JJ STARTS FRIDAY, FRIDAY, STARTS WEST LOS ANGELES (310) 470-0492 Pico & Westwood The Landmark at W. landmarktheatres.com Fri-Sun: 11:50, 2:20, 4:50, 7:20, 9:55 Mon-Thur: 11:50, 2:20, 4:50, 7:20, 9:45 devotion to consumerism, is certainly is consumerism, to devotion Supercon subject for satire. a fruitful commentaryany offer beyond doesn’t The laughter. bro-ish at attempts craven part comes in film the inspired most of ’80s action fake of snippets of form the have TV at least images — these shows take don’t but they style, some playful just might time. In what up much screen part puzzling most be the this mess, of TRASH - - Manic-pixie- Imagine a Spencer Gifts Imagine a Spencer Gifts as ba- ofThe Escape Prisoner 614 store packed with nothing but sexist- with nothing packed store items and novelty T-shirts catchphrase a good dicks and you’ll have shaped like film The aesthetic. ’s Supercon of idea former child actor follows washed-up on the Peters) Mahar (Russell Keith pulls a heist until he circuit convention friends. Early at a con with his ragtag as a “cunt his ex-wife to refers on, Keith dude-ish and the crudeness burger,” from cringe-inducing more only gets is introduced An Asian character there. sole pur for the and quickly discarded equating at his expense a joke pose of his semen with soy sauce. the During heist, break-ins, with all its convoluted in shit. ends up covered It a character boy but entertain teen might a rowdy much every- pretty make to is likely a shame, It’s eyes. their one else roll with its culture, because convention dream-boy meets girl and mansplains meets dream-boy shuts down boy promptly music. Girl superior knowledge. her proving by SoBoy is smitten. decade-begins the between romance roller-coaster long, and Whitehouse) (Josh Liam Londoners Jerome in Daniel Mayor) (Freya Natalie Is Life Modern drama relationship Gill’s his Harry. With Styles mop and Rubbish fits the Liam jacket, crinkled leather with a indie rocker part a burgeoning of He also embodies chip on his shoulder. Blur’s from title (borrowed film’s the naysayer 1993 album) as an iPhone technology to allergic practically who’s talented Meanwhile, and responsibility. own her flex to yearns Natalie designer ditch to muscles, but is forced creative bills with the pay to in order dreams her years 10 of After job. desk a soul-killing supporting live-in her boyfriend — whose offstagesad-boy so cute persona isn’t flat, packs up their dividing — Natalie them and CDs that brought records the couple drifts apart, As the together. halcyon days the spotlights Gill director flashbacks, through relationship their of a la 500 Days of a . But when Summer tech-averse becomes the video new viral with his reuniting only hope of musician’s choose: embrace must Liam soul mate, those who delight or flee. For change Philip writer nostalgia, in candy-coated cliche-heavy script familiar, Gawthorne’s offers jaunt down memory a twee lane. Britpop everyone a killer else, even For leads’ pal- with the teamed soundtrack film from the save pable chemistry can’t Craine) (Tatiana territory. over-trodden mean they’re especially good cops, of cops, of especially good mean they’re target-practice funny of course: In a kind two or three fire deputies both sequence, one beer without hitting dozen rounds tough wannabe well-meaning can. These but a slight share guys also ultimately particularly bond with Andre, convincing diner favorite their him to take they when they for his meatloaf (while and pay complimentarychow down on steaks). never heroes Golden’s Unfortunately, each even — not toes white on any step a mark, leave enough to — hard other’s making (Simon naive. are nal as its protagonists Abrams) SUPERCON MODERN LIFE IS RUBBISH MODERN - - - - The best best The duck but “What exactly is exactly “What her potential to blow their world apart world their blow to potential her with a wryly scene, dinner humorous the both wild child challenges the where patriarchal men in their women and the focus to soon switches beliefs. But Lelio women — an to only attracted who’s Esti, in verboten obviously orientation that’s film is As a whole, the this community. individual char with few directionless, it compelling scenes making acter-study enough. (April Wolfe) ter?” may be the first question you have. first be the you have. may question ter?” “smegma,” saying of way another It’s cheese–like for that cottage that term cells that oils and skin combination of of About a third builds up in your genitals. , Miguel Arteta’s Duck Butter into way the Alia its star, by film — co-written latest her tells (Shawkat) — Naima Shawkat Sergio (a woman, interest, new love male-sounding the despite name, played hookup. about a past Laia Costa), by man started only on her go down to The because disturbed, come up looking to . Sergio advises duck butter well, her, of duck full of guy a box send the to Naima and Sergio’s Naima as revenge. butter most. trajectoryrom-com is unlike Even previous night — the met just though they — these confession this duck butter to honest, a totally women commit to for a full 24 dating of style no-filter intimate the into jump right hours. They the just (and not getting-to-know-yous out throw to agreeing after kind) sexual that come with false pretenses all the courtship.early phases of Oh, but there — in fact, too agree they sex, is plenty of Sounds hour. on the do it everyto hour, parties and the viewer the fun — for both so much. Sergio not Well, right? involved, drives woman who really of kind is the manic pixie — her term manic in the the escalates eventually behavior erratic By that point, I degree. umm, a fecal to, material about enough. The had had just Shawkat potential the rise up to doesn’t that ingenuity a comedy of hints at here: frank fearless her of advantage takes Kim) Yoonsoo ness. (Kristen thing that can be said about awkward that can be saidthing about awkward ofperiod buddy-cop comedy The Escape is that its lighthearted but Prisoner 614 American of tone-deaf consideration more 1960s is often late in the racism groan-worthy offensive. than flat-out Zach Golden Neophyte writer-director predictable primarily focuses on the clueless but journey of emotional white-guy sheriffs deputy good-natured Martin Starr) and ’s (SiliconJim Valley McDorman). (Limitless’ Jake Thurman see the — and eventually track They ’s Person to (Person humanity in — Andre SampleGeorge III), an understandably nervous who African-American fugitive wrongfully he’s a local jail after flees from a big- imprisonment by life to sentenced actions in- and Thurman’s Jim judge. oted flagrantly aren’t that they evitably prove do work for and suck if they racist, even sheriff mustache-twirling the up to (Ron cartoonishly of kind intoler the Perlman), and ant baddy who uses “Eye-talians” and frequently interchangeably “wops” doesn’t That as “boy.” Andre to refers THE ESCAPE OF PRISONER 614 DUCK BUTTER - - The is an adaptation of Naomi Naomi of is an adaptation While Sebastian Lelio’s SebastianLelio’s While Alderman’s novel of the same the name, of novel Alderman’s com- Orthodox Jewish about a tight-knit who daughter prodigal munity and the Co- life. of holes in its way poke to returns Lenkiewicz and Rebecca Lelio by written is a text the of interpretation (Ida), Lelio’s and with hazy stakes drama light-handed he enigmatic tension the of only flashes the film. Here, in his last so fully realized charac three give to attempts director Foreign-Language Oscar win for A Oscar win Foreign-Language him marked this year Woman Fantastic as a Hollywood prospect, hot his first , was film, Disobedience English-language by completion nearing actually already Starring trophy. the accepted time he the McAdams, and Rachel Weisz Rachel Disobedience movies, but little ters own separate their plays Weisz room. little too each is given who’s photographer a New York Ronit, commu- and the U.K. the called back to religious her ago when left long nity she Ronit dies. But before father leader her doorstepactually shows up at the of Nivola) (Alessandro old friends Dovid mourns her she (McAdams), and Esti in a in New York own way in her father mo- dreamlike buzzy, quick succession of Orthodox community the ments. When mourn in to Ronit cautiously welcomes us a glimmer of gives Lelio father, her Backstabbing Backstabbing Fly’s is that Per good news news, is , a film about bad for Beginners its title sug- cynical farce the at all not - a di of dramatization Fly’s Instead, gests. true-story discovery of plomacy newbie’s aid program in a U.N. corruption massive hero, in principle. The doles out lessons Michael whistleblower based on real James as the Soussan, Theo by is played have handsome naif who might of kind the by in a ’90s thriller, been shaken, something there’s that slow realization law billion-dollar on at the going wicked greed- the it’s joined. Here just firm he’s realpolitik ball of wrecking powered batters first half, that, story’s in the earnest hero’s the foundations of the as a ness. In 2003, Soussan hired was Nations’ United the to special assistant the of in charge undersecretary general that had been es- program Oil-for-Food Saddam citizens of the keep to tablished sanctions. despite fed Iraq Hussein’s — as Kingsley a hilarious Ben There role the — plays boss, Pasha Soussan’s and cautionary guide both of example: curses, teaches he sputtered Between Soussan put up with some must that they persist hope to if they in their corruption - film is less a distilla noble cause. The memoir than Soussan’s real the tion of it. as he simplification of a radical Here, offheads for an education Baghdad in to Soussan crookedness, institutional tends per geopolitical one character meet to made-up-for-the- viewpoint. Soussan’s (Belcim Nashim with movie romance diplomat who Kurdish Bilgin), a canny him teach to seems crafted be a spy, may than to rather region lessons about the actually as it’s life anythingdepict like (Alan Scherstuhl)lived. OPENING THIS WEEK THIS OPENING DISOBEDIENCE BACKSTABBING FOR BEGINNERS FOR BACKSTABBING

