DOCSLIB.ORG

TORONTO DANCE THEATRE 80 Winchester Street Groliing Toronto M4X 1 B2 GROW (416) 967-1365 March 6·8 RO",- .....-,

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
TORONTO DANCE THEATRE 80 Winchester Street Groliing Toronto M4X 1 B2 GROW (416) 967-1365 March 6·8 RO $2 Spring 1979 Printemps F /, CJ ansG The Crunch Cometh · Dwindling Funds For Ballet .. Performances Only! Wednesday March 28 8:30 p.m. Jewels Thursday March 29 8:30 p.m. Ballo della Regina Dances at a Gathering YORK· Stars and Stripes Friday March 30 8:30 p.m. Jewels Saturday March 31 2:30 p.m. Swan Lake Sonatine Ballo della Regina CITY Who Cares? 8:30 p.m. Interplay Sonatine Chaconne Stars and Stripes Ticket Prices: BALLET March 28, 29, 30, 31 $15, 9, 7, 5 March 31 Matinee $12, 8.50, 6, 4 (Group Discounts Available) Ti ckets available at: Shea's Box Office (716) 847-0050 Shea's Bu f alo Theater 646 Main St. Buffalo, New York Dance in Canada IS SU E NUMBER 19 SPRING 1979 PRINTEMPS Hanging Loose in Havana The Lauretta Thistle at the 1978 C uban Dance Festiva l George Brown The Open Eye UNDERSTANDING DANCE College Grant Strate 'I dance the things that move my life' MARGIE G ILLIS M ich ael C rabb 10th Annual TRAINING TH E DANCER: VII The Arms in Motion Rhonda Ryman The Crunch Cometh DWINDLING FUNDS FOR BALLET Summer IN REVIEW NOTICEBOARD LETTERS TO THE EDITOR School EDITOR: Michael Crabb ASSISTANT EDITOR: Holl y Small BUSINESS MANAGER: Nikki Abraham ADMINISTRATIVE AS SISTANT: Edward Clark of Dance DESIGN: Dreadnaught SPECIAL THANKS TO: Ministry of C ulture a nd Recreation, Ontario The Canada Council Lois Smith BC Cultural Fund COVER: Karen Tessmer a nd Raymond Smith of the National Ballet of Canada in Artistic Director Si r Frederick Ashton's The Two Pigeons, firsr performed by the company, February 28 , 1978. Ph otograph by Andrew Oxen ham. PH OTO CREDITS July 3-August 10, 1979 Tom Taylor, p. 6;Ormsby Ford, p. 7; J ack Udashkin, pp. 9, 10; Andrew Oxenham, p. 2. 0; Ben Holzberg, p. 22; Deni Eagland, p. 27 ; Un ited Artists p. 28. Dance in Canada is published quarterl y in Danse au Canada est publiCe rrimestrielle­ Toronto, Canada by Dance in Canada As­ menr a Toronto, Canada par {'Association de Ballet • Pointe • Modern •Jazz sociation. la Danse au Canada. The publication Dance in Canada is included L'Association de la Da nse au Canada est Pas de Deux • Repertoire • Character with membership in Dance in Canada Associ­ enregistrCe com me orga ni sme beneficiai re. Le ation. numero d'enregistrement est 00441 -22-1 3. Dance in Canada Association is registered as Les dons fairs a !'association seront admis en Faculty Includes charitable organization number 0044 1- deduction. 22-1 3. Donations are tax deductible. Les mem brcs de /' Associa tion de la Danse au The views expressed in the articles in rhis Canada recevront d'offi.ce le revue Danse au Winthrop Corey publication are not necessarily those of Dance Canada. in Canada. The publication is not responsible Les opinions exprimCes clans les articles de Christine Hennessy for the return of unsoli ci ted material unless cette publication ne sont pas obligatoirement accompani ed by a stamped self-addressed ce lles de Danse au Canada. Donald Himes envel ope. · Le redaction n'assume aucune responsabilite Dance in Canada publishes in rhe language of quant au re nvoi de materiel non solicitC, a Earl Kraul origin, English or French. We will be returning moins que cel ui-ci ne soit accompagnC d'une to ou r complete bilingual format whenever enve loppe-reponse affranchie et adressCe. Angela Leigh funds become avai lable. Oanse au Canada pub lie !es articles dans leu r Subscription: $7.50 per year. Single copy langue d'origine, anglais ou fran~ais. Nous $2.00. retournerons a notre formule bilingue des que Kenneth Lipitz All rights reserved. No part of this publica­ nous disposerons des fonds nCcessa ires. tion may be reproduced without prior written Abonnement: $7. 