Guide to Galleries + Museums Albert A I British Columbi a I Orego N I Washington
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Cinema Canada Page 47 Cinema Plus Int E Rnational
CINEMA CAN A D A administrative council. Memos followed To date, none of these conditions have been mid -1970s when American companies exported Communications indicating that project reconunendations lacked met. Demers explains that although there second-rate Canadian tax shelter films) will sufficient financial analysis . remains concern about the future of SOGIC collapse with too many untutored agents in the down at SOGIC "It appeared as though the newadministra Film, a substantial increase (May 12)in Quebec's marketplace carrying films without conunercial tion was modifying financial criteria. We had capital cost allowance from 133. 3 per cent to value. Ultimately, he says, market forces will MONTREAL - After several failed attempts to not been informed that this was happening and 166.6 per cent has subdued any outcry of prevail and many of these agents will face the convene ameeting with the president of SOGIC, we felt strongly that if the goal was now to invest betrayal. hard fact that only 20 to 25 per cent of all four members of the directorial staff of the film on more of a financial basis, this would be the Canadian films and television product are division of Societe generale des industries end of the more risky projects that we had been saleable in the foreign marketplace. culturelles quebec (SOGIC -Film) have resigned. shepherding,, . says a former staffer. They will also learn, says Rofekamp, that Marie-Noel Pichelin (director of conununica This perceived shift of criteria, says a former Telefilm's 50 per cent reimbursement of lions), Vincent Leduc (assistant director of staffer, created resentment among the staff promotional costs will not touch the private marketing), Rene Chenier (assistant director of because arbitrary decisions were being taken by costs of sales abroad. -
Fine & Decorative Arts
Fine & Decorative Arts October 16, 2016 Sterling, Paintings, Fine & Decorative Arts October 16, 2016 We are proud to offer this year’s finest multi-source auction with an array of exquisite pieces. Premier Auction Galleries is please to offer items from the following: Estate of William Gwinn Mather, Cleveland, Ohio. William Gwinn Mather (American, 1857-1951) headed the Cleveland-Cliffs Iron Company from 1890 to 1940. The company's flagship bulk freighter was named in his honor, and today serves as a maritime museum in Cleveland, Ohio. Mather is known for the grandiose estate he built outside of Cleveland. The gardens on the premises were designed by Charles A. Platt, Ellen Biddle Shipman, and Warren H. Manning. They were named for Mather's mother Elizabeth Lucy Gwinn. These gardens include a mixture of formal and exotic flora amongst a plethora of statuary and fountains designed by known sculptors. Private Collection of Jennie Jones, Cleveland, Ohio. Jennie was a longtime commercial architecture photographer in Cleveland. Her work includes the documentation of major Cleveland projects including TRW, Inc., Tower City Center, the old Post Office, Gateway and the east wing of the Cleveland Public Library. In 1986, she published Cleveland: A Celebration In Color, which sold out two editions. Her second book Celebration II: Cleveland In Color was published in 1991. Her photography has appeared in World Architecture, Inland Architect, Forbes, Fortune Magazine, as well as local major Cleveland publications. Estate of Egon Vicai, Cleveland, OH. After coming to America from Hungary in 1951, Egon was a chief engineer for General Electric. -
Download New Glass Review 11