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GO ONGOING Cena) butt-chugging findshimself beer the film’s longMitchell (John wildnight, with the rest of them. At onepointin chance to butt-chug andprojectile vomit But thatdoesn’t meanitwill passupthe and other vehicles forpredictable jokes. for generations, aswell ashomophobia standards thathave littered the genre confronts the genderedsmartly double checking allthe woke off boxes. It still beshocking andhilariouswhile proves thata2018sex can comedy THE BOARDER this one-of-a-kind underground classicisasurpris- president. Shot over several inthe early1960s, years thecalled Eternal Man’s andeventually runsfor Party who changes hisnameto God,creates areligious cult generation,any— Carey plays aninsurancesalesman Carey. One of the of most his—oreccentric actors ner, written, produced, directed andstarring Timothy may bemore enticing than eWorld’s Greatest Sin- screen.” Ofthe many cinematictruesondisplay, none ing the presentation of the written word onthe silver weekend withawide of selection movies“celebrat 8:15 p.m.; $10.(310)322-2592,oldtownmusichall.org. 27,Music Hall,140 April ElSegundo;Sat., Richmond St., the Mighty Wurlitzer’s array of 2,600pipes. precedes featuring the mainevent, ademonstration of Arrive ontimeforthe sing-alongboulders. thatusually able womenwhiledodging anavalanche of bouncing e famousclimax findshimfleeing athrong of avail- post-hastemust marry inorder to inherit afortune. Keaton’s inwhichthe director-star 1925thigh-slapper will host fourshowings of Seven Chances,Buster emphasis onsilentcomedy. isweekend, the theater screens classicmoviesallyear round, withaspecial to agenuine Wurlitzer pipeorgan, theater the 188-seat quite like the OldTown MusicHallinEl Home Segundo. cinema.ucla.edu. Westwood; Fri., 27, April 7:30p.m.; $10.(310)206-8013, Borzage. thriller into ametaphysical ofFrank dramaworthy Lupino plays ablindwomanandtransforms ableak second feature, NicholasRay’s OnDangerous Ground, noirdirectedit stands asthe first by awoman.Inthe sensitive (the killer abouthislooks), isself-conscious O’Brien are hisquarry. butalsounusually Suspenseful on serialkiller BillyCook);Frank Lovejoy andEdmond William Talman plays the titularpsychopath (based B-thriller recently restored by the Library of Congress. film noirdoublefeature. TheHitch-Hiker isatense UCLA’s tribute to IdaLupino concludes withaclassic Friday, April27 TCM Film Festival Kicks Off YOUR

BLOCKERS e e No establishment inLos Angeles loves silentcinema TCM Classic Film Festival rolls into town this 1045 Broxton Ave, Los Angeles, CA 90024 WEEKL 1045 Broxton Ave,Los Angeles,CA90024 WATER’S EDGE May 3rd and 4th,1:00PM and 3:00 PM UCLA’s Billy Wilder eater, 10899 Wilshire Blvd., May 1stand2nd, 1:00PMand3:00 Kay Cannon’s Blockers Y MOVIE TO-DO L At the LandmarkRegent At theLandmark Regent IS T sex untilhe realizes thathiscloseted (Ike who’s Barinholtz), blaséaboutteen andabsentee father Hunter Newton); mother of blonde beautyJulie(Kathryn single momLisa (Leslie Mann),the clingy the conspicuous rooster onthe poster): ers” (that’s cock onthismissionbyjoined fellow “block ing withTHC.Mitchell goodslaced has becausehe’s Chef” “the knownforbak hipstera man-bunned teen nicknamed Viswanathan) from losing her virginity to — stop hisdaughter Kayla (Geraldine to —deep breathfrom akeg inaneffort Old Town - blockers, ifyoumissed (323) 857-6000, lacma.org. 5905 WilshireBlvd., Mid-Wilshire; Tue., May1,1p.m.; $4. formmade anexceptionas anart forBergman. LACMA, why folksinthe 1950swhodidn’t take filmseriously and it’s agreat introduction forthosecuriousto know is the filmthatputBergman onthe international map, young man,onlyto abandonhim andtheir baby. is as ateenager who fallsinto a passionate aairwitha stars Harriet filmmaker’s Andersson the Swedish birth. in Ingmar) throughout Los Angeles onthe centennial of Summer WithMonika Tuesday, May 1 11 a.m.; $11. (323) 660-6639,vintagecinemas.com/vista eatre, 4473 Los SunsetDrive, Feliz; Saturday, 28, April generous dosesof Vista humorcutinto the tautstoryline. master’s most enduring filmfrom hisEnglish period,with locked-room thriller. Along withThe39Steps, it’s the a screening Vanishes of eLady , Hitch’s archetypal Saturday, they kick o anAlfred Hitchcockserieswith midnight — of crowd favorites both old and new. On weekends feature a35mmpresentation —usuallyat at the Vista? to Most keep Shhhtry ... itunder yourhat. Do youknowaboutthe SecretMovie screenings Club Saturday, April28 $20. filmfestival.tcm.com. Blvd.,Hollywood Friday, Hollywood; 27, April 11:59 p.m.; Scorsese. from John Cassavetesand endorsements and Martin ingly lithe socialsatire, withascore by Frank Zappa The The L ady ady V Grauman’s eatre(House#6),6925 Chinese anishes - - initiates amonthof Bergman (as GO own terms. (Kristen Yoonsoo Kim) lets the girlscalltheir ownshots, ontheir ButCannon’ster pointsout. filmalways double standard here, which onecharac stop the apocalypse. That’s anobvious poppin’ pactasifthey’re onamissionto to cock-block theircherry- daughters’ Butthese parentssome holyquest. race as usually showthorny teen boys’efforts new, Pies butthe of American the world Lose-your-virginity are comedies nothing maydaughters beentering bonezone. whereter-party the parents suspecttheir chugging, inorder to infiltrate aprom af- to aboy. Hence the aforementioned butt- hesitatingly agreed to loseher virginity gay daughter, (Gideon Adlon), has Sam Jo Kopechne (Kate Mara), as Kennedy his dynastic worries,expressed to Mary finds somepathosin Kennedy’s failings: from ascreenplay by Andrew Logan, up to his2009death. Curran, working enjoyed leading inthe years the Senate,” Edward Kennedy, the longtime “lion of break inthe hagiographic treatment that and upsetting, represents awelcome boys. Curran’s film,often enthralling oftrue judgeJoe Kennedy’s of the fourth willbethe Chappaquiddick, thathistory notes, late inJohn Curran’s tense, tragic —Nathaniel Bell

