Genée International Ballet Competition 2012
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Genée International Ballet Competition 2019 Candidate Information Pack Mission Statement The Genée International Ballet Competition is dedicated to promoting and rewarding standards of excellence in young ballet dancers internationally. This is achieved by offering aspiring dancers the unique opportunity to work with world-renowned choreographers and professionals, as well as the chance to perform on an international stage. The Competition The Genée International Ballet Competition represents the pinnacle of achievement for young people trained in the Royal Academy of Dance syllabus. The competition identifies talented young dancers and often launches them into a professional career. The competition originated quite humbly in 1931 as the ‘Adeline Genée Gold Medal’ and was introduced as an additional incentive for candidates who had passed the Solo Seal examination. Felicity Garratt was the first recipient of this award; other medals were later added: the silver (1934), bronze (1956), and gold and silver for male dancers (1938). The award continued to progress and develop into a competition format and remarkably it has taken place almost every year since 1931, even during the Second World War. In 2002, Luke Rittner, the RAD’s Chief Executive, took the landmark decision to hold the competition outside London in order to embrace its international spirit, taking it to Australia where Sydney Opera House played host to a record number of candidates. Since 2002, the competition has been held in cities across the world including Singapore, Cape Town, London, Sydney, Lisbon and Hong Kong. In 2019, we are delighted that the Genée will be returning to Toronto, after its debut there in 2008. You can learn more about the Genée and its history at www.royalacademyofdance.org/the-genee Royal Academy of Dance is a charity registered in England and Wales No. 312826 1 Section 1: General Information 1.1 Venues and Schedule The week of competition classes and coaching sessions will take place from Wednesday 21 August to Sunday 25 August and will be held at Canada’s National Ballet School, 400 Jarvis Street, Toronto, Ontario M4Y 2G6. Times of competition classes and coaching sessions will vary each day and candidates will be provided with a timetable at the Welcome Reception on Tuesday 20 August. The semi-finals will be held at the Betty Oliphant Theatre, Canada’s National Ballet School, 404 Jarvis Street, Toronto, Ontario M4Y 2G6 on Monday 26 August (performance of class work for all candidates) and Tuesday 27 August (performance of Dancer’s Own solo and Classical Repertoire variation for all candidates) starting at 10.30am. The final will be held at the Four Seasons Centre for Performing Arts, 145 Queen Street. W, Toronto, Ontario M4Y 2G6 on Thursday 29 August starting at 7.30pm. 1.2 Judges and Faculty Judges and Faculty of international repute will come to Toronto for the competition. This year’s judges will be: Karen Kain, Artistic Director of The National Ballet of Canada (Final only) Read biography Dame Monica Mason, Former Director of The Royal Ballet Read biography Mikko Nissinen, Artistic Director of Boston Ballet Read biography Magdalena Popa, Principal Artistic Coach of The National Ballet of Canada (semi- finals only) Read biography This year’s Faculty will be: Gerard Charles, Artistic Director of the Royal Academy of Dance Read biography Hilary Clark, Freelance teacher, coach and Artistic Adviser to the Royal Academy of Dance Read biography Raymond Smith, Teacher Read biography Gioconda Barbuto, Commissioned Choreographer Read biography Natasha Finlay, Benesh Choreologist Read biography Royal Academy of Dance is a charity registered in England and Wales No. 312826 2 Jonathan Still, Accompanist Read biography Wen Yang Ho, Accompanist Read biography Dobrochna Zubek, Cellist Read biography 1.3 Entry Qualifications The competition is open to dancers who are current members of the Royal Academy of Dance and have passed examinations in RAD Intermediate, Advanced 1, as well as having achieved Advanced 2, in Classical Ballet (Advanced 2 with Distinction). Evidence is required of the relevant qualifications held. Candidates must be aged 15 – 19 years on Monday 15 July 2019 and be of pre- professional status. They must not have been employed on a professional contract prior to entry of the competition, however students who have been offered a professional engagement that commences after the competition will still be eligible to enter. For artistic reasons (to ensure that the Genée remains a high quality experience for those involved) there will be an upper limit of 100 candidates. Should we receive more than 100 applications by the closing date, the Producer will undertake a process of selection based on the mark achieved in the Advanced 2 examination. Candidates will be notified on Monday 15 July at 18.00 (UK time) whether or not they have secured a place at the Genée International Ballet Competition 2019. 