The Secrets of Shiva
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Tapas in the Rg Veda
TAPAS IN THE ---RG VEDA TAPAS IN THE RG VEDA By ANTHONY L. MURUOCK, B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University April 1983 MASTER OF ARTS (1983) McMaster University (Religious Studies) Hamilton, Ontario TITLE: Tapas in the fuL Veda AUTHOR: Anthony L. Murdock, B.A. (York University) SUPERVISORS: Professor D. Kinsley Professor P. Younger Professor P. Granoff NUMBER OF PAGES: v, 95 ii ABSTRACT It is my contention in this thesis that the term tapas means heat, and heat only, in the Bi[ Veda. Many reputable scholars have suggested that tapas refers to asceticism in several instances in the RV. I propose that these suggestions are in fact unnecessary. To determine the exact meaning of tapas in its many occurrences in the RV, I have given primary attention to those contexts (i.e. hymns) in which the meaning of tapas is absolutely unambiguous. I then proceed with this meaning in mind to more ambiguous instances. In those instances where the meaning of tapas is unambiguous it always refers to some kind of heat, and never to asceticism. Since there are unambiguous cases where ~apas means heat in the RV, and there are no unambiguous instances in the RV where tapas means asceticism, it only seems natural to assume that tapas means heat in all instances. The various occurrences of tapas as heat are organized in a new system of contextual classifications to demonstrate that tapas as heat still has a variety of functions and usages in the RV. -
Kirtan Leelaarth Amrutdhaara
KIRTAN LEELAARTH AMRUTDHAARA INSPIRERS Param Pujya Dharma Dhurandhar 1008 Acharya Shree Koshalendraprasadji Maharaj Ahmedabad Diocese Aksharnivasi Param Pujya Mahant Sadguru Purani Swami Hariswaroopdasji Shree Swaminarayan Mandir Bhuj (Kutch) Param Pujya Mahant Sadguru Purani Swami Dharmanandandasji Shree Swaminarayan Mandir Bhuj (Kutch) PUBLISHER Shree Kutch Satsang Swaminarayan Temple (Kenton-Harrow) (Affiliated to Shree Swaminarayan Mandir Bhuj – Kutch) PUBLISHED 4th May 2008 (Chaitra Vad 14, Samvat 2064) Produced by: Shree Kutch Satsang Swaminarayan Temple - Kenton Harrow All rights reserved. No part of this book may be used or reproduced in any form or by any means without written permission from the publisher. © Copyright 2008 Artwork designed by: SKSS Temple I.T. Centre © Copyright 2008 Shree Kutch Satsang Swaminarayan Temple - Kenton, Harrow Shree Kutch Satsang Swaminarayan Temple Westfield Lane, Kenton, Harrow Middlesex, HA3 9EA, UK Tel: 020 8909 9899 Fax: 020 8909 9897 www.sksst.org [email protected] Registered Charity Number: 271034 i ii Forword Jay Shree Swaminarayan, The Swaminarayan Sampraday (faith) is supported by its four pillars; Mandir (Temple), Shastra (Holy Books), Acharya (Guru) and Santos (Holy Saints & Devotees). The growth, strength and inter- supportiveness of these four pillars are key to spreading of the Swaminarayan Faith. Lord Shree Swaminarayan has acknowledged these pillars and laid down the key responsibilities for each of the pillars. He instructed his Nand-Santos to write Shastras which helped the devotees to perform devotion (Bhakti), acquire true knowledge (Gnan), practice righteous living (Dharma) and develop non- attachment to every thing material except Supreme God, Lord Shree Swaminarayan (Vairagya). There are nine types of bhakti, of which, Lord Shree Swaminarayan has singled out Kirtan Bhakti as one of the most important and fundamental in our devotion to God. -
Celibacy.Pdf