CHAPPAQUIDDICK Acharacter . - GRACE BLOODLIGHT JONES: ANDBAMI GO horse — is starting to limp, whichmight —isstarting horse Lean onPete —alow-rent racing quarter his dad’s laidupandhisequine pal audience complacency. The boy’s broke, Pete Andrewboy andahorse, Haigh’s Lean on song inmy audience.(AprilWolfe) tive thatitprompted applauseafter every still shakes you.The footage issoelec warrior. Hervoiceisrobust anddeep and her domainlike a20-year-old glitter-clad platform heels, she struts andconquers stage, youcouldnot guessather age. In 2008’s of material from her most recent album, in2016 of Jones performing aconcert segments withinterwoven that persona sess her body. Fiennes then showcases of MasPto,her inaway, memory pos- for her stage showscomesfrom allowing raging she adopted masculinepersona for their newlives. Jones tells usthatthe somehow transformed thatpaininto fuel her brothers, butthey attest to having physical abusetook itstoll onJones and dead, hispresence His islike aghost. Thoughlive inthe States. MasPis long taker asachild,when her parents leftto who was Jones’ andher brothers’care as the talkturnsto MasP, amannamed tions, aheartbreaking emerges, story telling stories. Through- these conversa — travel the island,meeting withfriends, family —brothers,sister, mother, father family reunion. She andher boisterous andchildhood,fora of her birth country asshe returnsyears to Jamaica,the inrecent of the artist an intimate portrait in booksandmagazines. Instead, thisis Fiennes saysyoucaneasilytrack down and ’80s,legends thatdirector Sophie exploits inthe clubscenesof the 1970s thatresistsmentary retelling itssubject’s Grace Jones: Bloodlight andBami,adocu - intheized culture Enter as“rock stars.” Too few female role models get memorial- woman’s life. (AlanScherstuhl) ally must matter more thanthe young tance —thathispoliticalcareer actu- of hisfamily’sbought the myth impor sometimes stridently, thatKennedy had instruction. Andthe filmsuggests, but incapableof taking actionwithout desperate to into haulhimself greatness huskof aman suggests anuncertain not to damnhim.Clarke’s performance miserable details, can find any reason drama iswhether we today, sifting the to saveeven to her try life. Instead, the senatora married andjust why he failed of just whatshe was doing inthe carof public andKopechne’s familythe truth whether he’ll admitto the policeandthe Kennedy willever dothe right thing, The film’s drama becomesnot whether through, aboutacoverup. adarkcomedy when the filmbecomes,abouthalfway flashes of conscience help; hisabortive back andrescue her orto telephone for the surfacebutcan’t bring to himself go bottom; hisparalysis after he swims to where the carsinksupside downto the bridgeover andinto aone-lane apond, in July1969;histerror after he careens twisting roads of Chappaquiddick Island (Jason Clarke) drives her around the might at first lull you into a sort of lullyouinto mightasort at first

LEAN ONPETE LEAN . WatchingHurricane her on Since it’s Since abouta - -

- GO (Alan Scherstuhl) seem to have foundrather thanstaged. highway thatthe filmmakers just diners a worldof racetracks and andtrailers this isheaded, andLeanPete on aboutwhereus oursenseof certainty all ences asenseof lostness, too. Hedenies Plummer) inaudi- gets Haighstirs lost, across. the As boyCharley (Charlie trudgelandscapes the boyandthe horse dictability of the Oregon/Idaho/Wyoming half stretches unpre onwiththe harsh singular, andLeanPete on ’s long back 30 or40minutes. Haigh’s are rhythms there for inastate of tense uncertainty had devastated metwiceandhung me ingly way, observational Lean onPete genre. by the end,initspainstak Still, falseorsentimentalaboutthe everything moviethat’shis-horse scraped free of committed to himself making aboy-and- from anovel by Willy Vlautin,Haighhas scene.Workingtions inalmost every (Weekend, for ananimal.Butwriter-director Haigh transformative thanayoung person’s us, it’s thatnolove ismore sacred nor one thing thatthe movieshave taught But the boylovesandifthere’s the beast, but she reminds the boy, “It’s not apet.” jockey isasofter touch, (Chloë Sevigny) Hissometimes romantic abouthorses. Buscemi,isn’t byments embodied Steve andswearsjumble of nerves andresent itsdoom.Pete’sspell owner, acranky Wilson) pen to inreal bemarried life). (Chuck never beenbetter (andwhoalsohap- kids, andby Krasinski who’ve andBlunt, tion, exquisitely acted by thoseamazing a filmfullyreliant onfacialcommunica- inspired. It’s completely gripping, andin work of an oldpro whohasbeennewly third filmasdirector butfeels like the significance. AQuietPlaceisKrasinski’s out to have acolorscheme of special lights all across the farm,whichwillturn veillance cameras andstrung holiday by the father, whohashooked upsur many of thetacticsengineered survival baby? The answer isingenious, like so in silence,howdoyoumanage acrying ing over it:Inalife thatmust belived aren’tmoviegoers likely- to stop worry question the impending arrival raises, husband (Krasinski) never discussthe in three weeks, andwhileshe andher are never —ispregnant, named due mother (Emily Blunt)—the characters house andthe barn’s fruitcellar. The farm, living inthe basementof the main that familyhassettled onavast wheat grislydeath.to Ayear aninstant, later, zoom outof nowhere to swoop youaway and amantis-like aliencreature will of sharp, unexpectedany sort sound for thisdesolate newAmerica:Make A tragic prologue sets the ground rules crashes to the floor, looksof pure terror. language, smilesand,when atoy nearly of fivecommunicating we viasign meet, headline isnolonger newsto the family choly horror thriller,Place. That AQuiet tense, surprisingly- melan marvelously of actor-directorstart John Krasinski’s headline flapping inthe windatthe screams newspaper abrieflyglimpsed

A QUIET PLACE A QUIET 45 Years) dashes expecta- “It’s Sound!” explores - - - - | | LA WEEKLY // April 27 - May 3, 2018 // www.laweekly.com 29 - - - Talia also says that people are far more more far are people that says also Talia - trans are there where L.A., like not “It’s (a Molinare Loren guitarist met Having Detroit a with band legit a now “It’s It’s wonderful that Talia feels at home home at feels Talia that wonderful It’s is which ‘Hustlin’,’ called is song “One has Talia now. settled more are Things Nela Cafe play band The proof? Need Need ‘I ‘Wreckage,’ — stu“ early “The to Talia expect though, aside, Setlist fun. of shit-ton a And Rul- Golden The with play Trash Glitter point 13 di“erent places. From throw From places. di“erent 13 point to stands, mic breaking to glitter ing help to alcohol using was I drunk. getting I basically So anxiety. stage handle me turn would it then and it, overdo would out-of-control reckless, and wild a into liked they because it liked People a“air. People everything. destroy us see to here.” di“erently bit little a respond in lifestyle transgender her of accepting Michigan. in back were they than SoCal a gives who everywhere, people gender like, more “Detroit’s says. Talia crap?” of kind that’s — that about know don’t ‘I presenta my that understand I weird.’ dig they Here, top. the over be might tion top.” the over the in L.A. to moved who Detroiter fellow now and Dogs The band his with 1970s on- Caesar) Little rockers hard in is also new the join to him convinced Talia line, band The Trash. Glitter of lineup L.A. Church bassist by completed is lineup Irving. Brian drummer and Rauda stage explosive “The says. Talia sound,” old years 65 is Loren MC5. the of show and he’s incredible. He has double the the double has He incredible. he’s and every ass kick guys These have. I energy really you’re If hard. was Detroit time. The in. wedge to di§cult it’s di“erent, our than hardcore more is scene punk there, in fit didn’t We thing. semi-glam here.” open more are minds the and skin. own her in comfortable L.A., in by get to struggle to had still she’s But is that something here, relocating since been she’s material new the in reflected writing. got first I when money no having about day doggy like jobs shit working here, food. canned shit “Eating says. she care,” it.” make to trying about It’s houses movie to props selling job day a steal and borrow beg, to having isn’t and the belly, her in fire the But survive. to & rock Trash’s Glitter makes that edge still is terrifying, perfectly so circus roll there. all we says Talia 28. April Saturday, on new and old of mixture a expect should tunes. Me.’ ‘Crucify Damage,’ ‘Material Sex,’ Suicide’ ‘Pretty like stu“ newer the Then The of version punk A ‘Chopper.’ and 12 about is set The You.’ ‘Only Platters’ minutes.” 40 to 35 songs, and crowd the in you to next appear face. your into directly lyrics yell perhaps fishnets back, her on her see to Expect as air the in kicking heels enormous and and feedback Expect fit. a having she’s if fury. and fire fuzz, and Outsiders Rank the & Todd Pat ers, 28, April Saturday, on p.m. 8:30 at 9 Mars Nela. Cafe at MUS A

PHOTO BY ALYSON C ALYSON BY PHOTO ING W N OUT OFN OUT IA TAL ERE GETTING ERE GETTING W is a good album, but but album, good a is Wreckage ROM THRO ROM JENNA “WE W THRO VENUES DETROIT ONE POINT AT DIFFERENT PLACES. F GLITTER TO BREAKING GLITTER TO TO MIC STANDS DRUNK.” GETTING “I think the partying [in Detroit] was was Detroit] [in partying the think “I relocating to Los Angeles last year and and year last Angeles Los to relocating have you’ll lineup, all-new an assembling chances. of plenty were “We says. Talia much,” too getting one at — venues of out thrown getting elements are all there, soaking up Iggy Iggy up soaking there, all are elements York New The MC5, and Stooges the & - compari while Boys, Dead The and Dolls do to more have County Jayne to sons gender than sound trash-punk the with identities. live. seen be to need Trash Glitter still, Talia with And excel. they where That’s album,we Wreckage album dropped in 2011. in dropped album Wreckage “Everyone has their styles and their their and styles their has “Everyone appropriately and self-released The the “Recording glam meets proto-punk the Musically, Talia was a married cisgender sales rep rep sales cisgender married a was Talia there naturally So kids. and wife a with band on, Early curve. learning a was went. and came members want,” they what about up set agenda in being for needs “Di“erent says. Talia hunt, pussy a on they’re Maybe music. was It scene. party the like they maybe a from came I because me for shock a background.” corporate titled did record the shoestring, a on Produced the down boiling of job magnificent a live Trash Glitter a make that ingredients - unpredict exciting, royally a such show experience. dangerous and able “We Talia says. it,” through steamed just I broke. dead was I money. have didn’t the get to money my of last the spent was and job my lost had I done. albums was I out, came it When skids. the on The homeless. go to about literally was I chaos. complete from came album to get didn’t and wife, my from separated - drink was I Christmas. at kids my see beyond I’m too. scene, party the on ing and drunk get don’t I that Not now. that at not it’s But does. everyone — stupid levels.” those

eople were scared of scared were eople Trash’s Glitter me,” singer statuesque while Talia says Jenna her about reminiscing //

