ALTERNATE COLORS the Color Depicted Here Are Available for Secondary Fulfilllment (2-3 Business Days)

Total Page:16

File Type:pdf, Size:1020Kb

ALTERNATE COLORS the Color Depicted Here Are Available for Secondary Fulfilllment (2-3 Business Days) 100% PURE POLYURE A COLOR SYSTEM KANSAS CITY, USA 800.321.0906 ALTERNATE COLORS The color depicted here are available for secondary fulfilllment (2-3 business days). For additional color choices with shorter fulfillment times, see the Quick Ship Color Chart. VF 1222 The color samples on this chart are for representation of Mocha Tan color only. Colors will vary depending on viewing media. VF 1125¤ Cured color samples are available from Terra Cotta VersaFlex at no charge upon request.* VF 1302 Chestnut VF 1089¤ Very Lt Light Grey VF 1304 Sumatra Brown VF 1228¤ Ostrich Feather VF 1350 Mocha Brown VF 1357¤ Lime Rickey VF 1301 Leather Brown VF 1237¤ Safety Yellow VF 1239 Roman Coffee VF 1360¤ Safety Red (Light) VF 1276 Kaffee VF 1275¤ Red VF 1253 Wheat VF 1330¤ Brick Paver VF 1163 Brevity Brown VF 1287¤ Tile Red VF 1252¤ Terra Cotta Brown VF 1071¤ Burnt Sienna VF 1254 Coyote VF 1224 La Cresenta Brown VF 1077¤ Walnut VF 1309 Raw Sienna VF 1399¤ Raw Sienna (Dark) VF 1262¤ ¤ Relic Bronze VF 1311 Saddle Brown VF 1106 Sand VF 1286 Dark Walnut ¤ Colors marked with this symbol will have an upcharge applied for pigmentation. * VersaFlex advises using actual cured samples when choosing color for projects. © 2017 VersaFlex Incorporated QF7.2.1a.3032 Rev 1 Date-03-20-17 Metzger/McGuire Ameripolish Consolideck Scofield VF 1071 Burnt Sienna Burnt Sienna Burnt Sienna, Terra Cotta Faded Terracotta VF 1077 Cobble Brown, Walnut VF 1089 Very Light Light Grey VF 1106 Sand Cardboard Sand VF 1125 Terra Cotta Chestnut VF 1163 Brevity Brown Bavarian Oak Leather VF 1222 Mocha Tan VF 1224 La Cresenta Brown Cardboard Sand VF 1228 Ostrich Feather Gray Area VF 1237 Safety Yellow VF 1239 Roman Coffee VF 1252 Terra Cotta Brown Brownstone Brownstone VF 1253 Wheat VF 1254 Coyote VF 1262 Relic Bronze Mossy Gold Caramel, Gold Amber, Desert Sand VF 1275 Red VF 1276 Kaffee Warm Stone VF 1286 Dark Walnut French Roast Walnut Red Rock Leather, Padre Brown VF 1287 Tile Red VF 1302 Chestnut Bavarian Oak VF 1304 Sumatra Brown VF 1309 Raw Sienna Curry VF 1311 Saddle Brown Arresting Auburn VF 1330 Brick Paver Sierra Redwood Chestnut, Sepia, Maroon Georgia Clay Aztec Red, Merlot VF 1350 Mocha Brown Cobble Brown Chocolate Brown VF 1357 Lime Rickey VF 1360 Safety Red (Light) VF 1399 Raw Sienna (Dark) Brevity Brown Burnt Sienna, Saddle Brown 100% PURE POLYUREA COLOR SYSTEM This chart was developed as an aid for Colored and Dyed concrete floor projects. The colors on this chart are available in most VersaFlex products. VF # may vary depending upon product/system selected. © 2017 VersaFlex Incorporated QF7.2.1a.3032 Rev 1 Date-03-20-17.
