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Lorado Taft Midway Studios AND/OR COMMON Lorado Taft Midway Studios______I LOCATION
Form No. 10-300 (Rev. 10-74) UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS ___________TYPE ALL ENTRIES - COMPLETE APPLICABLE SECTIONS______ | NAME HISTORIC Lorado Taft Midway Studios AND/OR COMMON Lorado Taft Midway Studios______________________________ I LOCATION STREET & NUMBER University of Chicago, 6016 Ingleside Avenue —NOT FOR PUBLICATION CITY. TOWN CONGRESSIONAL DISTRICT Chicago __ VICINITY OF STATE CODE COUNTY CODE Illinois 05 P.onV CLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE _DISTRICT —PUBLIC XXOCCUPIED _ AGRICULTURE —MUSEUM X_BUILDING(S) ?_PRIVATE —UNOCCUPIED —COMMERCIAL —PARK —STRUCTURE —BOTH _ WORK IN PROGRESS ^-EDUCATIONAL —PRIVATE RESIDENCE _ SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS —OBJECT —IN PROCESS —YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED _ YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION _NO —MILITARY —OTHER. (OWNER OF PROPERTY NAMEINAMt University of Chicago, (Office of Special Events, Administration STREET & NUMBER 5801 Ellis Avenue CITY. TOWN STATE VICINITY OF Chicago T1 1 inr>i' a LOCATION OF LEGAL DESCRIPTION COURTHOUSE, REGISTRY OF DEEps.ETc. Cook County Recorder and Registrat of Titles STREET & NUMBER 118 North Clark CITY. TOWN STATE Chicago Tllinm', REPRESENTATION IN EXISTING SURVEYS TITLE none known DATE — FEDERAL —STATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS CITY. TOWN STATE DESCRIPTION CONDITION CHECK ONE CHECK ONE YY —EXCELLENT _DETERIORATED —UNALTERED —ORIGINAL SITE XXQOOD —RUINS XXALTERED —MOVED DATE_______ —FAIR —UNEXPOSED DESCRIBETHE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE Lorado Taft's wife, Ada Bartlett Taft y described the Midway Studios in her biography of her husband, Lorado Taft, Sculptor arid Citizen; In 1906 Lorado moved his main studio out of the crowded Loop into a large, deserted brick barn on the University of Chicago property on the Midway. -
NCO Journal October 05.Pmd
VOL: 14, ISSUE: 4 OCT 2005 A QUARTERLY FORUM FOR PROFESSIONAL DEVELOPMENT Soldiers in a Humvee search for people wishing to be rescued from Hurricane Katrina floodwaters in downtown New Orleans. Photo courtesy of www.army.mil. by Staff Sgt. Jacob N. Bailey INSIDE“ ON POINT 2-3 SMA COMMENTS IRAQI CULTURE: PRICELESS Tell the Army story with pride. They say “When in Rome, do 4-7 NEWS U CAN USE as the Romans.” But what do you know about Iraqi culture? The Army is doing its best to LEADERSHIP ensure Soldiers know how to “ manuever as better ambassa- dors in Iraq. DIVORCE: DOMESTIC ENEMY Staff Sgt. Krishna M. Gamble 18-23 National media has covered it, researchers have studied it and the sad fact is Soldiers are ON THE COVER: living it. What can you as Spc. Eric an NCO do to help? Przybylski, U.S. Dave Crozier 8-11 Army Pacific Command Soldier of the Year, evaluates NCO AND SOLDIER OF THE YEAR a casualty while he Each year the Army’s best himself is evaluated NCOs and Soldiers gather to during the 2005 NCO compete for the title. Find out and Soldier of the who the competitors are and Year competition more about the event that held at Fort Lee, Va. PHOTO BY: Dave Crozier embodies the Warrior Ethos. Sgt. Maj. Lisa Hunter 12-17 TRAINING“ ALIBIS NCO NET 24-27 LETTERS It’s not a hammer, but it can Is Detriot a terrorist haven? Is Bart fit perfectly in a leader’s Simpson a PsyOps operative? What’s toolbox. -
Local Links for SAA Web Site