The Corning Museum of Glass NewGlass Review 11 The Corning Museum of Glass Corning, New York 1990 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within derVoraussetzung ausgewahlt, da(3 sie the 1989 calendar year. innerhalb des Kalenderjahres 1989 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare des New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1990 Alle Rechte vorbehalten, 1990 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-87290-122-X ISSN: 0275-469X Library of Congress Catalog Number Aufgefuhrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 9 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 53 Is das Jury-Mitglied, das seit dem Beginn der New Glass Review Jury Statements A1976 kein Jahr verpaBt hat, fuhle ich mich immer dazu verpflichtet, neueTrends und Richtungen zu suchen und daruber zu berichten, wel- chen Weg Glas meiner Meinung nach einschlagt. Es scheint mir zum Beispiele, daB es immer mehr Frauen in der Review gibt und daB ihre Arbeiten zu den Besten gehoren. -
POLSKI INSTYTUT STUDIÓW NAD SZTUKĄ ŚWIATA POLISH INSTITUTE of WORLD ART STUDIES Nr 6 (81) Czerwiec 2019 SZTUKA I KRYTYKA / ART and CRITICISM
POLSKI INSTYTUT STUDIÓW NAD SZTUKĄ ŚWIATA POLISH INSTITUTE OF WORLD ART STUDIES nr 6 (81) czerwiec 2019 SZTUKA I KRYTYKA / ART AND CRITICISM Komunikat Zarządu Polskiego Instytutu Studiów nad Sztuką Świata 2019, nr 6 (81) czerwiec Pod redakcją: Jerzego Malinowskiego, Grażyny Raj i Marcina Teodorczyka (sekretarz) Polski Instytut Studiów nad Sztuką Świata / Polish Institute of World Art Studies Adres redakcji: 00–032 Warszawa, ul. Foksal 11 – 6; 601 31 36 91 biuro@world–art.pl, www.world–art.pl Recenzenci: prof. dr hab. Anna Markowska i prof. dr hab. Jan Wiktor Sienkiewicz Projekt okładki: Łukasz Aleksandrowicz Copyright by Polish Institute of World Art Studies ISSN 2544–9281 Miesięcznik oraz publikacje Polskiego Instytutu Studiów nad Sztuką Świata można nabyć w: siedzibie Instytutu oraz w Wydawnictwie Tako, ul. Słowackiego 71/5, 87–100 Toruń [email protected], www.tako.biz.pl 2 Strona Spis treści: Informacje i zaproszenia: Pamięci Profesora Józefa Poklewskiego Informacja o Walnym Zebraniu i udzieleniu absolutorium Wybór profesorów Jerzego Malinowskiego i Jerzego Uścinowicza na członków honorowych Rosyjskiej Akademii Sztuki Drogi rozwoju prawosławnej sztuki cerkiewnej: Polska (Białystok) i Rosja. Regionalne aspekty w kontekście jedności zadań artystycznych - sprawozdanie z konferencji w Moskwie. Opr. Jerzy Uścinowicz Grupa Jung Idysz i żydowska awangarda artystyczna w dwudziestoleciu międzywojennym – zaproszenie na konferencję w Łodzi Promocja książki prof. Teresy Grzybkowskiej w Puławach Obchody 100-lecia nawiązania stosunków dyplomatycznych między Polską i Japonią Jikihitsu. The Signature of the Artist. The Presence of Japanese Tradition in Contemporary Polish Art – conference and accompanying events in Warsaw. Opr. Magdalena Durda-Dmitruk Collections – Encounters – Inspirations. Reception of Japanese art and crafts in Central and Eastern Europe before the establishment of diplomatic contacts between Poland and Japan in 1919 – conference in Kraków. -
CURRICULUM VITAE MARGARET DRAGU 9871 Dyke Road Finn Slough, Richmond, BC, Canada; V7A 2L5 1-604-272-7239 Email: [email protected]
CURRICULUM VITAE MARGARET DRAGU 9871 Dyke Road Finn Slough, Richmond, BC, Canada; V7A 2L5 1-604-272-7239 email: [email protected] VERB WOMAN: mending aktion Western Front Dance Studio, Vancouver, BC; July 2010 CRAM Gallery, St. Catharines, Ontario, May 2010 Hamilton Artists’ Inc., Hamilton, Ontario; May 2010 Gallery Gachet, Vancouver, BC; August 2009 Centre A Gallery, Vancouver, BC; July 2009 VERB WOMAN: a kaleidescopic history Present Response, Gallery Lambton, Sarnia, Ontario; May 2010 VERB WOMAN: unraveling (romance & the anthemic) Not Sent Letters Project for Sparticus Books, Vancouver, BC; February 2010 VERB WOMAN: a dance of forgetting with Paul Couillard, LIVE ! Biennale, VIVO, Vancouver, BC; October 2009 MARGINALIA (Installation/Performance with Pam Hall of St. John’s, Nfld) Faucet Studio Residency, Struts Gallery, Sackville, NB; October 2008 Richmond Art Gallery, Richmond, BC, Sept – Nov 2008 LIVE! Biennale, grunt Gallery, Vancouver, BC, Nov 2005 LADY JUSTICE (PILLOWBOOK and various site-specific works) 2010 Peace Project, Richmond Women’s Centre/Memories Thrift Store, Feb 2010 ROSE Memorial for 20 th Anniversary Montreal Massacre, Vancouver, BC; Dec 2009 Richmond Art Gallery (with Payday Millionaire), Richmond, BC; September 2009 Revista Sin Texto: Dia Internacional del Reloj, South American Web, August 2008 Visualeyez Festival (Gallery Latitude 53), Edmonton, Alberta, July 2008 Hive 2 Festival, grunt Gallery & Magnetic North, Vancouver, BC, June 2008 grunt Gallery, Vancouver, BC, November 2007 Box Salon (The Rivoli), Toronto, -
