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BROADSIDE Volume VIII, #5 February 2002 Early Music Offers Variety of Styles T h e A t l a n t a E a r l y M u s i c A l l i a n c e BROADSIDE Volume VIII, #5 February 2002 Early Music Offers Variety of Styles Early music offerings in Atlanta this season are providing expand opportunities to participate as well as to listen to a variety of styles and periods. Baroque appears to be early music. predominant, with two active Baroque chamber groups, the Atlanta Baroque Orchestra, and the protean New Goliardic Preview AEMA MISSION Trinity Baroque. Ritornello, with core members Jody It is the mission of the Atlanta Early Miller and Jonathan DeLoach, recorders; Christopher John Hillenbrand offers the following as a preview: Harrell, harpsichord; and Susan Patterson, viola da Music Alliance to foster enjoyment and Raimbaut de Vacqueyras was a knight and troubadour who gamba and ‘cello; has been active this year. A newer awareness of the historically informed spent much of his career in the service of Boniface, marquis ensemble, Metro Baroque Chamber Players, with Ron performance of music, with special of Montferrat, one of the great Provençal magnates of the emphasis on music written before Dennis, recorder; Mirna Ogrizovic, violin; Daniel Pyle, late 12th century. Episodes from the lives of the 1800. Its mission will be accomplished harpsichord; and Eckhart Richter, ‘cello; is offering troubadours have come down to us through the Vidas, or through dissemination and coordi- several concerts this spring. The Atlanta Baroque brief biographies that frequently appear in medieval nation of information, education and Orchestra, which just presented a chamber concert of manuscripts before the songs of individual troubadours. financial support. its own personnel, returns in March to an orchestral repertoire with added elements: a cantata and a concerto. Catherine Thomas will be featured as narrator and singer Upcoming concert reminders are on page 3. New Trinity in The Troubadour Raimbaut de Vacqueyras. The program’s Concert Baroque, which specializes in bringing a variety of artists narrative (in English), will be taken directly from Previews from all over the world to Atlanta, has ambitious plans Raimbaut’s vida, and will be punctuated by recitation (in – PAGE 1 for a performance of Monteverdi’s Vespers of 1610 in English and in Medieval Provençal) of several of Raimbaut’s March. poems. Songs by Raimbaut (sung in Medieval Provençal), as well as several of his contemporaries, will be inserted Beyond the Baroque, we have the adventurous Goliards in the program to complement the narrative. Incidental Reviews: New of Atlanta, formerly known as Garlandia, under the music and accompaniment of the troubadour songs will Trinity leadership of John Hillenbrand and Catherine Thomas. be performed by members of the ensemble on Baroque and Announcements of their programs also appear later in reproductions of medieval instruments (medieval fiddle, Petri/Barrueco this issue. RareSong, a vocal chamber ensemble harps, medieval hurdy gurdy and straight-bore recorders, – PAGE 2 organized by Patricia DeWitt, has added the variety of as well as a variety of percussion instruments). The overall non-soloist-oriented Italian secular vocal polyphony of effect of the production will be that of a quasi-theatrical the late Renaissance as well as drama to the St. Dunstan’s presentation. Its first performance will be on April 5 at series. St. Dunstan’s Episcopal Church, 4393 Garmon Rd., Concert Listing Atlanta, as part of the Atlanta Early Music Alliance’s “Concerts for Atlanta and A glance at the concert schedule also shows that several at St. Dunstan’s” series. the Southeast venues for touring groups are offering variety this spring. Spivey Hall is offering vocal music: a countertenor The Goliards’ second production, available from mid- – PAGE 3 soloist, an English choir, and three eclectic but early- April, will be titled 0 Greenest Branch, and will be a program music based ensembles, Anonymous 4, Lionheart, and of Marian hymns (sung in Latin) by the well-known mystic Chanticleer; as well as Mozart and Rossini chamber and composer, Abbess Hildegard of Bingen. Sopranos Nila The Alliance music. Emory brings the Academy of Ancient Music with Alexander and DonnaWeaver will join the ensemble for these a fortepiano soloist. Not far out of town, one can hear performances. Incidental music, much of it adapted from News and views of all soprano and lute at Emory at Oxford, and all-Vivaldi Hildegard’s morality play OrdoVirtutum, will be performed manner of early music and all-Mozart programs at the University of Georgia. on medieval fiddle, harp, medieval hurdy gurdy and activities and activists straight-bore recorder by the instrumentalists of the in the area. The contributions of the Atlanta Recorder Society and ensemble the school-based groups: McClesky Middle School – PAGE 