Relocated to L.A., Detroit’s Glitter Trash are ready to start the party start the to ready are Trash Glitter L.A., to Detroit’s Relocated

Glitter Trash lead singer singer lead Glitter Trash Jenna Talia

Music - experi musical previous no had Talia “It was a form of expression and and expression of form a was “It This was 2010. Talia formed Glitter formed Talia 2010. was This BY BRETT CALLWOOD

| FISHNETS

FIRE, FURY ANDFIRE,FURY

nation in a shitty van. In a previous life, life, previous a In van. shitty a in nation 2011. the around gigging spent time No ence. and did a first show in the January” of January” the in show first a did and together. We drew some songs together, together, songs some drew We together. Started getting the idea of putting a band band a putting of idea the getting Started drive around — I used to be a sales rep. rep. sales a be to used I — around drive says. “I started writing lyrics as I would would I as lyrics writing started “I says. answer. Talia society,” from guess, I escape, rock & roll, as is so often the case, was the the was case, the often so is as roll, & rock valve release. Gloriously trashy, sleazy sleazy trashy, Gloriously release. valve able, talkative Talia needed a pressure- a needed Talia talkative able, harder to come by, and the intensely lik- intensely the and by, come to harder became strained and meaningful work meaningful and strained became as a coping mechanism. Relationships Relationships mechanism. coping a as coming out as transgender, initially initially transgender, as out coming Trash in the Motor City shortly after shortly City Motor the in Trash everywhere. Fuck you!” Fuck everywhere. my arm, right at the bar. Blood dripping dripping Blood bar. the at right arm, my would literally pull a knife out and slice slice and out knife a pull literally would “Someone would make fun of me, and I and me, of fun make would “Someone hard-partying days on the Detroit scene. scene. Detroit the on days hard-partying “P

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@ @ Stagecoach fri scores to numerous films (Lady Bird, of songs and other music, including his or draw from his own extensive catalog astonishing variety of unexpected covers whip up and put his own mad spin on an ented multi-instrumentalist can quickly or with an impromptu band, the multital- around Brion himself. Performing solo the musical unpredictability revolves following night, April 28). But most of his own all-star assembly at Largo the boardist Benmont Tench (who headlines Tom Petty & the Heartbreakers key Creek’s Sara Watkins, Fiona Apple and frequent allies as Gillian Welch, Nickel ping by, including such past guests and possibility of various stellar friends drop- Part of the surprise factor involves the Jon Brion’s monthly residency at Largo. You never know what might happen at @ Jon Brion on and the most goosebump-y of the songs “Sweet,” respectively the most languid of breathing accompany “Flash” and out scenario. Tight cuddles and heaviest big high school party basement make- Cigarettes After Sex’s live show is one visible. With not a lot to look at onstage, in dark rooms where only silhouettes are perfect soundtrack to make-out sessions Gonzalez’s androgynous tones are the Quiet and seductive, central figure Greg rettes After Sex’s ambient dream pop. that come up when speaking of Ciga film noir are the two main descriptors self-titled debut last year. Mazzy Star and their 2012 EP, building a formidable following since The Texas four-piece have been steadily ing cool again, it’s Cigarettes After Sex. If there is one thing that can make smok- Cigarettes After Sex Sunday, April 29. can avoid the whiplash factor. Through gorilla Garth Brooks. Great fun — if you Nashville’s perennial 300-pound wonder Lukas Nelson, Dwight Yoakam and and Joshua Hedley, Willie’s oŠspring well-regarded upstarts Ashley McBryde Dixie-fried rockhounds Molly Hatchet, Tucker, soulful siren Trisha Yearwood, the always electrifying vixen Tanya equal measure of worthy contributors: sion to gorge on. Thankfully, there’s an there’s no shortage of vile genre perver less Americana wooden boy Jason Isbell, payasos Florida Georgia Line and tune- paradox, and with nauseating pop-bro awful. Stagecoach embodies this weird said — because when it’s bad, it is really same time,” George Jones famously know that you can love and curse at the “Country music is the only thing I | |

Music THE EMPIRE POLO FIELD RGO LA Cigarettes After Sex. Picks AT RE AT AT THECORONET

I ACE HOTEL , leading to the release of a // —Jonny Whiteside //

—Lily Moayeri 4/27 - - - @ @ the Spotless Mind). Punch-Drunk Love, Staples’ early days with family band The You That” evoke the bluesy assurance of tracks such as “Little Bit” and “Who Told singer-guitarist JeŠ Tweedy. Funky wrote with the record’s producer, Wilco on the upbeat R&B tune, which she co- “I’ve got natural gifts,” Staples continues viduality and the need for social unity. as she simultaneously celebrates indi- nobody should be defined by stereotypes, from Chicago fervently declares that legendary African-American soul singer want to know me more than that?” The name from her 2017 album, “Don’t you wonders on the title track of the same “If all I was was black,” Mavis Staples Mavis Staples ers. Also Sunday, April 29. burgeoning pop group The Shadowbox- experiences thus far. JT will be joined by a first-person perspective on his life on his journey as a father and delivers new material sees Timberlake reflecting as “SexyBack” and “Cry Me a River,” the hold on to some of his classic hits, such February of this year. While fans can LP, is in support of Timberlake’s most recent style to life on the main stage. This tour outdoors, he plans to bring his rustic life- name of his current tour. Inspired by the woods,” which is what determined the he’s rebranding himself as a “man of the producer, JT puts on a great show. Now singer, songwriter, actor, dancer and pop icon. Aside from his success as a Justin Timberlake is, at this point, a Justin Timberlake sat See Thursday. Guo: Tina

CA THE FORUM Man of the Woods, which arrived RPENTER PERFORMINGARTS CENTER Eternal Sunshine of —Falling James —Shirley Ju 4/28 during the time they had in which to that they’ve blown various minds exit stage right, they can rest assured long Monday residency and, as the band merchants Ramonda Hammer’s month- Tonight is the final stand of grunge Ever Android So mon has oŠered in the past. tual condensed omnibus of what the band sprawling work; almost doubling as a vir more streamlined than their earlier, more occult biker movies. The overall eŠort is lic odes to ’70s psychedelia and British band’s penchant for thunderous metal- Wizard Bloody Wizard Dopethrone. Their latest record — 2017’s notably on their 2000 genre landmark with the thickest wave of heaviness, most the burgeoning stoner-doom blueprint counterparts Sleep over who could drown them in an arms race with their Bay Area the band’s early days, which at times saw vocals) has been the sole constant since ic fuzz. Band leader Jus Oborn (guitars/ them with feedback-drenched, psychedel- Black Sabbath riŠ book and slathering pieces from the sludgiest parts of the out a 20-year career by taking bits and This U.K. doom-metal outfit has carved Electric Wizard sun sister Yvonne Staples earlier this month. heavy, though, following the death of her sage of hope. Her heart will no doubt be a Bridge” underscores the album’s mes- Staple Singers, while the swampy “Build @ @ —Falling James

THE ECHO THE WILTERN PHOTO BY VIKTORIJA P —Jason Roche — continues the 4/30 4/29 ASHUTA -

| | 31 LA WEEKLY // April 27 - May 3, 2018 // www.laweekly.com , , ENT

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www.laweekly.com // April 27 - May 3, 2018 // LA WEEKLY |