Blaue Deckeldose „Wasserbüffel Mit Reiter“, Vallérysthal, Ab 1902 Aus Alexandrit-Glas / Neodym-Glas! Ende 1920-Er, Anfang
Pressglas-Korrespondenz 2008-2 Abb. 2008-1/169 Wasserbüffel mit Reiter, hellviolettes Pressglas, H 15 cm, B 11 cm, L 24,5 cm Sammlung Christoph unter dem Boden Marke „VALLERYSTHAL“, s. MB Vallérysthal 1907, Planche 236, Nr. 3808, Wasserbüffel mit Reiter Stefan Örtel, Fabienne & Marc Christoph, SG März 2008 / Januar 2008 Blaue Deckeldose „Wasserbüffel mit Reiter“, Vallérysthal, ab 1902 aus Alexandrit-Glas / Neodym-Glas! Ende 1920-er, Anfang 1930-er Jahre Neodym- und Cer-Titan-Gläser der Sammlung Örtel 1/169, beschrieben, mit einer Anmerkung zur Fluores- PK 2008-1, SG: Das blaue Glas dieses Wasserbüffels zenz und dem (vermutlich falschen) Schluss auf einen leuchtet schwach wie Uranglas. Das ist auch bei mehre- Urangehalt. ren blauen Gläsern von S. Reich & Co., Krásno - Wien, schon aufgefallen. Diese Gläser stammten meistens aus Die Deckeldose besteht aus so genanntem Alexandrit- der Zeit vor 1900. Aber auch bei anderen blauen Press- Glas, zuerst in größerem Maßstab hergestellt durch Mo- gläsern wurde das schon beobachtet. Bis jetzt ist unbe- ser in Karlsbad um 1928/1930. Benannt wurde dieses kannt, ob eine Beimischung von Spuren von Uranoxi- Glas nach dem Edelstein Alexandrit, welcher je nach den in die blaue Glasmasse einen technischen Grund Beleuchtung die Farbe von Grün nach Rot wechselt. In hatte oder nur eine Verunreinigung war. Bezug auf den Farbwechsel des Glases von Violett nach Blau ist der Name etwas unglücklich gewählt. Besser Christoph: Es ist schwer zu sagen, wie diese Farbe sich wäre die Bezeichnung nach dem farb-gebendem Oxid verändert. In der Sonne ist sie wie auf diesen Fotos. Im (Neodymoxid) als Neodym-Glas. -
Collector's Sale in Association with Partridge Media Antiques Weekends Saturday 14 June 2014 10:00
Collector's Sale in Association with Partridge Media Antiques Weekends Saturday 14 June 2014 10:00 Adam Partridge Auctioneers & Valuers The Cheshire Saleroom Withyfold Drive Macclesfield SK10 2BD Adam Partridge Auctioneers & Valuers (Collector's Sale in Association with Partridge Media Antiques Weekends) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 A 20th century golden oak cutlery box with ogee cartouche A 20th century black leather bound Asprey of Bond Street containing eight bone handled dinner knives. writing box, including travelling ink pot, matchbox and striker, Estimate: £20.00 - £40.00 pen tray, pullout section, and book of blotting paper, width 36cm. Estimate: £300.00 - £500.00 Lot: 11 A painted pine trinket box containing a large quantity of variously sized buttons, width 23cm. Lot: 2 Estimate: £20.00 - £30.00 A rosewood veneered writing slope with inset inkwells, light box and pen holder, 35 x 23cm, and a crumb scoop in the shape of horseshoe with floral decoration and a raised handle (2). Lot: 12 Estimate: £40.00 - £60.00 A Georgian mahogany hinged top wall mounted candle box with pierced and shaped decoration, width 33cm. Estimate: £20.00 - £40.00 Lot: 3 A Victorian rosewood veneered vanity box centred with an inlaid shell to the hinged velvet lined lid enclosing a mirror, Lot: 13 comprising four toilet containers, two mother of pearl handled A set of mahogany and inlaid wood scales with a marble top manicure implements and a button hook, with a side drawer, 30 and brass dishes, by J. Woolley, Sons & Co. Ltd, Manchester, x 22 x 18cm. -
Colin Campbell CV EXHIBITIONS (Selected) 2001 Saw Gallery, Ottawa, Ontario (Solo)