4 (which hosts a parallel guest ensemble in May) and the Emory Early Music Consort and Collegium Vocale 2 B R O A D S I D E February 2002 THE ATLANTA Concert Reviews EARLY MUSIC ALLIANCE New Trinity Baroque A hymn “Now that the Sun Hath Veil’d his Light” and a BOARD OF DIRECTORS Chaconne in g by Henry Purcell (1659-1695) then led to the Jody Miller, President Succeeds with Baroque Eckhart Richter, Vice President final number, Johann Rosenmüller’s (c1619-1684) Cantata Jonathan DeLoach, Secretary Favorites “Von den Himmlischen Freuden”. The entire ensemble Jane McLendon, Treasurer participated in this festive closer bringing an end to a lovely Patricia DeWitt, Newsletter Editor by John Mortison Predrag Gosta concert. Kim Henry The New Trinity Baroque presented their first Jennifer MacMaster concerts of the new year entitled “Pachelbel’s Petri and Barrueco Present Brilliant John Mortison Canon and other Baroque Favorites”. The aptly Spivey Recital PUBLICATION SCHEDULE name program was indeed a collection of some Broadside is published monthly, with baroque favorites as well as some not so familiar by Pat DeWitt a short issue alternating with a long pieces. It featured two new (to this group) issue. The copy deadline is the15th John Nelson and I waited at the “stage door” in Spivey Hall of each month. players, James Gallagher of Dallas, TX on baroque the afternoon of February 3 to meet Michala Petri, the Bad violin and Mark Husey, music director of St. Jude Girl of the Recorder according to some reviews. She had just SUBMISSIONS the Apostle Church on harpsichord. New Trinity given a brilliant and mostly modern recital with an equally We gladly welcome articles and letters regulars Mirna Ogrizovic and Sinisa Ciric on but reserve the right to edit all submis- brilliant guitarist, Manuel Barrueco. A woman from a Fulton sions. E-mail submission is preferred. baroque violins filled out the ensemble. Artistic County school was ahead of us to discuss the workshop for Each must include the author’s name, Director Predrag Gosta lent his rich baritone school children that the two artists were to give the next day. address and phone number. Letters voice to the vocal numbers. must be signed. John checked on an engagement with ARS and we were able MAIL submissions to Pat DeWitt, 19 The program was a well balanced collection of to find out the maker of the modern, keyed alto recorders Rosewood Road, Rome, GA 30165. vocal and instrumental numbers of varying she used (Mollenhauer) but nothing else, because a long line E-MAIL ensembles. It opened with Johann Pachelbel’s of autograph-seekers stretched behind us. Actually, John got [email protected] or not only an autograph but an address. In fact, the concert hall [email protected] (1653-1706) famous Canon and its less often [Include your submission as part of heard companion Gigue. The group’s sense of was packed. your email message or as an attach- tempo and ensemble was spot on with each ment. Do not use file compression.] Considering what I had heard, which was that Petri was a variation flowing seamlessly upon the prior one. technician but short on style, I was pleasantly surprised by Broadside is the newsletter of the Atlanta Following was a cantata by Christoph Graupner Early Music Alliance. It is published the opening Handel sonata in F with guitar accompaniment. monthly for members and other (1683-1760), “Jesu, führe meine Seele”. The It was graceful, well though somewhat sparsely ornamented, subscribers. mood of this cantata was quite happy and the and had a compelling musical shape. However, the Bach violin AEMA also maintains a website at group carried this across well. Mr. Gosta’s clear partita she played next was curiously unmoving. After that it www.earlymusic.net/atlema/home.html diction and fine tone declaimed the text became a modern concert and was to be evaluated as such. For general information call 404/296- beautifully. 6703, or e-mail to Recorder96.aol.com. The artists presented three modern suites for guitar and Next came some more old favorites. The Air from recorder (or flute? Since the Bach partita was described as Content Copyright 2001, Atlanta Early Music Alliance J. S. Bach’s (1685-1750) Suite No. 3 for “for recorder”, one would not expect to be told whether Petri Orchestra, Claudio Monteverdi’s (1567-1643) had also adapted the modern works.) These were performed Claudio Monteverdi motet “Laudate Dominum”, and the Aria “Ombra with conviction and excellent ensemble partnership. Especially Vespers (1610) mai fu” from G. F. Handel’s (1685-1759) 1738 enjoyable was the suite on “Mountain Songs” by Robert Beaser, performed by opera “Serse”. The latter two again displaying Mr. which presented four familiar Appalachian folksongs in various New Trinity Baroque Gosta’s voice to good advantage, and the Handel guises and was as demanding for the guitar as for the recorder.
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