50 par an. Pri x du numero: Shelley Zeibel permission of the individual conrribucor and $2.00. the Dance in Cam1da magazine. Tous drois reserves. 11 est defendu de repro· Elena Zhuravleva Back iss ues of Dance in Canada are available dui re toutc partie de ce tte publication sans in microfil m from Micromedia Li mited, avoi r prCa lablement obtenu le consentement Box 502, Station's', Toronto, Ontario ec rit de tout auteu r et de la rev ue Danse au MjM 4L8. Canada. To celebrate the 10th anniversary, the ISSN0317-9737 Pour recevoir \es vieux numeros de Danse au Summer School wi ll conclude with a Second class mail registration 11umbero3874. Canada en microfilm , ad ressez-vous a Mic­ fu ll length performance of "Coppelia" Return postage gua ranteed. ro med ia Limited, Box 50 2, Please send notifi cation of change of address, Statio n 's', Toronto, O ntario M5M 4L8. subscription orders and undelive rable copies ISSN 03 I 7-973 7 For further information , contact the to: Le numero recommande de la posre deuxieme: cl asse 03874. School of Dance, George Brown Le frai s d'envo is paye. College, PO Box 1015, Station B, S'i l vous plait faites parvenir vorre change• To ronto MST 2T9 ment d'adresse, !es abonnements et les; Telephone (4 16) 363-9945 numCros non livres 3.: Dance in Canada/Danse au Canada 100 Richmond Street East, Suite 3 25, Toronto, M5c 2P9 Study Dance in Toronto at York University Dance students enrolled in Honours Bachelor of Arts and Bachelor of Fine Arts degree programs may choose courses in ballet and contemporary dance, teaching, composition, notation, repertory, dance therapy, history and criticism. Graduate Studies: students follow a 2-year program in dance history and criticism (and dance notation in 1980/81), leading to a Master of Fine Arts degree. Summer Studies: intensive Dance Studio classes are offered, credit and non­ credit. Courses are also available in Film, Music, Theatre, and Visual Arts; Summer Studies in all Departments. For further information, contact: Department of Dance, Faculty of Fine Arts, York University, 4700 Keele Street, Downsview, Ontario, Canada M3J 1 P3 Telephone (416) 667-3243 TORONTO DANCE THEATRE 80 Winchester Street GROliING Toronto M4X 1 B2 GROW (416) 967-1365 March 6·8 RO",- .....-,_,. -......, IN RESIDE NCY l CARLTON UNIVERSITY C OTTAWA OWI?,lG lb,_ March9&10 PERFORMANCES WIN DA'N NATIONAL ARTS CENTRE OTTAWA ING DJ\-N ~-l ( March 15, 16 & 1 7 OPENINGS G D1\NCI NEW STUDIOS TORONTO ~l\'.i March 30 & 31 D-~~} PERFORMANCE WITH FESTIVAL NCE SI NGERS CONVOCATION HALL TORONTO ·~·- ,~,CE IS April 13, 14 & 15 EASTER EIS PERFORMANCES NEW STUDIOS TORONTO IS GROWING IS A pril 25·28 T ORONTO SE ASO N ST. LAWRENC E GRO'tvING ::s CENTRE :{ w l,•c TORONTO N DANCE IN CANADA 3 DANSE AU CANADA Hanging Loose in Havana Lauretta Thistle at the 1978 Cuban Dance Festival The biennial dance festival in Cuba (last held in 1978, from cept when Alonso was dancing, there were empty seats. late October to mid-November), is an event worth keeping Various theories were propounded for this - blocks of your eye on. First, it gets you to a warm climate in what is tickets were given out to party members, to factory usually a miserable season for Canada. Second, this is a workers, or labourers, who then did not turn up. festival still trying to find its identity. Press repres_~ntatives from other countries, who had It's an international festival. It's built around the 30- only press cards, would be assigned to seats by ushers, only year-old National Ballet of Cuba, but it does bring in to be 'bumped' by a family of Cubans bearing tickets with guests, and not just from socialist countries. The Cuban numbers for those very seats. company is not wealthy (it is said to be half a million So, if you do go to a future Cuban festival, be prepared dollars in debt, in hard currency), so it does not spend large to hang loose