Colin Campbell CV EXHIBITIONS (selected) 2001 Saw Gallery, Ottawa, Ontario (Solo) 2000 Magnetic North-Experimental Canadian Video', Tour, Walker Art Centre, Minneapolis, Minnesota. Catalogue. Art Gallery Of Ontario, Toronto 'Between Geography and Imagination', Trinity Square Video, Toronto, Screening/Panel. 'Borderstasis', University of Toronto 'Disheveled Destiny World Premier', Owen's Art Gallery, Sackville, N.B. 1999 Appropriate Behaviour, British/Canadian Video Exchange, London, England. Catalogue. Tranz-Tech, Toronto International Video Art Biennial. Catalogue. ‘Fragile Electrons’ National Gallery of Canada: Toured: Art Gallery of Nova Scotia, Mendel Art Gallery. Catalogue. ‘Possible Maps’ Vtape, Toronto. Catalogue. 1998 ‘La Quizaine de la Video’, Videograph, Montreal. ‘New Toronto Works’, Pleasure Dome, Toronto ‘Picturing Toronto-The Queen Street Years’, Power Plant, Toronto. Catalogue. C Magazine 12 page insert., issue #59, Sept.-Nov. Toronto Life magazine. ‘Close Encounters/Contacts Time’, Ottawa Art Gallery Art Gallery of York University, Toronto. 1997 ‘Synthetica’, Walter Phillips Gallery, Banff 'Flaming Creatures', Agnes Etherington Arts Centre, Kingston. Catalogue. Concordia University, Montreal Jury Member, Exhibition Committee for: Alex Wilson Community Project Design Competition, The Design Exchange, Toronto Premier of ‘Rendez-Vous’ at ‘So High I Could Almost See Eternity’ Symposium on Performance Art, Mount Allison University 1996 Vancouver Art Gallery, Vancouver. Love Gasoline, Mercer Union, Toronto. Video Art Plastique, Centre d'Art Contemporain de Basse Normandie, France. 1995 ‘Pressing The Flesh’, Toronto Photographers Workshop, Toronto Solo: Colin Campbell: Early Tapes, Art Gallery of Ontario, Toronto 1994 Art Video Art, TVO Broadcast Television, Toronto Wexner Centre for the Arts, Columbus, Ohio World Conference on AIDS, Berlin Rutgers University, New Brunswick, N. J. New York University, New York EM Media, Calgary Budapest Gay and Lesbian Festival Pyramid Arts Centre, Rochester, New York. -
Dance in Canada Magazine No 48 Summer 1986
Lawrence Adams 145 George St. Toronto ON M5A 2M6 -----~~~~· ~1:,. ~ .. (V O V N V O) ~ s •~J. B / ? A N A D A) Published quarterly by the Dance in Canada Association. Issue Number 48 Summer 1986 Ete June/juin Steve Dymond COVER STORY: Executive Director 4 Christopher House: Susan Hilary Cohen A Choreographer Fascinated With Structure Founding Editor and Form Sandra Evan-J ones Pat Kaiser Editor Robert Donald 12 Vancouver DANCEWEEK 1986: Art Director Does It Reflect a Cultural Coming-of-Age? Patty Margolcse Jamil Brownson A dv ertising Rep 1'esentative Circulation Manager 21 Talking With Susan Macpherson © Copyright by the Dance in Canada Association. Paula Citron All rights reserved. The views expressed in this publication do not necessarily refkct thost of the Dance in Canada Association. Erik Bruhn 1928-1986 Dance in Canada publishes articles in offu:ial language of origin. 26 Unsolicited manuscripts should be accompanied by a stamped, self-addressed envelope. While the publishers will take all DANCE ON TRACKIDANSE reasonable care, Dance in Canada will not be responsible for loss 28 of or damage to unsolicited materials. ENTR'ACTE Address all corresponde,,ce to Dance in Canada, 38 Charles Street East, Toronto, Ontario M4Y 1 Tl. Shaping the Climate of the Dance Community (416) 921-5169. Today and Tomorrow Second class mail regislracion number 03874. Return postage guaranteed. Cathy Levy and Julie Poskitt The publication of Dance in Canada is made possible, in part, with the assistance of the Governmem of Canada through the Department ofCommunicatiom and 1/ie Canada Council; the 39 Dance at the Canada Pavilion: Govern ment of Ontario througl-, the .\1inistry of Citizenship and C ultu re and the O ntario Arts Council; the Govern ment of On View for the World at Expo 86 Alberta thro uih Alberta C ulture; the City of Toronto th roug h the T oronto Arts Council; and the Municipality of Metropolitan Cathy Levy Toro nto. -
The Corning Museum of Glass Annual Report 2018 Cover: Officers of the Board Antony E
