Sri Krishna and His Gospel
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Particulars of Some Temples of Kerala Contents Particulars of Some
Particulars of some temples of Kerala Contents Particulars of some temples of Kerala .............................................. 1 Introduction ............................................................................................... 9 Temples of Kerala ................................................................................. 10 Temples of Kerala- an over view .................................................... 16 1. Achan Koil Dharma Sastha ...................................................... 23 2. Alathiyur Perumthiri(Hanuman) koil ................................. 24 3. Randu Moorthi temple of Alathur......................................... 27 4. Ambalappuzha Krishnan temple ........................................... 28 5. Amedha Saptha Mathruka Temple ....................................... 31 6. Ananteswar temple of Manjeswar ........................................ 35 7. Anchumana temple , Padivattam, Edapalli....................... 36 8. Aranmula Parthasarathy Temple ......................................... 38 9. Arathil Bhagawathi temple ..................................................... 41 10. Arpuda Narayana temple, Thirukodithaanam ................. 45 11. Aryankavu Dharma Sastha ...................................................... 47 12. Athingal Bhairavi temple ......................................................... 48 13. Attukkal BHagawathy Kshethram, Trivandrum ............. 50 14. Ayilur Akhileswaran (Shiva) and Sri Krishna temples ........................................................................................................... -
SACRED SPACES and OBJECTS: the VISUAL, MATERIAL, and TANGIBLE George Pati
SACRED SPACES AND OBJECTS: THE VISUAL, MATERIAL, AND TANGIBLE George Pati BRAUER MUSEUM OF ART | APRIL 13 — MAY 8, 2016 WE AT THE BRAUER MUSEUM are grateful for the opportunity to present this exhibition curated by George Pati, Ph.D., Surjit S. Patheja Chair in World Religions and Ethics and Valparaiso University associate professor of theology and international studies. Through this exhibition, Professor Pati shares the fruits of his research conducted during his recent sabbatical and in addition provides valuable insights into sacred objects, sites, and practices in India. Professor Pati’s photographs document specific places but also reflect a creative eye at work; as an artist, his documents are also celebrations of the particular spaces that inspire him and capture his imagination. Accompanying the images in the exhibition are beautiful textiles and objects of metalware that transform the gallery into its own sacred space, with respectful and reverent viewing becoming its own ritual that could lead to a fuller understanding of the concepts Pati brings to our attention. Professor Pati and the Brauer staff wish to thank the Surjit S. Patheja Chair in World Religions and Ethics and the Partners for the Brauer Museum of Art for support of this exhibition. In addition, we wish to thank Gretchen Buggeln and David Morgan for the insights and perspectives they provide in their responses to Pati's essay and photographs. Gregg Hertzlieb, Director/Curator Brauer Museum of Art 2 | BRAUER MUSEUM OF ART SACRED SPACES AND OBJECTS: THE VISUAL, MATERIAL, AND TANGIBLE George Pati George Pati, Ph.D., Valparaiso University Śvetāśvatara Upaniṣad 6:23 Only in a man who has utmost devotion for God, and who shows the same devotion for teacher as for God, These teachings by the noble one will be illuminating. -
Penser Un Monde Par-Delà Les Frontières: Derrida Et Tirumular
Penser un monde par-delà les frontières : Derrida et Tirumular, essai de philosophie comparative Nishant Alphonse Irudayadason To cite this version: Nishant Alphonse Irudayadason. Penser un monde par-delà les frontières : Derrida et Tirumu- lar, essai de philosophie comparative. Philosophie. Université Paris-Est, 2008. Français. NNT : 2008PEST0217. tel-00462179 HAL Id: tel-00462179 https://tel.archives-ouvertes.fr/tel-00462179 Submitted on 8 Mar 2010 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. UNIVERSITÉ PARIS-EST Espace Éthique et Politique École doctorale de Cultures et Sociétés Nishant Alphonse IRUDAYADASON PENSER UN MONDE PAR-DELÀ LES FRONTIÈRES Derrida et Tirumular – Essai de philosophie comparative Directeur de thèse : Monsieur le Professeur Dominique FOLSCHEID Université Paris-Est Marne-la-vallée Rapporteurs : Examinateurs : M. le Professeur François CHENET M. le Professeur Jean GREISCH Université Sorbonne Paris IV Institut Catholique de Paris M. le Professeur Jeffrey BLOECHL M. le Professeur Ronan SHARKEY Boston College, Etats-Unis Institut Polytechnique La Salle Beauvais Thèse soutenue le 14 novembre 2008 « L’appel au dénuement total qui est l’appel à la libération totale car seul est libre celui qui n’a rien absolument rien qu’il puisse dire sien. -
