In Lincoln's Shadow Brochure
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Lorado Taft Midway Studios AND/OR COMMON Lorado Taft Midway Studios______I LOCATION
Form No. 10-300 (Rev. 10-74) UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS ___________TYPE ALL ENTRIES - COMPLETE APPLICABLE SECTIONS______ | NAME HISTORIC Lorado Taft Midway Studios AND/OR COMMON Lorado Taft Midway Studios______________________________ I LOCATION STREET & NUMBER University of Chicago, 6016 Ingleside Avenue —NOT FOR PUBLICATION CITY. TOWN CONGRESSIONAL DISTRICT Chicago __ VICINITY OF STATE CODE COUNTY CODE Illinois 05 P.onV CLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE _DISTRICT —PUBLIC XXOCCUPIED _ AGRICULTURE —MUSEUM X_BUILDING(S) ?_PRIVATE —UNOCCUPIED —COMMERCIAL —PARK —STRUCTURE —BOTH _ WORK IN PROGRESS ^-EDUCATIONAL —PRIVATE RESIDENCE _ SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS —OBJECT —IN PROCESS —YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED _ YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION _NO —MILITARY —OTHER. (OWNER OF PROPERTY NAMEINAMt University of Chicago, (Office of Special Events, Administration STREET & NUMBER 5801 Ellis Avenue CITY. TOWN STATE VICINITY OF Chicago T1 1 inr>i' a LOCATION OF LEGAL DESCRIPTION COURTHOUSE, REGISTRY OF DEEps.ETc. Cook County Recorder and Registrat of Titles STREET & NUMBER 118 North Clark CITY. TOWN STATE Chicago Tllinm', REPRESENTATION IN EXISTING SURVEYS TITLE none known DATE — FEDERAL —STATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS CITY. TOWN STATE DESCRIPTION CONDITION CHECK ONE CHECK ONE YY —EXCELLENT _DETERIORATED —UNALTERED —ORIGINAL SITE XXQOOD —RUINS XXALTERED —MOVED DATE_______ —FAIR —UNEXPOSED DESCRIBETHE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE Lorado Taft's wife, Ada Bartlett Taft y described the Midway Studios in her biography of her husband, Lorado Taft, Sculptor arid Citizen; In 1906 Lorado moved his main studio out of the crowded Loop into a large, deserted brick barn on the University of Chicago property on the Midway. -
Music and the American Civil War
“LIBERTY’S GREAT AUXILIARY”: MUSIC AND THE AMERICAN CIVIL WAR by CHRISTIAN MCWHIRTER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2009 Copyright Christian McWhirter 2009 ALL RIGHTS RESERVED ABSTRACT Music was almost omnipresent during the American Civil War. Soldiers, civilians, and slaves listened to and performed popular songs almost constantly. The heightened political and emotional climate of the war created a need for Americans to express themselves in a variety of ways, and music was one of the best. It did not require a high level of literacy and it could be performed in groups to ensure that the ideas embedded in each song immediately reached a large audience. Previous studies of Civil War music have focused on the music itself. Historians and musicologists have examined the types of songs published during the war and considered how they reflected the popular mood of northerners and southerners. This study utilizes the letters, diaries, memoirs, and newspapers of the 1860s to delve deeper and determine what roles music played in Civil War America. This study begins by examining the explosion of professional and amateur music that accompanied the onset of the Civil War. Of the songs produced by this explosion, the most popular and resonant were those that addressed the political causes of the war and were adopted as the rallying cries of northerners and southerners. All classes of Americans used songs in a variety of ways, and this study specifically examines the role of music on the home-front, in the armies, and among African Americans. -
Lincoln the Lawyer1
