DOCSLIB.ORG

Residential Summer Course

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Residential Summer Course Student Curriculum Cecchetti Syllabus • Grades 4-7 • Majors 8-10 An organization dedicated to the improvement of • Maestro Cecchetti dance training as developed by Diploma Maestro Enrico Cecchetti Non Syllabus Classes • Pointe Work Residential • Variations & Pas de Deux • Evening Lectures & Activities Summer Course Teacher Curriculum - Separate classes for teacher training For teachers and students of classical ballet Choose the track that suits your needs: • Teaching Certificate 1 • Teaching Certificate 2 August 2-8, 2015 • Associate, Licentiate and Fellowship Qualifying Exams CUSA Board of Directors University of California, Santa Barbara All tracks include: Denise Rinaldi, Executive Director • Principles of teaching Betty B. Seibert, Director of Examinations • Music as applied in the classroom Judith Hawkesworth, Administrator • Evening lectures and applications Sylvia Palmer, Treasurer Jennifer Forcucci-Marzluf and Karyn O’Toole Majors and Qualifying exams available Classes and/or faculty may be subject to change. Eastern Committee Lara Ciganko • Maria DeConti • Alison Durham Maestro Cav. Enrico Cecchetti - 1850-1928 Kathy Koester • Amy Shivar The celebrated Italian dancer and teacher was born in Rome. At the height of his career he migrated to St. Petersburg where he joined the Imperial Western Committee Russian Ballet. His impressive technique and Julie Ertl • Felicia Fry • Debbi Miller gifts as a mime established his reputation by Claylee Stewart • Vanessa Stewart 1890. Cecchetti taught the Maryinski dancers, among them Pavlova, Karsavina, Preobrajenska • • • • • and Nijinksy. When Diaghilev took the Ballet CUSA Fellows Russes to Paris in 1909, Cecchetti joined him Jacqueline Anderson, Examiner as company teacher. His pupils included Massine, Susan Brooker, Final Diploma/Examiner Markova, de Valois, Rambert, Balanchine and Louanne Davies, Final Diploma many others. The modernized style of the 20s continued to develop. Dancers taught by the Franco DeVita, Final Diploma Maestro formed new vibrant companies while Beverley Feder, Examiner an inspired group of teachers founded the Judith Hawkesworth, Examiner Cecchetti Branch of the ISTD (Imperial Society Marnell Himes-Ushijima, Final Diploma/Examiner of Teachers of Dancing) over 70 years ago. His Raymond Lukens, Final Diploma method is preserved and the preparation of the Cecchetti with Anna Pavlova Pamela Moore, Final Diploma Guest Master Teachers practice for his work is being continually revised to keep it relevant in today’s Sylvia Palmer, Examiner dance world. Alexey Kulpin Denise Rinaldi, Examiner Graduate from the University of Culture and Art (St. Petersburg, Russia) Betty Seibert, Final Diploma/Examiner Taught at the Saint Petersburg Conservatory and Youth Ballet Schools Residential Summer Course registration forms available on-line at: Janice Smith, Final Diploma CecchettiUSA.org Raymond Smith, Final Diploma Ross Alley CUSA accepts checks, cashiers checks, money orders Deborah Vinton, Final Diploma/Examiner Former pianist and tutor at Royal Ballet School, London Heidi Wright, Final Diploma and PayPay through CecchettiUSA.org Additional faculty to include members of Cecchetti USA Alexey Kulpin Schedule Sunday, August 2 - Saturday, August 8, 2015 Mr. Kulpin is a graduate from the University of Culture and Art (St. Petersburg, Russia) Registration: Sunday, August 2, 12:00-4:00 pm Fees Non-refundable registration fee: ........................................... $150 with Bachelor’s and Master’s Degrees Welcome Banquet: Sunday, August 2, 6:30 pm Due May 1st for all students, and guests as a ballet teacher and choreographer. Classes begin : Monday, August 3 After graduating, he taught at the Saint Tuition only fee: (before May 1st) ......................................... $725 Student Demonstration and Scholarship Awards: Includes tuition for the week and all evening lectures/activities and a Petersburg Conservatory and Youth Ballet Welcome Banquet ticket for Full Course Residential and Non-Residential students Schools while dancing professionally in Saturday, August 8, 11:00 am Russia. He was next invited to join Ballet Israel Families are invited to attend the Student Demonstration and Scholarship Awards Tuition only fee: (after May 1st) ............................................ $825 Includes tuition for the week and all evening lectures/activities and a in Tel Aviv, where he also taught at the Ballet Welcome Banquet ticket for Full Course Residential and Non-Residential students Israel School. In the United States, Mr. Kulpin has danced with and taught for City Ballet of San Diego, Grand Rapids Ballet Company, Room & meals: per person (double occupancy) .................. $415 Charleston Ballet Theater and Northern California Dance Includes room and all meals for the week Conservatory in Roseville, CA where he is currently a principal Single day tuition: ................................................................. $150 ballet teacher. Mr. Kulpin specializes in teaching classical ballet, Includes tuition for a single day and an evening male and female variations, lyrical, character and pointe. He has lecture/activity if scheduled on that day staged ballet variations and choreographed ballet and lyrical solos Additional Welcome Banquet tickets: .................................. $30 for performance and ballet competitions including Youth America Included in tuition for all Residential and Non-Residential Full Course Grand Prix. students. Available for $30 each for Single Day Non-Residential students, family members and guests wishing to attend the Welcome Banquet Mr. Kulpin’s performance roles include: University of California, Santa Barbara • Everyone registered for the full week will receive a free t-shirt and souvenir group photo James, La Sylphide Classes Cavalier, Paquita Classes are open to dancers who are at least • Each studio must supply one chaperone per every 10 students attending Albrecht, Giselle 11 years of age with a minimum of three years of • Free room and meals for teachers enrolling 10 or more students ballet training. It is not necessary to be familiar (all registrations must be received together) Basil, Don Quixote with the Cecchetti method to attend. Again this • All fees due by June 1st Prince Ivan, The Firebird summer, teachers will choose from four tracks Othello, Moor’s Pavane, by Jose Limon of course work, whether new to the Cecchetti • Cancellation with 20% penalty after July 5th Pas de Trois, Swan Lake method or looking to further Cecchetti training, teachers’ needs are met with this curriculum. • Registration after June 1st is subject to space available Grand Pas de Deux, The Nutcracker Classes will be held at the UC Santa • Residential Summer Course photos will be available on SmugMug Male Lead, Donizetti Variations Barbara Dance Department facilities. Each following the Summer Course at: hawkesworth.smugmug.com Male Lead, Symphony in C (Third Movement) studio is equipped with sound system and sprung dance floors. • • • • • Solor, Pas de Deux, La Bayadere Spirit of the Rose, Le Spectre de la Rose Contact Information Housing Executive Director: Dancers will Denise Rinaldi, 7199 Tuolumne Dr., Goleta, CA 93117 stay at the Phone: (805) 636-9444 • E-mail: [email protected] Ross Alley - Bachelor of Music RSA, Certificate, TEFL UCSB Santa Mr. Alley is a native of New Zealand, Rosa housing Director of Examinations: who worked as a pianist and music facility located Betty B. Seibert teacher at the National School of Ballet on the east 328 Industrial Avenue, Cheshire, CT 06410 side of the main Phone: (203) 710-8372 and the Australian Ballet Company campus near Fax: (203) 699-1888 • E-Mail: [email protected] and School before moving to England. the University In London he was employed by the Center and a Summer Course Coordinator: Judith Hawkesworth Royal Ballet School as a pianist, with short walk from the beach. Two dancers per room with community bath/showers responsibilities as a music tutor to 414 Greene Street, Camden, SC 29020 on each floor. At UCSB, every meal is something to look forward to. Every- Phone: (803) 420-7511 • E-Mail: [email protected] develop the teachers’ training course thing is prepared fresh, hot and create the pianists training program items are cooked to order, Summer Course Registrar: for aspiring ballet accompanists. Mr. Alley is closely associated and an array of healthy and Jennifer Forcucci-Marzluf with the Cecchetti Society, researching, editing and arranging specialty options are always 4206 West Ash Ave, Fullerton, CA 92833 music for the syllabi. He lectures on classical music at the Royal available. UCSB Residential Phone: 714-595-4539 • E-Mail: [email protected] Opera House, organized by the Royal Opera House Education Dining Services are rated Department with the University of London and Friends of Covent among the best in the Visit our website for information, to register via PayPal or Garden. country. download a registration form: www.cecchettiusa.org.