LOCAL LINKS FOR SAA ANNUAL MEETING WEB SITE Updated: April 30, 2007 Locations are Chicago, IL unless otherwise noted. Telephone number in right column indcates no web site. IN TWELVE SECTIONS 1. GENERAL AND LOGISTICS 7. MUSEUMS, ARCHIVES, LIBRARIES, PARKS, AND OTHER CULTURAL INSTITUTIONS 2. ARCHIVAL ORGANIZATIONS 8. MUSIC, THEATER, AND FILM 3. BOOKSTORES 9. ORGANIZED SIGHTSEEING AND TOURS 4. COLLEGES AND UNIVERSITIES 10. SPORTS AND RECREATION 5. DINING--PART 1--DINING GUIDES AND REVIEWS 11. TOURIST SITES AND HISTORIC AREAS AND NEIGHBORHOODS 6. DINING--PART 2--NEARBY RESTAURANTS (SEE MAP) 12. TRANSPORTATION 1. GENERAL AND LOGISTICS Chicago and Illinois Tourist Office http://www.gochicago.com/ Chicago Convention and Tourism Bureau http://www.choosechicago.com/ Chicago Defender (newspaper) http://chicagodefender.com/ Chicago Greeter (volunteer city orientation service) http://chicagogreeter.com/ Chicago Magazine (monthly magazine) http://chicagomag.com/ Chicago Quick Guide http://guestinformant.com Chicago Reader (alternative weekly newspaper) http://chicagoreader.com Chicago Sun-Times (newspaper) http://www.suntimes.com Chicago Traveler http://www.chicagotraveler.com/ Chicago Tribune (newspaper) http://chicagotribune.com City of Chicago (city government) http://www.cityofchicago.org City Pass (multi-attraction pass) http://www.citypass.com Cook County (county government) http://www.co.cook.il.us Enjoy Illinois (Illinois tourism information) http://www.enjoyillinois.com/ Fairmont Chicago Hotel http://www.fairmont.com/chicago/ Fodor's Guide -
List of Participants
United Nations E/C.20/2017/INF/2/Rev.1 Economic and Social Council Distr.: General Date: 14 September 2017 Original: English ex Seventh Session of the UN Committee of Experts on Global Geospatial Information Management (UN-GGIM) New York, 2-4 August 2017 List of Participants Co-Chairs Mr. Timothy Trainor (United States) Mr. Li Pengde (China) Ms. Dorine Burmanje (Netherlands) Rapporteur Mr. Fernand Guy Isseri (Cameroon) 17-16037X (E) 140917 *1716037* E/C.20/2017/INF/2/Rev.1 Member States I. Algeria 1. Mr. Hamid Oukaci, Secretary General, National Geospatial Information Council (CNIG) II. Antigua and Barbuda 2. Mr. Andrew Nurse, Survey and Mapping Division in the Ministry of Agriculture, Lands, Fisheries and Barbuda Affairs III. Argentina 3. Embajador Martín Garcia Moritan, Jefe de Delegación, Representante Permanente de la República Argentina ante las Naciones Unidas 4. Ministro Plenipotenciario Gabriela Martinic, Representante Permanente Alterna de la República Argentina ante las Naciones Unidas 5. Agrim. Sergio Cimbaro, Presidente del Instituto Geográfico Nacional, Ministerio de Defensa 6. Agrim. Diego Piñón, Director de Geodesia del Instituto Geográfico Nacional, Ministerio de Defensa 7. Secretario de Embajada Tomas Pico, Misión Permanente de la República Argentina ante las Naciones Unidas 8. Secretario de Embajada Guido Crilchuk, Misión Permanente de la República Argentina ante las Naciones Unidas IV. Australia 9. Dr. Stuart Minchin, Head of Delegation, Chief of Environmental Geoscience Division, Geoscience Australia 10. Ms. Caitlin Wilson, Representative, Ambassador and Permanent representative of Australia to the United Nations 11. Mr. Gary Johnston, Representative, Branch Head of Geodesy and Seismic Monitoring, Geoscience Australia 12. Mr. William Watt, Team Leader, Land Tenure and Statutory Support, Department of Planning, Transport and Infrastructure 13. -
Ernest Fox Nichols