Recommended publications
  • Chestnut Growers' Guide to Site Selection and Environmental Stress
    This idyllic orchard has benefited from good soil and irrigation. Photo by Tom Saielli Chestnut Growers’ Guide to Site Selection and Environmental Stress By Elsa Youngsteadt American chestnuts are tough, efficient trees that can reward their growers with several feet of growth per year. They’ll survive and even thrive under a range of conditions, but there are a few deal breakers that guarantee sickly, slow-growing trees. This guide, intended for backyard and small-orchard growers, will help you avoid these fatal mistakes and choose planting sites that will support strong, healthy trees. You’ll know you’ve done well when your chestnuts are still thriving a few years after planting. By then, they’ll be strong enough to withstand many stresses, from drought to a caterpillar outbreak, with much less human help. Soil Soil type is the absolute, number-one consideration when deciding where—or whether—to plant American chestnuts. These trees demand well-drained, acidic soil with a sandy to loamy texture. Permanently wet, basic, or clay soils are out of the question. So spend some time getting to know your dirt before launching a chestnut project. Dig it up, roll it between your fingers, and send in a sample for a soil test. Free tests are available through most state extension programs, and anyone can send a sample to the Penn State Agricultural Analytical Services Lab (which TACF uses) for a small fee. More information can be found at http://agsci.psu.edu/aasl/soil-testing. There are several key factors to look for. The two-foot-long taproot on this four- Acidity year-old root system could not have The ideal pH for American chestnut is 5.5, with an acceptable range developed in shallow soils, suggesting from about 4.5 to 6.5.
    [Show full text]
  • Eloise Butler Wildflower Garden and Bird Sanctuary
    ELOISE BUTLER WILDFLOWER GARDEN AND BIRD SANCTUARY WEEKLY GARDEN HIGHLIGHTS Phenology notes for the week of October 5th – 11th It’s been a relatively warm week here in Minneapolis, with daytime highs ranging from the mid-60s the low 80s. It’s been dry too; scant a drop of rain fell over the past week. The comfortable weather was pristine for viewing the Garden’s fantastic fall foliage. Having achieved peak color, the Garden showed shades of amber, auburn, beige, blond, brick, bronze, brown, buff, burgundy, canary, carob, castor, celadon, cherry, cinnabar, claret, clay, copper, coral, cream, crimson, ecru, filemont, fuchsia, gamboge, garnet, gold, greige, khaki, lavender, lilac, lime, magenta, maroon, mauve, meline, ochre, orange, peach, periwinkle, pewter, pink, plum, primrose, puce, purple, red, rose, roseate, rouge, rubious, ruby, ruddy, rufous, russet, rust, saffron, salmon, scarlet, sepia, tangerine, taup, tawny, terra-cotta, titian, umber, violet, yellow, and xanthic, to name a few. According to the Minnesota Department of Natural Resources, the northern two thirds of the state reached peak color earlier in 2020 than it did in both 2019 and 2018, likely due to a relatively cool and dry September. Many garter snakes have been seen slithering through the Garden’s boundless leaf litter. Particularly active this time of year, snakes must carefully prepare for winter. Not only do the serpents need to locate an adequate hibernaculum to pass the winter, but they must also make sure they’ve eaten just the right amount of food. Should they eat too little, they won’t have enough energy to make it through the winter.
    [Show full text]
  • RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
    RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey
    [Show full text]
  • E'tac EFX Series Color Wheel TINT