The Potentials and Prospects of Yoga Pilgrimage Exploration in Bali Tourism
International Journal of Religious Tourism and Pilgrimage Volume 8 Issue 8 Article 11 2020 The Potentials and Prospects of Yoga Pilgrimage Exploration in Bali Tourism I GEDE SUTARYA Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/ijrtp Part of the Tourism and Travel Commons Recommended Citation SUTARYA, I GEDE (2020) "The Potentials and Prospects of Yoga Pilgrimage Exploration in Bali Tourism," International Journal of Religious Tourism and Pilgrimage: Vol. 8: Iss. 8, Article 11. doi:https://doi.org/10.21427/05cm-qk98 Available at: https://arrow.tudublin.ie/ijrtp/vol8/iss8/11 Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License. The Potentials and Prospects of Yoga Pilgrimage Exploration in Bali Tourism Cover Page Footnote This article is based on research about yoga tourism in Bali, Indonesia. We express our thanks to the Chancellor of Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar, Prof.Dr. IGN. Sudiana, Dean of Dharma Duta Faculty, Dr. Ida Ayu Tary Puspa and head of the Research and Community Service, Dr. Ni Ketut Srie Kusuma Wardani for their support. This academic paper is available in International Journal of Religious Tourism and Pilgrimage: https://arrow.tudublin.ie/ijrtp/vol8/iss8/11 © International Journal of Religious Tourism and Pilgrimage ISSN : 2009-7379 Available at: http://arrow.tudublin.ie/ijrtp/ Volume 8(viii) 2020 The Potentials and Prospects of Yoga Pilgrimage Exploration in Bali Tourism I Gede Sutarya Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar, Bali, Indonesia [email protected] Yoga tourism has been growing rapidly in Bali since the 2000s. -
2020-07-06 Dharma Samadhi (1 of 5) Carried by Inspiration
2020-07-06 Dharma Samadhi (1 of 5) Carried by Inspiration Mon, 7/6 8:00AM • 16:13 SUMMARY KEYWORDS gladness, dharma, joy, paper airplane, inspiration, mind, buddha, samadhi, running, inspired, effort, practice, talk, feel, inspiring, dharma practice, hindrances, cooperative, concentration, arise SPEAKERS Gil Fronsdal So if you make the effort to climb up the ladder, up a slide, and then you allow yourself to slide down, you're in a certain way, making your own effort to get to the top, but then you're allowing gravity to slide you, pull you down in a delightful way. And yesterday I watched some kids in a waterslide and just delightfully kind of coming down and smashing into the water. Very nice. If you make a paper airplane, you have to maybe fold the paper just right and know what to do. But then when you throw the paper airplane, it's not just up to you how you throw it. It's also up to the air that holds you up, holds the paper airplane up. And that air is what allows the paper airplane to fly. And if you have a, if you want to grow a garden, maybe you want to grow tomatoes. You have to plant the seed and maybe make a lot of conditions in the soil fertile and keep it watered. But the whole thing depends on having the sun, having light come and we create, we do offer our part to care for the plant. But we also allow for the sun to do its work, and allows the plant to grow. -
The Development of Prajna in Buddhism from Early Buddhism to the Prajnaparamita System: with Special Reference to the Sarvastivada Tradition
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies Legacy Theses 2001 The development of Prajna in Buddhism from early Buddhism to the Prajnaparamita system: with special reference to the Sarvastivada tradition Qing, Fa Qing, F. (2001). The development of Prajna in Buddhism from early Buddhism to the Prajnaparamita system: with special reference to the Sarvastivada tradition (Unpublished doctoral thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/15801 http://hdl.handle.net/1880/40730 doctoral thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY The Dcvelopmcn~of PrajfiO in Buddhism From Early Buddhism lo the Praj~iBpU'ranmirOSystem: With Special Reference to the Sarv&tivada Tradition Fa Qing A DISSERTATION SUBMIWED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF RELIGIOUS STUDIES CALGARY. ALBERTA MARCI-I. 2001 0 Fa Qing 2001 1,+ 1 14~~a",lllbraly Bibliolheque nationale du Canada Ac uisitions and Acquisitions el ~ibqio~raphiiSetvices services bibliogmphiques The author has granted anon- L'auteur a accorde une licence non exclusive licence allowing the exclusive pernettant a la National Library of Canada to Eiblioth&quenationale du Canada de reproduce, loao, distribute or sell reproduire, priter, distribuer ou copies of this thesis in microform, vendre des copies de cette these sous paper or electronic formats. -
Colonization of Dharma