Remembering Lincoln The Lawyer1 By Kelly Andersen As a child I was taught to respect and admire our 16th president, yet I really did not comprehend why he was considered so great a man. I suspected it had something to do with the Gettysburg Address, or in general that he had been president during the Civil War, yet beyond that vague feeling I really knew very little about him. Not long ago, while visiting a bookstore, I noticed a one-volume edition of Carl Sandburg’s monumental six-volume epic biography of Lincoln,2 and decided that while I could not afford the time to read six volumes, I most certainly could read one. Besides, I reasoned, Sandburg was unquestionably an excellent writer and deserved to be read, even if the study of Lincoln was inconsequential. I was not disappointed in the book. It not only inspired a great respect for Lincoln, but bathed me with desire to know more and more about this most admired of all U.S. presidents. I soon returned to the bookstore and bought Lincoln biographies written by William H. Herndon3 (Lincoln’s law partner for more than 16 years), by Ward Hill Lamon4 (Lincoln’s law associate in Danville, Ill., where Lincoln traveled on the Illinois 8th Circuit) and by Isaac N. Arnold5 (an attorney who practiced before the same bar as Lincoln and who served in Congress during Lincoln’s administration). After reading these well written biographies, I also read—for good measure— comprehensive biographies by Stephen B. Oates6 and David Herbert Donald.7 These—written more recently—drew upon hundreds of sources not available to biographers who lived during Lincoln’s lifetime, and not even available to Sandburg. -
Abraham Lincoln and the Power of Public Opinion Allen C
Civil War Era Studies Faculty Publications Civil War Era Studies 2014 "Public Sentiment Is Everything": Abraham Lincoln and the Power of Public Opinion Allen C. Guelzo Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/cwfac Part of the Political History Commons, Social History Commons, and the United States History Commons Share feedback about the accessibility of this item. Guelzo, Allen C. "'Public Sentiment Is Everything': Abraham Lincoln and the Power of Public Opinion." Lincoln and Liberty: Wisdom for the Ages Ed. Lucas E. Morel (Lexington: University Press of Kentucky, 2014), 171-190. This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/cwfac/56 This open access book chapter is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. "Public Sentiment Is Everything": Abraham Lincoln and the Power of Public Opinion Abstract Book Summary: Since Abraham Lincoln’s death, generations of Americans have studied his life, presidency, and leadership, often remaking him into a figure suited to the needs and interests of their own time. This illuminating volume takes a different approach to his political thought and practice. Here, a distinguished group of contributors argue that Lincoln’s relevance today is best expressed by rendering an accurate portrait of him in his own era. They es ek to understand Lincoln as he understood himself and as he attempted to make his ideas clear to his contemporaries. -
For the People
AFF Neoowslerrtte r ottf thhe Aeebra h aPmP Lieencoooln Appssoclliaeteion V ol ume 7, Numb er 4 Wi n ter 2005 Spr i n g f i el d, I l l i n oi s The Abraham Lincoln-Stephen Douglas Joint Debates and the Communication of the Newspaper By Philip Silberman * the first debate at Ottawa, twelve thou - and Douglas in Ottawa, Twelve Thou - n the modern day, television and sand people gathered in the public park sand Persons Present, The Dred Scott 3 the Internet are the main sources of where it was held. In the second debate Champion Pulverized.” It followed information to people throughout at Freeport, fifteen thousand people with a short synopsis of the debate as Ithe United States. However, in 1858, attended, this in a town with a popula - well as verbatim speeches from both during the famous Lincoln-Douglas tion of about five thousand at the time. Douglas and Lincoln. The reason Dou - Debates, the newspaper was the only In Jonesboro, the smallest crowd came glas was said to have lost was because engine of mass communication. The at two thousand people. Twelve thou - of Chicago’s large number of Republi - debates were covered by many national sand attended at Charleston, sixteen can and generally abolitionist popula - and local newspapers and propelled thousand at Galesburg, twelve thou - tion. The publishing of the speeches Abraham Lincoln into the national sand at Quincy, and six thousand at was an important aspect of the article, 2 spotlight. Lincoln, although losing the Alton. The Alton crowd, however, however. -