and stay flexible. Don't believe the pro­ sums importing foreign companies, but rather, brings in motional brochure handed you by the travel agency-half soloists, pairs of dancers, choreographers, and some critics the dancers mentioned won't be there. But be prepared: and special friends. the curtain usually goes up on time at 8 .30 p.m. Whether Cuba (for that, read Alicia Alonso) is ready yet Havana sees its own ballet companies perform all year to open the festival freely to tourists is questionable. Better round - about eight times a month - but with all these organization and advance publicity about programmes, visiting artists promised, it is not surprising to see a small and above all, availability of tickets, are prime requisites black market in tickets flourishing near the box offices. before the dance world will flock to Cuba. What the visitor sees (I was there for the first week), is, A group of Quebeckers, booking a tour supposedly built first, a fair sampling of the Cuban repertory. Thus, you around this festival, were told they could get tickets any could watch three performances of an interesting produc­ night they wanted them, as well as special transportation tion of Giselle, and the Carmen created to the Bizet­ to and from their beach resort in Megano, about a Schredrin score.Alonso herself dances in both of these.You 30-minute bus ride from Havana. This arrangement did can see Alonso choreography in Genesis, an elaborate but not function very often. rather distasteful depiction of the reproductive process, I had gone to Cuba with this tour, prepared to buy my amid masses of shimmering plastic streamers; and you can tickets, but within a day realized that it was not going to see Antonio Gades' Blood Wedding, which is hardly ballet, work, and had to seek out emergency routes to getting but a fairly tense drama, (except for a final duel which goes press accreditization, and, incidentally, moving into the on too long) involving Spanish-style movement and mime.
Load more

Recommended publications
  • Cinema Canada Page 47 Cinema Plus Int E Rnational
    CINEMA CAN A D A administrative council. Memos followed To date, none of these conditions have been mid -1970s when American companies exported Communications indicating that project reconunendations lacked met. Demers explains that although there second-rate Canadian tax shelter films) will sufficient financial analysis . remains concern about the future of SOGIC­ collapse with too many untutored agents in the down at SOGIC "It appeared as though the newadministra­ Film, a substantial increase (May 12)in Quebec's marketplace carrying films without conunercial tion was modifying financial criteria. We had capital cost allowance from 133. 3 per cent to value. Ultimately, he says, market forces will MONTREAL - After several failed attempts to not been informed that this was happening and 166.6 per cent has subdued any outcry of prevail and many of these agents will face the convene ameeting with the president of SOGIC, we felt strongly that if the goal was now to invest betrayal. hard fact that only 20 to 25 per cent of all four members of the directorial staff of the film on more of a financial basis, this would be the Canadian films and television product are division of Societe generale des industries end of the more risky projects that we had been saleable in the foreign marketplace. culturelles quebec (SOGIC -Film) have resigned. shepherding,, . says a former staffer. They will also learn, says Rofekamp, that Marie-Noel Pichelin (director of conununica­ This perceived shift of criteria, says a former Telefilm's 50 per cent reimbursement of lions), Vincent Leduc (assistant director of staffer, created resentment among the staff promotional costs will not touch the private marketing), Rene Chenier (assistant director of because arbitrary decisions were being taken by costs of sales abroad.