CA PUPPET OF S ROLL SPINNEY, WIN 2TICKE laweekly.com/free/JimHenson ES A O RY AR ME ME SC Enter to winat A ST R THE G T S BENEFIT T REE S T B ELOVED PUPPET T’S BIGBIRD A O C ROUCH! ENT HONORING ER FOR ND ND EER EER ers, most recently released four more awesome - full-length studio they rented). They’ve since dence — it was named after the Glasgow called ate, because their 2006 debut album is vis Costello. Which is entirely appropri- more with Brit new wave songsmith El- less in common with “da bruddas” and Musically, though, the Glaswegians have each adopted “Fratelli” as their surname. tish indie rock band The Fratellis have Like The Ramones, the members of Scot- @ The Fratellis tue takes them. business no matter where that business support to women involved in the music ity, which is a student group that lends Musicians Unite in Support of Equal- the extra million miles and co-founded an individual, like Sade — who’s gone ings of Rosie Tucker — a band as well as is all framed by the heartfelt song styl- ris and substantial commentary. This middle ground between slick electronic at the world, while The Yip Yops find the stripped-down approach to screaming the doom-gaze fog of Iress and their work as a welcome counterweight to electro-rock tones of Ever So Android blow them. The constitutionally catchy —John Payne ers ’n’ gaslighters: Stay away! by Nghtcrwlr aka King Woman. Naysay singer-composer Anjelica and a DJ set Be Flooded Out album of late 2017. Also, quite artfully constructed calls to arms on her very hooky and laborator who’s got a few overlapping La Louma is a former St. Vincent col- art-rock/punk artist/Bitchwave co-chief major butt, to put it mildly. L.A. queer called along with a 2016 set on Warner Bros. releases notched on their studded belts, cal delivery. The band have a few indie and the charismatic intimacy of her vo- authentically heartfelt lyrical topicality pop given resonant heft by Lopez’s and choicely abrasive brand of synth- Crayon, RoM is a buzzy, nicely melodic Terra Lopez. Formerly known as Sister Ritual of Mine’s go-getter frontwoman, queer/person-of-color label created by uniquely right-on Bitchwave Records, a Tonight’s show is a showcase for the @ KingAnjelica, Woman Rituals ofMine,La Louma, wed Red Shoes also play. expect a great show. Fellow Brits Blood with those strong L.A. links, we can short time, they’ve come full circle and, worked on the debut). So in a relatively in L.A. with producer Tony Hoer (who Time this year, which they recorded here

THE BELASCO THE SA Costello Music (a happy coinci- Devoted, all of which, well, kick TELL —David Cotner ITE In Your Own Sweet —Brett Callwood Let the World

5/2 5/1 - @ @ @ —Falling James teresting in her rare low-key moments. bombastic, and she’s actually more in- metallic workouts can get unvaryingly cello with dramatic flair. Guo’s intense attacks her futuristic-looking electric daring stage outfits as she frenetically sembles a comic-book superhero in her the L.A.-based cellist sometimes re- Williams’ for Dawn of Justice Zimmer’s for movie soundtracks, including Hans low tones have underpinned numerous ognized for the way her flashy, vibrant haps fitting that Guo is most often rec- Legend, Big K.R.I.T. and Ciara. It’s per Foo Fighters, and recorded with John Meola, played with Ellie Goulding and Joe Bonamassa and jazz noodler Al Di to have toured with blues guitarist background, but she’s versatile enough nese-American cellist has a classical talented for her own good. The Chi- Tina Guo is almost too dazzling and Tina Guo thu the Mystery.” accents of the album-closing “Meet Me in her airy vocals within the somber piano persuasively bewitching when weaving always fit the rustic settings. She’s more grand mainstream-pop choruses don’t the album, although the occasionally romantic longing throughout much of Lissie mixes a rural sense of place with in a Stevie Nicks purr on “Boyfriend.” a body to understand,” she confides “I prefer the river/The ocean is too big longtime home in Ojai to a farm in Iowa. by the Illinois native’s move from her record, raphy on “Best Days,” from her latest thing,” Lissie says by way of autobiog- California/Left Ojai for the next best wanna/I dropped out and moved to “I could’ve stayed in college, but I didn’t Lissie gun Golf”). lifestyles of the rich and famous (“Shot- ing of poverty (“Space Ghettos”) and services (“Not Ur Uber”), the romanticiz also confront the horrors of ridesharing “Dumb Ass Kids.” Francis and Dolan liberals” on the sarcastic writing tutorial the time to scold “conservative-leaning album and their indeed epic beards on the new vigilantes” poke a lot of fun at themselves facial hair.” The self-proclaimed “diligent contributors who may or may not have life rap BFFs” that also includes “a lot of Beard Men, a new project by these “real- they reveal a more playful side as Epic attempt to save the world from itself. But across as serious and purposeful as they Francis and B. Dolan have generally come rations together, East Coast rappers Sage Working solo or in their various collabo- Epic Beard Men