Publisher : Mr. Ajit C. Patel LMMMMMMNO Mahavideh Foundation 5, Mamatapark Society, O B/h. Navgujarat College, O Usmanpura, Ahmedabad-380014 O Tel. : (079) 27543979 O Brahmcharya : O All Rights Reserved - Dr. Niruben Amin O ©: Trimandir, Simandhar City, P.O.-Adalaj-382421, O Celibacy Dist.:Gandhinagar, Gujarat, India Attained With Understanding O O First Edition : 2000 copies, March, 2005 O Second Edition : 2000 copies, Nov., 2006 O - Gnani Purush Dadashri O O Price : Ultimate Humility & O "I Don't Know Anything" O Rs. 20.00 O O Editor : Dr. Niruben Amin O Printer : Mahavideh Foundation Basement, Parshwanath Chambers, O Near R.B.I., Usmanpura, Ahmedabad, Gujarat, India. QRRRRRRS Tel. : (079) 27542964, 27540216 Publisher : Mr. Ajit C. Patel LMMMMMMNO Mahavideh Foundation 5, Mamatapark Society, O B/h. Navgujarat College, O Usmanpura, Ahmedabad-380014 O Tel. : (079) 27543979 O Brahmcharya : O All Rights Reserved - Dr. Niruben Amin O ©: Trimandir, Simandhar City, P.O.-Adalaj-382421, O Celibacy Dist.:Gandhinagar, Gujarat, India Attained With Understanding O O First Edition : 2000 copies, March, 2005 O Second Edition : 2000 copies, Nov., 2006 O - Gnani Purush Dadashri O O Price : Ultimate Humility & O "I Don't Know Anything" O Rs. 20.00 O O Editor : Dr. Niruben Amin O Printer : Mahavideh Foundation Basement, Parshwanath Chambers, O Near R.B.I., Usmanpura, Ahmedabad, Gujarat, India. QRRRRRRS Tel. : (079) 27542964, 27540216 Trimantra Introduction to The 'Gnani Purush' (The Three Mantras) On a June evening in 1958 at around six o’clock, Ambalal Namo Arihantanam Muljibhai Patel, a family man, a contractor by profession, was I bow to the Lord who has annihilated all the inner sitting on a bench on the busy platform number 3 of Surat’s enemies of anger, pride, attachment and greed. -
Reports on Yamas and Niyamas
REPORTS ON YAMAS AND NIYAMAS Every year, students undergoing the 6 month Sadhana and teachers training are given assignments on one of he five Yamas and five Niyamas. This year during November 2009, Laura Biagi has compiled and presented this excellent work on the twins of Brahmacharya and Saucha. Excellent work from an excellent student!!- Editor REPORTS ON YAMAS AND NIYAMAS YAMAS: BRAHAMACHARYA Laura Biagi Generally translated as “restrain of sexuality”, this Yama – while involving the awareness and control of sexual energy – is not limited to sexuality as we understand it in the West. In Yoga 1 to 10, Dr. Ananda Balayogi Bhavanani writes that Brahmacharya is “the continuous residence in the principle of creativity”. The first step to take in this analysis and understanding is the relationship between the principle of creativity and the principle of sexual energy. Yamas are tools to control our animal nature and to progress in our human evolution. Let’s look at the evolutionary steps we took from being animals to being humans in relation to our sexuality. Animals use their sexual energy to pro- create . The procreative instinct is very strong in animals. It is vital ( vital comes from the Latin vita , life). Animals spend quite some time and energy mating, coupling, procreating, making a new nest, taking care of the young and so on. Animals have quite different habits in the way they use their sexual energy, too. As humans, we are still carrying with us some of the instincts and emotions of animals: most of us have probably felt one time or another a sexual attraction or repulsion, a sexual arousal, attachment to a mate, fear or loosing the mate, desire to find a mate, jealousy, passion, and so on. -
DHYANA VAHINI Stream of Meditation
DHYANA VAHINI Stream of Meditation SATHYA SAI BABA Contents Dhyana Vahini 5 Publisher’s Note 6 PREFACE 7 Chapter I. The Power of Meditation 10 Binding actions and liberating actions 10 Taming the mind and the intelligence 11 One-pointedness and concentration 11 The value of chanting the divine name and meditation 12 The method of meditation 12 Chapter II. Chanting God’s Name and Meditation 14 Gauge meditation by its inner impact 14 The three paths of meditation 15 The need for bodily and mental training 15 Everyone has the right to spiritual success 16 Chapter III. The Goal of Meditation 18 Control the temper of the mind 18 Concentration and one-pointedness are the keys 18 Yearn for the right thing! 18 Reaching the goal through meditation 19 Gain inward vision 20 Chapter IV. Promote the Welfare of All Beings 21 Eschew the tenfold “sins” 21 Be unaffected by illusion 21 First, good qualities; later, the absence of qualities 21 The placid, calm, unruffled character wins out 22 Meditation is the basis of spiritual experience 23 Chapter V. Cultivate the Blissful Atmic Experience 24 The primary qualifications 24 Lead a dharmic life 24 The eight gates 25 Wish versus will 25 Take it step by step 25 No past or future 26 Clean and feed the mind 26 Chapter VI. Meditation Reveals the Eternal and the Non-Eternal 27 The Lord’s grace is needed to cross the sea 27 Why worry over short-lived attachments? 27 We are actors in the Lord’s play 29 Chapter VII. -