    [Show full text]
  • In This Issue Spring Showcase
    IN THIS ISSUE Spring Showcase: Tickets / Students' Perspective 50th Anniversary: Your Aeroplan Miles / Notecards Staff Campaign | Associates Auditions | Doors Open | Golf Classic Student Council: Red Carpet Dance | Ballet Bites: Rebecca's Recipes SPRING SHOWCASE 2009 TICKETS NOW ON SALE Our renowned, annual performance tradition takes place this year from May 19-23. This is your chance to see students in the School's full-time Professional Ballet Program performing the much-beloved Swan Lake, along with the world premieres of new works by Canadian choreographers and NBS alumni, Sabrina Matthews and Matjash Mrozewski. Photographer: Cylla von Tiedemann Running for five nights at the Betty Oliphant Theatre, with Opening Night an invitation-only event, tickets are on-sale now and are available by calling 416-964-5148. For NBS parents, blocks of tickets are reserved to guarantee you'll see your child perform. For more information, please visit our Spring Showcase webpage. STUDENTS' PERSPECTIVE This year, students in Spring Showcase have written about their experience learning the different choreographies. Read Natalie Ogonek's 30-Minute Beauty Makeover, Jackson Carroll's Sequentia, and Liana Macera's Swan Lake. Back to Top NBS' 50th ANNIVERSARY APPROACHES SUPPORT NBS' 50th ANNIVERSARY WITH YOUR AEROPLAN MILES With the kind support of Aeroplan, your generous transfer of Aeroplan Miles to NBS will support Assemblée Internationale 2009. Your Aeroplan Miles will help to bring approximately 120 ballet students and dance professionals from Canada and around the world to create and perform original choreography for delegates, the public, and participants – all for the benefit of our community. For details on how to donate points or to learn more, please visit our Aeroplan webpage.
    [Show full text]
  • Contribution to Dance (1964-2019)
    VERONICA TENNANT, C.C. Contribution to DANCE in CANADA 1964-2018 During her illustrious career as Principal Dancer with The National Ballet of Canada, Veronica Tennant won a devoted following on the national and international stage as a dancer of versatility and dramatic power. At 18, the youngest Principal Dancer in the company Tennant was chosen by Celia Franca and John Cranko, for her debut as Juliet. She went on to earn accolades in every major classical role as well as having several contemporary ballets choreographed on her. She was chosen by, and worked with the legendary choreographers: Sir Frederick Ashton, Roland Petit, Erik Bruhn, John Neumeier and Jiri Kylian – and she in turn nurtured a younger generation of Canadian choreographers including James Kukelka, Anne Ditchburn, Constantin Patsalas and David Allan. For 25 years she danced across North and South America, Europe and Japan, dancing with the greatest male dancers of our time including; Erik Bruhn, Rudolf Nureyev, Anthony Dowell, Mikhail Baryshnikov, Edward Villella, Fleming Flindt, Peter Schaufuss, Niels Kehlet, Fernando Bujones, Ivan Nagy, Jean Pierre Bonnefous and Richard Cragun. She was blessed with her Canadian partners, from Earl Kraul (her first Romeo), to Lawrence Adams, Glenn Gilmour, Frank Augustyn, Sergiu Stefanschi, Kevin Pugh, Rex Harrington and Raymond Smith (her tenth Romeo). Two of the CBC television performances with Tennant in the title role; Cinderella and The Sleeping Beauty, won Emmy Awards. Her first, in Norman Campbell’s 1965 production of Romeo and Juliet won Le Prix Barthelmy in Monte Carlo. Veronica Tennant gave her farewell performances in 1989 – dancing her signature role in, Romeo and Juliet and in the Gala – A Passion For Dance – Celebrating the Tennant Magic.