Quest Journals Journal of Research in Humanities and Social Science Volume 6 ~ Issue 5 (2018) pp.: 13-15 ISSN(Online) : 2321-9467 www.questjournals.org Research Paper Colonization of Dharma Dr Chaitanya Visiting Asst. Prof. Bhagwant Unv., Raj. Corresponding Author: Dr Chaitanya ABSTRACT: Even after independence from the British, Indian psyche is still ruled and governed by the theory of ‘White Supremacy’, causing greater harm to Indian culture and philosophy; considering it inferior to the British one. One of such colonial legacies is our perception of the word ‘Dharma’ as ‘Religion’. This misconstruction has greatly subverted the true concept and framework of ‘Dharma’. ‘Dharma’ means the universal or ultimate law that holds one and innumerable universes, and their all animate and inanimate objects together in harmony. It is the eternal law of universe, inherent in the very nature of things. Law of gravitation is Dharma as it holds not only different plenary systems of this universe but also innumerable universes outside of this universe. Religion is simply a particular system of faith and worship that is based on the belief in the existence of a particular God or gods. Religion is founded by someone; Dharma cannot be founded as every man is born with many Dharmas of body and mind. Religion has a life span; Dharma is eternal, sanatan. Our failure to comprehend this essential difference between the two concepts has led not only to an irreparable loss of our rare spiritual identity and a vast cultural heritage but has also created a socio- political chaos. Present research paper is an attempt to analyze the difference and interlinking of ‘Dharma’ and ‘Religion’. -
Mantra & Sound: Dyed in the Shabd Guru
Mantra & Sound: Dyed in the Shabd Guru A Two Day Journey with Gurunam Singh Sat-Sunday December 5 & 6 2015 8:30 am - 6 pm each day $190 includes the two day immersion, and a great homemade vegan gluten free lunch, tea & snacks each day Reserve your place for $50, pay in full at the course. This in depth experience is for all yoga students and yoga teachers of all traditions. Sound current and mantra = Life Force of the Infinite= Shabd Guru: sound is the teacher. Devotional practice is described being “imbued” or “dyed” in this vibration: we become one with the One. The technology of the sound current is so powerful, it can cut through our dramas and our karma. “Using the Shabd Guru we can quickly and effectively find the calm eye of this mental and social storm of change. From this place of inner stillness, (shuniya), we can find our focus so we may excel and be happy.” -Yogi Bhajan This journey is nested within the 6 day training Elements & Alchemy of Kundalini Yoga as Therapy December 1-6. For more information on the 6 day training, which is specific for Level One- trained Kundalini Yoga Teachers, visit / contact Yoga at the Ashram . Gurunam Singh tours world-wide sharing his powerful and transformative music. He makes mantra chanting and devotional singing easy, vibrant, and totally accessible. "The music does all the work itself. The power of the mantras. I just get out of the way and then it's my blessing, like everyone else who comes to a kirtan, just to be there, to be part of that energy.. -
DHYANA VAHINI Stream of Meditation
DHYANA VAHINI Stream of Meditation SATHYA SAI BABA Contents Dhyana Vahini 5 Publisher’s Note 6 PREFACE 7 Chapter I. The Power of Meditation 10 Binding actions and liberating actions 10 Taming the mind and the intelligence 11 One-pointedness and concentration 11 The value of chanting the divine name and meditation 12 The method of meditation 12 Chapter II. Chanting God’s Name and Meditation 14 Gauge meditation by its inner impact 14 The three paths of meditation 15 The need for bodily and mental training 15 Everyone has the right to spiritual success 16 Chapter III. The Goal of Meditation 18 Control the temper of the mind 18 Concentration and one-pointedness are the keys 18 Yearn for the right thing! 18 Reaching the goal through meditation 19 Gain inward vision 20 Chapter IV. Promote the Welfare of All Beings 21 Eschew the tenfold “sins” 21 Be unaffected by illusion 21 First, good qualities; later, the absence of qualities 21 The placid, calm, unruffled character wins out 22 Meditation is the basis of spiritual experience 23 Chapter V. Cultivate the Blissful Atmic Experience 24 The primary qualifications 24 Lead a dharmic life 24 The eight gates 25 Wish versus will 25 Take it step by step 25 No past or future 26 Clean and feed the mind 26 Chapter VI. Meditation Reveals the Eternal and the Non-Eternal 27 The Lord’s grace is needed to cross the sea 27 Why worry over short-lived attachments? 27 We are actors in the Lord’s play 29 Chapter VII. -
WORD! Mantras & Their Meanings