EL REYTHEATRE THE TERAGRAMB THE GLASS Season 1, but the duo also take Castles. The record was inspired —Falling James HOUSE —Falling James Batman v. Superman: Wonder Woman, because and Rupert Gregson- ALL ROOM 5/3 - - | | LA WEEKLY // April 27 - May 3, 2018 // www.laweekly.com 33 53688 LACE: PA N 316 W. Second St., L.A. 316 W. 1234 W. Seventh St., L.A. 1234 W. 18389 Ventura Blvd., Blvd., 18389 Ventura 901 E. First St., 901 E. First L.A. Cub N: 3101 Pico Blvd., Santa Blvd., Pico 3101 NEERTOW LOO PIO SA ALLROOM: AR & GRILL: 450 S. Main St., L.A. Damski, Charley 1717 Silver Lake Blvd., Los Angeles. Angeles. Los Blvd., Silver Lake 1717 142 Pacific Coast Highway, Hermosa Highway, Coast Pacific 142 AM B 3311 S. Main St., L.A. Witzend, Fri., April 3311 St., S. Main Fri., L.A. Witzend, 247 S. Main St., Cozzmos, 247 L.A. Swells, The 1533 W. Sunset Blvd., L.A. The Crazy Crazy Sunset L.A. The Blvd., 1533 W. 428 S. Hewitt St., L.A. Mansionair, Mikky St., 428 S. Hewitt L.A. Mansionair, 245 E. Green St., Pasadena. Yachtley Crew, Crew, St., Yachtley E. Green Pasadena. 245 9009 W. Sunset Blvd., West Hollywood. Ripe, Sunset West Blvd., 9009 W. 6010 W. Pico Blvd., L.A. Pink Talking Fish, The The Fish, Talking L.A. Pink Blvd., Pico W. 6010 HARRIET’S FE: T: TELLITE: EDWOOD B EDWOOD OXY: 1720 E. 16th St., L.A. 3Teeth, HO99O9, Fri., April Fri., HO99O9, E. 16th St., 1720 L.A. 3Teeth, SA R MIN INT ROCKE: INT PPY & PPY The Dip, Thumpasaurus, Fri., April 27, 9 p.m., $15. 9 p.m., April 27, Fri., Thumpasaurus, Dip, The Sat., & Chong, Cheech Gus $52.50. April 28, 9 p.m., Sun., $15. April 29, 8 p.m., Dapperton, Temporex, April Mon., Hedley, Joshua Cauthen, Paul Wall, Colter 1, May Tue., Hayes, Devin Miller, $15. Jake 8 p.m., 30, $20-$35. Saba,8 p.m., Jean Deaux, Chilliams, Joseph Suns, Fallen $16-$65. Yeghikian, 2, 8 p.m., May Wed., $20. 3, 9 p.m., May Hajj, Thu., Strapica, The Higgs, Fri., April 27, 8 p.m., $15. The Ready Set, Phil Ready $15. The 8 p.m., April 27, Higgs, Fri., Cappa, Sun., $8-$5. April 29, 7 p.m., Good, Joyner, Sarah free. Ault 7 p.m., Hunnypot, every Monday, other 1, May Super& the Oscar Black, Sage, Natural, Tue., 2, 7:30 May Wed., Cerulean, 7, $8. Naturally 7:45 p.m., & Roses Peacemakers, Clyne & the $16. Roger p.m., $23. 3, 8 p.m., May Thu., Cigarettes, Beach. Rosie Flores, Thu., May 3, 8 p.m., $15. 3, 8 p.m., May Thu., Flores, Beach. Rosie Phoenix Afrobeat Orchestra, Novala, Glifos, Fri., April April Glifos, Fri., Novala, Orchestra, Afrobeat Phoenix Electric Plasmic, MariGo, $8. Laciste, 9 p.m., 27, Ned free. 7:30 p.m., Spacers, April 30, Mon., West, 1, 9 May Tue., Knitts, The Dirt,& the Blood Candy, King Angelica, Mine, La Louma, of $8. Rituals p.m., $15 (see Music Pick). 2, 9 p.m., May Wed., Woman, Stars Absurd, at Night, Niantic, Hollow Fortyfives, The $10. 3, 9 p.m., May Thu., Monica. The Deer, Josiah & the Bonnevilles, Fri., April Bonnevilles, Fri., & the Josiah Deer, The Monica. B. Ross, Eva Revival, Dustbowl $12. The 8 p.m., 27, Sun., April Sat., Penner, $25. Jess 8 p.m., April 28, Jamie Drake, Revival, Dustbowl a.m.; The 29, 10:30 Sun., $25. April 29, 8 p.m., Penguin Prison, Little Monarch, Dylan Gardner, Fri., Fri., Dylan Gardner, Monarch, Little Prison, Penguin Sat., April 28, 7:30 p.m., free; Roscoe’s Band, Omar Sat., Roscoe’s free; April 28, 7:30 p.m., Sat., Bones Muhroni, free. 9 p.m., April 28, Velasco, Leeann Connor, Sun., Mara free. April 29, 9 p.m., May Iris, Tue., Arc free. 9 p.m., April 30, Mon., Skoda, TBA., DJs Off KCHUNG free. Clock, plus the 1, 9 p.m., free. p.m., 2, 10 May Wed., p.m.; Caskey, Thu., May 3, 8:30 p.m. 3, 8:30 May Thu., Caskey, p.m.; Good Boy, Nightmare Enterprises, Fri., April 27, 8 April 27, Fri., Enterprises, Nightmare Good Boy, Sat., April Yawwn, Girl, $5. HIRS, Escort,p.m., Trap $5. 28, 8 p.m., Pioneertown Rd., Pioneertown. Leslie Stevens, Izaak Pioneertown. Leslie Pioneertown Rd., Angels, Burning & the Opatz, Casey James Prestwood Lane, Joshua Nikki $10. 8:30 p.m., April 27, Fri., Sat., $20. April 28, 8 p.m., Overbey, Charlie Hedley, All-Stars, Store Sun., Thrift April 29, 7:30 p.m. The Sinister Six, Sly-Fli, Savage Gospel, Western Star, Fri., Fri., Star, Gospel, Western Savage Six,Sinister Sly-Fli, Anti-Hero, Diabology, High Life, $7. 9 p.m., April 27, Octane, Sat., Low April 28, 3 p.m., Black Empathy, Messengers, $5. Sean Reluctant & the Wheeler $5. 9 p.m., 2, May Gabriel Hart, Wed., 27, 10 p.m. The Z-Boys, The Quahogs, Thu., May 3. May Quahogs, Thu., The Z-Boys, The p.m. 10 27, Ekko, Fri., April 27, 8 p.m., $15. Adam Pfahler, DJ DJ $15. Adam Pfahler, 8 p.m., April 27, Fri., Ekko, $15. A.O. 8 p.m., April 30, Mon., Sam James Velde, 2, 8 p.m., May Wed., Concerns, Fellow, Bird Gerber, May New Candys, Thu., Bone Acre, Black Mare, $7. $10. 3, 8 p.m., Thu., May 3, 10 p.m., $10. p.m., 3, 10 May Thu., 27, 6:30 p.m., $22. Covenant, Grendel, Sat., $22. Covenant, 6:30 p.m., Grendel, April 28. 27, Squeeze, Fiends, Poison Boys, Nico Bones, Fri., April Fri., Boys, Nico Bones, Poison Squeeze, Fiends, $6. 8 p.m., 27, Sport, Boniface, Fri., April 27, 8 p.m., $13. Sympathy $13. 8 p.m., April 27, Sport, Boniface, Fri., Crazy Sat., Disco, for the The $10. p.m., April 28, 10 Sun., Creeps, April 29, 7:30 Twilight Squeeze, Spider, April Mon., Horror, Rad Wildling, $8. Mainland, p.m., 1, May Tue., Sawayama, $15. Rina 7:30 p.m., 30, 2, 8 p.m., May Wed., Fathers, Young $20. 7:30 p.m., Thu., Ackerman, Rattlers, Michigan Gregory $20. $15. 3, 8:30 p.m., May Tarzana. Santos y Sinners, The Frank & Dino Show, & Dino Show, Santos Frank y Sinners, The Tarzana. 8 April 27, Fri., Train, Sauce, Hot Voodoo Mama’s Nancy Disorder, Order Yeehaws, Screamin’ The p.m. Sat., Alvin April 28, 9 p.m. F-Word, Nightmare, 8 p.m. 30, April Mon., Moonlighters, The Johnson, Surge John Haymakers, & the Sound Ghosts, of The 8 p.m. 3, May Thu., Hanmer, Molly OT 1 CA OT HE HE THE SMELL: THE TERAGR THE SA THE 1720: THE R THE T: RESIDEN ROSE: THE T GE: LOUN MOROCCAN THE PA THE MARKE: THE MILL SUGAR MAUI SHOP: GUITAR MCCABE’S T L SONG: LOVE THE 24201 Valencia Blvd., Blvd., Valencia 24201 28912 Roadside Dr., Dr., 28912 Roadside A: 366 N. La Cienega Blvd., Blvd., 366 N. La Cienega 5621 N. Figueroa St., 5621 N. Figueroa NET: 5221 Hollywood L.A. Johnny Blvd., 800 W. Olympic Blvd., L.A. Beth Olympic Blvd., 800 W. 2200 Beverly Blvd., L.A. James Blvd., 2200 Beverly 200 W. Second John St., Pomona. 200 W. 1623½ N. Cahuenga Blvd., L.A. OSO Blvd., 1623½ N. Cahuenga 6400 Sunset Blvd., L.A. JDisko, Fri., 6400 Sunset Fri., L.A. JDisko, Blvd., NE: ORO 1154 Glendale Blvd., L.A. The Prids, Prids, L.A. 1154 The Glendale Blvd., 1815 S. Main St., L.A. Xover, Legg Lake, Legg 1815 S. Main St., L.A. Xover, FE: 5303 N. Lankershim Blvd., North Blvd., 5303 N. Lankershim RK BOWL: RK 3040 W. Sunset Blvd., L.A. Ky-Enie, Wed., Wed., Sunset L.A. Ky-Enie, Blvd., 3040 W. 2913 E. Anaheim St., Long Beach. The The Beach. St., 2913 E. Anaheim Long 1906 Cypress Ave., L.A. The Guilty Hearts, Guilty L.A. The Ave., 1906 Cypress 5043 York Blvd., Highland Park. The Birth The Highland Park. Blvd., 5043 York CA A HILLS: N AGOURA CLA RIT SANTA N PA 1822 W. Sunset Blvd., L.A. The Sherlocks, Sherlocks, Sunset L.A. The Blvd., 1822 W. T: A: AR: T THE C MUSIC: BOS: L ARTS: LO RD & STO ARD XIA FE NEL RGO A RGO My Brain, Sun.,My Brain, April 29, 7:30 p.m. “Jellybean” Benitez, Mosh, De Lux, Fri., April 27, 8 27, April Fri., Lux, De Mosh, Benitez, “Jellybean” Varials, 810, Counterparts, King Emmure, $20. p.m., Wed., Sat., Men, Beard Epic $24. April 28, 7:30 p.m., (see Music Pick). $14 2, 8 p.m., May Travis Jr. & the Delta Dawns, Sundays, free. 8 p.m., Dawns, Delta & the Jr. Travis #1351, Santa Clarita. The Fab Four, Sat., April 28, 9 Four, #1351, Santa Fab Clarita. The Sun., April 29, 9 p.m. Ketchum, $28-$58. Hal p.m., Supercave, Pompeya, Lukas Frank, Fri., April 27, 8:30 April 27, Fri., Frank, Lukas Supercave, Pompeya, Dream Universe, Entire $15. Stonefield,p.m., The Olivia Kaplan, free. p.m., 8:30 April 30, Mon., Phases, 1, 8 p.m., May Tue., Alan Hampton, Uhlmann, Gregory 2, May Wed., Links, Missin’ & the Madd Vibe Dr. $10. Samuels, Johanna $15. Harrison Whitford, 8:30 p.m., $10. 3, 8:30 p.m., May Thu., Nik Freitas, Hollywood. The Lopez Beatles, Rockford, Sun., April Beatles, Rockford, Lopez Hollywood. The 29, 11 free. a.m.-2 p.m., Fawns of Love, The Victoriana, Deaf Dance, Sun., Dance, Deaf Victoriana, The Love, of Fawns Steoples, Mon., The Jukes, $13. Mr. April 29, 8 p.m., Díaz, Thu., Álvaro $18. Coastcity, 8:30 p.m., April 30, $17. 3, 8:30 p.m., May May 2, 8 p.m., $5. Dionnefresh, Thu., May 3, 8:10 3, 8:10 May Thu., $5. Dionnefresh, 2, 8 p.m., May Crystal Method, Jesika Von Rabbit, Litronix, Fri., April April Fri., Rabbit, Litronix, Von Crystal Jesika Method, & Beat-Man $25. Spindrift, 8 p.m., Reverend 27, Sat., Swank Bastards, Thee April Nicole Izobel Garcia, of Assquatch, Birth Pins $10. Defects, 28, 8 p.m., Kung Sun., Bison, $5. Los April 29, 2 p.m., War Light, Gremlin, Electric Berrinches, Chencha Monkeys, Fu $10. 3, 8 p.m., May Thu., Agoura Hills. Big Bad Voodoo Daddy, Fri., April 27, 9 April 27, Fri., Daddy, Hills. Big Bad Voodoo Agoura X, Sat., $24- April 28, 9 p.m., $28-$58. King’s p.m., Sun., $28-$58. April 29, 9 p.m., Four, Fab $34. The April 27, 8 p.m., free. DJ Anthony Valadez, Sun., April Valadez, Anthony DJ free. 8 p.m., April 27, 29, noon, free. Love Ghost, Night Talks, Fri., April 27, 8:30 p.m., $15. 8:30 p.m., April 27, Fri., Talks, Night Ghost, Love Sat., Alma, Au/Ra, $16. Grand 6:30 p.m., April 28, The Leg, King Casey with Prestwood, James Ole Echo, Sun., April 29, 3 p.m., Folks., Band, The Gibson Toler Sun., Alice Austin, April III, Restavrant, $5; Bob Log Yops, Yip Hammer, Ramonda $14. 29, 8:30 p.m., Boniface, Mon., Tucker, So Rosie Android, Ever Iress, Friends, Fickle (see Music Pick). free 8 p.m., April 30, Niia, Cardin, $16. Charlotte 2, 8 p.m., May Wed., $15. 3, 8:30 p.m., May Aliocha, Thu., Defects, Pins of Light, Death Eyes, War Bison, Fri., Bison, Fri., War Eyes, Death Light, of Pins Defects, Arthur Beings, King, Perfect $10. 8 p.m., April 27, Unending Sun., The free. April 29, 7 p.m., Teasips, Mon., Fields, Deep Throated, Ruby Ox, Max Thread, 1, 8 May Tue., Hedley, $5. Joshua 8 p.m., April 30, Bianqui, The Veronica Elephante, Dante $10. p.m., $10. 3, 8 p.m., May Thu., Waters, Lily Altons, L.A. Jon Brion, Fri., April 27, 9:30 p.m., $30 (see 9:30 p.m., April 27, L.A. Fri., Brion, Jon Sat., April 28, 8 p.m., Benmont Tench, Music Pick). Unit & Moon Joan with Rain Live, LaunchLeft $40. Zach Galifianakis, Wainwright, Zappa plus Rufus $30. 1, 8:30 p.m., May Tue., Frally, Rice, Johnathan No We’re $30. 2, 8:30 p.m., May Wed., Crowder, Trae May Thu., & Steve Agee, Philipps Doctors, with Busy $30 (see GoLA).3, 8:30 p.m., Nielsen Chapman, Mon., April 30, 8 p.m., $20. Rita Rita $20. 8 p.m., April 30, Mon., Nielsen Chapman, Andersen, Eric $20. 2, 8 p.m., May Wed., Coolidge, $20. 3, 8 p.m., May Thu., Conscious Summary, Kio Griffith, Sun., Kio April 29, 8 p.m. Conscious Summary, Highland Park. L.A. Drones, Blood Candy, Miss L.A. Blood Candy, Drones, Highland Park. free. 3, 9 p.m., May Thu., Jupiter, Reverend Beatman & Nicole Izobel Garcia, Fri., Fri., & Nicole Izobel Garcia, Beatman Reverend Rankoutsiders, & the Todd $13. Pat 9 p.m., April 27, Mars, Rulers, Sat., Golden The April 28, Trash, Glitter Assquatch, Hawaiian $8. Sweet8:30 p.m., Reaper, $5. 3, 8:30 p.m., May Bad Antics, Thu., T-Shirts, ROCK CLUBS LOS G LOS LA THE HOTEL HOTEL THE HIGHLAND THE HI HA HI THE HARV GRAMMY MUSEUM: GRAMMY THE GLASSHOUSE: THE THE FEDERAL: THE THE ECHOPLEX: THE THE ECHO: THE COA THE CANYO THE THE CANYO THE CA BOOTLEG THEATER: BOOTLEG BA AMOE ALEX’S B