Load more

Recommended publications
  • Noreen Londregan School of Dance
    WHY CHOOSE 2019-2020 FALL SCHEDULE NOREEN LONDREGAN Noreen Londregan AWARDS MONDAY SCHOOL OF DANCE School of Dance Achievement awards are presented on the final lesson in 11:00 - 11:45 Terrific 2’s Offering the Best in Dance Techniques 12:00 - 1:00 Preschool 3-5 Yrs. Combo I June for students who have attended the required classes - 3 Spacious Dance rooms and are paid in full. 4:00 - 5:15 7-9 Yrs. Combo II 4:30 - 5:30 6-8 Yrs. Combo II - Limited Class Size 2019-2020 DANCE SEASON 5:15 - 6:15 Preschool 3-5 Yrs. Combo I - Friendly Atmosphere COMPETITION 5:30 - 6:30 Preschool 4-6 Yrs. Combo II - Age appropriate Music, Terrific 2’s • Creative Movement Noreen and Colleen’s dance company has won many 5:30 - 7:30 9-11 Yrs. Combo III Choreography and Costumes Classical Ballet • Combo Classes • Tap • Jazz awards during the past year. Students are accepted into the 6:15 - 7:30 6-8 Yrs. Combo II - Members of Dance Masters of Hip Hop • Street Jazz • Lyrical • Contemporary Dance Company by invitation/audition and are required to 6:30 - 9:00 Advanced B-T-J America, and Ohio be enrolled in ballet, tap and jazz classes. Minimum age is TUESDAY - Students placed by age & ability Adult Ballet & Tap 7 years old. Rehearsals are in addition to their normal class 4:00 - 5:00 5-7 Yrs. Combo I - Many levels of classes - time. Additional fees are charged. 4:30 - 5:30 5 & 6 Yrs. Combo I 2 years to adult 5:00 - 6:00 5-7 Yrs.
    [Show full text]
  • Teachers Handbook July 2020
    TEACHERS’ HANDBOOK July 2020 PO Box 425, Clifton Hill, VIC 3068 www.cecchettiballet.org email: [email protected] Ph: 03 9489 5682 Previous Versions 2019 2016 Following the ratification of the new Rules for Cecchetti Ballet Australia Inc. at the July 12th 2014 AGM, these Regulations and Procedures have been collated from previous rules issued by the National Council on behalf of Cecchetti Ballet Australia Inc. Should any alterations or amendments become necessary, these should be submitted in writing to the National Council. After consideration by National Council, any necessary alterations or amendments will be incorporated into the Rules in due course. Some sections of these Rules appear more than once in this Book. The information has been collected into sections and some information is relevant to more than one section. July 2014 CONTENTS EXAMINATION INFORMATION ........................................................................................................................................... 1 PRE-PRIMARY AND PRIMARY .......................................................................................................................................... 1 GRADE EXAMINATIONS .................................................................................................................................................. 1 ASSESSMENTS ................................................................................................................................................................. 3 DANCE SPECTRUM ONE (DS1)
    [Show full text]
  • Romantic Ballet
    ROMANTIC BALLET FANNY ELLSLER, 1810 - 1884 SHE ARRIVED ON SCENE IN 1834, VIENNESE BY BIRTH, AND WAS A PASSIONATE DANCER. A RIVALRY BETWEEN TAGLIONI AND HER ENSUED. THE DIRECTOR OF THE PARIS OPERA DELIBERATELY INTRODUCED AND PROMOTED ELLSLER TO COMPETE WITH TAGLIONI. IT WAS GOOD BUSINESS TO PROMOTE RIVALRY. CLAQUES, OR PAID GROUPS WHO APPLAUDED FOR A PARTICULAR PERFORMER, CAME INTO VOGUE. ELLSLER’S MOST FAMOUS DANCE - LA CACHUCHA - A SPANISH CHARACTER NUMBER. IT BECAME AN OVERNIGHT CRAZE. FANNY ELLSLER TAGLIONI VS ELLSLER THE DIFFERENCE BETWEEN TALGIONI AND ELLSLER: A. TAGLIONI REPRESENTED SPIRITUALITY 1. NOT MUCH ACTING ABILITY B. ELLSLER EXPRESSED PHYSICAL PASSION 1. CONSIDERABLE ACTING ABILITY THE RIVALRY BETWEEN THE TWO DID NOT CONFINE ITSELF TO WORDS. THERE WAS ACTUAL PHYSICAL VIOLENCE IN THE AUDIENCE! GISELLE THE BALLET, GISELLE, PREMIERED