Abraham Lincoln and the Rule of Law Books Mark E
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Marquette University Law School Marquette Law Review Volume 93 Article 33 Issue 4 Summer 2010 Abraham Lincoln and the Rule of Law Books Mark E. Steiner Follow this and additional works at: http://scholarship.law.marquette.edu/mulr Part of the Law Commons Repository Citation Mark E. Steiner, Abraham Lincoln and the Rule of Law Books, 93 Marq. L. Rev. 1283 (2010). Available at: http://scholarship.law.marquette.edu/mulr/vol93/iss4/33 This Article is brought to you for free and open access by the Journals at Marquette Law Scholarly Commons. It has been accepted for inclusion in Marquette Law Review by an authorized administrator of Marquette Law Scholarly Commons. For more information, please contact [email protected]. ABRAHAM LINCOLN AND THE RULE OF LAW BOOKS MARK E. STEINER* We associate Abraham Lincoln with books more than any other president except, perhaps, Thomas Jefferson.1 But Jefferson’s association with books creates more distance, while Lincoln’s draws us closer.2 Lincoln’s reading is linked to self-betterment and personal growth.3 Lincoln is also seen as reader as a boy and a young man, not as an adult. Yet reading would pervade his life. I. THE FATHER OF THE MAN AND LINCOLN IN NEW SALEM The most popular cultural images of Lincoln as reader are his reading as a boy in Indiana and as a young man in New Salem. The image of Lincoln reading by fireside was popularized by Eastman 4 Johnson’s 1868 painting, Boyhood of Lincoln. -
Lincoln, Abraham— Miscellaneous Publications Collection
McLean County Museum of History Lincoln, Abraham— Miscellaneous Publications Collection Collection Information VOLUME OF COLLECTION: 2 boxes COLLECTION DATES: 1860-2009 RESTRICTIONS: None REPRODUCTION RIGHTS: Permission to reproduce or publish material in this collection must be obtained in writing from the McLean County Museum of History ALTERNATIVE FORMATS: None OTHER FINDING AIDS: None LOCATION: Archives NOTES: None Box and Folder Inventory Box 1 Folder 1: Lincoln Autobiographies 1.1.1 Appleman, Roy Edgar, ed. Abraham Lincoln From His Own Words and Contemporary Accounts. National Park Service. Source Book Series. Number Two. GPO, Washington, D.C., 1942 (revised 1956).C. & A. Athletes, Balle’s Orchestra, March 14, 1905 1.1.2 Sage, Harold K. Jesse W. Fell and the Lincoln Autobiography. Bloomington: The Original Smith Printing Co, 1971. Folder 2: Lincoln Comic Books 1.2.1 Classics Illustrated. Abraham Lincoln. No.142. New York: Gilberton Company Inc, 1967. 1.2.2 “All Aboard Mr. Lincoln” Washington: Association of American Railroad, 1959. Folder 3: Biographies 1.3.1 Cameron, W.J. Lincoln. Chicago Historical Society, 1911. 1.3.2 Neis, Anna Marie. Lincoln. Boston: George H. Ellis Company, 1915. 1.3.3 Newman, Ralph G. Lincoln. Lincoln: George W. Stewart Publisher Inc, 1958. 1.3.4 Pierson, A.V. Lincoln and Grant. n.p., n.d. 1.3.5 Young, James C. “Lincoln and His Pictures.” The New York Times Book Review and Magazine (New York, NY), February 12, 1922. 1.3.6 The Board of Temperance of the Methodist Church. “Abraham Lincoln” The Voice, February 1949. 1.3.7 “The Wanamaker Primer on Abraham Lincoln” Lincoln Centenary, 1909. -
America's Catholic Church"