    [Show full text]
  • CURRICULUM VITAE MARGARET DRAGU 9871 Dyke Road Finn Slough, Richmond, BC, Canada; V7A 2L5 1-604-272-7239 Email: [email protected]
    CURRICULUM VITAE MARGARET DRAGU 9871 Dyke Road Finn Slough, Richmond, BC, Canada; V7A 2L5 1-604-272-7239 email: [email protected] VERB WOMAN: mending aktion Western Front Dance Studio, Vancouver, BC; July 2010 CRAM Gallery, St. Catharines, Ontario, May 2010 Hamilton Artists’ Inc., Hamilton, Ontario; May 2010 Gallery Gachet, Vancouver, BC; August 2009 Centre A Gallery, Vancouver, BC; July 2009 VERB WOMAN: a kaleidescopic history Present Response, Gallery Lambton, Sarnia, Ontario; May 2010 VERB WOMAN: unraveling (romance & the anthemic) Not Sent Letters Project for Sparticus Books, Vancouver, BC; February 2010 VERB WOMAN: a dance of forgetting with Paul Couillard, LIVE ! Biennale, VIVO, Vancouver, BC; October 2009 MARGINALIA (Installation/Performance with Pam Hall of St. John’s, Nfld) Faucet Studio Residency, Struts Gallery, Sackville, NB; October 2008 Richmond Art Gallery, Richmond, BC, Sept – Nov 2008 LIVE! Biennale, grunt Gallery, Vancouver, BC, Nov 2005 LADY JUSTICE (PILLOWBOOK and various site-specific works) 2010 Peace Project, Richmond Women’s Centre/Memories Thrift Store, Feb 2010 ROSE Memorial for 20 th Anniversary Montreal Massacre, Vancouver, BC; Dec 2009 Richmond Art Gallery (with Payday Millionaire), Richmond, BC; September 2009 Revista Sin Texto: Dia Internacional del Reloj, South American Web, August 2008 Visualeyez Festival (Gallery Latitude 53), Edmonton, Alberta, July 2008 Hive 2 Festival, grunt Gallery & Magnetic North, Vancouver, BC, June 2008 grunt Gallery, Vancouver, BC, November 2007 Box Salon (The Rivoli), Toronto,
    [Show full text]
  • Cecchetti Council of America Examiners Meeting Fall 2016…….…
    Cecchetti International Classical Ballet Annual Newsletter No. 22, 2016 Inside this issue Contacts…………………………...…..….2 Where Are they Now?……………….......2 Cecchetti Ballet Australia Inc.………….5 Memories of Clive Mckeller………..…...5 Cecchetti Society of Canada From Studio to Stage……...…….…...….6 Amy Hoffman………..…………………..8 Cecchetti Council of America Examiners Meeting Fall 2016…….…......9 Enhanced Men’s Training Program……9 Cecchetti USA………...………………...11 Cecchetti Society Classical Ballet, UK.............................................................12 Cecchetti Society I.S.T.D. Events……...13 Danzare Cecchetti CICB Competition & Summer Courses Florence, Italy 2017…………...………..14 Competition Scholarships………..….…15 Cecchetti Students of Ateneo Danza Italy………………………..…………….16 Riccardo Mambelli ~ Cecchetti Advanced 2 Cecchetti Society of South Africa Events………………………...……...….16 Diploma Holders…………………….....17 CONTACTS Where Are They Now? Previous CICB Competitors CICB Officers Chairman: Betty Seibert, [email protected] South Africa Vice Chairman: Gail Myburgh, [email protected] Alexandra Potgieter (2008) Secretary: Susan Booker, [email protected] South African Dancer trained in The Cecchetti Method by Lynne Fouché has Treasurer: Joyce Shietze, [email protected] returned after 5 years in commerce to successfully undertake her Associate CICB Delegates and Society contact Examination, duly being awarded the Dorothea McNair Trophy for the most Australia: Carole Hall, Anne Butler, [email protected] outstanding qualifying examination in the Canada:
    [Show full text]
  • DOCTORAL THESIS the Dancer's Contribution: Performing Plotless
    DOCTORAL THESIS The Dancer's Contribution: Performing Plotless Choreography in the Leotard Ballets of George Balanchine and William Forsythe Tomic-Vajagic, Tamara Award date: 2013 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 THE DANCER’S CONTRIBUTION: PERFORMING PLOTLESS CHOREOGRAPHY IN THE LEOTARD BALLETS OF GEORGE BALANCHINE AND WILLIAM FORSYTHE BY TAMARA TOMIC-VAJAGIC A THESIS IS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF PHD DEPARTMENT OF DANCE UNIVERSITY OF ROEHAMPTON 2012 ABSTRACT This thesis explores the contributions of dancers in performances of selected roles in the ballet repertoires of George Balanchine and William Forsythe. The research focuses on “leotard ballets”, which are viewed as a distinct sub-genre of plotless dance. The investigation centres on four paradigmatic ballets: Balanchine’s The Four Temperaments (1951/1946) and Agon (1957); Forsythe’s Steptext (1985) and the second detail (1991).