AT THE PARIS OPERA IN JUNE 1841 WITH CARLOTTA GRISI AND LUCIEN PETIPA. GISELLE IS A ROMANTIC CLASSIC. GISELLE WAS DEVELOPED THROUGH THE PROCESS OF COLLABORATION. GISELLE HAS REMAINED IN THE REPERTORY OF COMPANIES ALL OVER THE WORLD SINCE ITS PREMIERE WHILE LA SYLPHIDE FADED AWAY AFTER A FEW YEARS. ONE OF THE MOST POPULAR BALLETS EVER CREATED, GISELLE STICKS CLOSE TO ITS PREMIER IN MUSIC AND CHOREOGRAPHIC OUTLINE. IT DEMANDS THE HIGHEST LEVEL OF TECHNICAL SKILL FROM THE BALLERINA. GISELLE COLLABORATORS THEOPHILE GAUTIER 1811-1872 A POET AND JOURNALIST HAD A DOUBLE INSPIRATION - A BOOK BY HEINRICH HEINE ABOUT GERMAN LITERATURE AND FOLK LEGENDS AND A POEM BY VICTOR HUGO-AND PLANNED A BALLET. VERNOY DE SAINTS-GEORGES, A THEATRICAL WRITER, WROTE THE SCENARIO. ADOLPH ADAM - COMPOSER. THE SCORE CONTAINS MELODIC THEMES OR LEITMOTIFS WHICH ADVANCE THE STORY AND ARE SUITABLE TO THE CHARACTERS.
    [Show full text]
  • Miami City Ballet 37
    Miami City Ballet 37 MIAMI CITY BALLET Charleston Gaillard Center May 26, 2:00pm and 8:00pm; Martha and John M. Rivers May 27, 2:00pm Performance Hall Artistic Director Lourdes Lopez Conductor Gary Sheldon Piano Ciro Fodere and Francisco Rennó Spoleto Festival USA Orchestra 2 hours | Performed with two intermissions Walpurgisnacht Ballet (1980) Choreography George Balanchine © The George Balanchine Trust Music Charles Gounod Staging Ben Huys Costume Design Karinska Lighting Design John Hall Dancers Katia Carranza, Renato Penteado, Nathalia Arja Emily Bromberg, Ashley Knox Maya Collins, Samantha Hope Galler, Jordan-Elizabeth Long, Nicole Stalker Alaina Andersen, Julia Cinquemani, Mayumi Enokibara, Ellen Grocki, Petra Love, Suzette Logue, Grace Mullins, Lexie Overholt, Leanna Rinaldi, Helen Ruiz, Alyssa Schroeder, Christie Sciturro, Raechel Sparreo, Christina Spigner, Ella Titus, Ao Wang Pause Carousel Pas de Deux (1994) Choreography Sir Kenneth MacMillan Music Richard Rodgers, Arranged and Orchestrated by Martin Yates Staging Stacy Caddell Costume Design Bob Crowley Lighting Design John Hall Dancers Jennifer Lauren, Chase Swatosh Intermission Program continues on next page 38 Miami City Ballet Concerto DSCH (2008) Choreography Alexei Ratmansky Music Dmitri Shostakovich Staging Tatiana and Alexei Ratmansky Costume Design Holly Hynes Lighting Design Mark Stanley Dancers Simone Messmer, Nathalia Arja, Renan Cerdeiro, Chase Swatosh, Kleber Rebello Emily Bromberg and Didier Bramaz Lauren Fadeley and Shimon Ito Ashley Knox and Ariel Rose Samantha
    [Show full text]
  • In This Issue Spring Showcase
    IN THIS ISSUE Spring Showcase: Tickets / Students' Perspective 50th Anniversary: Your Aeroplan Miles / Notecards Staff Campaign | Associates Auditions | Doors Open | Golf Classic Student Council: Red Carpet Dance | Ballet Bites: Rebecca's Recipes SPRING SHOWCASE 2009 TICKETS NOW ON SALE Our renowned, annual performance tradition takes place this year from May 19-23. This is your chance to see students in the School's full-time Professional Ballet Program performing the much-beloved Swan Lake, along with the world premieres of new works by Canadian choreographers and NBS alumni, Sabrina Matthews and Matjash Mrozewski. Photographer: Cylla von Tiedemann Running for five nights at the Betty Oliphant Theatre, with Opening Night an invitation-only event, tickets are on-sale now and are available by calling 416-964-5148. For NBS parents, blocks of tickets are reserved to guarantee you'll see your child perform. For more information, please visit our Spring Showcase webpage. STUDENTS' PERSPECTIVE This year, students in Spring Showcase have written about their experience learning the different choreographies. Read Natalie Ogonek's 30-Minute Beauty Makeover, Jackson Carroll's Sequentia, and Liana Macera's Swan Lake. Back to Top NBS' 50th ANNIVERSARY APPROACHES SUPPORT NBS' 50th ANNIVERSARY WITH YOUR AEROPLAN MILES With the kind support of Aeroplan, your generous transfer of Aeroplan Miles to NBS will support Assemblée Internationale 2009. Your Aeroplan Miles will help to bring approximately 120 ballet students and dance professionals from Canada and around the world to create and perform original choreography for delegates, the public, and participants – all for the benefit of our community. For details on how to donate points or to learn more, please visit our Aeroplan webpage.