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THE VIPERROOM: UNION NIGH THE TROUBADOUR: Deer, Thu., May 3,9p.m., $18. $95 (seeMusicPick). Wild Ulvang, Child, Stelth The $15. Lissie, Van William, Wed., May 2,9p.m., $23- 29, 8p.m., $16.Lo Moon, Kraus, Tue., May 1,9p.m., April 27, 9p.m., $20. Knower, April Breastfist, Sun., Thu., May 3,7p.m. Religion, Wed., May 2,8p.m., $35.Dagny,Leland, Hudson,Tue.,$15. Harry May 1,8p.m., $15.Bad p.m. Phoebe April28,8p.m., Lomelda, Bridgers, Sat., Coast Modern, MikeyHollywood. Mike, Fri., April27, 8 May 1,7p.m., $10. Tambourines, Los Dolores, Ferbus, Racquet, Tue., April29,8p.m.,Gab, $18. BlimesBrixton, Sun., April28,9p.m. InvisibleInc.,Gifted Bwe, Sat., Supa Fri.,DJ Doc Sneak, Martin, April27, 10 p.m., $18-$37. May 3,7:30p.m. Revelations, The Royalush, Chimpz, Lit Soul, Thu., The Jam,Mondays, 7:30p.m., free. Sunset Altered Popes, BadCop/Bad April29, 8p.m. Cop, Sun., Escape,Hollywood. Fri., April27, 8p.m. The Smoking laweekly.com/free/FightClubLive W WIN 2TICKE / AL TCLUB: IVE S FIGHT C Enter to winat 8852W. Blvd., West Sunset 9081 Santa Monica Blvd., West 9081Santa 4067 W. Pico Blvd., Ardalan, L.A. CORE ON5/19! T LUB S T O S EE BOY THE COWBOY COWBOY THE COFFEE GALLERY B BOULEVARD MUSIC: THE WORLD STAGE: VIBRATO G THE LIGH DESERT ROSE: BLUE ZEBULON: WHISKY A GO- COUNTRY &FOLK JAZZ &BLUES Stevens Trio,Stevens p.m., free. 7-11 Saturdays, Parker, Vinny Golia&Alex Cline,Fri., April27, 9p.m. Air. Daniel Wed., Bennett, May 2,7:30p.m., $20. p.m. Geoffrey Keezer, Leo Amuedo, Thu., May 3. Tue., May 1,9p.m., $15.JensKuross, Wed., May 2,9 Mayhall, Mon., April30, 9p.m., $15.Will Kennedy, April29,9p.m.,Chase $15.Matt Baird Sun., Quintet, The Trio, Daniel Szabo April28,9p.m., $15.The Sat., Graham Dechter Sextet,Fri., April27, 9p.m., $20. Whyman Project, April29,7p.m., $15. Sun., April29,2:30p.m., $20;The Cello,$20. Sun., Dirty Fri., April 27, April28,7p.m., 8p.m. Incendio, Sat., Ave., Altadena. Rick Ruskin, JamesLee Stanley, Nathan McEuenApril28. &Natalie Gelman, Sat., Chatsworth. BigOpenSky, Fri., April27, 8p.m., free. Alvie &the Breakfast April29,7p.m. Pigs, Sun., Warbringer, Fri., April27, 6p.m. Children, NoSmall a.m.-3 p.m., free. free. The Greg Fishman April29,11 Sun., Quintet, Trio,The Hirsh Sam a.m.-2:30p.m., April28,11 Sat., Jimi April27-28,9p.m., Nelson, $8. DJ Gerard, Wed., May 2,9p.m., free. 1, 8p.m., free. We Are the West, Rainstorm Brother, Takedown, NedelleTorrisi, Brent Weinbach, Tue., May April29,9p.m., &theL.A. $10. Bedazzled, Sun., Bart 9 p.m., free. Jenny Don’t JessCornelius, &the Spurs, Moon Honey, Facial, DJ Gregg Foreman, Fri., April27, WHALE: THOUSE CAFE: RY: COUNT 2478 Fletcher Dr., The L.A. Entire Universe, RILL &JA 123 Astronaut E.S. Onizuka St., L.A. The L.A. Onizuka 123Astronaut E.S. St., PALACE SALOON: GO: 1700 Ave., Hillhurst The L.A. MarkZ. 8901 Sunset Blvd., West 8901Sunset Hollywood. 4321 Degnan Blvd., L.A. Jeff 4321Degnan Blvd., Jeff L.A. 3321 E. South St., Long St., Beach. 3321E.South 4316 Sepulveda Blvd., Culver City. 4316Sepulveda ZZ : 2930Beverly GlenCircle, Bel- 30Pier Ave., Beach. Hermosa ACKS TAGE: 21635 Devonshire St., 21635Devonshire St., 2029N.Lake —Falling James —Falling James AVALON HOLLYWOOD: JOE’S G UNION NIGH LOS GLOBOS: GRAND ST THE ECHOPLEX: THE ECHO: DIRTY LAUNDRY: BOARDNER’S: For morelistings, pleasegoto laweekly.com. GO GO ART GARFUNKEL: YOUNG DUBLINERS: GO SLUSHII: GO GO GORDON LIGH ENRIQUE BUNBURY: GO BAJOFONDO: GO GO MUNICIPAL WASTE: JEFF LORBER: THE FAB FOUR: ELOHIM: GO CONCERTS DANCE CLUBS SUNDAY, APRIL29 SATURDAY, APRIL28 FRIDAY, APRIL27 Trappist., 8p.m., $22.50. The Regent Theater. Wed., May 2,9p.m. Doña Oxford, Tue., May 1,9p.m. The Ploughboys, The MagnoliaStreet JazzBand,Tue., May 1,noon; Stuckey &the Hot HouseGang, Mon., April30, 9p.m. 4-7 p.m.; Kara Grainger, April29,8p.m. Dave Sun., April28,9p.m. BigJay McNeely,Sat., April29, Sun., Drawl, Fri., April27, 9p.m. Green Central Station, WhiteMagnolia Blvd., Burbank.Mary &Magnolia Thursdays, 10 p.m., $5. Mondays, 8p.m., $3-$7. 10Saturdays, p.m., $10-$20. BlueMondays, Theatre, MusicPick. Blvd., See L.A. 6126Hollywood Theatre MusicPick. Hotel. atAce See Atherton St., Long MusicPick. St., Beach.See Atherton & Karen Carpenter Performing Center, Arts 6200 Disco Electro Dance Party, Synth Tue., May 1. Band, Sun., April29,6p.m., free. Band, Sun., April28,8p.m. TheMorgan Ridge, Just Dave Sat., Wiltern, 3790 Wilshire MusicPick. Blvd., See L.A. Iyer Sextet,8p.m. Walt Hall. Concert Disney Flash Niper, Tragik, Thu., May 3,10 p.m., $10. 10 Saturdays, p.m.,L.A., $5&$10. Playboi Party, April28,10 p.m.; Bootie Rhonda,Club Called Sat., Fri., April27, 10 p.m. Club‘90s,Fridays, 10 p.m. A Angeles, withDeltatron, Principe Q, OGBobby Trill., Sat., April28,7p.m., $15. Sat., ¡Cumbiatron!, Fri., April27, 10 p.m., $5.Das Mörtal, Daedelus, PBDY, Fri., April27, 8p.m., $20; Tue., May 1,9p.m., $15-35.DubClub, Wednesdays. 8 p.m., $60-$280. The Forum. Music Pick. See MusicPick.Blvd., Inglewood. See 8 p.m., $60-$280. The Forum, 3900W. Manchester $329-$1,199. Empire Polo MusicPick. Club. See Clark, Jillian Jade Jacqueline, Jackson,12p.m., Ronnie Milsap,Walker Hayes, CarlyPearce, Brandy &theJason Isbell 400Unit, Granger Midland, Smith, Musgraves, The BrothersOsborne,Dwight Yoakam, Avenue MusicPick. 51,Indio. See 12p.m., $329-$1,199.Empireers, Polo Club, 81-800 TanyaSatellites, Tucker, Jade Bird, Banditos andoth- Chris Lane,MollyLindsay Hatchet, Ell, The Georgia Owen, Kelsea Ballerini,CodyJinks, Chris Janson, ning Britpop, post-punk andnewwave, 21+,Fridays. 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ANGELA G ANGELA TINA GUO: TERENCE BLANCHARD: TERENCE BLANCHARD: THE FRATELLIS: STAGECOACH: NADIA SHPACHENKO: CHAMBER L.A. ORCHESTRA: HEAR NOW FESTIVAL: THE CALDER QUAR T SOCIET With Plini, Astronoid., 7p.m., $27. The With Oliver Tree, 8:30p.m. El Rey The strings-horn quintet compares and 8:30p.m. El Rey Theatre. HEORGHIU &VITT With Haven, Bel 9p.m., $25.El Rey 8 p.m., $48-$78. Saban Theatre. 8p.m., $48-$78. Saban Y OFTHE SISTERHOOD: AnneMarieKetchum leadsthe With Garth Brooks, Trisha With Garth With BloodRed Shoes, 7p.m., Sat., April28,8p.m., $55- Sat., TET: S: The pianist isaccom- Matthew Aucoin leads People Inside Electronics The group unwinds With The E-Collective, 8 8p.m., $28-$65.The ORIO ORIO Harry Bicket Harry —Falling James —Falling James GRIGÒLO: 7p.m.,