NATIONAL ACADEMY OF SCIENCES E R N E S T F O X N ICHOLS 1869—1924 A Biographical Memoir by E . L . NICHOLS Any opinions expressed in this memoir are those of the author(s) and do not necessarily reflect the views of the National Academy of Sciences. Biographical Memoir COPYRIGHT 1929 NATIONAL ACADEMY OF SCIENCES WASHINGTON D.C. ERNEST FOX NICHOLS BY R. L. NICHOLS One winter evening in the year 1885 the present writer lec- tured at the Kansas Agricultural College. It was an illustrated talk on experimental physics to students who thronged the col- lege chapel. Some three years later, when that event had passed into the realm of things half forgotten, two young men appeared at the physical laboratory of Cornell University. They ex- plained that they had been in the audience at Manhattan on the occasion just mentioned and had been so strongly interested that they had decided then and there to devote themselves to the study of physics. Now, having finished their undergrad- uate course they had come east to enter our graduate school. One of these two Kansas boys, both of whom were then quite unknown to the writer, was Ernest Fox Nichols. Nichols was born in Leavenworth, Kansas, on June 1. 1869. He was soon left parentless, a lonely boy but with means to help him obtain an education, and went to live with an uncle and aunt, Mr. and Mrs. Fox, of Manhattan, in that State. He was tall, fair, clear-eyed, of open countenance and winning smile, and there was that about him which once seen was never forgotten. -
Read This Issue
Look to the rock from which you were hewn Vol. 28, No. 1, Winter 2004 chicago jewish historical society chicago jewish history IN THIS ISSUE Martin D. Kamen— Science & Politics in the Nuclear Age From the Archives: Synagogue Project Dr. Louis D. Boshes —Memorial Essay & Oral History Excerpts “The Man with the Golden Fingers” Report: Speaker Ruth M. Rothstein at CJHS Meeting Harold Fox measures Rabbi Morris Gutstein of Congregation Shaare Tikvah for a kosher suit. Courtesy of Harold Fox. African-American (Nate Duncan), and one Save the Date—Sunday, March 21 Mexican (Hilda Portillo)—who reminisce Author Carolyn Eastwood to Present about interactions in the old neighborhood and tell of their struggles to save it and the “Maxwell Street Kaleidoscope” Maxwell Street Market that was at its core. at Society Open Meeting Near West Side Stories is the winner of a Book Achievement Award from the Midwest Dr. Carolyn Eastwood will present “Maxwell Street Independent Publishers’ Association. Kaleidoscope,” at the Society’s next open meeting, Sunday, There will be a book-signing at the March 21 in the ninth floor classroom of Spertus Institute, 618 conclusion of the program. South Michigan Avenue. A social with refreshments will begin at Carolyn Eastwood is an adjunct professor 1:00 p.m. The program will begin at 2:00 p.m. Invite your of Anthropology at the College of DuPage friends—admission is free and open to the public. and at Roosevelt University. She is a member The slide lecture is based on Dr. Eastwood’s book, Near West of the CJHS Board of Directors and serves as Side Stories: Struggles for Community in Chicago’s Maxwell Street recording secretary. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
America's Catholic Church"
rfHE NATION'S CAPITAL CELEBRArfES 505 YEARS OF DISCOVERY HONORING THE GREA1" DISCOVERER CHRISTOPHER COLUMBUS MONDAY OCTOBER 12. 1998 THE COLUMBUS MEMORIAL COLUMBUS PI~AZA - UNION STATION. W ASIIlNGTON. D.C. SPONSORED BY THE WASHINGTON COLUMBUS CELEBRATION ASSOCIATION IN COORDINATION WITH THE NATIONAL PARK SERVICE CELEBRATING CHRISTOPHER COLUMBUS IN THE NATION'S CAPITAL The Site In the years following the great quadricentennial (400th anniversary) celebration in 1892 of the achievements and discoveries of Christopher Cohnnbus, an effort was launched by the Knights of ~ Columbus to establish a monument to the ~ great discoverer. The U. S. Congress passed a law which mandated a Colwnbus Memorial in the nation's capital and appropriated $100,000 to cover the ~· ~, ·~-~=:;-;~~ construction costs. A commission was T" established composed of the secretaries of State and War, the chairmen of the House and Senate Committees on the Library of Congress, and the Supreme Knight of the Knights