    [Show full text]
  • Support the Cecchetti Society Trust
    CECCHETTI classical ballet Support The Cecchetti Society Trust The Cecchetti Society founded in 1922 to promote the teaching of the Cecchetti Method www.cecchetti.co.uk The Cecchetti Society Trust Cecchetti Classical Ballet The Cecchetti Society Trust was created to Cecchetti classical ballet is one of the most promote and support the art of classical ballet and respected training methods for young dancers, in particular the Cecchetti Method of training in teachers and professionals both in the UK and classical ballet. The Trust which is a Registered worldwide. The great virtuoso dancer and teacher Charity achieves this aim in a variety of ways - Enrico Cecchetti (1850 – 1928 ) was one of the including offering support to individual young most important influences on the foundation of ballet dancers and teachers to train, and also modern Classical Ballet training. He evolved a through publicising and promoting the Cecchetti method of training that is as relevant today as it was when first created - producing outstanding Method of training and producing educational artistic and technically accomplished dancers able resources. to work with today’s directors across the spectrum of classical and contemporary companies. His The Trust was established through a legacy from influence on British Ballet has been far reaching Cyril Beaumont, the renowned dance historian and resulted in the creation of The Cecchetti and writer, and was formed by a Declaration of Society in 1922. Trust on 20th March 1978 with the object of: Patrons of The Cecchetti Society include Dame “The advancement of the education of the public Monica Mason DBE, David Bintley CBE, Darcey in the art of classical ballet and in particular that art Bussell CBE, Lesley Collier CBE and Kevin as perpetuated by the Cecchetti Method to O’Hare.
    [Show full text]
  • Coppelia-Teacher-Resource-Guide.Pdf
    Teacher’s Handbook 1 Edited by: Carol Meeder – Director of Arts Education February 2006 Cover Photo: Jennifer Langenstein – Pittsburgh Ballet Theatre Principal Dancer Aaron Ingley – Pittsburgh Ballet Theatre Corps de Ballet Dancer Ric Evans – Photographer 2 Introduction Dear Educator, We have often thanked you, the academic community and educators of our children, for being partners with us in Arts Education. We have confirmed how the arts bring beauty, excitement, and insight into the experience of everyday living. Those of us who pursue the arts as the work of our lives would find the world a dark place without them. We have also seen, in a mirror image from the stage, how the arts bring light, joy, and sparkle into the eyes and the lives of children and adults in all walks of life. Pittsburgh Ballet Theatre strives not only to entertain but to demonstrate the significance and importance of presenting our art in the context of past history, present living, and vision for the future. In this quest we present traditional ballets based on classic stories revered for centuries, such as Coppelia and Cinderella; and contemporary ballets by artists who are living, working, and creating everyday, such as our jazz program Indigo In Motion and the premiers we have done to the music of Sting, Bruce Springsteen, and Paul Simon. In this way we propel our art into the future, creating new classics that subsequent generations will call traditional. It is necessary to see and experience both, past and present. It enhances our life and stirs new ideas. We have to experience where we came from in order to develop a clear vision of where we want to go.