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CourtDate:05/15/2018, name shouldnotbegrant- petition forchangeof lows toshowcausewhythe above-entitled courtasfol- name appearbefore the tled matterofchange terested intheabove-enti- ordered thatallpersonsin- hereby PETER TSIBIZOV.Itis In thematterofpetitioner Filed OnApril05,2018 Angeles, CA90012. ment 44,Room418,Los North HillStreet, Depart- Central Courthouse111 located at:CentralDistrict County ofLosAngeles Superior CourtofCalifornia Case No.BS173094 FOR CHANGEOFNAME ORDER TOSHOWCAUSE Legal Notices 656 Notices Park, CA90620 8700 StantonAve, Buena Church AssemblyofGod, sume toCalvaryMission or related eldReq’d.Re- Christianity; MAindivinity bers withbiblicalviewof services tochurch mem- lor: provide counseling Christian PastoralCounse- Anaheim, CA92801 1151 N.MagnoliaAve. #101, Bells InsuranceAgency, Inc. lated. MailResume:Golden in Mktng.,Bus.Econ.,orre- company. 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Itisfurtherordered name shouldnotbegrant- the petitionforchangeof there toshowcausewhy herein abovethenand name appearasindicated of nameshouldnotbe why thepetitionforchange above toshowcause,ifany, at thehearingindicated ter appearbefore thiscourt sons interested inthismat- hereby ordered thatallper- kyan. Now, therefore, itis Kuroyan toAlexanderPatri- changed from: Alexander sire(s) tohavehisname tion thatpetitioner(s)de- appearing from saidpeti- clerk ofthiscourt,andit been duly ledwiththe change ofnamehaving trict. Andapetitionfor Nuys, CA-NorthwestDis- Sylmar Ave., Dept.M,Van 8:30 a.m.Locatedat6230 Court date:06/04/2018, should notbegranted. tion forchangeofname show causewhythepeti- entitled courtasfollowsto appear before theabove- matter ofchangename ested intheabove-entitled DERS thatallpersonsinter- Kuroyan. THECOURT OR- yan onbehalfofAlexander and ZabellaElizabethPapaz- petitioner: NickPatrikyan 9, 2018-Inthematterof west District.FiledonApril nue, Van Nuys,CA-North- cated at6230SylmarAve- County ofLosAngeleslo- Superior CourtofCalifornia, Case No.LS030100 NAME CHANGE ORDER TOSHOWCAUSEFOR Torrance, CA 90502 19706 Normandie Ave., resume toMightyUSA Inc, CNC ServiceEngineer, mail Legal Notices 656 Employment & EDUCATION EMPLOYMENT L C lassifieds Of Pocket.(AANCAN) tion. NoRisk.MoneyOut 844-898-7142 forInforma- Cash Award. Call Be EntitledTo Signi cant You AndYour FamilyMay Lung Cancer?AndAge60+? CAN) Lexington LawFirm. (AAN Attorney atLaw, PLLC,dba 620-9426. JohnC.Heath, consultation. 855- summary &credit repair for aFREEcredit report Repair. CallLexingtonLaw Credit With TheTrusted Leaderin Repair Your Credit Report Denied Credit?? Work to 05/10/18 .Dated04/17/18. 04/19, 04/26,05/03, petition. 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