of Columbus. With the newly completed Union Railroad Station in 1907, plans focused toward locating the memorial on the plaz.a in front of this great edifice. After a series of competitions, sculptor Lorado Z. Taft of Chicago was awarded the contract. His plan envisioned what you see this day, a monument constructed of Georgia marble; a semi-circular fountain sixty-six feet broad and forty-four feet deep and in the center, a pylon crowned with a globe supported by four eagles oonnected by garland. A fifteen foot statue of Columbus, facing the U. S. Capitol and wrapped in!\ medieval mantle, stands in front of the pylon in the bow of a ship with its pn,, extending into the upper basin of the fountain terminating with a winged figurehead representing democracy. -
Masters Thesis
WHERE IS THE PUBLIC IN PUBLIC ART? A CASE STUDY OF MILLENNIUM PARK A Thesis Presented in Partial Fulfillment of the Requirements for The Degree Master of Arts in the Graduate School of The Ohio State University By Corrinn Conard, B.A. ***** The Ohio State University 2008 Masters Examination Committee: Approved by Dr. James Sanders III, Advisor Advisor Professor Malcolm Cochran Graduate Program in Art Education ABSTRACT For centuries, public art has been a popular tool used to celebrate heroes, commemorate historical events, decorate public spaces, inspire citizens, and attract tourists. Public art has been created by the most renowned artists and commissioned by powerful political leaders. But, where is the public in public art? What is the role of that group believed to be the primary client of such public endeavors? How much power does the public have? Should they have? Do they want? In this thesis, I address these and other related questions through a case study of Millennium Park in Chicago. In contrast to other studies on this topic, this thesis focuses on the perspectives and opinions of the public; a group which I have found to be scarcely represented in the literature about public participation in public art. To reveal public opinion, I have conducted a total of 165 surveys at Millennium Park with both Chicago residents and tourists. I have also collected the voices of Chicagoans as I found them in Chicago’s major media source, The Chicago Tribune . The collection of data from my research reveal a glimpse of the Chicago public’s opinion on public art, its value to them, and their rights and roles in the creation of such endeavors. -
Hollywood Cinema Walter C
Southern Illinois University Carbondale OpenSIUC Publications Department of Cinema and Photography 2006 Hollywood Cinema Walter C. Metz Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/cp_articles Recommended Citation Metz, Walter C. "Hollywood Cinema." The Cambridge Companion to Modern American Culture. Ed. Christopher Bigsby. Cambridge: Cambridge UP. (Jan 2006): 374-391. This Article is brought to you for free and open access by the Department of Cinema and Photography at OpenSIUC. It has been accepted for inclusion in Publications by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. “Hollywood Cinema” By Walter Metz Published in: The Cambridge Companion to Modern American Culture. Ed. Christopher Bigsby. Cambridge: Cambridge UP, 2006. 374-391. Hollywood, soon to become the United States’ national film industry, was founded in the early teens by a group of film companies which came to Los Angeles at first to escape the winter conditions of their New York- and Chicago-based production locations. However, the advantages of production in southern California—particularly the varied landscapes in the region crucial for exterior, on-location photography—soon made Hollywood the dominant film production center in the country.i Hollywood, of course, is not synonymous with filmmaking in the United States. Before the early 1910s, American filmmaking was mostly New York-based, and specialized in the production of short films (circa 1909, a one-reel short, or approximately 10 minutes). At the time, French film companies dominated global film distribution, and it was more likely that one would see a French film in the United States than an American-produced one. -
