Download Colour Chart

Total Page:16

File Type:pdf, Size:1020Kb

Download Colour Chart DIRECT DYE * AMMONIA FREE * PEROXIDE FREE DIRECTIONS: CUSTOMISED COLOUR MAINTENANCE APPLICATION MIXING TIMING refer to menu for depending on hair condition suggested formulas and desired colour intensity colour maintenance add 80g fab pro 3 minutes conditioner formula (direct dye match and maintain colour or direct dye and in-between salon visits. conditioner) to 200ml conditioner base. shake well. MATCH IT * MIX IT * TAKE IT AWAY DIRECTIONS: COLOUR SERVICE 1. identify the level, tone and length of hair. 2. select the appropriate colour formula from the mixologist menu, ensuring the formula works with the lightest level of hair. 3. measure and mix your formula. 4. prepare hair by shampooing, towel-dry hair evenly, then detangle and comb through. APPLICATION MIXING TIMING refer to menu for depending on hair condition suggested formulas and desired colour intensity colour refresh mix fab pro direct 5 – 15 minutes refresh existing hair colour dyes together. on mid-lengths and ends in-between all colour services (permanent, demi and semi- permanent colour). colour fill* mix fab pro direct 5 – 15 minutes darken lighter hair quickly, dyes together. without damage. *for filling formulas, see fab pro fill chart or visit evohair.com. colour tone* / pastels mix fab pro direct 5 – 15 minutes ideal for colour toning and dyes together or with can be diluted to create pastel shades. conditioner base. *for extremely porous hair, you may need to dilute fab pro direct dye using conditioner base. DIRECT DYES LEVEL 5 LEVEL 7 LEVEL 10 colour results are determined by the level, tone and formula you use. in order to accurately predict a colour result, you need to understand how the existing level and tone will contribute to the result; the lighter the level, the more intense the result. the darker the level, the deeper the result. all swatches within this menu are shown on a true, level 10 base. LEGEND BK BLACK G GREEN R RED CO CONDITIONER B BLUE O ORANGE V VIOLET CH CHOCOLATE P PLATINUM Y YELLOW BEIGE ASH NATURAL COPPER CHESTNUT GOLD VIOLET RED TONERS PASTEL LEVEL LEVEL LEVEL HAIR HAIR HAIR 1 1 1 1 2 3 4 5 6 7 8 9 1 2 3 4 5 6 7 8 9 1 2 3 4 5 6 7 8 9 0 0 0 SUGGESTED PASTEL GREEN GOLD BLONDE RED PASTEL PINK VERY LIGHT GOLD BLONDE YELLOW PASTEL ORANGE GOLD TONER BLUE STRONGLY SUGGESTED VEGAN /CRUELTYFREEMADE WITHOUTSULFATES,PARABENSORGLUTEN. PASTEL BLUE CHESTNUT BROWN ORANGE PASTEL YELLOW CHESTNUT BLONDE GREEN manufactured by evo labs pty. ltd. ltd. labspty. evo by manufactured PASTEL VIOLET COPPER CHESTNUT BLONDE VIOLET COLOUR SUGGESTIONGUIDE * TOTALRESPECTOFSCALPANDHAIR'SINTEGRIT * DIRECTDYEAMMONIAFREEPEROXIDEFRE PLUSH BEIGE LIGHT CHESTNUT BLONDE CHOCOLATE * NOPERMANENTCOLOURCOMMITMEN CARAMEL LATTE CHESTNUT TONER BLACK /evohair – @evohair –#fabpro –@evohair /evohair SMOKEY MAUVE COPPER BROWN PLATINUM VINTAGE ROSE DARK RED COPPER BLONDE 4 NATURAL evohair.com evo fab pro fab evo SILVER FOX INTENSE COPPER BLONDE 5 NATURAL 17 - OYSTER GOLD COPPER BLONDE 6 NATURAL 21 commercial st. marleston SA 5033 SA marleston st. 21 commercial LIGHT GOLD COPPER BLONDE 7 NATURAL COPPER TONER 8 NATURAL RED CHESTNUT BROWN 9 NATURAL DARK RED BLONDE BLUE BLACK T * COPPER RED BLONDE ASH BROWN E * Y * RED BLONDE DARK ASH BLONDE LIGHT GOLD RED BLONDE LIGHT ASH BLONDE VIOLET BROWN ASH TONER DARK RED VIOLET BLONDE BEIGE BROWN DARK ASH VIOLET BLONDE DARK BEIGE BLONDE DARK INTENSE VIOLET BLONDE BEIGE BLONDE NATURAL VIOLET BLONDE BEIGE TONER VIOLET TONER DARK GOLD BLONDE.