WORD! Mantras & Their Meanings
WORD! - Mantras & their Meanings - with True THE MANTRAS THAT TUNE US IN ONG The original sound (akin to Om and Aum). The infinite creative energy of the cosmos and consciousness of the Creator as experienced in the creation. Complete totality. ONG NAMO GURU DEV NAMO (Adi Mantra) An ancient yogic mantra that connects you to the Golden Chain, allowing “self” to dissolve so you can serve that flow of divine wisdom/energy. Ong = creative energy of the cosmos & consciousness of the Creator Namo = to bow or to call on, with respect & receptivity Guru = wisdom/teacher; that which brings us from darkness/ignorance (Gu) into light/knowledge (Ru) Dev = divine, belonging to the realms of God Ong Namo = I bow before the great cosmos/Creator Guru Dev Namo = I bow to the divine wisdom within me ONG SOHUNG Recognition that we are each a part of the Creative Consciousness. Chanting this mantra stimulates and opens the Heart Chakra. Ong = infinite creative consciousness Sohung = “I am thou” AAD GURAY NAMEH JUGAAD GURAY NAMEH SAT GURAY NAMEH SIRI GURU DEV-AY NAMEH A mantra of protection; recited to invoke the protective energy of the universe. I bow to the primal wisdom (or Guru) I bow to the truth that has existed throughout the ages I bow to the True wisdom. I bow to the great Divine wisdom HAR A bij (seed) mantra that represents the Infinite in its creative form. Associated with the earth element. Tangible. Personal. God / Creative Infinity / Creation in action Har, Haray, Hari = three aspects of Har unto the infinite: seed, flow, completion WAHE GURU (Gurmantra) A mantra of the infinity of ecstasy and dwelling in God. -
The Hundred Syllable Vajrasattva Mantra
The Hundred Syllable Vajrasattva Mantra. Dharmacārī Jayarava1 The Sanskrit version of the one hundred syllable Vajrasattva mantra in the Puja Book of the Friends of the Western Buddhist Order (the FWBO) follows the edited text produced by Dharmacārin and Sanskritist Sthiramati (aka Dr. Andrew Skilton) in his article: The Vajrasattva Mantra: Notes on a Corrected Sanskrit Text. Sthiramati‟s original brief was to provide diacritical marks so that the Sanskrit words were spelled correctly. However he went beyond the scope of merely providing proper diacritics to discuss problems with the structure and spelling of the mantra after consulting a number of printed books and manuscripts in a variety of scripts and languages. Since the edited version produced by Sthiramati was adopted some 19 years ago, the problems with the older version used before that are less relevant to members of the Western Buddhist Order (WBO) except in one case which I discuss below.2 In this article I will offer a summary of the salient points of Sthiramati‟s lexical and grammatical analysis, along with my own glosses of the Sanskrit. By this means, I hope to create an annotated translation that lays open the Sanskrit to anyone who is interested. Sthiramati‟s interpretation differs in some important respects from the traditional Tibetan one, but does so in ways that help to make sense of the Sanskrit - for instance in several cases he suggests breaking a sandhi 3 one letter along in order to create a straightforward Sanskrit sentence that was otherwise obscured. In the second part of the article I will address the problem of errors in transmission and how these might have come about in the case of this mantra. -
Elaeocarpus Ganitrus (Rudraksha): a Reservoir Plant with Their Pharmacological Effects