    [Show full text]
  • Colin Campbell CV EXHIBITIONS (Selected) 2001 Saw Gallery, Ottawa, Ontario (Solo)
    Colin Campbell CV EXHIBITIONS (selected) 2001 Saw Gallery, Ottawa, Ontario (Solo) 2000 Magnetic North-Experimental Canadian Video', Tour, Walker Art Centre, Minneapolis, Minnesota. Catalogue. Art Gallery Of Ontario, Toronto 'Between Geography and Imagination', Trinity Square Video, Toronto, Screening/Panel. 'Borderstasis', University of Toronto 'Disheveled Destiny World Premier', Owen's Art Gallery, Sackville, N.B. 1999 Appropriate Behaviour, British/Canadian Video Exchange, London, England. Catalogue. Tranz-Tech, Toronto International Video Art Biennial. Catalogue. ‘Fragile Electrons’ National Gallery of Canada: Toured: Art Gallery of Nova Scotia, Mendel Art Gallery. Catalogue. ‘Possible Maps’ Vtape, Toronto. Catalogue. 1998 ‘La Quizaine de la Video’, Videograph, Montreal. ‘New Toronto Works’, Pleasure Dome, Toronto ‘Picturing Toronto-The Queen Street Years’, Power Plant, Toronto. Catalogue. C Magazine 12 page insert., issue #59, Sept.-Nov. Toronto Life magazine. ‘Close Encounters/Contacts Time’, Ottawa Art Gallery Art Gallery of York University, Toronto. 1997 ‘Synthetica’, Walter Phillips Gallery, Banff 'Flaming Creatures', Agnes Etherington Arts Centre, Kingston. Catalogue. Concordia University, Montreal Jury Member, Exhibition Committee for: Alex Wilson Community Project Design Competition, The Design Exchange, Toronto Premier of ‘Rendez-Vous’ at ‘So High I Could Almost See Eternity’ Symposium on Performance Art, Mount Allison University 1996 Vancouver Art Gallery, Vancouver. Love Gasoline, Mercer Union, Toronto. Video Art Plastique, Centre d'Art Contemporain de Basse Normandie, France. 1995 ‘Pressing The Flesh’, Toronto Photographers Workshop, Toronto Solo: Colin Campbell: Early Tapes, Art Gallery of Ontario, Toronto 1994 Art Video Art, TVO Broadcast Television, Toronto Wexner Centre for the Arts, Columbus, Ohio World Conference on AIDS, Berlin Rutgers University, New Brunswick, N. J. New York University, New York EM Media, Calgary Budapest Gay and Lesbian Festival Pyramid Arts Centre, Rochester, New York.
    [Show full text]
  • Prima Ballerina Bio & Resume
    Veronica Tennant, C.C. Prima Ballerina Bio & Resume Veronica Tennant, during her illustrious 25-year career as Prima Ballerina with The National Ballet of Canada - won a devoted following on the international stage as a dancer of extraordinary versatility and dramatic power. Born in London England, Veronica Tennant started ballet lessons at four at the Arts Educational School, and with her move to Canada at the age of nine, started training with Betty Oliphant and then the National Ballet School. While she missed a year on graduation due to her first back injury, she entered the company in 1964 as its youngest principal dancer. Tennant was chosen by Celia Franca and John Cranko for her debut as Juliet. She went on to earn accolades in every major classical role and extensive neo-classical repertoire as well as having several contemporary ballets choreographed for her. She worked with the legendary choreographers; Sir Frederick Ashton, Roland Petit, Jiri Kylian, John Neumeier, and championed Canadian choreographers such as James Kudelka, Ann Ditchburn, Constantin Patsalas and David Allan. She danced across North and South America, Europe and Japan, with the greatest male dancers of our time, including Erik Bruhn (her mentor), and Rudolf Nureyev, Anthony Dowell, Peter Schaufuss, Fernando Bujones and Mikhail Baryshnikov (immediately after he defected in Toronto, 1974). She was cast by Erik Bruhn to dance his La Sylphide with Niels Kehlet when Celia Franca brought The National Ballet of Canada to London England for the first time in 1972; and was Canada’s 'first Aurora' dancing in the premiere of Rudolf Nureyev's Sleeping Beauty September 1, 1972 and at the company's debut at the Metropolitan Opera House in New York, 1973.