Recommended publications
  • Online Panpastel Color Chart 7.14
    COLOR RANGE Apply Pastel Color Like Paint. Available in 92 highly pigmented colors: 20 pure colors (mass tones), 20 tints, 20 shades, 20 extra darks & 6 metallic colors, 6 pearlescent colors plus 5 mediums Hansa Yellow Extra Dark 220.1 Diarylide Yellow Extra Dark 250.1 Yellow Ochre Extra Dark 270.1 Orange Extra Dark 280.1 Permanent Red Extra Dark 340.1 Magenta Extra Dark 430.1 PY3 **** PY83 **** PY42 **** PO62 **** PR254 **** PR122 **** Hansa Yellow Shade 220.3 Diarylide Yellow Shade 250.3 Yellow Ochre Shade 270.3 Orange Shade 280.3 Permanent Red Shade 340.3 Magenta Shade 430.3 PY3 **** PY83 **** PY42 **** PO62 **** PR254 **** PR122 **** Hansa Yellow 220.5 Diarylide Yellow 250.5 Yellow Ochre 270.5 Orange 280.5 Permanent Red 340.5 Magenta 430.5 PY3 **** PY83 **** PY42 **** PO62 **** PR254 **** PR122 *** Hansa Yellow Tint 220.8 Diarylide Yellow Tint 250.8 Yellow Ochre Tint 270.8 Orange Tint 280.8 Permanent Red Tint 340.8 Magenta Tint 430.8 PY3 *** PY83 *** PY42 **** PO62 *** PR254 ** PR122 ** Violet Extra Dark 470.1 Ultramarine Blue Extra Dark 520.1 Phthalo Blue Extra Dark 560.1 Turquoise Extra Dark 580.1 Phthalo Green Extra Dark 620.1 Permanent Green Extra Dark 640.1 PV23 **** PB29 **** PB15 **** PG50/PB36 **** PG7 **** PG50 **** Violet Shade 470.3 Ultramarine Blue Shade 520.3 Phthalo Blue Shade 560.3 Turquoise Shade 580.3 Phthalo Green Shade 620.3 Permanent Green Shade 640.3 PV23 **** PB29 **** PB15 **** PG50/PB36 **** PG7 **** PG50 **** Violet 470.5 Ultramarine Blue 520.5 Phthalo Blue 560.5 Turquoise 580.5 Phthalo Green 620.5 Permanent
    [Show full text]
  • Premium 275+ Strong Colors
    PREMIUM 275+ STRONG COLORS Die weltweit erste Street Art optimierte Sprühdose wurde The worldwide first street art optimized spray can was von Künstlern für Künstler entwickelt. Der hochdeckende developed with artists for artists. The highly opaque classic Klassiker, mit 4-fach gemahlenen Auto-K™ Pigmenten, ist with its 4 times ground Auto-K™ pigments, is the most die zuverlässigste Graffiti-Sprühdose seit 1999. re liable graffiti spray can since 1999. Mit über 275 Farbtönen verfügt das Sortiment der Moreover, with more than 275 color shades MOLOTOW™ MOLOTOW™ PREMIUM außerdem über eine der PREMIUM has one of the biggest spray paint color range. umfangreichsten Sprühdosen-Farbpaletten. PREMIUM PREMIUM Transparent 400 ml | 327300 PREMIUM Transparent PREMIUM Neon 400 ml | 327499 GRAFFITI PREMIUM 400 ml | 327000 SPRAY PAINT SEMI GLOSS MATT MATT HIGHLY HIGHEST UV AND GOOD UV AND GOOD UV RESISTANCE THE ORIGINAL WEATHER RESISTANCE WEATHER RESISTANCE WITH SEALING SINCE 1999 OPAQUE 252 COLOR SHADES TRANSPARENT 15 COLOR SHADES + 2 CLEAR COATINGS NEON 8 COLOR SHADES #181- #001 jasmin yellow 327001 #032 MAD C cherry red 327188 #063 purple violet 327138 #094 