    E’TAC EFX series EFX 507 Dark naphtol red EFX 506 Naphtol red color wheel TINT EFX 509 Quina magenta EFX 508 Pyrrole red EFX 507 Dark naphtol red © Eddy & Marissa Wouters http://www.etac-airbrush.com http://www.etac-europe.com EFX 506 Naphtol red EFX 512 Red violet EFX 516 Red ocher EFX 508 Pyrrole red EFX 510 Carbazole violet EFX 505 Azo orange EFX 516 Red ocher EFX 511 Blue violet EFX 517 Brown ocher EFX 505 Azo orange EFX 517 Brown ocher EFX 525 Flesh EFX 525 Flesh EFX 518 Burnt umber EFX 526 Ultramarine blue EFX 518 Burnt umber EFX 519 Culebra gold EFX 504 Golden ocher EFX 523 Sepia smoke HOT colors EFX 503 Arylide yelow EFX 522 Rainforest green EFX 519 EFX 524 Gray Culebra gold EFX 514 Phthalo green EFX 520 Vieques blue EFX 513 Phthalo blue COOL colors EFX 515 Phthalo turquoise EFX 521 Aqua rica EFX 504 EFX 521 Aqua rica Golden ocher EFX 513 Phthalo blue EFX 515 Phthalo turquoise EFX 526 Ultramarine blue EFX 520 Vieques blue EFX 503 Arylide yelow EFX 511 Blue violet EFX 510 Carbazole violet EFX 512 Red violet EFX 514 Phthalo green EFX501 HS Carbon black EFX 522 Rainforest green EFX 509 Quina magenta EFX 524 Gray COOL HOT colors colors EFX502 OT Plasma white EFX 523 Sepia smoke E’TAC EFX series EFX 507 Dark naphtol red EFX 506 Naphtol red Color wheel TONE EFX 509 Quina magenta EFX 508 Pyrrole red EFX 507 Dark naphtol red © Eddy & Marissa Wouters http://www.etac-airbrush.com http://www.etac-europe.com EFX 506 Naphtol red EFX 512 Red violet EFX 516 Red ocher EFX 508 Pyrrole red EFX 510 Carbazole violet EFX 505 Azo orange EFX 516 Red
    [Show full text]
  • Brochure Old Holland Classic Oil Colours Drying Time & Transparency
    Old Holland Classic Oil Colours Drying time & Transparency Transparency: * = Transparent **** = Opaque Drying time: F = Fast, M = Medium, S = Slow Oil content: H = High, M = Medium, L = Low, VL = Very Low Colour name Colour index Pigment classification Trans- light- Drying Oil parency fastness time content A1 Titanium white PW6 Titanium dioxide **** 7/8 m l A2 Zinc white PW4 Zinc oxide *** 7/8 m l 3 Lead white PW1 Basic lead carbonate **** 7/8 f vl 4 Flake white no.1 PW1-PW4 Basic lead carbonate zinc oxide **** 7/8 m vl A5 Mixed white no.2 PW6-PW4 Titanium dioxide- zinc oxide **** 7/8 m l A6 Old Holland yellow PW4-PW6- Zinc oxide- Titanium dioxide- Natural ochre **** 7/8 m l light PY43 B8 Old Holland yellow PW4-PW6-PY- Zinc oxide-titanium dioxide-mono.azo-Natural ochre **** 7/8 m l deep 74-PY43 B7 Old Holland yellow PW4-PW6- Zinc oxide-titanium dioxide-monoazo-Natural ochre *** 7/8 m l medium PY74-PY43 B103 Brilliant yellow PW4-PW6- Zinc oxide- Titanium dioxide- Disazo- Diketo pyrollo *** 7/8 m l light PY83-PO73 pyrrole B106 Brilliant yellow PW4-PW6- Zinc oxide- Titanium dioxide- Nickel titanate- Diketo- **** 7/8 m l PY53-PO73 Pyrrolo- Pyrolle B109 Brilliant yellow- PW4-PW6- Zinc white- Titanium dioxide- Nickel titanate- Diketo- **** 7/8 m l reddish PY53-PO73 Pyrrolo- Pyrolle B112 Napels yellow PW4-PW6- Zinc oxide- Titanium dioxide- Nickel titanate- Disazo **** 7/8 m l reddish extra PY53-PO43 B115 Flesh tint PW4-PW6- Zinc oxide- Titanium dioxide- Zinc iron oxide- *** 7/8 m l PY119-PR2 Condensed azo B118 Indian yellow- PY95-PY129 Azo condensation-
    [Show full text]
  • Download Colour Chart
    DIRECT DYE * AMMONIA FREE * PEROXIDE FREE DIRECTIONS: CUSTOMISED COLOUR MAINTENANCE APPLICATION MIXING TIMING refer to menu for depending on hair condition suggested formulas and desired colour intensity colour maintenance add 80g fab pro 3 minutes conditioner formula (direct dye match and maintain colour or direct dye and in-between salon visits. conditioner) to 200ml conditioner base. shake well. MATCH IT * MIX IT * TAKE IT AWAY DIRECTIONS: COLOUR SERVICE 1. identify the level, tone and length of hair. 2. select the appropriate colour formula from the mixologist menu, ensuring the formula works with the lightest level of hair. 3. measure and mix your formula. 4. prepare hair by shampooing, towel-dry hair evenly, then detangle and comb through. APPLICATION MIXING TIMING refer to menu for depending on hair condition suggested formulas and desired colour intensity colour refresh mix fab pro direct 5 – 15 minutes refresh existing hair colour dyes together. on mid-lengths and ends in-between all colour services (permanent, demi and semi- permanent colour). colour fill* mix fab pro direct 5 – 15 minutes darken lighter hair quickly, dyes together. without damage. *for filling formulas, see fab pro fill chart or visit evohair.com. colour tone* / pastels mix fab pro direct 5 – 15 minutes ideal for colour toning and dyes together or with can be diluted to create pastel shades. conditioner base. *for extremely porous hair, you may need to dilute fab pro direct dye using conditioner base. DIRECT DYES LEVEL 5 LEVEL 7 LEVEL 10 colour results are determined by the level, tone and formula you use. in order to accurately predict a colour result, you need to understand how the existing level and tone will contribute to the result; the lighter the level, the more intense the result.