Int. J. Pharm. Sci. Rev. Res., 34(1), September – October 2015; Article No. 10, Pages: 55-64 ISSN 0976 – 044X Research Article Elaeocarpus Ganitrus (Rudraksha): A Reservoir Plant with their Pharmacological Effects Swati Hardainiyan1, *Bankim Chandra Nandy2, Krishan Kumar1 1Department of Food and Biotechnology, Jayoti Vidyapeeth Women’s University, Jaipur, Rajasthan, India 2Department of Pharmaceutical Science, Jayoti Vidyapeeth Women’s University, Jaipur, Rajasthan, India. *Corresponding author’s E-mail: [email protected] Accepted on: 05-07-2015; Finalized on: 31-08-2015. ABSTRACT Elaeocarpus ganitrus (syn: Elaeocarpus sphaericus; Elaeocarpaceae) is a large evergreen big-leaved tree. Elaeocarpus ganitrus is a medium sized tree occurring in Nepal, Bihar, Bengal, Assam, Madhya Pradesh and Bombay, and cultivated as an ornamental tree in various parts of India. Hindu mythology believes that, anyone who wears Rudraksha beads get the mental and physical prowess to get spiritual illumination. According to Ayurvedic medicine Rudraksha is used in the managing of blood pressure, asthma, mental disorders, diabetes, gynecological disorders and neurological disorders. The Elaeocarpus ganitrus is an inhabitant shrub that has a good rich history of traditional uses in medicine. Present review has been attempting to make to collect the botanical, ethnomedicinal, pharmacological information and therapeutic utility of Elaeocarpus ganitrus on the basis of current science. Keywords: Elaeocarpus ganitrus, Antidepressant, Rudraksha, Pharmacological activity. INTRODUCTION hypertension, arthritis and liver diseases. According to the Ayurvedic medicinal system, wearing of Rudraksha laeocarpus ganitrus commonly known as can have a positive effect on nerves and heart7-9. As Rudraksha in India belongs to the Elaeocarpaceae stated by Ayurvedic system of medicine, wearing family and grows in the Himalayan region1. -
Poet Nightingale Bharathiyar to Us
Dr. Shuddhananda Bharati Poet Nightingale Subramaniya Bharathiyar Life story of Bharathiyar ASSA Editions Editor’s Notes Subramaniya Bharathiyar was born on 11 th December 1882 in Ettayapuram, which is now part of Thoothukudi District. He died on 11 th September 1921. Bharathiar was educated at a local high school where his talents as a poet were recognized even at the age of 11. He had a voracious appetite for learning ancient and contemporary Tamil literature and had a gifted intellect to derive astonishing truths from ancient poems. He was also one of the prominent leaders of the Indian independence movement. His national integration songs earned him the title “Desiya Kavi” (National Poet). His patriotic songs emphasize national - ism, unity of India, equality of men and the greatness of the Tamil language. It is a real and great pleasure for me to present this nice treatise on Poet Nightin - gale Bharathiyar to you. Thank you, Dr. Shuddhananda Bharati for having - 7- transmitted Poet Nightingale Bharathiyar to us. The first edition of this book is dated 1955 in Tamil. Christian Piaget Poet Nightingale Bharathiyar Song of Unity Unite. Unite, Unite, Oh Souls Unite and play your roles Unite in mind, unite in heart Unite in whole, unite in part Like words and tunes and sense in song Let East and West unite and live long Trees are many; the grove is one Branches are many: tree is one Shores are many; sea is one Limbs are many; body is one Bodies are many; self is one Stars are many; sky is one Flowers are many; honey is one Pages are many; -
Mantra Yoga: an Overview
Research Article J Yoga & Physio Volume 8 Issue 2 - November 2019 Copyright © All rights are reserved by Ajay Bhardwaj DOI: 10.19080/JYP.2019.08.555737 Mantra Yoga: An Overview Ajay Bhardwaj* Department of Communication, India Submission: August 19, 2019; Published: November 19, 2019 *Corresponding author: Ajay Bhardwaj, Department of Communication, DSVV, Haridwar, India Abstract sacred Mantra or the Divine Name is a vital symbol of the Supreme Divinity directly revealed to the seers in the state of deep meditation and trace.A TheseMantra symbols is divinity are encased in the nature within of a unfailingsound-structure. keys to gainIt is divineaccess powerinto the manifesting transcendental