shock blue 327032 #122 riviera pastel 327216 #153 grasshopper 327064 nature green middle 327252 #203 cocoa middle 327234 #228 grey blue light 327177 2 zinc yellow 327006 signal red 327014 crocus 327199 tulip blue light 327213 riviera light 327072 cream green 327058 mustard 327049 cocoa 327126 pebble grey 327238 Händlerstempel ∙ dealer stamp Issue 12/20 #002 #033 #064 #095 #123 #154 #182 #204 #229 #182- #204- #003 cadmium yellow 327082 #034 apricot 327116 #065 lavender 327200 #096 tulip blue middle 327214 #124 TASTE riviera middle 327217 #155 hippie green 327063 mustard yellow 327262 caramel light 327253 #230 marble 327239 1 1 #182- #004 signal yellow 327165 #035 salmon orange 327134 #066 lilac 327201 #097 tulip blue 327033 #125 riviera dark 327073 #156 BACON wasabi 327222 khaki green 327263 #205 caramel 327091 #231 signal white 327160 2 4 Item-No.
    [Show full text]
  • COMPLETE WARDROBE of SHADES. for BEST RESULTS, Dr.’S REMEDY SHADE COLLECTION SHOULD BE USED TOGETHER with BASIC BASE COAT and CALMING CLEAR SEALING TOP COAT
    COMPLETE WARDROBE OF SHADES. FOR BEST RESULTS, Dr.’s REMEDY SHADE COLLECTION SHOULD BE USED TOGETHER WITH BASIC BASE COAT AND CALMING CLEAR SEALING TOP COAT. ALTRUISTIC AMITY BALANCE NEW BOUNTIFUL BRAVE CHEERFUL CLARITY COZY Auburn Amethyst Brick Red BELOVED Blue Berry Cherry Coral Cafe A playful burnt A moderately A deep Blush A tranquil, Bright, fresh and A bold, juicy and Bright pinky A cafe au lait orange with bright, smokey modern Cool cotton candy cornflower blue undeniably feminine; upbeat shimmer- orangey and with hints of earthy, autumn purple. maroon. crème with a flecked with a the perfect blend of flecked candy red. matte. pinkish grey undertones. high-gloss finish. hint of shimmer. romance and fun. and a splash of lilac. DEFENSE FOCUS GLEE HOPEFUL KINETIC LOVEABLE LOYAL MELLOW MINDFUL Deep Red Fuchsia Gold Hot Pink Khaki Lavender Linen Mauve Mulberry A rich A hot pink Rich, The perfect Versatile warm A lilac An ultimate A delicate This renewed bordeaux with classic with shimmery and ultra bright taupe—enhanced that lends everyday shade of juicy berry shade a luxurious rich, romantic luxurious. pink, almost with cool tinges of sophistication sheer nude. eggplant, with is stylishly tart matte finish. allure. neon and green and gray. to springs a subtle pink yet playful sweet perfectly matte. flirty frocks. undertone. & classic. MOTIVATING NOBLE NURTURE PASSION PEACEFUL PLAYFUL PLEASING POISED POSITIVE Mink Navy Nude Pink Purple Pink Coral Pink Peach Pink Champagne Pastel Pink A muted mink, A sea-at-dusk Barely there A subtle, A poppy, A cheerful A pale, peachy- A high-shine, Baby girl pink spiked with subtle shade that beautiful with sparkly fresh bubble- candy pink with coral creme shimmering soft with swirls of purple and cocoa reflects light a hint of boysenberry.