    [Show full text]
  • (Un)Privilege Or Flesh Tones, Red Bones, and Sepia Shades of Brown
    ROBIN M. BOYLORN 2. UNPACKING (UN)PRIVILEGE OR FLESH TONES, RED BONES, AND SEPIA SHADES OF BROWN PRIVILEGE/D POSITIONS In Peggy McIntosh’s seminal essay, White Privilege: Unpacking the Invisible Knapsack, she reckons with the revelation that as a white person she enjoys race privileges to which she, and most other white people, are oblivious. Her lack of awareness of her own privilege exposes the limitations of our personal politics and reinforces the importance of understanding the nuances of identity and privilege. For example, white people will always benefit from white privilege in a white supremacist, capitalist culture. Men will always receive unearned advantages in a patriarchal system designed for their success. Heterosexual people will always be privileged in a heteronormative and trans, bi and homophobic society that is hierarchically designed to render nonheterosexuality invisible and/or abnormal. Able-bodied people will continue to be recognized to the exclusion of others in a system that is both ableist and ageist. By definition, social and cultural privileges are invisible and institutional. We are not socialized to be cognizant of our privileges. Flat- out denial and defiant resistance are the frequent responses of privileged folk when called out about their inherited and unfair advantages. Many times, we exhibit willful ignorance about our personal invisible knapsacks of privilege, while being hyper-aware of the ways other people fail to acknowledge and account for their own. When highlighted, privilege is the hot potato nobody wants to be caught holding in their hand. Acknowledging privilege jeopardizes our worldview and self-concept. People with privilege generally go their whole lives without ever being forced to reckon with the ways their everyday experiences of normalcy are actually exceptional.
    [Show full text]
  • Color Chart.Pdf
    ® Finishing Products Division of RPM Wood Finishes Group Inc. Color Chart The Original Touch Up Company™ Made in the USA Color Chart ® Finishing Products Division of RPM Wood Finishes Group, Inc. Index Aerosols 1-5 Ultra® Classic Toner & Tone Finish Toner 1-3 Colored Lacquer Enamel 3-5 Shadow Toner 5 Touch-Up Markers/Pencils 5-15 Ultra® Mark Markers 5-9 3 in 1 Repair Stick 9 Pro-Mark® Markers 9-10 Quik-Tip™ Markers 10-11 Background Marker Touch-Up & Background Marker Glaze Hang-Up 11-13 Artisan Glaze Markers 13 Vinyl Marker Glaze Hang-Up 14 Brush Tip Graining Markers 14 Accent Pencils 15 Blend-Its 15 Fillers 15-29 Quick Fill® Burn-In Sticks 15-16 Edging/Low Heat Sticks 16 E-Z Flow™ Burn-In Sticks 16-17 PlaneStick® Burn-In Sticks 17-18 Fil-Stik® Putty Sticks 18-25 Hard Fill & Hard Fill Plus 25-27 PermaFill™ 27 Epoxy Putty Sticks 27-28 Patchal® Puttys 28-29 Knot Filler 29 Fil-O-Wood™ Wood Putty Tubes 29 Color Replacement 30-31 Blendal® Sticks 30 Sand Thru Sticks 30-31 Blendal® Powder Stains 31 Bronzing Powders 31 Dye Stains 32 Ultra® Penetrating & Architectural Ultra® Penetrating Stain 32 Dye Concentrate 32 Pigmented Stains 32-34 Wiping Wood™, Architectural Wiping Stain & Wiping Wood™ Stain Aerosols 32-33 Designer Series Stain, Designer Series Radiant Stain 33-34 Glazes 34 Finisher’s Glaze™ Glazing Stain & Aerosols 34 Break-A-Way™ Glaze & Aerosols 34 Leather Repair 35-37 E-Z Flow™ Leather Markers 35 Leather/Vinyl Markers 35 Leather/Vinyl Fil Sticks 35-36 Leather Repair Basecoat Aerosols 36 Leather Repair Toner Aerosols 36 Leather Repair Color Adjuster Aerosols 37 Touch Up Pigment 37 Leather Refinishing 37 Base Coat 37 NOTE: COLORS ARE APPROXIMATE REPRESENTATIONS OF ACTUAL COLORS USING MODERN PROCESS TECHNIQUES.