    [Show full text]
  • Contribution to Dance (1964-2019)
    VERONICA TENNANT, C.C. Contribution to DANCE in CANADA 1964-2018 During her illustrious career as Principal Dancer with The National Ballet of Canada, Veronica Tennant won a devoted following on the national and international stage as a dancer of versatility and dramatic power. At 18, the youngest Principal Dancer in the company Tennant was chosen by Celia Franca and John Cranko, for her debut as Juliet. She went on to earn accolades in every major classical role as well as having several contemporary ballets choreographed on her. She was chosen by, and worked with the legendary choreographers: Sir Frederick Ashton, Roland Petit, Erik Bruhn, John Neumeier and Jiri Kylian – and she in turn nurtured a younger generation of Canadian choreographers including James Kukelka, Anne Ditchburn, Constantin Patsalas and David Allan. For 25 years she danced across North and South America, Europe and Japan, dancing with the greatest male dancers of our time including; Erik Bruhn, Rudolf Nureyev, Anthony Dowell, Mikhail Baryshnikov, Edward Villella, Fleming Flindt, Peter Schaufuss, Niels Kehlet, Fernando Bujones, Ivan Nagy, Jean Pierre Bonnefous and Richard Cragun. She was blessed with her Canadian partners, from Earl Kraul (her first Romeo), to Lawrence Adams, Glenn Gilmour, Frank Augustyn, Sergiu Stefanschi, Kevin Pugh, Rex Harrington and Raymond Smith (her tenth Romeo). Two of the CBC television performances with Tennant in the title role; Cinderella and The Sleeping Beauty, won Emmy Awards. Her first, in Norman Campbell’s 1965 production of Romeo and Juliet won Le Prix Barthelmy in Monte Carlo. Veronica Tennant gave her farewell performances in 1989 – dancing her signature role in, Romeo and Juliet and in the Gala – A Passion For Dance – Celebrating the Tennant Magic.
    [Show full text]
  • Class Descriptions & Required Attire
    SHORT DANCE STUDIOS CLASS DESCRIPTIONS, PREREQUISITES & REQUIRED ATTIRE There are required shoes for each class. *Starred classes will also require specific attire. Mommy/Daddy & Me – Movement to music. A great experience to share with your 18mos.-2 yr. old. Creative Dance 1 (CD 1) – Ages 3-4 is an introduction to dance. The primary goal is to foster a love of movement. Although the creative component is quite large, basic fundamentals in Tap, Jazz and Ballet will be covered in this class. Several fun or special activities, many times with props, facilitates expression. It is a means of communicating feelings and actions. The skills covered in Creative Dance 1are all steps which a 3 year old can master as they build self-confidence. Dancers become aware of fast/slow, rhythm, space, directions, right/left, size, and levels. The vocabulary is also set up to prepare students for Creative Dance 2. (CD II) RECITAL= This class will perform one dance in our annual recital. ATTIRE = White Leather Ballet shoes (261W), Tights and Leotard (any color) – Ballet skirts are acceptable at this age. Creative Dance 2 (CD II) – Ages 4-5 (students still in Pre-K) covers a basis of movement found in all dance forms. This class will spend time in both Ballet and Tap shoes working on basic fundamentals in Ballet, Tap and Jazz. The goals of CD II are to foster creativity, freedom and expression in movement, and a love for dance. The class includes concepts that are found in older child’s dance class. This class will prepare the students for the following year when they graduate to Tap/Ballet I.