    [Show full text]
  • Dance in Canada Magazine No 48 Summer 1986
    Lawrence Adams 145 George St. Toronto ON M5A 2M6 -----~~~~· ~1:,. ~ .. (V O V N V O) ~ s •~J. B / ? A N A D A) Published quarterly by the Dance in Canada Association. Issue Number 48 Summer 1986 Ete June/juin Steve Dymond COVER STORY: Executive Director 4 Christopher House: Susan Hilary Cohen A Choreographer Fascinated With Structure Founding Editor and Form Sandra Evan-J ones Pat Kaiser Editor Robert Donald 12 Vancouver DANCEWEEK 1986: Art Director Does It Reflect a Cultural Coming-of-Age? Patty Margolcse Jamil Brownson A dv ertising Rep 1'esentative Circulation Manager 21 Talking With Susan Macpherson © Copyright by the Dance in Canada Association. Paula Citron All rights reserved. The views expressed in this publication do not necessarily refkct thost of the Dance in Canada Association. Erik Bruhn 1928-1986 Dance in Canada publishes articles in offu:ial language of origin. 26 Unsolicited manuscripts should be accompanied by a stamped, self-addressed envelope. While the publishers will take all DANCE ON TRACKIDANSE reasonable care, Dance in Canada will not be responsible for loss 28 of or damage to unsolicited materials. ENTR'ACTE Address all corresponde,,ce to Dance in Canada, 38 Charles Street East, Toronto, Ontario M4Y 1 Tl. Shaping the Climate of the Dance Community (416) 921-5169. Today and Tomorrow Second class mail regislracion number 03874. Return postage guaranteed. Cathy Levy and Julie Poskitt The publication of Dance in Canada is made possible, in part, with the assistance of the Governmem of Canada through the Department ofCommunicatiom and 1/ie Canada Council; the 39 Dance at the Canada Pavilion: Govern ment of Ontario througl-, the .\1inistry of Citizenship and C ultu re and the O ntario Arts Council; the Govern ment of On View for the World at Expo 86 Alberta thro uih Alberta C ulture; the City of Toronto th roug h the T oronto Arts Council; and the Municipality of Metropolitan Cathy Levy Toro nto.
    [Show full text]
  • Cecchetti International Classical Ballet
    CECCHETTI INTERNATIONAL CLASSICAL BALLET Newsletter No. 8, 2002 Mission Statement: • To foster the development of the method • To develop training for the future • To keep alive the essence of the method’s historical tradition • To raise the profile of the method world-wide • To encourage the profession and the art of dance by interaction between members and the international dance profession • To enhance the status of dance in the context of the arts and education CHAIRMAN’S LETTER What a difficult year we have had, all the attendant publicity and interest way in the future. at Cecchetti International Classical Bal- which this will engender. We will shortly Please note that Robina Beard has let. I was disappointed that some of our be putting a proposal to all our original moved. Her new address is: founding corporate members found it FCM’s regarding the competition, and we 79 Midgeley Street, Corrimal necessary to resign from the fledgling trust that you will consider sending your 2518 NSW Australia organisation, but we intend to continue young Cecchetti dancers to compete, re- Tel:/Fax: 02-4283-2860 on towards an international Cecchetti as- membering those beautiful young men Email unchanged: sociation in which all those with alle- and women who competed in Australia. [email protected] giance to the Cecchetti Method can be In light of the recent terrible catas- Both fax and email have had a pe- involved in some way. trophes which have engulfed the world, riod of being “out of order” but are up We are all very grateful to Sheila and which seem to be changing the way and running again.