The Corning Museum of Glass Annual Report 2018 Cover: Officers of the Board Antony E. Snow* Jim Oliveira The Manhattan skyline at dusk Susan M. Taylor Jutta-Annette Page Jeffrey W. Evenson Peter F. Volanakis* Elmerina L. Parkman creates a beautiful backdrop Chairman for GlassBarge at its stop in Wendell P. Weeks Paul D. Parkman Brooklyn, New York. James B. Flaws Ian McKibbin White* Lindsy R. Parrott Vice Chairman Karol B. Wight Paul N. Perrot + Opposite: John V. B. Perry Linda E. Jolly * Trustee Emeritus Joan P. Randles Staff members of The Corning Secretary Richard F. Randles Museum of Glass and the crew Peter B. Rath of GlassBarge stand on its upper Melissa J. Gambol The Fellows of The Corning Rachel Russell Assistant Secretary deck for a group photo. Museum of Glass Josh Simpson John P. Smith Mark S. Rogus Carole Allaire Treasurer Walter Spiegl+ John Allaire Jane Shadel Spillman+ Michael J. Burns III James K. Asselstine Paul J. Stankard§ Assistant Treasurer Sheldon Barr Arlie Sulka Mike Belkin Lino Tagliapietra Alan L. Cameros§ Jennifer Thalheimer Officers of the Lt. Gen. Christian Clausen, retired§ Catherine M. V. Thuro-Gripton+ Corporation Simon Cottle Kenneth R. Treis Damon Crain Deborah Truitt Karol B. Wight Kenneth C. Depew Durk Valkema President and Executive Thomas P. Dimitroff William Warmus Director Jay R. Doros† Mark J. West Alan T. Eusden Micki Doros Karol B. Wight Chief Operating Officer Paul E. Doros Diane C. Wright David Dowler Rainer M. Zietz Roland “Max” Erlacher+ Maris Zuika Trustees Christopher T. G. Fish Alice Cooney Frelinghuysen * Life Fellow Roger G. -
Newglass Review 4
The Corning Museum of Glass NewGlass Review 4 The Corning Museum of Glass CORNING, NEW YORK 1983 Objccts represented in this annual review were chosen with the understanding that they were designed and made within the 1982 calendar year. For subscription information and additional copies of New Glass Review please contact: Sales Department The Corning Museum of Glass Corning, New York 14831 607/937-5371 Copyright © 1983 The Corning Museum of Glass Corning, New York 14831 Printed in U.S.A. Standard Book Number 0-87290-108-4 ISSN: 0275-469X Library of Congress Catalog Card Number 81-641214 Introduction i\Jew Glass Review, begun by The Corning Muse The editors and judges of the fourth Review wish um of Glass in 1976, surveys glassmaking around to thank all participants who submitted slides. Ap the world. A major purpose of this annual review is preciation is due as well to those who helped to to provide a forum for the presentation of new work make this publication possible, particularly Phyllis as well as to inform the general public of glassmaking Casterline, Charleen Edwards, Louise Bush, Donna activity. The Review consists of four parts: illustra Yeman, Charlene Holland, and Barbara Miller. tions of 100 objects chosen by a panel, an overview of the selection process, a bibliography of all publi • • • cations related to contemporary glass acquired by the Museum's library in the preceding year, and, The following brief comments on New Glass Review new this year, a list of galleries which exhibit con 4 are intended to offer some insight into the selec temporary glass. -
Download New Glass Review 07
The Corning Museum of Glass NewGlass Review 7 The Corning Museum of Glass Corning, New York 1986 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie the 1985 calendar year. innerhalb des Kalenderjahres 1985 entworfen und gefertigt wurden. For additional copies of New Glass Review Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: Sales Department The Coming Museum of Glass Corning, New York 14831 (607)937-5371 All rights reserved, 1986 Alle Rechte vorbehalten, 1986. The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14831 Corning, New York 14831 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-: 1-115-7 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefiihrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements and Comments/Statements und Kommentarder Jury 4 Artists and Objects/Kunstler und Objekte 9 Bibliography/Bibliographie 31 Galleries and Museums/Galerien und Museen 52 Countries Represented/Vertretene Lander 55 Die zeitgenossische Glasszene wird einfach immer besser; und Vielfalt, Jury Statements Originalitat und Qualitat nehmen mit jedem New Glass Review zu. Der hubsche Anblick von Glas mit all seinen optischen Effekten macht subtiler- en - und haufig auch tiefgreifenden - Ideen Platz, von denen das astheti- The contemporary glass scene just gets better and better. There is more sche Potential unseres Materials mehr und mehr durchdrungen wird.