The Loeb Firm and the Origins of Entertainment Law Practice in Los
1 3 5 Th e e lo B fir M And the Origins of Entertainment Law Practice in Los Angeles, 1908–1940 m o lly SelV i n * I � Introduction he story of how Edwin Loeb got his start as an entertainment lawyer, T like many tales told of the studio moguls who became his clients and poker partners, has multiple versions. One account pins Edwin’s first entertainment client as “Colonel” William N. Selig, an ex-sideshow operator who turned to slapstick comedies, min- strel-themed shows and westerns. In 1890, Selig moved his operation from Chicago to what became the Echo Park neighborhood of Los Angeles and began making movies, often featuring his growing collection of exotic ani- mals. According to a former Loeb & Loeb partner, Selig retained Edwin in 1914 or 1915 to resolve some of his legal problems after meeting him at * Research Fellow, Stanford Law School. Ph.D., Legal History, UC San Diego. I am tremendously grateful to former Loeb & Loeb partners Howard Friedman and Rob- ert Holtzman for sharing their memories and documents and for commenting on an earlier draft of this paper. Cameron Norris (J.D. 2011, Southwestern) offered excellent research assistance at the start of this project, and my former Southwestern colleague Professor Kelly Strader also kindly provided helpful comments on the draft. Finally, I particularly thank Bryant Garth, former dean of Southwestern Law School, for encour- aging me in this project and for the summer funding that enabled me to start. 1 3 6 c a lifornia l e g a l H i S t o ry ✯ Volume 10, 2015 a social function. -
May 2015 / Volume 1 / Number 3 •
THE ARCH may 2015 / volume 1 / number 3 • FROM THE PRESIDENT THE 30 N. Michigan Avenue TO OUR MEMBERS Suite 2020 Chicago, IL 60602-3402 We welcome in the month of May annually with celebration, not only for the return of spring, but for the ARCH (312) 922-1742 commemoration of National Preservation Month. Since 1973, this month has provided a theme around EXECUTIVE COMMITTEE which we raise continued awareness about the need for, and impact of, saving and reusing our heritage. www.Landmarks.org Alicia Mazur Berg Chairman may 2015 / volume 1 / number 3 William W. Tippens Vice Chairman While Landmarks Illinois seeks to be the messenger of inspiration and positivity, this year’s Bonnie McDonald President National Preservation Month is cause for pragmatic realism - and deep concern - for Illinois’ historic Paul B. O’Kelly Treasurer preservation programs. Rhonda C. Thomas Secretary Mark G. Henning General Counsel The release of Governor Rauner’s proposed FY2016 budget zeroes out funding for the Illinois Historic Susan Baldwin Burian Preservation Agency (IHPA) Preservation Services Division, our State Historic Preservation Office MOST ENDANGERED Jean A. Follett, Ph.D. (SHPO). What we do not know at this point is if funding will be restored, if the Division will be moved to another agency, or if the administration proposes to cut preservation altogether. The federal government HISTORIC PLACES Shelley Gorson 2 Graham Grady requires each state to have a SHPO to manage federally-mandated programs like Section 106, Certified PEOPLE SAVING PLACES Local Government (CLG) program, and SHPO’s administration of the Federal Historic Tax Credit review Philip Hamp on behalf of the National Park Service.