    [Show full text]
  • 2004-2005.Pdf
    Ryan 29 acquisitions pour le catalogue, 50 bibliothèques partenaires, 204 prix remportés,135 productions originales de l’ONF et coproductions, 291 films du secteur privé ayant reçu de l’aide à la production de l’ONF (ACIC et FAP), 3 259 projections (salles commerciales, de répertoire et communautaires), 2 063 télédiffusions au Canada, 23 890 membres du Cinéclub ONF, 73 983 vidéocassettes, DVD et produits multimédias vendus au Canada, 80446 films vus aux postes de visionnage individuels dans les médiathèques de l’ONF (Montréal et Toronto), 259 643 spectateurs des films de l’ONF aux projections publiques, 205 648 visiteurs aux centres ONF (Montréal et Toronto), 197142 films, vidéo- cassettes et DVD prêtés et loués (ONF et partenaires), 8 539 000 téléspectateurs des films de l’ONF à la télévision, 44045864 impressions de pages du site www.onf.ca 29 Catalogue Acquisitions, 50 Partner Libraries, 204 Awards, 135 Original NFB Productions and Co-productions, 291 Independent Film Projects Supported by the NFB (FAP and ACIC), 3,259 Screenings (Commercial, Repertory and Community Theatres), 2,063 Television Broadcasts in Canada, 23,890 NFB Film Club Members, 73,983 Videocassettes, DVDs and Multimedia Products Sold in Canada, 80,446 Films Screened on Personal Viewing Stations in NFB Mediatheques, 259,643 Viewers at Public Screenings of NFB Films, 205,648 Visitors to NFB Mediatheques (Montreal and Toronto), 197,142 Film, Video and DVD Loans or Rentals (NFB and Partners), 8,539,000 TV Viewers of NFB Films, 44,045,864 Page Impressions of www.nfb.ca
    [Show full text]
  • Guide to Galleries + Museums Albert A I British Columbi a I Orego N I Washington
    GUIDE TO GALLERIES + MUSEUMS ALBERT A I BRITISH COLUMBI A I OREGO N I WASHINGTON November/December/January 2013-14 www.preview-art.com • downloaodanble ilssueis ne • extra images • searchable listings www.preview-art.com 6 PREVIEW I NOVEMBER/DECEMBER/JANUARY 2013-14 Nov/Dec/Jan 2013/2014 Vol. 27 No.5 previews ALBERTA 10 2013 Contemporary Northwest 8 Banff, Black Diamond, Calgary 1 4 Edmonton Art Awards 18 Lethbridge Portland Art Museum 19 Medicine Hat, Red Deer, St Albert 12 The Kingston Prize BRITISH COLUMBIA Art Gallery of Calgary 20 Abbotsford, Burnaby 23 21 Campbell River 14 Dina Goldstein: In the Dollhouse 24 Castlegar, Chilliwack Kimoto Gallery 25 Coquitlam, Courtenay 14 16 James Holroyd: Flora 27 Fort Langley, Grand Forks , Newzones Gallery Kamloops , Kaslo, Kelowna 28 Maple Ridge, Nanaimo, Nelson, 18 Mungo Thomson: Negative Space New Westminster Off-site at Yaletown-Roundhouse Station 29 North Vancou ver 30 Screen and Décor 30 Osoyoos, Penticton Southern Alberta Art Gallery 31 Port Alberni, Port Moody 33 Prince George, Prince Rupert, 34 The Marvellous Real: Qualicum Beach, Richmond Art from Mexico, 1926-2011 34 Salmon Arm, Salt Spring Island, Museum of Anthropology Sidney 35 Silver Star Moumtain, Sooke, 42 Difference and Repetition Squamish , Sunshine Coast 70 Slide Room Gallery (Roberts Creek, Gibsons, Sechelt) 48 Of Heaven and Earth: 500 Years of Italian 38 Surrey, Tsawwassen, Vancouver 53 Vernon, Victoria 30 Painting from Glasgow Museums 57 West Vancouver, Whistler, Art Gallery of Alberta White Rock 54 Sandra Meigs: The Basement Panoramas 58 Williams Lake Open Space Gallery OREGON 58 Cannon Beach 58 Susan Point: From Pilchuck to Present 59 Marylhurst, Portland Spirit Wrestler Gallery 62 Salem 62 Ann Hamilton: a reading WASHINGTON Elizabeth Leach Gallery 62 Bainbridge Island, 63 Bellevue, Bellingham , Everett, 64 Peru: Kingdoms of the Sun and Moon Friday Harbor, La Conner, Port Seattle Art Museum Angeles, Seattle 68 A World of Paper, A World of Fashion 72 Spokane, Tacoma 67 Bellevue Arts Museum © 1986-2014 Preview Graphics Inc.
    [Show full text]