rfHE NATION'S CAPITAL CELEBRArfES 505 YEARS OF DISCOVERY HONORING THE GREA1" DISCOVERER CHRISTOPHER COLUMBUS MONDAY OCTOBER 12. 1998 THE COLUMBUS MEMORIAL COLUMBUS PI~AZA - UNION STATION. W ASIIlNGTON. D.C. SPONSORED BY THE WASHINGTON COLUMBUS CELEBRATION ASSOCIATION IN COORDINATION WITH THE NATIONAL PARK SERVICE CELEBRATING CHRISTOPHER COLUMBUS IN THE NATION'S CAPITAL The Site In the years following the great quadricentennial (400th anniversary) celebration in 1892 of the achievements and discoveries of Christopher Cohnnbus, an effort was launched by the Knights of ~ Columbus to establish a monument to the ~ great discoverer. The U. S. Congress passed a law which mandated a Colwnbus Memorial in the nation's capital and appropriated $100,000 to cover the ~· ~, ·~-~=:;-;~~ construction costs. A commission was T" established composed of the secretaries of State and War, the chairmen of the House and Senate Committees on the Library of Congress, and the Supreme Knight of the Knights of Columbus. With the newly completed Union Railroad Station in 1907, plans focused toward locating the memorial on the plaz.a in front of this great edifice. After a series of competitions, sculptor Lorado Z. Taft of Chicago was awarded the contract. His plan envisioned what you see this day, a monument constructed of Georgia marble; a semi-circular fountain sixty-six feet broad and forty-four feet deep and in the center, a pylon crowned with a globe supported by four eagles oonnected by garland. A fifteen foot statue of Columbus, facing the U. S. Capitol and wrapped in!\ medieval mantle, stands in front of the pylon in the bow of a ship with its pn,, extending into the upper basin of the fountain terminating with a winged figurehead representing democracy. -
Masters Thesis
WHERE IS THE PUBLIC IN PUBLIC ART? A CASE STUDY OF MILLENNIUM PARK A Thesis Presented in Partial Fulfillment of the Requirements for The Degree Master of Arts in the Graduate School of The Ohio State University By Corrinn Conard, B.A. ***** The Ohio State University 2008 Masters Examination Committee: Approved by Dr. James Sanders III, Advisor Advisor Professor Malcolm Cochran Graduate Program in Art Education ABSTRACT For centuries, public art has been a popular tool used to celebrate heroes, commemorate historical events, decorate public spaces, inspire citizens, and attract tourists. Public art has been created by the most renowned artists and commissioned by powerful political leaders. But, where is the public in public art? What is the role of that group believed to be the primary client of such public endeavors? How much power does the public have? Should they have? Do they want? In this thesis, I address these and other related questions through a case study of Millennium Park in Chicago. In contrast to other studies on this topic, this thesis focuses on the perspectives and opinions of the public; a group which I have found to be scarcely represented in the literature about public participation in public art. To reveal public opinion, I have conducted a total of 165 surveys at Millennium Park with both Chicago residents and tourists. I have also collected the voices of Chicagoans as I found them in Chicago’s major media source, The Chicago Tribune . The collection of data from my research reveal a glimpse of the Chicago public’s opinion on public art, its value to them, and their rights and roles in the creation of such endeavors. -
May 2015 / Volume 1 / Number 3 •
THE ARCH may 2015 / volume 1 / number 3 • FROM THE PRESIDENT THE 30 N. Michigan Avenue TO OUR MEMBERS Suite 2020 Chicago, IL 60602-3402 We welcome in the month of May annually with celebration, not only for the return of spring, but for the ARCH (312) 922-1742 commemoration of National Preservation Month. Since 1973, this month has provided a theme around EXECUTIVE COMMITTEE which we raise continued awareness about the need for, and impact of, saving and reusing our heritage. www.Landmarks.org Alicia Mazur Berg Chairman may 2015 / volume 1 / number 3 William W. Tippens Vice Chairman While Landmarks Illinois seeks to be the messenger of inspiration and positivity, this year’s Bonnie McDonald President National Preservation Month is cause for pragmatic realism - and deep concern - for Illinois’ historic Paul B. O’Kelly Treasurer preservation programs. Rhonda C. Thomas Secretary Mark G. Henning General Counsel The release of Governor Rauner’s proposed FY2016 budget zeroes out funding for the Illinois Historic Susan Baldwin Burian