1.4 Closing Date The closing date for applications is Friday 28 June 2019 at 18:00 (UK time). Applications should be completed via the online application form: https://torontocandidateapplication.eventbrite.co.uk Upon receipt of your application, we will email you requesting further information which will be due by Monday 1 July at 18.00 (UK time). If we do not receive this information your application will be considered incomplete and therefore deemed invalid. The information we will request from you is: Evidence of qualifications Short biography (of no more than 60 words) If in receipt of a Genée bursary: evidence of your bursary offer Headshot – supplied as passport-sized JPG only (see example below) Music for Dancer’s Own variation – supplied as .WAV file Completed press and publicity permission form Please note: the passport-sized photo provided will be printed in the official Genée souvenir programme. If you are unsure of what to provide, please send us any digital portrait of yourself in a large file size – we will crop and resize the jpg as needed. Royal Academy of Dance is a charity registered in England and Wales No. 312826 3 431 pixels wide x 531 pixels high minimum (or 35mm wide x 45mm high, 300dpi minimum) Candidates who are waiting for their Advanced 2 examination result must still complete an application form to be submitted by the closing date. 1.5 Confirmation of place We will confirm your place on Monday 15 July, 18.00 (UK time); it is only on receipt of this confirmation that you will know whether or not you will be competing at the Genée International Ballet Competition 2019. 1.6 Insurance Applicants are advised to take out insurance, if available, to guard against withdrawal due to injury or sickness and for the cost of medical treatment throughout the duration of the competition. It is your responsibility to act on our advice. We do not endorse any providers, but we are aware of one provider and there may be others which we encourage you to research: https://www.dancesurance.com/ 1.7 Visa to travel You may require a visa to travel to Canada. To check whether you require a visa visit: http://www.cic.gc.ca/english/visit/visas.asp Royal Academy of Dance is a charity registered in England and Wales No. 312826 4 Section 2: Content of the Competition 2.1 Content and format Into the Unknown: Variation 1 – Performed at the final only Each year, the RAD commissions a choreographer to create two (male and female) exclusive solos for the Genée candidates. This has become one of the most uniquely rewarding and challenging parts of the competition and as such, this section has been entitled Into the Unknown. Beginning on the second day of coaching, all candidates will work with the choreographer to workshop ideas that will eventually be incorporated into the finished solos. This reflects the way many choreographers create work today and all candidates will have the chance to contribute, and to benefit from, creating and perfecting the new solos. Dancer’s Own: Variation 2 – Performed at the semi-finals and final Candidates will be invited to perform a variation between 1.00 – 1.30 minutes duration (performed in pointe shoes for females), choreographed by themselves, their teacher or a peer to a piece of music of their choice. This section, Dancer’s Own, puts the creative process right at the heart of the Genée. Classical Repertoire variation: Variation 3 – Performed at the semi-finals and final Candidates will select one variation from the Classical Repertoire Variation list (see below at 2.4.1). 2.2 Semi-finals The semi-finals will be held at the Betty Oliphant Theatre, Canada’s National Ballet School, 404 Jarvis Street, Toronto, Ontario M4Y 2G6 on Monday 26 August (performance of class work for all candidates) and Tuesday 27 August (performance of Dancer’s Own solo and Classical Repertoire variation for all candidates) starting at 10.30am. Candidates will be assessed on a non-rehearsed classical class on Day 1 on 26 August. Their Dancer’s Own (Variation 2) and their chosen Classical Repertoire variation (Variation 3) on Day 2 on 27 August. All candidates must take part in their allocated coaching classes to be considered eligible to take part in the competition’s semi-finals. Candidates must complete all sections of both days of the semi-finals in order to remain in the competition. 2.3 Final The final will be held at the Four Seasons Centre for Performing Arts, 145 Queen Street. W, Toronto, Ontario M4Y 2G6 on Thursday 29 August starting at 7.30pm. All finalists will be assessed on the Into the Unknown variation (Variation 1), Dancer’s Own (Variation 2) and their chosen Classical Repertoire variation (Variation 3). 2.4 Coaching Competition classes and coaching sessions will take place from Wednesday 21 August to Sunday 25 August and will be held at Canada’s National Ballet School, 400 Jarvis Street, Toronto, Ontario M4Y 2G6.