in a sound-body. realms of absolute The Mantra experience. is itself ByDevta(deity). the practice The of mantra japa, the aspirant’s conscious will is awakened and through the willpower everything is accomplished. Different mantras have different benefits. All those who practice japa of Gayatri mantra will find it very beneficial for the health and intellect. For skin diseases or iron deficiency, anushthanaKeywords: Mantra;of the Surya Sound or structure;Sun mantras Sacred; is beneficial Divine name; if practiced Japa; Absoluteproperly. Introduction mantra). It has the potency to divinize and purify all other verbal Mantra occupies a prominent place in Vedic religion and Indian Culture. Since time immemorial saints, seers, sages to all other mantras to infuse them divine power and purity. and Yogis have been practicing Mantra Yoga for spiritual expressions and word forms. Hence, it is often used as a prefix Therefore, Mantras constitute the core of Vedic religion and the enlightenment. -
Clicking Here
1 The Alphabet Board A Collection of Sayings of AVATAR MEHER BABA Compiled by Chris Maier This collection © 2014 by Chris Maier. See pp. 2-4 for further copyright information. 2 Preface Words can clarify or confuse; they’ve always had this dual identity, but in this “Information Age” words have proliferated to such an extent that mankind seems in danger of drowning in a sea of verbiage. Inasmuch as we depend on words, we need those which give meaning to our lives; we need, ideally, words defined by God! And—thank God!—we have them. For although He kept silent for forty-four years, Avatar Meher Baba spoke to us through His alphabet Board, His flying fingers giving the true meaning of everything from Art to Zero—all the while pointing us away from words, towards His silence and the unnamable mystery of His Love. Note: When “you” is referred to in a quote from Meher Baba, it is sometimes a general and at other times a specific “you,” but if the gist of the message seemed generally applicable, it is quoted without indicating who was being addressed. Omissions are noted by ellipsis points (…), paragraph breaks are omitted, editor’s interpolations are enclosed in brackets, and spellings and capitalization are rendered as in the source text: thus, for instance, Baba is sometimes “me” and sometimes “Me,” God is “he” or “He,” and so on. SOURCES The words of Meher Baba are copyright by the Avatar Meher Baba Perpetual Public Charitable Trust (AMBPPCT), Kings Road, Ahmednagar, M.S. 414001, India. -
Extracts Adi Shankara Bhagavan
Dr. Shuddhananda Bharati Adi Shankara Bhagavan Written for the Young ASSA Editions Homage Let’s pay homage to Adi Sankara Bhagavan, the torch of Veda Vedanta . Let’s join our hands in supplication to the ascetic of Advaita, the lamp of knowledge, the Adi Sankara Bhagavan. O Jagat Guru, You appeared on this earth to promote Sanatana Dharma. You are the Bliss that pulsates in our hearts You are eternal and Love embodied. Let’s fall at the feet of Sankara. Born at Kaladi, he came to bestow favour on the world and blessed the great four (four direct disciples). Inside the body of sinews and muscles throbs he with his ‘Om Tatsat, Om’. His knowledge is as vast as the sky and he shows us the path of bliss. Let’s pray to Adi Sankara Bhagavan. May his fame last forever like the light of the sun. He is a divine genius who expounded the Upanishad, Gita and Sutra. Let’s pay homage to him. - 7- Adi Shankara Bhagavan Introduction Adi Shankara Bhagavan to the first edition in Tamil published in March 1963 by Sir C. P. Ramaswamy Aiyar Vice Chancellor Annamalai University Yogi Shuddhananda Bharatiar has already laid the reading public under a debt of gratitude to him by his publications of useful and interesting handbooks of several aspects of Yoga, Vedanta and Saiva Siddhanta. In his Voice of Thayu - manar he has, in continuation of the work done by a noted scholar and statesman, Sir. P. Arunachalam, brought the hymns of the Tamil sage and the lessons of his life to the notice of discerning students of Tamil hymnology.