Preservation Agency (IHPA) Preservation Services Division, our State Historic Preservation Office MOST ENDANGERED Jean A. Follett, Ph.D. (SHPO). What we do not know at this point is if funding will be restored, if the Division will be moved to another agency, or if the administration proposes to cut preservation altogether. The federal government HISTORIC PLACES Shelley Gorson 2 Graham Grady requires each state to have a SHPO to manage federally-mandated programs like Section 106, Certified PEOPLE SAVING PLACES Local Government (CLG) program, and SHPO’s administration of the Federal Historic Tax Credit review Philip Hamp on behalf of the National Park Service. -
CONSUMING LINCOLN: ABRAHAM LINCOLN's WESTERN MANHOOD in the URBAN NORTHEAST, 1848-1861 a Dissertation Submitted to the Kent S
CONSUMING LINCOLN: ABRAHAM LINCOLN’S WESTERN MANHOOD IN THE URBAN NORTHEAST, 1848-1861 A dissertation submitted to the Kent State University College of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy By David Demaree August 2018 © Copyright All right reserved Except for previously published materials A dissertation written by David Demaree B.A., Geneva College, 2008 M.A., Indiana University of Pennsylvania, 2012 Ph.D., Kent State University, 2018 Approved by ____________________________, Chair, Doctoral Dissertation Committee Kevin Adams, Ph.D. ____________________________, Members, Doctoral Dissertation Committee Elaine Frantz, Ph.D. ____________________________, Lesley J. Gordon, Ph.D. ____________________________, Sara Hume, Ph.D. ____________________________ Robert W. Trogdon, Ph.D. Accepted by ____________________________, Chair, Department of History Brian M. Hayashi, Ph.D. ____________________________, Dean, College of Arts and Sciences James L. Blank, Ph.D. TABLE OF CONTENTS TABLE OF CONTENTS ..............................................................................................................iii LIST OF FIGURES ...................................................................................................................... iv ACKNOWLEDGMENTS...............................................................................................................v INTRODUCTION ..........................................................................................................................1 -
Lorado Taft to Be Featured in Next Lyceum Unique Program
COMING! STORY OF NEXT ISSUE "12 DAYS IN A TO START THE SLI BURNING SHIP" Official Publication of the Students' Association of Washington Missionary College VOLUME XXI, NUMBER 10 TAKOMA PARK, WASHINGTON, D. C. FEBRUARY 14, 1936 Lorado Taft to • Unique Program Be Featured in Our lieriiage... Planned for the By ADRIAN V. BOYER Let man seek never to define S.A. of W.M.C. Next Lyceum With low compare of fame The great degree America's Foremost Sculptor High Destiny Three Groups to Be Entertained and Author to Lecture Here Bequeathed to either frame. by Faculty and Students What glory yet their spirits yield Lorado Taft, America's foremost Has bound ONE equal name. sculptor, will be the guest speaker at Saturday evening, February 22, the the Lyceum to be given in Columbia These—who tooled a rugged nation Students' Association will present an Hall on Saturday night, February 15. From the starkest weld of stone, entertainment of an entirely different Mr. Taft, whose lectures have al- Chiseled from the nature from any held previously at the ways made for individual and com- Dormant thunder College. The student body will as- munity advancement, has been one of Freedom's laurel-pleached throne. semble in Columbia Hall at 7:30 for the leading American platform stars for Firm in mystic sequence grafted, half an hour, to enjoy motion pictures many years. He is an easy and fluent Root by root has grown, given by Dean Eric Jones. Immediately speaker, full of spontaneity, alive with after the pictures three groups, 225 stu- One monument of marble grain— dents to a group, will be formed and humor, interesting his audience as he One plinth of moulded frame.