    [Show full text]
  • Molly Lake and the Founding of the Australian Cecchetti Society - Anne-Patricia Butler © 2011
    Shining a Light on the Legacy of Cecchetti in Australia: Molly Lake and the founding of the Australian Cecchetti Society - Anne-Patricia Butler © 2011 During 1934 the Dandré-Levitoff Russian Ballet toured Australia headed by Olga Spessiva, the renowned Russian ballerina. Molly Lake, an English dancer, was also on tour with the company. Lake was engaged by Anna Pavlova, touring the world between 1921 and 1926, then began dancing and teaching for Ninette de Valois and Marie Rambert. She had been a pupil of Enrico Cecchetti and was a founding committee member of the Cecchetti Society established by Cyril Beaumont in London, 1922.i ii Wanda Edwards and Madam Lucie Saronova headed a small group of teachers who were initiating what was to become the Cecchetti Society of Australia. They wasted no time in organizing Molly Lake to conduct the first examinations to be run and approved by an international body in this country. In fact, they predated those of the Operatic Association (now known as The Royal Academy of Dance).iii In a newspaper article headed Ballet Dance Examinations in September 1934: As a result of the efforts of a small body of teachers in various States, the introduction of overseas examinations in dancing, such as have for many years been conducted in music, have been made practicable. The Cecchetti Society has arranged to hold examinations in Grade 1, 2 and 3 in November, and examiners holding the society’s certificate have been appointed by the council at the London headquarters of the society. Major examinations will follow in due course.iv To date it is a little unclear as to actually what happened first.
    [Show full text]
  • Chapter 9 Ballet Edited.Ppt.Pdf
    C H A P T E R 9 Ballet Chapter ?? Chapter 9 Ballet Enduring understanding: Ballet is a classic, Western dance genre and a performing art. Essential question: How does ballet help me express myself as a dancer? Learning Objectives •Recognize major ballet works, styles, and ballet artists in history. •Execute basic ballet technique, use ballet vocabulary, and perform barre exercises and center combinations. •Apply ballet etiquette and dance safety while dancing. •Evaluate and respond to classical and contemporary ballet performances. Introduction Ballet began as a Western classical dance genre 400 years ago and has evolved into an international performing art form. The word ballet comes from the Italian term ballare, meaning to dance. Chapter 9 Vocabulary Terms adagio allegro à la seconde à terre ballet ballet technique barre center derrière stage directions Devant turnout en l’air Ballet Beginnings Ballet moved from Italy to France when Catherine de’ Medici married the heir to the French throne, King Henry II. She produced what has become known as the first ballet, La Comique de la Reine, in 1588. Ballet at the French Court Louis XIV performed as a dancer and gained the title The Sun King after one of his most famous dancing roles. A patron of the arts, Louis XIV established the Academy of Music and Dance. In the next century the Academy would become the Paris Opéra. Court Ballets • During the 17th century, court ballets were dance interludes between dramatic or vocal performances or entire performances. • Sometimes ballets were part of themed balls such as pastoral or masquerade balls.
    [Show full text]
  • Cecchetti Council of America Examiners Meeting Fall 2016…….…
    Cecchetti International Classical Ballet Annual Newsletter No. 22, 2016 Inside this issue Contacts…………………………...…..….2 Where Are they Now?……………….......2 Cecchetti Ballet Australia Inc.………….5 Memories of Clive Mckeller………..…...5 Cecchetti Society of Canada From Studio to Stage……...…….…...….6 Amy Hoffman………..…………………..8 Cecchetti Council of America Examiners Meeting Fall 2016…….…......9 Enhanced Men’s Training Program……9 Cecchetti USA………...………………...11 Cecchetti Society Classical Ballet, UK.............................................................12 Cecchetti Society I.S.T.D. Events……...13 Danzare Cecchetti CICB Competition & Summer Courses Florence, Italy 2017…………...………..14 Competition Scholarships………..….…15 Cecchetti Students of Ateneo Danza Italy………………………..…………….16 Riccardo Mambelli ~ Cecchetti Advanced 2 Cecchetti Society of South Africa Events………………………...……...….16 Diploma Holders…………………….....17 CONTACTS Where Are They Now? Previous CICB Competitors CICB Officers Chairman: Betty Seibert, [email protected] South Africa Vice Chairman: Gail Myburgh, [email protected] Alexandra Potgieter (2008) Secretary: Susan Booker, [email protected] South African Dancer trained in The Cecchetti Method by Lynne Fouché has Treasurer: Joyce Shietze, [email protected] returned after 5 years in commerce to successfully undertake her Associate CICB Delegates and Society contact Examination, duly being awarded the Dorothea McNair Trophy for the most Australia: Carole Hall, Anne Butler, [email protected] outstanding qualifying examination in the Canada:
    [Show full text]