    [Show full text]
  • Cool Blondes Shades
    THE NEW BLONDES We broadened It’s color range adding new shades (levels 8 to 10) with cold/slightly cold reflex (take 8.11 as an example), to meet global market’s expectations (trends are looking towards neutral/cold tones). We also worked on the existing range, adding more levels and reflexes (10.00, for example), answering to customers and hairdressers requests. THE NEW SHADES 10.11 10.81 9.81 9.12 9 Mother of pearl 8.11 8.81 THE NEW BLONDES THE EXPANDED SERIES 10 10S 9.16 8.02 COLOR CHART INTENSE ASH FAMILY 8.11/8AA intense ash light blonde 10.11/10AA intense ash lightest blonde These shades add an intense ash reflex and neutralize orange and yellow/orange residual reflexes. Good grey hair coverage SANDY ASH FAMILY 10.81/10SA 9.81/9SA 8.81/8SA lightest sand ash blonde very light sand ash blonde light sand ash blonde These shades add a cold beige reflex and soften golden ones. Good grey hair coverage IRIDESCENT FAMILY 9.12/9AV very light irisè ash blonde This shade adds an irisé ash reflex and neutralizes golden ones. Fair grey hair coverage PURPLE PEARL FAMILY 9 mother of pearl This shade adds an irisè – pearl reflex, and neutralizes golden ones. Good grey hair coverage CHROMA FAMILY IT’S COLOR EXPANDED SERIES 9.16/9AR very light red ash blonde This shade adds a natural red ash reflex. Fair grey hair coverage IRISÉ FAMILY IT’S COLOR EXPANDED SERIES 8.02/8NV light irisè natural blonde This shade adds a natural irisé reflex and neutralizes golden ones.
    [Show full text]
  • Chestnut Growers' Guide to Site Selection and Environmental Stress
    This idyllic orchard has benefited from good soil and irrigation. Photo by Tom Saielli Chestnut Growers’ Guide to Site Selection and Environmental Stress By Elsa Youngsteadt American chestnuts are tough, efficient trees that can reward their growers with several feet of growth per year. They’ll survive and even thrive under a range of conditions, but there are a few deal breakers that guarantee sickly, slow-growing trees. This guide, intended for backyard and small-orchard growers, will help you avoid these fatal mistakes and choose planting sites that will support strong, healthy trees. You’ll know you’ve done well when your chestnuts are still thriving a few years after planting. By then, they’ll be strong enough to withstand many stresses, from drought to a caterpillar outbreak, with much less human help. Soil Soil type is the absolute, number-one consideration when deciding where—or whether—to plant American chestnuts. These trees demand well-drained, acidic soil with a sandy to loamy texture. Permanently wet, basic, or clay soils are out of the question. So spend some time getting to know your dirt before launching a chestnut project. Dig it up, roll it between your fingers, and send in a sample for a soil test. Free tests are available through most state extension programs, and anyone can send a sample to the Penn State Agricultural Analytical Services Lab (which TACF uses) for a small fee. More information can be found at http://agsci.psu.edu/aasl/soil-testing. There are several key factors to look for. The two-foot-long taproot on this four- Acidity year-old root system could not have The ideal pH for American chestnut is 5.5, with an acceptable range developed in shallow soils, suggesting from about 4.5 to 6.5.