    [Show full text]
  • Liquicolor Permanente Shades 07-10-12.Pdf
    LIQUICOLOR PERMANENTE INTENSE INTENSE INTENSE INTENSE GOLD RED NEUTRAL (RN) INTENSE RED (RR) RED VIOLET (RV) RED VIOLET (RRV) BASE INTENSE NEUTRAL (NN) NEUTRAL (N) ASH (A) ASH (A) ASH (AA) ASH (AA) NEUTRAL(GN) GOLD (G) REDPELIRROJO NEUTRAL (RN) RED (R) INTENSEPELIRROJO RED (RR) REDPELIRROJO VIOLET (RV) REDPELIRROJO VIOLET (RRV) NEUTRAL INTENSO NEUTRAL CENIZO CENIZO CENIZO INTENSO CENIZO INTENSO DORADO NEUTRAL GOLDDORADO (G) PELIRROJONEUTRAL PELIRROJORED (R) PELIRROJOINTENSO PELIRROJOVIOLETA VIOLETAPELIRROJO INTENSO LEVEL/NIVEL DORADO NEUTRAL PELIRROJO INTENSO VIOLETA VIOLETA INTENSO 12 HIGH-LIFT BLONDE 12N/HL-N 12A/HL-V 12AA-B/HL-B 12AA-BV 12G / HL-G HIGH LIFT HIGH LIFT HIGH LIFT ULTRA HIGH LIFT ULTRA HIGH LIFT GOLDEN BLONDE NEUTRAL BLONDE COOL BLONDE COOL BLONDE BLUE COOL BLONDE BLUE VIOLET 10 LIGHTEST BLONDE RUBIO CLARÍSIMO 10N/12B1 10GN/12G2 OUR FIRST NN 10G / 12G LIGHTEST NEUTRAL BLONDE LIGHTEST GOLD LIQUID COLOR LIGHTEST GOLDEN BLONDE blondest beige NEUTRAL BLONDE blondest blonde blondest gold 9 VERY LIGHT BLONDE RUBIO MUY CLARO 9NN 9N/89N 9A/26D 9A-N/40D 9AA/20D 9AA-BV/30D VERY LIGHT RICH VERY LIGHT VERY LIGHT VERY LIGHT COOL VERY LIGHT ULTRA VERY LIGHT ULTRA COOL NEUTRAL BLONDE NEUTRAL BLONDE COOL BLONDE NEUTRAL BLONDE COOL BLONDE BLONDE BLUE VIOLET lightest neutral blonde winter wheat topaz arctic blonde flaxen blonde 8 LIGHT BLONDE RUBIO CLARO 8NN 8N/88N 8A / 28D 8GN/27G 8RN / 71RG 8R / 29R LIGHT RICH LIGHT LIGHT COOL BLONDE LIGHT GOLD NEUTRAL LIGHT RED NEUTRAL LIGHT RED BLONDE NEUTRAL BLONDE NEUTRAL BLONDE autumn mist BLONDE
    [Show full text]
  • The Base Colors: Black and Chestnut the Tail, Called “Foal Fringes.”The Lower Legs Can Be So Pale That It Is Let’S Begin with the Base Colors
    Foal Color 4.08 3/20/08 2:18 PM Page 44 he safe arrival of a newborn foal is cause for celebration. months the sun bleaches the foal’s birth coat, altering its appear- After checking to make sure all is well with the mare and ance even more. Other environmental issues, such as type and her new addition, the questions start to fly. What gender quality of feed, also can have a profound effect on color. And as we is it? Which traits did the foal get from each parent? And shall see, some colors do change drastically in appearance with Twhat color is it, anyway? Many times this question is not easily age, such as gray and the roany type of sabino. Finally, when the answered unless the breeder has seen many foals, of many colors, foal shed occurs, the new color coming in often looks dramatical- throughout many foaling seasons. In the landmark 1939 movie, ly dark. Is it any wonder that so many foals are registered an incor- “The Wizard of Oz,” MGM used gelatin to dye the “Horse of a rect—and sometimes genetically impossible—color each year? Different Color,” but Mother Nature does a darn good job of cre- So how do you identify your foal’s color? First, let’s keep some ating the same spectacular special effects on her foals! basic rules of genetics in mind. Two chestnuts will only produce The foal’s color from birth to the foal shed (which generally chestnut; horses of the cream, dun, and silver dilutions must have occurs between three and four months of age) can change due to had at least one parent with that particular dilution themselves; many factors, prompting some breeders to describe their foal as and grays must always have one gray parent.