WORD! - Mantras & their Meanings - with True THE MANTRAS THAT TUNE US IN ONG The original sound (akin to Om and Aum). The infinite creative energy of the cosmos and consciousness of the Creator as experienced in the creation. Complete totality. ONG NAMO GURU DEV NAMO (Adi Mantra) An ancient yogic mantra that connects you to the Golden Chain, allowing “self” to dissolve so you can serve that flow of divine wisdom/energy. Ong = creative energy of the cosmos & consciousness of the Creator Namo = to bow or to call on, with respect & receptivity Guru = wisdom/teacher; that which brings us from darkness/ignorance (Gu) into light/knowledge (Ru) Dev = divine, belonging to the realms of God Ong Namo = I bow before the great cosmos/Creator Guru Dev Namo = I bow to the divine wisdom within me ONG SOHUNG Recognition that we are each a part of the Creative Consciousness. Chanting this mantra stimulates and opens the Heart Chakra. Ong = infinite creative consciousness Sohung = “I am thou” AAD GURAY NAMEH JUGAAD GURAY NAMEH SAT GURAY NAMEH SIRI GURU DEV-AY NAMEH A mantra of protection; recited to invoke the protective energy of the universe. I bow to the primal wisdom (or Guru) I bow to the truth that has existed throughout the ages I bow to the True wisdom. I bow to the great Divine wisdom HAR A bij (seed) mantra that represents the Infinite in its creative form. Associated with the earth element. Tangible. Personal. God / Creative Infinity / Creation in action Har, Haray, Hari = three aspects of Har unto the infinite: seed, flow, completion WAHE GURU (Gurmantra) A mantra of the infinity of ecstasy and dwelling in God. -
The Secrets of Shiva
Dr. Shuddhananda Bharati The Secrets of Shiva ASSA Editions Editor’s Notes The Secrets of Shiva A gorgeous presentation written by Shud - dhananda Bharati on Shiva, unquestioned deity of human knowledge. Lord Shiva has the gift and power to unite us to his spiritual strength, cleanse our past, to teach us and guide us in our evolu - tion and personal development. His creative and destructive energy of the ego leads us into the light. As the alchemist according to our progress, He heals our wounds, removes our worries and sows in us the joy and happiness of being, while leading us in our inner quest for the divine in us. He offers us the chance to find out. In this book, I would also like to introduce you to two great personalities of ancient India. Firstly, it is Muthuswamy Dikshitar, blessed by Lord Muruga, he was an ocean of music – a rare musician. He was the - 7- Natha Jyothi who got grace of Goddess Shakti and gave birth to innumerable godly songs. It is 178 years since Dikshitar breathed his last on a Diwali Day and mingled in Natha Jyothi. All Sangeetha Vidvans (musicians) must celebrate the Diwali fes - tival, especially Dikshitar Day; his keerthanas must be sung in every house - hold. I express our thanks to Yogi Shud - dhananda Bharati who wrote this small work on the history of Dikshitar. Secondly, it is Dayananda. In his small work titled Rishi Dayananda, the author speaks about the history of the Father of Navbarath Dayananda and the principles of Arya Samaj in brief. -
Saranagati Sri Ramanasramam June 2019 Vol. 13, No.6
SARANAGATI JUNE 2019 SRI RAMANASRAMAM VOL. 13, NO.6 Dr. Carlos Lopez Dr. JUNE 2019 IN THIS VOL. 13, NO.6 ISSUE Dear Devotees, In the month of May, we celebrated Bhagavan’s 69th Aradhana on the 2nd and Mother’s Mahapuja How I Came to Bhagavan: Y. N. Athavale 3 on the 28th May. In this issue, we take a look at the stories of two Events in Sri Ramanasramam: Bhagavan’s 69th Aradhana 4 devotees who made thier way to Bhagavan and were How I Came to Bhagavan: H. R. Chadha 5 deeply impacted. See the accounts of Y. N. Athavale Announcements: Ashram YouTube Channel 5 (p. 3) and H. R. Chadha (p. 5). Events in Sri Ramanasramam: Mahapuja 6 For videos, photos and further news of events, go to Your Best Shot: Open Door 7 http://www.sriramanamaharshi.org or write to us at Sri Ramana Sannidhi Murai: Desika Padigam §4 7 [email protected] Obituary: Ramani Subramanian 8 In Sri Bhagavan, The Editorial Team Calendar of Upcoming Events 6th June (Thurs) Punarvasu 14th August (Weds) Full Moon 16th June (Sun) Full Moon 27th August (Tues) Punarvasu 3rd July (Weds) Punarvasu 1st September (Sun) Bhagavan’s Advent Day 13th July (Sat) Cow Lakshmi Day 13th September (Fri) Full Moon 16th July (Tues) Guru Poornima 23rd September (Mon) Punarvasu 31st July (Weds) Punarvasu 29th September (Sun) Navaratri Festival commences him. I was one of them. I waited and asked the people around me, “How is it that the lecture has not started yet? Where is the Saint?” Near me sat an old man who raised his hand and said, “Silence is the Master’s speech and his disciples have no doubts left.” I asked, “Where is the Master?” He replied, “He is sitting near you.” Searching near me, I found a slender young man wearing a white codpiece, with a smile on his face.