    [Show full text]
  • The Colours of Caran D'ache 2016 SUSTAINABLE DEVELOPMENT
    All the Colours of Caran d'Ache 2016 SUSTAINABLE DEVELOPMENT The commitment that a Maison de Haute Ecriture has the duty to uphold. Caran d’Ache has ensured respect for people, the environment, products and personal safety, which are key conditions for the companies development. Following recognition of its excellent production methods, as certified by the ISO 9001 label since 1996, today the commitment of Caran d’Ache to environmental management has been recognised with the presentation of certification ISO 14001. Caran d’Ache is one of the few pencil producers with FSC® certification. Received in 2004, it covers not only our raw materials but our entire production process and workshops. All Caran d’Ache pencils are certified as made from wood that comes from strictly managed forests with guaranteed reforestation programmes. The production of Caran d’Ache graphite pencils is exclusively made of 100% natural products. Pencil leads and coloured chalks are mainly made with natural components and binders. The pigments, mainly The creations of Caran d’Ache in a few dates: synthetic, meet all safety requirements. Pencil varnishes 1929: Fixpencil®, the first metallic clutch pencil made with modified nitrocellulose do not contain plasti- 1931 : Prismalo®, the first water-soluble colour pencil cisers and are being progressively replaced by aqueous 1952 : Neocolor®, wax-pastels varnishes, thus reducing the use of solvents and their 1966 : Fibralo®, fibber tip pens with water-based ink impact on the environment. 1985 : Neopastel®, the oil-pastels
    [Show full text]
  • STMGA-GOLD-RED-W-Winter-Rules
    STMGA GOLD/RED TEE POLICY Effective February 1, 2015, the STMGA policy to move to or from the gold/red tees is as follows: 1. A STMGA member may, at his discretion, elect to move to the gold/red tees for STMGA events and have his handicap calculated from the gold or red tees on the STMGA handicap list. 2. A player may make one move (either to the gold/red tees or return to the gold/white tees) in any STMGA membership year which is from Oct.1 to Sept. 30. 3. A player must request a change in writing or via email to the STMGA handicap chairman. The change will become effective with the next publication of STMGA handicaps on the 1st and 15th of the month. 4. A player incurring a disability which might cause him to temporarily move to the gold/red tees, may submit a request to the STMGA Handicap Committee for approval at any time. He will not be subject to #2 above. 5. Before playing from the new tees in any Major Tournament* a player must report for handicap calculation at least 5 scores played from the new tees. *(Member/Guest, Spring and Fall Member/Member, Club Championship) Note: this policy in no way should be interpreted as a dictate on which tees a player plays from in non-STMGA events. That decision is up to the player and the group he is playing with. Winter Play Tee Policy: * 1. A player may make a “winter season” decision to move forward one tee box on November 1st and must move back one tee box March 1st, not before.
    [Show full text]
  • 54.03 Application for a Color Trademark Consisting of a Gold Color, Etc
    54.03 54.03 Application for a Color Trademark Consisting of a Gold Color, etc. In the case of an application claiming a color trademark, if the color is a metallic color such as gold and silver or any other similar thereto ("gold, etc."), it would be almost impossible to present the color in a trademark sample or define the color under a color specification system such as RGB. An application for such color would be accepted only if the applicant fills out the trademark sample section by presenting a color similar to the claimed color and states, in the section "Detailed explanation of the trademark," the registration number, etc. of the claimed color in a trademark sample book that is widely used. (Example 1) Example of an acceptable trademark sample of a single color trademark consisting of a gold color (Example 1-1) (Example 1-2) Trademark sample expressing a color Trademark sample expressing a color similar to gold by using color gradations similar to gold by presenting an approximate color [Explanation] Gold, etc. is not merely a color but is also a concept including elements of luster and texture. Metallic luster, etc. is caused as a result of mutual interaction between the free electrons in the metal, etc. and the photons coming from outside. It would be possible to present gold, etc. expressing its luster and other characteristics by using color gradations. However, it would be impossible to accurately present the color in a trademark sample. Thus, it would suffice if the applicant presents a color similar to gold in a trademark sample.
    [Show full text]
  • Testing Gold Platinum Silver.Qxp
    PROCEDURES FOR TESTING GOLD, PLATINUM AND SILVER To test for the karat value of gold, platinum and silver, you will need the following materials and tools: • Black acid testing stone that is washed thoroughly with water prior to each test. • Acids. • Gold testing needles with gold tips - used for comparison with test pieces. Testing for 10K, 12K, 14K Scratch the gold piece to be tested on the stone. Next to this position, scratch the appropriate needle (10, 12 or 14K). Place a drop of the appropriate acid on the stone where the gold was rubbed off. If the gold is the same karat or higher, the color of the scratch mark for the gold piece will appear the same as the mark from the needle. If that gold piece is a lower karat, the scratched deposit will become fainter and eventually disappear. Testing for 18K Scratch the test piece on the stone and apply 18K acid. Any gold that is less than 18K will disappear in less than 30 seconds. Gold that remains on the stone is 18K or higher. Testing for 20K and 24K Scratch the gold piece on the stone. Next, scratch any item of know karat (coin or needle) on the stone. Apply one drop of acid to area. The material that starts to disappear has the lower karat. Testing for Platinum Scratch the test item on the stone and apply one drop of acid to the application on the stone. If the material is platinum, it should keep its white, bright color. White Gold The same procedure for platinum can be used for 18K white gold.