    [Show full text]
  • Color Coat Genetics
    Color CAMERoatICAN ≤UARTER Genet HORSE ics Sorrel Chestnut Bay Brown Black Palomino Buckskin Cremello Perlino Red Dun Dun Grullo Red Roan Bay Roan Blue Roan Gray SORREL WHAT ARE THE COLOR GENETICS OF A SORREL? Like CHESTNUT, a SORREL carries TWO copies of the RED gene only (or rather, non-BLACK) meaning it allows for the color RED only. SORREL possesses no other color genes, including BLACK, regardless of parentage. It is completely recessive to all other coat colors. When breeding with a SORREL, any color other than SORREL will come exclusively from the other parent. A SORREL or CHESTNUT bred to a SORREL or CHESTNUT will yield SORREL or CHESTNUT 100 percent of the time. SORREL and CHESTNUT are the most common colors in American Quarter Horses. WHAT DOES A SORREL LOOK LIKE? The most common appearance of SORREL is a red body with a red mane and tail with no black points. But the SORREL can have variations of both body color and mane and tail color, both areas having a base of red. The mature body may be a bright red, deep red, or a darker red appearing almost as CHESTNUT, and any variation in between. The mane and tail are usually the same color as the body but may be blonde or flaxen. In fact, a light SORREL with a blonde or flaxen mane and tail may closely resemble (and is often confused with) a PALOMINO, and if a dorsal stripe is present (which a SORREL may have), it may be confused with a RED DUN.
    [Show full text]
  • Color Wheel TINT
    E’TAC Private Stock PS 106 BS naphtol red PS 105 Naphtol red Color wheel TINT PS 108 Quina magenta PS 107 Pyrrole red PS 106 BS naphtol red © Eddy & Marissa Wouters http://www.etac-airbrush.com http://www.etac-europe.com PS 113 Red ocher PS 105 Naphtol red PS 117 Red shade violet PS 107 Pyrrole red PS 109 Carbazole violet PS 104 Azo orange PS 113 Red ocher PS 114 Brown ocher PS 116 Blue shade violet PS 104 Azo orange PS 114 Brown ocher PS 203 Flesh (opaque) PS 203 Flesh (opaque) PS 115 Burnt umber PS 134 Ultramarine blue PS 115 Burnt umber PS 118 Culebra gold PS 103 Golden ocher PS 122 Sepia smoke HOT colors PS 102 Arylide yelow PS 118 PS 121 Rainforest green Culebra gold PS 123 Portrait gray PS 111 Phthalo green PS 110 Phthalo blue PS 119 Vieques blue COOL colors PS 112 Phthalo turquoise PS 120 Aqua rica PS 103 Golden ocher PS 120 Aqua rica PS 110 Phthalo blue PS 112 Phthalo turquoise PS 134 Ultramarine blue PS 119 Vieques blue PS 102 Arylide yelow PS 116 Blue shade violet PS 109 Carbazole violet PS 117 Red shade violet PS 111 Phthalo green PS 101 Shading Black PS 200 Op. HS Carbon Black PS 121 Rainforest green PS 108 Quina magenta PS 123 Portrait gray COOL HOT colors colors PS 100 Tinting White PS 122 Sepia smoke PS 201 Op. Titanium Plasma White E’TAC Private Stock PS 106 BS naphtol red PS 105 Naphtol red Color wheel TONE PS 108 Quina magenta PS 107 Pyrrole red PS 106 BS naphtol red © Eddy & Marissa Wouters http://www.etac-airbrush.com http://www.etac-europe.com PS 113 Red ocher PS 105 Naphtol red PS 117 Red shade violet PS 107 Pyrrole
    [Show full text]