    [Show full text]
  • Eggplant, Pepper, Tomato Fungicides (Labeled & Rates/A)
    2014 Tomato, Eggplant, Pepper Fungicides NYS TOMATO (T), EGGPLANT (E) and PEPPER (P) FUNGICIDES (Labeled & Rates/A) as of JULY 2014 T. A. Zitter, Dept. Plant Pathology, Cornell University, Ithaca, NY http://vegetablemdonline.ppath.cornell.edu Underlined are Registered for use in NYS and Includes OMRI Listed products; * and † refer to restrictions in NYS; Group Nos. before Products are from the Fungicide Resistance Action Committee and EPA (Mode of Action), while Nos. after refer to Days To Harvest (DTH) ex. [FRAC No. 40 Product 4DTH]; (Warnings and Fungicide Resistance concerns are given in italics) (Important comments also in RED); Because of EB resistance to Strobilurins in NYS, consider Quadris Opti, Quadris Top or Cabrio + Endura, or Tanos tank-mixed with protectant, but never use strobilurins alone for EB control. Systemic fungicides are in BOLD. Major fungicide groups have been color coded to aid in finding and categorizing by MOA: Phosphorous acids = Blue; Strobilurins or Group 11 = violet; Chlorothalonils = Black; Coppers = green; and Sulfurs = orange. Fungicide/nematicide usage for soil application or for Foliar/Greenhouse use has been highlighted as shown. Alphabetical Fungicide List T, P Chili P1Actigard14 50WG (EPA 100-922) REI 12 hrs (acibenzolar-S-methyl, host plant defense induction) (Syngenta); T=Bac. Spot and speck 1/3 to ¾ oz; Chili Pepper=Bac. Spot and Speck, 0.33- 0.75 oz/A. (Do not exceed rate [up to 6 applications] or yield reduction could occur). (Generally for field use, suggesting not applied before thinning or within 5 days of transplant). 14 DTH. T, E, P 33Agri-Fos0 (EPA 71962-1) REI 4 hrs (phosphorous acid) (Liquid Fert.) T = LB, Phytoph RR, 1.5 qts/40 gal; E = Pythium, Phytophthora, 1.25 qts/40 gal; P = Phytophthora RR, 1.5 qts/25 gal.
    [Show full text]
  • RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
    RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey
    [Show full text]
  • Copper Alloys
    THE COPPER ADVANTAGE A Guide to Working With Copper and Copper Alloys www.antimicrobialcopper.com CONTENTS I. Introduction ............................. 3 PREFACE Conductivity .....................................4 Strength ..........................................4 The information in this guide includes an overview of the well- Formability ......................................4 known physical, mechanical and chemical properties of copper, Joining ...........................................4 as well as more recent scientific findings that show copper has Corrosion ........................................4 an intrinsic antimicrobial property. Working and finishing Copper is Antimicrobial ....................... 4 techniques, alloy families, coloration and other attributes are addressed, illustrating that copper and its alloys are so Color ..............................................5 adaptable that they can be used in a multitude of applications Copper Alloy Families .......................... 5 in almost every industry, from door handles to electrical circuitry to heat exchangers. II. Physical Properties ..................... 8 Copper’s malleability, machinability and conductivity have Properties ....................................... 8 made it a longtime favorite metal of manufacturers and Electrical & Thermal Conductivity ........... 8 engineers, but it is its antimicrobial property that will extend that popularity into the future. This guide describes that property and illustrates how it can benefit everything from III. Mechanical
    [Show full text]